Tusa 2261 B Chair by Zanotta

Bruce Sofa

Zanotta > Sofa

Monobloc and modular sofas, pouf. Polished aluminum alloy, or with natural or black nickel-satin finish, or black painted. Steel frame. Elastic strips suspension. Upholstery in graduated polyurethane/ Dacron Du Pont. Seat cushion in polyurethane/DacronDu Pont. Back and armrest cushions in goose feather. Upholstery of roll-shaped cushion in polyurethane/ heat-bound polyester fibre. Removable cover in fabric or leather.

Milano+

Zanotta > Sofa

Monobloc, modular sofas and pouf. Aluminum alloy feet, with natural or black nickel-satin finish. Steel frame. Elastic strips suspension. Single seat cushion in graduated polyurethane/heat-bound polyester fibre; backrest cushions in Solotex® and armrests in Solosoft®. Removable fabric or leather cover.

Onda Sofa

Zanotta > Sofa

Armchair and monobloc sofas. 18/8 stainless steel tubular frame. Upholstery in graduated polyurethane/ heat-bound polyester fibre. Removable fabric or leather cover. The cover can be removed only by skilled staff.

Scott Sofa

Zanotta > Sofa

Armchair, monobloc, modular sofas, pouf. Polished aluminum alloy or nickel-plated glossy black feet. Steel frame. Elastic strips suspension. Upholstery in graduated polyurethane/ Dacron Du Pont. Seat cushion in polyurethane/heat-bound polyester fibre. Back cushion in 100% new goose feather. Removable fabric or leather cover. The version with the sling in leather 99 and cushions covered with fabric is also available. Quilted pouf. Polished aluminum alloy or nickel-plated glossy black feet. Base in multilayered wood. Upholstery in polyurethane/polyester fibre. Removable quilted cover with heat bound polyester fibre, in fabric or leather.

Campiello Armchair

Zanotta > Armchair

Swivel armchair. Backrest in plywood covered with cowhide pigmentato 90 in the shades black, anthracite and mud or with cowhide 95 in the shade gold. Seat in graduated polyurethane/regenerated and regenerable polyester flakes; lumbar and back cushion in regenerated and regenerable polyester flakes. Removable fabric cover. Only the lumbar cushion can be requested in a distinct colour within the same fabric.

Moretta

Zanotta > Chair

Small armchair with tilting backrest. Natural beech frame. Tilting back. Removable cover in Telastrong or cowhide.

Rider Armchair

Zanotta > Armchair

Tilting lounge chair. Stiff polyurethane frame with upholstery in graduated polyurethane. Frame covered with cowhide 95. Removable topper made of polyurethane/heat-bound polyester fibre, covered with fabric. Upon request one headrest cushion upholstered with polyurethane/head-bound polyester fibre, covered with removable fabric, is available.

Daisy Chair

Zanotta > Chair

Stackable chair. Aluminum alloy legs, painted matt black or white. Plywood seat with self-extinguishing polyurethane foam upholstery. Steel backrest frame with self-extinguishing polyurethane foam upholstery. Removable cover in fabric or leather.

Dan 2057 2058 Chair

Zanotta > Chair

Chair. Armchair. Steel frame varnished iron grey or matt black. Seat and backrest made of elastic straps in polyester thread available in yellow, string, anthracite and blue. The Zanotta logo is printed on the first strap of the seat, on the right side. Upon request the customized writing on the straps is available. 

Dan 2059 Chair

Zanotta > Chair

Chair.  Steel frame varnished iron grey or matt black. Seat and backrest upholstered with polyurethane. Non removable cover in cowhide 95. 

Dan 2073 - 2074

Zanotta > Chair

Chair for outdoor. Stainless steel 304 frame painted in matt iron grey or black for outdoor. Seat and backrest made of elastic straps in polyester thread available in yellow, string, anthracite and blue. The Zanotta logo is printed on the back of the lower backrest strap. Upon request the customized writing on the back of the upper backrest strap is available.

Ido

Zanotta > Stool

Stools. Frame in solid oak or Canaletto walnut, natural painted. Footrest in satin-finished stainless steel.

