Il nuovo modulo d’arredo multimediale destinato alla videocomunicazione è composto da unastruttura autoportante predisposta per l’integrazione su richiesta di dispositivi multimediali,compresa l’impiantistica relativa alla messa in funzione. E’ destinato alle sale conferenza, allearee meeting e lavoro di gruppo e nasce per soddisfare l’esigenza di comunicare e di farinteragire più persone contemporaneamente, anche in sedi diverse.
The new multimedia furniture module dedicated to videoconference, is composed of afreestanding structure prepared to receive optional multimedia devices, including the start-upsystem. It is designed for conference rooms, meeting areas and team-work and it has beenconceived to satisfy the communication demand, allowing for simultaneous interactivity ofseveral people, even from different locations.
High-quality artificial plants for decoration of all types of public spaes. Our plants are lifelike and require minimal maintenance and have no allergy risks! Combined with our pots, baskets and trendy oil drums, they can be used as room dividers and create a green oasis.
High-quality artificial plants for decoration of all types of public spaes. Our plants are lifelike and require minimal maintenance and have no allergy risks! Combined with our pots, baskets and trendy oil drums, they can be used as room dividers and create a green oasis.
In <em>Chimera,</em> Elena Salmistraro merges rigour with self-expression, in a graphic grammar laden with symbolic meaning. <em>Empatia </em>speaks to the emotions with graphics that interpret, through a highly individual abstract code, the stage make-up of a clown, with the aid of superimposed geometric forms and images. <em>Radici </em>is a tribal statement, a tribute to primitive ritual custom, evoked by the interplay between a sequence of triangles and rectangles and a set of figurative fragments. <em>Ritmo</em> is inspired by fabrics, suggesting the rhythmic alternation of woven yarns through a largely linear pattern. In <em>Colore, </em>the upheaval of a background of small isolated spots generated by a parametric digital program is combined with densely packed repeated forms. "The Chimera collection is rather like a book with four different chapters: I set out to differentiate these graphic motifs to create four totally different stories."<br></br>Elena Salmistraro It all starts with drawing. A <em>passion</em> for drawing. An <em>obsession</em> with drawing. Drawings like spider-webs, obsessively filling spaces, in a kind of manual choreography or gymnastics, a continuous flow. Elena Salmistraro draws all the time. She draws everywhere. Mostly on loose sheets or random surfaces. First and foremost with pen and pencil. Her drawings only acquire colour at a later stage. Often - just like Alessandro Mendini used to do - she draws "monsters": fascinating yet disturbing, subversive forms. The denser, more contorted the shape, the more obvious its underlying truth. For Elena, drawing is an intimate act. It is relaxing. And therapeutic. With an unrivalled communicative strength. Because drawing gives shape to ideas: you both give form to the world and reveal yourself. This passion, combined with natural graphic talent, has guided Elena Salmistraro in her project for Cedit: an experimental series of ceramic slabs produced using a high-definition 3D decorative technique. The explicit aim is to transform surfaces beyond their original flatness so that a new, visual and tactile, three-dimensional personality emerges, sweeping aside the coldness and uniformity that ceramic objects often inevitably convey.Elena Salmistraro has always viewed ceramics as a democratic material, in view of their accessibility, and the infinite potentials for shaping matter that they provide. She began working and experimenting with ceramics very early in her career, just after she graduated from the Milan Politecnico in 2008. She came into contact with small artistic craft firms specialising in smallproduction lots, and cut her teeth on projects that demanded the hand-processing of every detail, and finishes of high artistic value, for the high end of the market. The large corporations and galleries came later, but here again Elena kept faith with her desire to make mass-produced pieces unique, and to combine artistic value with specifically industrial characteristics. The monkey-shaped <em>Primates</em> vases reflect this method and intention, aiming to excite, surprise and charm. Antiminimalist and hyper-figurative, playful, ironic and a rich image-maker, often drawing on anthropology and magic, over the years Salmistraro has built up her own fantastic universe, inhabited by ceramic bestiaries, painted jungles and a cabinet like a one-eyed cyclops , always finding inspiration and inputs in nature and always aiming to reveal the extraordinary in the everyday. Given this background, it was almost inevitable she would work with Cedit: constantly seeking new talents and new approaches, as well as designs that break down the boundaries of ceramics and release them into the realm of art and innovation, the Modena company has recognised Elena Salmistraro as a leading contemporary creative spirit and involved her in a project intended to experiment with fresh ideas in materials and synaesthetics.Salmistraro's collection for Cedit is entitled <em>Chimera</em> and consists of large ceramic slabs, which can be enjoyed not only visually, through their patterns and colours, but also on a tactile level. Like the chimera in the "grotesque" tradition, monstrous in the etymological sense of the word with its merging of hybrid animal and vegetable shapes, the Cedit project attempts to originate a synaesthetic form of ceramics, through a three-dimensional development that exactly reproduces the texture of leathers and fabrics, creating an absolutely new kind of layered effect, with a tactile awareness that recalls the passion of grand master Ettore Sottsass for "surfaces that talk". And the surfaces of the slabs Salmistraro has created really seem to talk: in <em>Empatia </em>clown faces add theatricality to the cold gleam of marbles, interspersed with references to Art Déco graphics; <em>Radici</em> uses the textures of leathers and hide as if to re-establish a link between ceramics and other materials at the origins of human activity and creativity; in <em>Ritmo</em> the texture of cloth dialogues with pottery, almost in homage to the tactile rationalism of warp and weft, of which Bauhaus pioneer Anni Albers was one of the most expressive past interpreters ; finally, <em>Colore</em> has a spotted base generated by computer to underline the contrast between analogue and digital, the graphic sign and the matter into which it is impressed. It is an aesthetic of superimposition and mixing, and especially of synaesthesia: as in her drawings, in the <em>Chimera </em>slabs Elena Salmistraro's art is one of movement and acceleration. A process not of representation but of exploration. Of the world and of oneself. Almost a kind of Zen, for distancing oneself from the world to understand it more fully. In every sense.
