Is the Butterfly suitable for commercial projects?
Yes, the Butterfly by Zanotta is suitable for both residential and commercial interiors. It is commonly specified by interior designers and architects for hospitality, office, and retail environments.
Armchair, monobloc, modular sofas, poufs. Steel feet, chromium-plated or varnished graphite, or with natural or black nickel-satin finish. Steel frame. Elastic strips suspension. Upholstery in polyurethane/heat-bound polyester fibre. Fabric or leather removable cover with quilted seat cushion. Small cushions in Dacron Du Pont or in goose down.
Monobloc and modular sofas, pouf. Polished aluminum alloy, or with natural or black nickel-satin finish, or black painted. Steel frame. Elastic strips suspension. Upholstery in graduated polyurethane/ Dacron Du Pont. Seat cushion in polyurethane/DacronDu Pont. Back and armrest cushions in goose feather. Upholstery of roll-shaped cushion in polyurethane/ heat-bound polyester fibre. Removable cover in fabric or leather.
Monobloc and modular sofas, pouf and cushion. Wooden frame. Seat, back and base upholstered in graduated polyurethane/ Dacron Du Pont. Cushion in regenerated and regenerable polyester flakes. Fixed internal nylon cover; in cotton/polyester for the cushion. Removable fabric cover.
Armchair, monobloc and modular sofas. Polished or black painted aluminum alloy feet, or with natural or black nickel-satin finish. Steel frame. Elastic strips suspension. Upholstery in polyurethane/heat-bound polyester fibre. Seat cushion upholstered with graduated polyurethane/heat-bound polyester fibre. Back and lumbar cushions upholstered with goose feathers. Removable fabric or leather cover.
Monobloc, modular sofas and pouf. Aluminum alloy feet, with natural or black nickel-satin finish. Steel frame. Elastic strips suspension. Single seat cushion in graduated polyurethane/heat-bound polyester fibre; backrest cushions in Solotex® and armrests in Solosoft®. Removable fabric or leather cover.
Monobloc, straight and curved modular sofas with armrest or tray, pouf. Steel feet, with glossy black nickel-satin finish or varnished graphite. Steel frame. Elastic strips suspension. Single-piece seat cushion in polyurethane/regenerated and regenerable polyester flakes. Back cushion in 100% new goose feathers. Armrest cushion in regenerated and regenerable polyester flakes. The straight and curved end-sofas can be equipped with an armrest cushion or with a tray, made of solid matt black painted ash with open pore, placed on the supporting base of the sofa. Removable fabric or leather cover. One round-shaped tray, diameter 45 cm, made of solid matt black painted ash with open pore, is available and can be placed as desired on the seat cushions. The side panels are covered in the same fabric or leather as the cushions.
Armchair and monobloc sofas. 18/8 stainless steel tubular frame. Upholstery in graduated polyurethane/ heat-bound polyester fibre. Removable fabric or leather cover. The cover can be removed only by skilled staff.
Monobloc sofas and pouf for outdoor use. Supporting frame in painted steel for outdoor use in the shade of white or black. Elastic strips suspension. Seat, back and armrest cushion in open-cell reticulated polyether/Paineira, water-repellent vegetal fibre. Removable cover in fabric Talasso.
Monobloc and modular sofas, pouf. Graphite painted steel feet. Wood frame. Elastic strips suspension. Seat upholstered in graduated polyurethane/ Dacron Du Pont with quilted insert of goose feathers. Backrest and armrests upholstered in graduated polyurethane/Dacron Du Pont with quilted insert of goose feathers and polyester fiber flakes. Back cushions upholstered in polyurethane/ Dacron Du Pont or in goose feathers. Removable cover in fabric or leather. Back cushions and high backrest cushion with roller. Back cushion upholstered in polyurethane/ Dacron Du Pont or in pure goose feathers. Removable external cover in fabric or leather.
Armchair, monobloc, modular sofas, pouf. Polished aluminum alloy or nickel-plated glossy black feet. Steel frame. Elastic strips suspension. Upholstery in graduated polyurethane/ Dacron Du Pont. Seat cushion in polyurethane/heat-bound polyester fibre. Back cushion in 100% new goose feather. Removable fabric or leather cover. The version with the sling in leather 99 and cushions covered with fabric is also available. Quilted pouf. Polished aluminum alloy or nickel-plated glossy black feet. Base in multilayered wood. Upholstery in polyurethane/polyester fibre. Removable quilted cover with heat bound polyester fibre, in fabric or leather.
Monobloc and modular sofas. Wooden base covered with the same fabric or leather of the sofa. Wooden frame. Elastic strips suspension. Backrest and seat upholstered with graduated polyurethane/heat-bound polyester fibre. Backrest cushion in 100% new goose feathers. Roll-shaped cushion in polyurethane/heat-bound polyester fibre. Removable fabric or leather cover with quilted seat cushion. Upon request, only for the monobloc sofas, the version with all higher backrests is available.