Liza 2271r Chair

Zanotta > Chair

Armchair. Legs in solid natural painted oak or in black dyed oak, or in natural Canaletto walnut. Sling with armrests of polypropylene reinforced with glass fibre, in the shades white or black. Seat cushion upholstered with self-extinguishing polyurethane foam. Fixed internal nylon cover. Removable external cover in fabric or leather. Removable external backrest cover in fabric or leather with Dacron Du Pont.

Lord

Zanotta > Office Chair

Reclining swivel armchair. Five-spoke base in polished aluminum alloy with castors or feet (2278/P). Adjustable seat height. The tilting back, with controls, can be set in five different positions or made to constantly rock. Polyurethane upholstery with elastic strips suspension. Seat cushion in polyurethane/Dacron Du Pont, on request. Removable fabric or leather cover.

Tusa 2261 A Chair

Zanotta > Chair

Small armchair with high backrest. Legs in black painted steel. Plywood seat upholstered with self-extinguishing polyurethane foam. Steel backrest with self-extinguishing polyurethane foam upholstery. Removable fabric or leather cover. The version with leather 95 covered seat cushion and backrest in fabric cat. 30 is also available.

Tusa 2261 B Chair

Zanotta > Chair

Small armchair with low backrest. Legs in black painted steel. Plywood seat upholstered with self-extinguishing polyurethane foam. Steel backrest with self-extinguishing polyurethane foam upholstery. Removable fabric or leather cover. The version with leather 95 covered seat cushion and backrest in fabric cat. 30 is also available.

Quaderna 150 Accessory

Zanotta > Armchair

Carpet.  Hand-tufted carpet with uniform fleece over the entire surface made of 100% New Zealand wool. Lower support in 100% cotton canvas fixed with 100% natural latex glue. Perimeter edging finished by hand with wool thread on all six sides. Available in sizes 200x300 cm and 250x350 cm in a single colour scheme: white background and gray and black lines compliant with the original design. Carpet thickness - 9 mm and weight -3.7 Kg / square meter.

Quaderna 476 Accessory

Zanotta > Armchair

Mirror. 5mm thick plate glass. Honeycomb core frame coated with white Print laminate, digitally printed with black squares at 3 cm spacing.

Quaderna 756

Zanotta > Console

Sideboard. Honeycomb core structure coated with white Print laminate, digitally printed with black squares at 3 cm spacing. Internal black laminate plating. Adjustable internal shelves in 10 mm thick tempered plate glass. On the back panel, the sideboard is equipped with cable entries.

Quaderna 757 Accessory

Zanotta > Armchair

Cupboard. Honeycomb core structure coated with white Print laminate, digitally printed with black squares at 3 cm spacing. Internal black laminate plating. Adjustable internal shelves in 10 mm thick tempered plate glass. 

Tweed Table

Zanotta > Table

Table. Top available either in natural painted oak veneered wood,with grey painted under-top, or black painted with an open pore,with black painted under-top or in natural painted Canaletto walnut veneered wood, with black painted under-top. Legs are available respectively in natural painted solid oak, or in open pore black painted oak,or in natural painted Canaletto walnut. Black painted aluminium adjustable foot.

Tucano Table

Zanotta > Table

Writing desk. Matt black varnished steel frame. Top covered with cowhide pigmentato 90. 

Quaderna 710

Zanotta > Console

Console table. Honeycomb core structure coated with white plastic laminate, digitally printed with black squares at 3 cm spacing.

Quaderna 2830 Table

Zanotta > Table

Table/writing desk. Honeycomb core structure coated with white plastic laminate, digitally printed with black squares at 3 cm spacing.

Quaderna 2750 Table

Zanotta > Table

Desk.  Honeycomb core structure coated with white Print laminate, digitally printed with black squares at 3 cm spacing.  The top hides a retractable pull-out drawer, with a drawer compartment in black scratch-resistant embossed painted wood.

Quaderna 2600 Table

Zanotta > Table

Table. Honeycomb core structure coated with white plastic laminate, digitally printed with black squares at 3 cm spacing.