From an ancient past to a responsible future <p>The collection injects new life into the earth through a sustainable production process, with a strong focus on green management, to offer the architect an exceptional technical and aesthetic performance in compliance with the socio-environmental context and the latest eco-friendly building needs. With EARTHTECH earth becomes “technical earth” with a highly innovative content, offering new solutions to green architecture and fulfilling the new frontiers of circular economy in construction, guaranteeing a sustainable future. <br />EARTHTECH offers a choice of organic textures to observe and touch, thanks to the wide range of finishes (Comfort, Glossy-Bright and structured) which add a tactile and unexpected perceptive dimension for use in all types of application. <br /><a class="btn arrow" href="https://www.florim.com/en/surfaces/the-new-comfort-surface/"> Discover the new Comfort surface </a></p> <p>EARTHTECH/ is also a return to the origins of the Florim brand through a full body technical product that blends surface and thickness and derives from the spontaneous mixing of carefully pre-selected fragments and pigments of different shades which give the material a unique, one-of-a-kind visual effect in each slab, mimicking the amazing variety of colours and elements in nature. The result is a composite product with a textured design, in which the flakes and aggregate grains create an original mélange effect that is vitrified during firing, producing a robust, high-quality and exceptionally strong and wear-resistant product; one which can be used in any type of building setting and weather conditions, even the harshest.</p>
Marble and wood blend in a refined creative mood board. In line with the latest trends in housing evolution, Nature Mood conceives of Nature not only as a model, but also as a true mentor and gauge of human endeavor, something from which to acquire knowledge and with which to give life to increasingly environmentally friendly designs.
<p>In this collection, Nature becomes an active component of design, mixing a palette of surfaces with warm hues that take their inspiration from the world of marbles and the material of wood, with clean, minimalist veining and an array of colors. The upshot is the attainment of elegant spaces that flow between interior and exterior, enhancing the presence of light so as to bestow a sensation of immersion in the natural environment at all times. The marble surfaces in the collection bring a new perspective to some of the most enchanting landscapes and natural binomials to be found on earth.</p>
<p> </p>
<p class="MsoNormal"><strong>COLORS AND DECORS</strong></p>
<p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">The verdant backdrop of Rainforest is redolent of the vegetation of tropical woods, with thin brown veins that evoke the bark of a tree.</span></p>
<p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">Glacier conjures up the whiteness of glaciers with delicate crests of light and dark gray.</span></p>
<p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">Mountain Peak is inspired by the varied appearance and warm colors of mountain ranges in the summertime.</span></p>
<p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">Tundra recalls the alternation of earth, shrubbery and snowfall that characterizes the homonymous Arctic polar environmental system.</span></p>
<p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">And lastly, Riverbed is reminiscent of a gravelly river bottom with its multiplicity of stones smoothed by the flowing water.</span></p>
<p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">The Planks 01, 02, 03, 04, 05 and 06 surfaces are the most combinable elements in the collection. Conceived as a color palette of woods with a clean, minimalist style, the Planks can generate different mood boards depending on the marble-effect surfaces with which they are juxtaposed, taking up the nuances of the veneers and affording the designer the option of personalizing both the interior spaces and the exterior shells of the buildings in accordance with his or her own creative taste.</span></p>
<p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">The range of backgrounds is enriched by five 6 mm thick fine porcelain stoneware decors that combine the colors of different wood-inspired surfaces.</span></p>
<p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">Hexagon offers a combination of 3 six-sided polygons, each of which in turn is divided into two different shades of wood. The composition is designed in two versions, the first combining the warm hues of Planks 01, 02 and 03, the second blending the cooler colors of Planks 04, 05 and 06.</span></p>
<p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">French Herringbone immediately recalls the classic laying pattern for parquet flooring, in this case reformulated as an embellishment that alternates small slats in two colorings. The composition is available in two versions, one of which combines the amber shades of Planks 01 and 02, the other of which unites the gray tones of Planks 05 and 06.</span></p>
<p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">Stripes offers an alternation of small strips in two colors. In this case, too, the range grants the designer the option of choosing between two variants, one that juxtaposes Planks 01 and 02, and one that combines Planks 05 and 06.</span></p>
<p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">Strip consists of a plank with thin and elongated lines available in all the colors in the collection.</span></p>
<p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">Finally, Chevron recalls the homonymous pattern of timeless charm. Here again the decor is offered in all 6 wood-effect colors of the collection.</span></p>
Next season’s wood effects focus on elegance and a natural look. The soft veins and warm colours are designed to ensure the maximum versatility. The eco-chic collection expands the range of applications with sizes that include the exclusive 30x180 cm ceramic plank in a 20 mm thickness for outdoor pavings.