Armchair, monobloc, modular sofas, pouf, day bed and shelves. Aluminum alloy feet, either polished or with natural or black nickel-satin finish, or black painted. Steel frame. Elastic strips suspension. Upholstery in polyurethane/ heat-bound polyester fibre. Seat, back and armrest cushions upholstered with goose down. Removable fabric or leather cover. The lounge chairs without armrest and the end-sofas are fit to arrange a solid wood shelf, in natural or grey painted oak or in natural painted Canaletto walnut. Shelf supports in polished, with natural or black nickel- satin finish, or black painted aluminum.
Monobloc sofas. Carrying frame in matt black or red RAL 3004 steel, complete of stiff polyester straps in the shade anthracite for the support of the cushions. Seat, back and armrest cushions in polyurethane/regenerated and regenerable polyester balls. Paddings assembly without glues. Removable fabric cover.
Armchair/Bergère. Base in solid natural or black varnished oak, or in solid natural Canaletto walnut; wax-finished varnish. Steel frame, with elasticstrips suspension. Upholstery in self-extinguishing polyurethane foam/heat-bound polyester fibre. Removable external cover in fabric or leather.
Small armchair. Steel frame. Upholstery with self-extinguishing polyurethane foam/heatbound polyester fibre with elastic strips suspension. Removable fabric, Pied de poule or leather cover. The exterior body can be covered with cowhide 95, combined with fabric or leather.
Armchair. Base on castors or fixed with feet. Steel frame. Upholstery with self-extinguishing polyurethane foam/heat-bound polyester fibre with elastic strips suspension. Removable fabric or leather cover. The external body can even be covered with cowhide 95 combined with fabric or leather. The armchair is available in two different heights above ground level: high 873/A with castors, low 873/B with feet.
Swivel armchair. Backrest in plywood covered with cowhide pigmentato 90 in the shades black, anthracite and mud or with cowhide 95 in the shade gold. Seat in graduated polyurethane/regenerated and regenerable polyester flakes; lumbar and back cushion in regenerated and regenerable polyester flakes. Removable fabric cover. Only the lumbar cushion can be requested in a distinct colour within the same fabric.
Armchair/bergère, pouf. Armchair with steel base, swivel or fixed with feet and stiff polyurethane external body covered with cowhide 95. Upholstery of internal body and pouf in polyurethane/ heat-bound polyester fibre with elastic strips suspension. Removable fabric or leather cover. Pouf steel frame.
Lounge chair. Chromium-plated steel frame or with natural or black nickel-satin finish, or black painted. Suspension on steel springs. Adjustable seat in two positions. Cushion and headrest upholstered in polyurethane. Leather-covered cushions and armrests.
Armchair. Frame in natural or black varnished oak, or in natural Canaletto walnut; wax-finished varnish. Black-nickel satin finished brass metalcomponents. Four-position adjustable backrest. Removable external fabric or leather cover.
Armchair, armchair/bergère, pouf. Revolving base in varnished steel, colors: black or graphite. Steel frame. Upholstery in self-extinguishing graduated polyurethane foam/heat-bound polyester fiber. Removable fabric or leather cover.
Lounge chair. Varnished steel frame, colour graphite. Self-extinguishing polyurethane foam upholstery with elastic strips suspension. Removable cover in fabric or leather, or non-removable in cowhide.
Lounge chair. Ø 18 mm, 18/8 polished or black painted steel tubular frame or with natural or black nickel-satin finish. Sling in cowhide pigmentato 90. Back cushion in new goose feathers. Seat cushion upholstered in polyurethane/ Dacron Du Pont. Cushions and armrests covers in Ecofire or leather. Removable external cover in fabric or leather. The model with fabric-covered cushions has the armrests covered in leather matching the sling in cowhide pigmentato. The model with leather- or Ecofire-covered cushions has the armrests in the same cover of the cushions.
Armchair. Steel frame varnished matt graphite or black. Seat upholstered in graduated polyurethane/Dacron Du Pont; backrest upholstered with self-extinguishing polyurethane foam. Removable cover in fabric or leather.
Armchair. Legs in black laquered solid maple wood. Steel frame. Upholstery with self-extinguishing polyurethane foam/heat-bound polyester fibre. Removable cover in fabric or leather.
Tilting lounge chair. Stiff polyurethane frame with upholstery in graduated polyurethane. Frame covered with cowhide 95. Removable topper made of polyurethane/heat-bound polyester fibre, covered with fabric. Upon request one headrest cushion upholstered with polyurethane/head-bound polyester fibre, covered with removable fabric, is available.