Orione Table

Zanotta > Table

Table. Plate glass top. Frame in natural oak with brushed and nickel plated steel tie-rods, or in black varnished oak, with black nickel satin finished steel tie-rods.

Elica Table

Zanotta > Table

Tables. Base in Cristalplant®, composite material based on polyester and acrylic resins, loaded with minerals and mass pigmented. For the version 2575, tempered, extraclear, acidated plate glass top painted in the shade of white or made of white Carrara marble only matching the matt white base; or Sahara Noir marble top, with stain-resistant clear matt polyester protective varnish, matching the matt black varnished base. For the version 2576, clear plate glass top, matching the matt white base or black glossy lacquered; or smoky grey plate glass top only matching the black glossy lacquered base.

Blanco Table

Zanotta > Table

Tables. Base and top in Cristalplant®, composite material based on polyester and acrylic resins, loaded with minerals and mass pigmented in the shade of matt white. For the model 2577/C the top is in tempered, extraclear, acidated plate glass, painted in the shade of white.

Ambrosiano Table

Zanotta > Table

Table. Trestles in solid natural oak or painted black with open pore. Matt black painted stainless steel spars. Top available in smoky grey tempered plate glass matching the black painted trestle; or in thick oak-plated particle wood, either natural matching the natural oak trestle or black painted with open pore matching the black painted trestle. Top is also available in Fenix® laminate plated particle wood in the shades light grey or anthracite grey with natural oak edge matching the natural oak trestle; or in either white Carrara marble with stain-resistant protective varnish, in clear matt polyester or in naturally smoothed Onsernone stone, with water repellent stain-resistant oil treatment, matching the trestles in natural or black varnished oak.

Sgabillo Coffee Table

Zanotta > Coffee table

Zanotta design coffee tables and bedside tables are perfect for completing living rooms and bedrooms with a modern and contemporary taste.

Quaderna 656 Coffee Table

Zanotta > Coffee table

Small table.  Honeycomb core structure coated with white Print laminate, digitally printed with black squares at 3 cm spacing.

Niobe 671 Coffee Table

Zanotta > Coffee table

Small tables. Steel frame painted in the shades black or white. Tops available either in white Carrara marble, or in black Marquinia marble or in Emperador marble with stain-resistant protective varnish, in clear matt polyester.

Niobe 648 Coffee Table

Zanotta > Coffee table

Small table. Steel frame painted in the shades black or white. Tops available either in white Carrara marble, in black Marquinia marble or in Emperador marble, with stain-resistant protective varnish, in clear matt polyester.

Echino Coffee Table

Zanotta > Coffee table

Small table. Three-layered blown glass legs in the shades smoky grey and amber. Steel sheet top, 4 mm thick, with either natural or black nickel-satin finish.

Butterfly Coffee Table

Zanotta > Coffee table

Small table. Bent plywood frame, veneered with natural, white or black painted oak. Top in tempered plate glass.

Box Bed

Zanotta > Bed

Beds with or without container unit. Steel frame. Suspension in bent beech strips with stiffness adjusters. Upholstered base and headboard in polyurethane/ heat-bound polyester fibre. Removable quilted cover in fabric or leather. The bed of the version 1874, fitted inside the base, is furnished with a container unit accessed by lifting the mattress with a special device. Upon request, only for the version 1875, the bed with adjustable corner supports that enable to place the springing at different heights and the bed size for 210 cm. long mattress can be supplied.

Milleunanotte Bed

Zanotta > Bed

Four-poster bed with canopy. Demountable wooden frame either veneered with natural or grey vanished oak. Suspension in bent beech strips, with stiffness adjusters. Headboard upholstered in polyurethane/heat-bound polyester fibre. Removable fabric or leather cover. Upon request the bed size for 210 cm. long mattress is also available.

BOL - Round table

Zanotta > Table

Introducing the BOL collection, a range of round and oval tables featuring hard polyurethane bases in various finishes – matt lacquered in shades of talc, caramel, and algae, or glossy lacquered in metallic versions. The bases are paired with MDF tops in the same matt lacquered colors. This collection offers two round tables (135cm and 160cm diameter) and two oval tables (230cm and 260cm). The design emphasis is on the modular, structural base, which can be used individually or combined fo...