Surface: NaturalAntislippery R11
Sizes: 20x120 (8”x48”)30x180 (12”x72”)
Il nuovo modulo d’arredo multimediale destinato alla videocomunicazione è composto da unastruttura autoportante predisposta per l’integrazione su richiesta di dispositivi multimediali,compresa l’impiantistica relativa alla messa in funzione. E’ destinato alle sale conferenza, allearee meeting e lavoro di gruppo e nasce per soddisfare l’esigenza di comunicare e di farinteragire più persone contemporaneamente, anche in sedi diverse.
The new multimedia furniture module dedicated to videoconference, is composed of afreestanding structure prepared to receive optional multimedia devices, including the start-upsystem. It is designed for conference rooms, meeting areas and team-work and it has beenconceived to satisfy the communication demand, allowing for simultaneous interactivity ofseveral people, even from different locations.
This modern table lamp features a sleek, brushed metal finish with an adjustable cylindrical shade, perfect for illuminating workspaces with style and precision. Its minimalist design and compact size make it an ideal choice for contemporary office environments.
The LUNAT desk, designed by Patricia Urquiola, creates the ideal solution for a home smart working station as well as a desk in a hotel room. The powder-coated legs grow slender up to the bean-shaped top; the top is available in flamed walnut finish.
Poul Kjærholm created the PK52A Student Desk by bringing wood and steel together in a clean, light construction. With its pared-down expression the desk is a perfect example of Kjærholm’s great contribution to Danish design.
Hans J. Wegner’s CH110 desk stands out in many ways from his usual style of solid-wood furniture. Created in 1970, it was part of an exclusive office concept. The series features some of Wegner’s most distinctive steel-framed furniture.
Hans J. Wegner designed the exquisite pp571 Architect’s Desk in 1953 as a match to the Round Chair. Later in 1955 he designed the Swivel Chair, completing a line of exclusive masterpieces for the CEO’s office. The desk marks the beginning of Wegner’s work on combining sharp steel and sculptural solid wood in elegant and well-balanced solutions.
This is classic Danish craftsmanship offering simple and modest functionality in solid wood. As a counter experiment, this desk pays homage to pure, traditional and exquisite woodwork. Although the thorough and dedicated attention of a skilled cabinetmaker is required in executing the work on this desk, the job can be done with relatively simple tools.
Laminated tabletop with oak edge, powder coated steel legs, steel drawer, painted in same color as tabletop and legs. Silicone rosette at hole for power-cords.
Penrose desk, designer home office desk, was created by Isao Hosoe together with Lucia Fontana and Masaya Hashimoto. It represents the aesthetic and functional metaphor of man’s challenge to exceed nature and its equilibria through the use of glass, and results as the ideal furnishing complement for the studio. The asymmetric structure in transparent glass, also available in extra clear finish, is able to create a perfect balance between the finely cut glass slabs.
The glass table Bacco is composed of a top available in transparent, extra clear or smoked glass and of a base made of two mirroring glass supports that rest on the floor. Its clean lines are particularly suited for minimalistic decors because they do not burden the environment. The transparency makes the room brighter and creates a broader effect. Perfect for luxury studios and offices, dining rooms and lounges, the glass table Bacco can be ordered in different sizes according to needs. The glass of this designer table is resistant and tempered, which makes it also suitable for working areas and dining rooms.