Armchair. Frame in chromium-plated, or in natural or black nickel- satin finished, or black painted tubular steel. Adjustable two- position cushion support in black painted steel. Cushions upholstery in polyurethane/ heat-bound polyester fibre. Removable cushions cover in fabric or leather. The model with fabric-covered cushions features the armrests covered with leather 95. The model with leather-covered cushions (all categories) the armrests are covered in the same category and colour as the cushions.
Folding chair. 18/8 stainless steel frame. Aluminum alloy joints. Removable cover in Vip (also for outdoor, fire-resistant and anti-bacterial), in Telastrong or in cowhide 95.
Stackable chair. Aluminum alloy legs, painted matt black or white. Plywood seat with self-extinguishing polyurethane foam upholstery. Steel backrest frame with self-extinguishing polyurethane foam upholstery. Removable cover in fabric or leather.
Chair. Armchair. Steel frame varnished iron grey or matt black. Seat and backrest made of elastic straps in polyester thread available in yellow, string, anthracite and blue. The Zanotta logo is printed on the first strap of the seat, on the right side. Upon request the customized writing on the straps is available.
Showcasing an intriguing relationship between material and concept, the X lounge chair represents Hvidt & Mølgaard’s peak as furniture designers.
After experimenting for years with the concept of a laminated wooden frame inspired by old wooden tennis rackets, Danish design duo Hvidt & Mølgaard released X in 1959, a lounge chair with a distinctive sloping silhouette and understated aesthetic.
Space Copenhagen ́s Fly series signals a sculptural approach to design without sacrificing comfort. Referencing a classic Nordic aesthetic, details and techniques, seen in the slatted wood backrest, organic shapes and solid craftmanship. Fly is a series that allows the users to sit, lie, rest, and relax. Unlike many of the sofas and easy chairs in Scandinavian design history, Fly does not impose any particular posture onto the sitter. The seat itself is optimized for comfort, with loose cushions for the back that can be arranged according to the user’s own needs.
The BM3670 Dining Table was designed in the late 1960s by Danish furniture designer Børge Mogensen. A part of his Deck Chair Series, the simple, slatted lines and solid teak construction provide classic durable functionality in a range of outdoor spaces.
When designing the Trinidad Chair in 1993, Nanna Ditzel found inspiration in the elaborate fretwork from the Gingerbread Facades that she had seen in colonial architecture while travelling through Trinidad. Much like the facades, the cut-out fretwork of the chair triggers an interplay of light and shadows, creating a pattern projected into space and a subtle sense of motion.
The Zero armchair is built as a clean set of soft volumes, supported by a satin-finished metal structure in a platinum finish. The seat and back are made of extremely comfortable cushions covered in fabric. The outer shell of the armchair is covered in leather. The Zero armchair is available in different finishes as per sample book.
The smaller version of the Cesta lamp is defined by a smaller wooden structure, always carefully polished and strongly assembled, holding the small opal glass globe in which its light is wrapped. This design, an object-lamp that creates spaces of pleasure wherever it is located, is one of its author’s most widely publicised international icons.
The Gira lamp has all the simplicity and the profile of a classic. This lamp encapsulates all the essential elements, providing range of motion through its rotating arm and adjustable shade. Great for work, Gira is concentrated to give prominence to the light, creating desktop lighting spaces.
With a structure supported by a circular metal base, the while linen shade of the TMD lamp looks like a sail hoisted on a mast. Whether switched on or off, the TMD manages to add warmth to the space around it. Another example of the timeless sobriety of Miguel Milá.
Skift Bar – a barstool in a compact design. Seat and backrest are separate, which gives freedom to choose materials. The distance between seat and backrest provides an open design and practical cleaning. All upholstered details have a frame made of environmentally friendly molded wood, which provides a long service life. Metal base, with slades.
Like the sofa, the Mell table also appears to float. This is due to the delicate steel skids, just twelve millimeters thick. A closer look reveals that they have rounded corners - a detail which underlines the table's class. Combined with the Mell seat elements, seating landscapes emerge which will always be glad to accommodate guests.
Sitting in state: not here. Pilotis wants to be lived in. This is the reason for the deep seat and reclining elements – sloping or straight – which are more than open to a playful combination with tables and shelves. But the new petite variant for small apartments and small rooms also makes a big impact.
Cushions are archetypal pieces of seating furniture, especially in Arab countries. With Jalis, they are raised to a European seating level and transformed into chairs. What looks like a cushion with a kink in it is in fact a complexly upholstered, stably built item of seating furniture relative of the eponymous Orient-inspired upholstered Jalis sofa. A pleasing contrast is provided by the seemingly delicate base construction.
A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to <strong>Ettore Sottsass</strong>. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.<br /><br />With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on <strong>how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project</strong>.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.<br /><br />The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».