Ardea CM Armchair

Zanotta > Armchair

Ardea CM is a bergère armchair created for conversation, a tribute to the one designed by Mollino in 1946 for Minola House.

Tusa 2261 B Chair

Zanotta > Chair

Small armchair with low backrest. Legs in black painted steel. Plywood seat upholstered with self-extinguishing polyurethane foam. Steel backrest with self-extinguishing polyurethane foam upholstery. Removable fabric or leather cover. The version with leather 95 covered seat cushion and backrest in fabric cat. 30 is also available.

Chimera Ritmo Azzurro

Florim > Wallcovering

 In <em>Chimera,</em> Elena Salmistraro merges rigour with self-expression, in a graphic grammar laden with symbolic meaning.  <em>Empatia </em>speaks to the emotions with graphics that interpret, through a highly individual abstract code, the stage make-up of a clown, with the aid of superimposed geometric forms and images. <em>Radici </em>is a tribal statement, a tribute to primitive ritual custom, evoked by the interplay between a sequence of triangles and rectangles and a set of figurative fragments. <em>Ritmo</em> is inspired by fabrics, suggesting the rhythmic alternation of woven yarns through a largely linear pattern. In <em>Colore, </em>the upheaval of a background of small isolated spots generated by a parametric digital program is combined with densely packed repeated forms. "The Chimera collection is rather like a book with four different chapters: I set out to differentiate these graphic motifs to create four totally different stories."<br></br>Elena Salmistraro  It all starts with drawing. A <em>passion</em> for drawing. An <em>obsession</em> with drawing. Drawings like spider-webs, obsessively filling spaces, in a kind of manual choreography or gymnastics, a continuous flow. Elena Salmistraro draws all the time. She draws everywhere. Mostly on loose sheets or random surfaces. First and foremost with pen and pencil. Her drawings only acquire colour at a later stage. Often - just like Alessandro Mendini used to do - she draws "monsters": fascinating yet disturbing, subversive forms. The denser, more contorted the shape, the more obvious its underlying truth. For Elena, drawing is an intimate act. It is relaxing. And therapeutic. With an unrivalled communicative strength. Because drawing gives shape to ideas: you both give form to the world and reveal yourself. This passion, combined with natural graphic talent, has guided Elena Salmistraro in her project for Cedit: an experimental series of ceramic slabs produced using a high-definition 3D decorative technique. The explicit aim is to transform surfaces beyond their original flatness so that a new, visual and tactile, three-dimensional personality emerges, sweeping aside the coldness and uniformity that ceramic objects often inevitably convey.Elena Salmistraro has always viewed ceramics as a democratic material, in view of their accessibility, and the infinite potentials for shaping matter that they provide. She began working and experimenting with ceramics very early in her career, just after she graduated from the Milan Politecnico in 2008. She came into contact with small artistic craft firms specialising in smallproduction lots, and cut her teeth on projects that demanded the hand-processing of every detail, and finishes of high artistic value, for the high end of the market. The large corporations and galleries came later, but here again Elena kept faith with her desire to make mass-produced pieces unique, and to combine artistic value with specifically industrial characteristics. The monkey-shaped <em>Primates</em> vases reflect this method and intention, aiming to excite, surprise and charm. Antiminimalist and hyper-figurative, playful, ironic and a rich image-maker, often drawing on anthropology and magic, over the years Salmistraro has built up her own fantastic universe, inhabited by ceramic bestiaries, painted jungles and a cabinet like a one-eyed cyclops , always finding inspiration and inputs in nature and always aiming to reveal the extraordinary in the everyday. Given this background, it was almost inevitable she would work with Cedit: constantly seeking new talents and new approaches, as well as designs that break down the boundaries of ceramics and release them into the realm of art and innovation, the Modena company has recognised Elena Salmistraro as a leading contemporary creative spirit and involved her in a project intended to experiment with fresh ideas in materials and synaesthetics.Salmistraro's collection for Cedit is entitled <em>Chimera</em> and consists of large ceramic slabs, which can be enjoyed not only visually, through their patterns and colours, but also on a tactile level. Like the chimera in the "grotesque" tradition, monstrous in the etymological sense of the word with its merging of hybrid animal and vegetable shapes, the Cedit project attempts to originate a synaesthetic form of ceramics, through a three-dimensional development that exactly reproduces the texture of leathers and fabrics, creating an absolutely new kind of layered effect, with a tactile awareness that recalls the passion of grand master Ettore Sottsass for "surfaces that talk". And the surfaces of the slabs Salmistraro has created really seem to talk: in <em>Empatia </em>clown faces add theatricality to the cold gleam of marbles, interspersed with references to Art Déco graphics; <em>Radici</em> uses the textures of leathers and hide as if to re-establish a link between ceramics and other materials at the origins of human activity and creativity; in <em>Ritmo</em> the texture of cloth dialogues with pottery, almost in homage to the tactile rationalism of warp and weft, of which Bauhaus pioneer Anni Albers was one of the most expressive past interpreters ; finally, <em>Colore</em> has a spotted base generated by computer to underline the contrast between analogue and digital, the graphic sign and the matter into which it is impressed. It is an aesthetic of superimposition and mixing, and especially of synaesthesia: as in her drawings, in the <em>Chimera </em>slabs Elena Salmistraro's art is one of movement and acceleration. A process not of representation but of exploration. Of the world and of oneself. Almost a kind of Zen, for distancing oneself from the world to understand it more fully. In every sense. 