Marcell, timeless design furniture, born from a project by Massimo Castagna, and is characterized by the essential and rigorous lines of glass combined with the warmth of wood, in a versatile piece of furniture in all its forms. The extra clear or smoked glass structure was born as a desk, but thanks to the modularity of its components, it can also be used as an entrance console and if equipped with drawers or a mirror, also as a dressing table for the sleeping area. The containers, available in Eucalipto, Siberian Ash or Natural Oak wood, have the additional option of hinged doors on the left or the possibility of inserting a set of three drawers in a matching finish. To complete the offer, the mirror from the same collection with a polished chrome base.
Occony introduces The Living Workspace, our latest collaboration with designer Robert Bronwasser. The Living Workspace is a modern workspace concept, inspired by nature, with organic shapes and smart solutions that promote functionality, connection and well-being, even in the most business-like environments.The Living Workspace is a modular system that is customizable in size, direction, composition and color & finishes. It acts as an innovative replacement for conventional workplaces and promotes innovation, social interaction, and various forms of collaboration. As well, it offers the opportunity to create quiet, ergonomic workplaces for individual work.Our workplaces are acoustically optimized, electrically height-adjustable, and comply with the NPR 1813 and NEN 527 guidelines for sit-stand workplaces.
Gispen TMNL is a modular desk and (conference) table range, specially designed for intensive use. Ideal for dynamic organisations that place high demands on multifunctional office design, with an eye for sustainability. The frame, top and base are easy to assemble and the desired height is easy to adjust.
Gispen TMNL is a modular desk and (conference) table range, specially designed for intensive use. Ideal for dynamic organisations that place high demands on multifunctional office design, with an eye for sustainability. The frame, top and base are easy to assemble and the desired height is easy to adjust.
Gispen TMNL is a modular desk and (conference) table range, specially designed for intensive use. Ideal for dynamic organisations that place high demands on multifunctional office design, with an eye for sustainability. The frame, top and base are easy to assemble and the desired height is easy to adjust.
This design is so powerful because all unnecessary details have been left out. IC is a minimalist desk and conference table collection with slender open frames and a floating top, keeping its surroundings visually open. Its sleek design makes IC suitable for any environment. There are different tabletop sizes to choose from, which makes this collection very multi-functional. What is a desk today, can become a conference table tomorrow.
Gispen IC is a minimalist desk and conference table range with slender, open frames and suspended tops. The design creates the appearance of an open environment. Generous surface dimensions make the tables multifunctional. Extra-large table leg bridges provide maximum legroom while also reducing the use of materials.
This sleek and sustainable desk will ensure that you keep your body in motion. The electric height-adjustment system makes it easy to alternate between a seated and a standing position. You can set the tabletop to your preferred height with the push of a button. Ideal when you want to regularly alternate between postures, or when more than one person makes use of the home office desk. The desk meets the highest of ergonomic requirements and will suit any home office environment. The height of the tabletop can be adjusted to a quarter of an inch via the screw adjustment. When combined with an ergonomic office chair, you will have a fully-fledged ergonomic and comfortable home office space.
Mathieu is a contemporary desk characterised by a slender silhouette and graceful contours. The top, with a wood frame and leather insert, traces subtle curves that soften the strong lines of the painted metal structure. The optional accessories – the small drawer under the top and the mirror – are elegant and discreet, making it a perfect complement for bedroom spaces.
Elegance and versatility are the common elements of the Home Hotel collection, which reinterprets contemporary living spaces in a lifestyle-based approach. The desk, solid and light, is available with or without a drawer and leather top.
The light and essential shapes of the Concorde table are reinterpreted in the form of a writing desk, an essential component to create a dedicated home study area. The materials have been carefully selected, including solid wood and sophisticated finishes. Concorde is available with or without a drawer and leather top.
The Eames Desk Unit (EDU) was constructed by Charles and Ray Eames in accordance with the principles of industrial production. The panels function as a modesty shield and partially enclose the two storage compartments. The desk is height-adjustable to accommodate uneven floors.
High-quality materials emphasise the graceful refinement of the Home Desk by George Nelson, originally designed in 1958 as a lady's writing table. Today the compact desk tends to be used in home offices, where it adds an appealing decorative accent with its multicoloured compartments.
Sharing the same angled legs as the rest of the series the tabletop of the Moulded Plywood Desk CPH190 features a split at the back of the table creating a useful upright backrest for supporting notes and open books while the remainder serves as workspace. This has the dual benefit of making the desk more compact at the same time it increases functionality. Ideal for using in a home office or in a work environment it is crafted in oak with a clear lacquer.
More than 70 years after its original design the D.847.1 console table is reborn thanks to the Heritage Collection reissue project by Molteni&C in collaboration with the Gio Ponti Archives.
A desk with very clean lines and a decoratively perforated top support element that conveys a sense of lightness. Wood surfaces a practical lateral drawer a clever book support element in painted sheet metal and a side pocket in hide leather complete the desk. The bookend support leans on the top and it can be positioned in the desired direction.
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