CLAUDE - Rectangular glass garden table

SNOC > Table

BOLD58_Frame

About Office > Cabinet

Catalogo | Collezioni | BOLD58 | Archiviazione BOLD58_Frame Ricercata ed elegante. La madia e l’armadiatura FRAME sono sistemi di contenimento curati, caratterizzati da un design sofisticato e geometrico.L’archiviazione diventa un elemento architettonico capace di definire lo spazio con precisione compositiva. Il telaio esterno crea una cornice rigorosa che organizza moduli aperti e chiusi, permettendo configurazioni flessibili e perfettamente calibrate. L’inserimento del distanziale in metallo, introduce un segno materico distintivo e scandisce la composizione con ritmo misurato. Le ante ampliano le possibilità progettuali, accentuando i contrasti tra texture e volumi. FRAME diventa così un sistema ideale per ambienti direzionali evoluti, dove ordine, struttura e qualità materica definiscono l’identità dello spazio. Caratteristiche Scheda Tecnica Ambienti Gallery Catalogo Collezione BOLD58 Vani a giorno per le madie FRAME in finitura melaminica o laccata.Ante battente in essenza, laccate, in vetro trasparente o Laminam®.Top e fianchi FRAME con una combinazione originale che enfatizza l’orientamento vena a contrasto tra gli elementi.Il distanziale rientrato in finitura Titanio o Bronzo crea un dettaglio inedito e ricercato. I dettagli di BOLD58_Frame Ciò che contraddistingue il contenimento FRAME sono le composizioni non convenzionali di top e fianchi, caratterizzati da contrasti di orientamento vena nelle finiture in essenza ed un distanziale rientrato che sottolinea la geom

Camicia

Altreforme > Cabinet

A multicoloured rhombus cabinet to contain the most elegant clothes and accessories.

RD Grid Berber

Amini > Carpet

Explore RD Grid Berber by Amini Carpets, where ancestral Berber tradition meets contemporary design. Hand-knotted Indian wool rugs perfect for any liv

Loft Chair

Muuto > Chair

Loft Chair exemplifies honest, simple design thanks to an expression inspired by industrial design. The design features contrasting materials with its frame in powder coated steel that is offset by the soft plywood on seat and back, molded to embrace the user's body.

Outline Chair

Muuto > Chair

The Outline Series adds new perspectives to the classic Scandinavian design sofas of the 1960's, marrying the ideals of simplicity and function into one. With the design taking its name from its strong outline of a sofa, the Outline Series is clean and elegant on the outside with a deep seat and soft cushioning on its inside. The Outline Series has an expression that is at once elegant yet timeless, elevated by its lines referencing architectural shapes alongside its curved armrests, giving the design a distinct appearance across various sizes and variants. The Outline Series also includes Studio versions of the Sofa and Chair, being compact versions with slimmed-down proportions for smaller spaces within the home, hotel rooms, work settings and more. The Outline Studio Sofa and Chair have a smaller depth of 76 cm / 29.9”.

Workshop Chair

Muuto > Chair

The Workshop Chair brings a playful approach to the wooden chair. The design creates a new perspective on archetypical Scandinavian design through its thin back shell and slightly curved seat that gives the chair its distinct look.

Fiber Side Chair Sled Base

Muuto > Chair

The Fiber Chair brings a new perspective to the iconic shell chair through its innovative composite of 100% recycled plastic and wood fibers. The wood fibers blend into the surface for a matte finish, adding a soft, inviting touch. The Fiber Chair is designed with friendly, embracing curves that provide extensive comfort to its user while taking up little space in the room. 

Outline Studio Chair

Muuto > Chair

The Outline Studio Series adds new perspectives to the classic Scandinavian design sofas of the 1960's, designed in slimmed-down proportions for smaller spaces such as apartments, hotel rooms, workplaces and more. With the design taking its name from its strong outline of a sofa, the Outline Series is clean and elegant on the outside with a deep seat and soft cushioning on its inside. The Outline Series has an expression that is at once elegant yet timeless, elevated by its lines referencing architectural shapes alongside its curved armrests, giving the design a distinct appearance across various sizes and variants.

Gyon

Leolux > Chair

Designer Christian Werner has stripped the dining chair back to the basics. The result is Gyon, a design built entirely on basic shapes. Werner has created a stunningly elegant chair that doesn't compromise on comfort.

Tamarinde

Leolux > Chair

Tamarinde is a slender dining chair with invitingly open arms and an adjustable back, so you can easily relax after dessert. With Tamarinde, a good conversation can go on for hours after an amazing meal.

Be bop

Kartell > Chair

A chair that combines several expressions in a single vocabulary, tracing the lines of the most traditional carved African stools and merging them with the American design of the golden years, echoing the concept of curved multilayer plywood.

Ero|s|

Kartell > Chair

Ero|S| is a swivel armchair with an organic egg shape, a refined combination of finishes and an adept use of colour. Ero|S| is ideal for the home, in dining or living rooms, but it also fits nicely into offices as a representative chair in the meeting room or in waiting areas. Two versions are available: the chair can rest on a glossy aluminium rotating base with central support or on a lightweight four-legged chrome structure.

Comback (2 chairs)

Kartell > Chair

Comback is a chair featuring a backrest consisting of seven "teeth" which spread out towards the lumbar region where they meet a reinforced hexagonal rim with slim shafts radiating down to join the seat. A goodly size, this single mould chair embodies functionality and well-freighted ergonomics with sentiment and memories. The Comback comes in several modernised versions – the “swivel” model with four spokes and a central swivel shaft and the “sled” with two slim tubular sides.

BM5565 Deck Chair with Footrest

Carl Hansen > Chair

B&#248;rge Mogensen&#8217;s Outdoor series, first introduced to Carl Hansen & S&#248;n&#8217;s collection of outdoor furniture in 2020, is now expanded with the Deck Chair with Footrest. Comfortable, functional and space-saving, the foldable design provides optimal comfort as well as a light and elegant expression.

Off Chair High 5W Gas Lift Aluminum Ultra Leather

Normann Copenhagen > Chair

Off Chair consists of a seat made from rigid PU foam with full upholstery. Inside the upholstery and PU foam, the chair has a steel reinforcement structure. The base comes with either four static legs or five wheels with swivel and a tilt inclination of 10°, and is made of polished or black powder-coated aluminum. An optional cushion made of veneer and PU foam is available. Choose between leather upholstery or a wide range of different textile upholstery options.

Basket Outdoor Club Chair

Kettal > Chair