Alexander Girard's Wooden Dolls stand as a testament to his innovative and eclectic design philosophy, blending traditional craftsmanship with modern aesthetics. Crafted from solid fir wood, these dolls are meticulously hand-painted to bring each piece to life, showcasing the artist’s commitment to detail and artistic expression. The construction is robust yet delicate, allowing for both functional play and aesthetic appreciation.
The Wooden Dolls feature a unique design that seamlessly combines functionality and decorative appeal. Each doll is crafted with intricate details, capturing the essence of folk art from South America, Asia, and Eastern Europe, which served as a significant source of inspiration for Girard’s work. The dolls are part of a broader collection inspired by these cultures, reflecting Girard's passion for diverse artistic traditions.
These decorative objects come packaged in high-quality wooden gift boxes adorned with printed labels and brochures that provide insight into the history and design philosophy behind each piece. This thoughtful packaging not only enhances the aesthetic appeal but also serves as an educational tool, allowing recipients to learn more about Alexander Girard’s contributions to American design.
Designed for both personal enjoyment and display purposes, these Wooden Dolls are suitable for home decor or as gifts for art enthusiasts. Their playful yet sophisticated nature makes them ideal for creating a vibrant and culturally rich environment within any living space.
For care and maintenance, it is recommended to clean the dolls with a soft cloth and avoid using harsh chemicals that could damage the finish. Regular dusting will help maintain their pristine appearance over time. The Wooden Dolls are not only charming decorative items but also serve as tangible links to cultural heritage, making them valuable additions to any collection or home interior.
For further information on care instructions and additional details about Alexander Girard’s Wooden Dolls, customers can refer to the comprehensive documentation provided by the manufacturer.
Mixu is an elegant stool crafted from chromed or powder-coated steel with four robust legs, offering both contemporary style and enduring durability. The stool's construction features a seat made of polypropylene, incorporating 80% recycled materials, complemented by a backrest available in five vibrant colors. Alternatively, Mixu can be configured with a seat crafted from plywood featuring a reconstituted oak finish (either natural or black), paired with a polypropylene backrest also in five color options.
The design of Mixu is characterized by its sleek and minimalist aesthetic, allowing for an infinite range of customization possibilities through the combination of base, seat, and backrest finishes. The stool's height is precisely set at 75 cm, ensuring optimal comfort and functionality.
Mixu embodies sustainability with its use of recycled materials in the polypropylene seat and FSC certified wood in the plywood option, reflecting a commitment to environmental responsibility. This versatile collection can be tailored to fit any setting or preference, whether for hospitality, contract applications, or personal spaces. The stool's design features softly rounded geometric curves that serve as an ideal canvas for material expression, allowing users to select from various color and texture combinations.
Mixu is available in a variety of seat options including post-industrial recycled plastic, FSC certified wood, fabric, and leather finishes. Backrests can be selected in plastic, fabric, or leather, while the stool's four-legged base can be made either of metal or FSC certified wood. A stool variant with the same seat size as a chair offers additional comfort for hospitality or contract settings.
Mixu’s design system is modular, enabling users to create unique and personalized pieces by combining different components. The stool can also be disassembled for correct disposal at the end of its lifecycle, ensuring that sustainability remains central throughout Mixu's entire existence. This thoughtful approach not only reduces waste but also minimizes carbon footprint during shipping and transportation.
Mixu is a testament to design innovation, offering both practicality and aesthetic appeal in an environmentally conscious package. Its versatility ensures it can be seamlessly integrated into various settings, making it a versatile choice for designers, architects, and homeowners alike.
The White Solid Indo Loop Cut Plain Rug is a hand-knotted masterpiece from India. This 8'1" x 10'2" rug features a cream-colored, textured surface that exudes a natural and organic vibe. Made of high-quality wool, this piece evokes a sense of calm and neutrality with its simple yet elegant design.
<!-- td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;} --> Deep pigments of green and teal cast a meditative shade over the intricate traditional design of this hand-knotted Color Reform Green Wool Rug - 9'11" x 12'2". Organically neutralized from its original color, this patchwork area rug was overdyed to produce a one-of-a-kind composition reborn through color.
Pure Loop Lounge is an armchair with a cozy and ergonomic shape, with a poluyrethane padded seat panel, and it’s completely upholstered. Functionality and comfort are guaranteed. The 4-star base is perfect for offices, lounges and waiting areas.
O'pera armchair with base in glassfibre reinforced polypropylene and the back in polycarbonate. This traditional chair turns into a contemporary looking chair with combination of the two material and with its fashionable colours make it easily adaptable to every dynamic design environments. Anti UV stabilized. Suitable for indoor and outdoor use. O'pera-K also available with rich selection of cushion models. It enriches the chair and gives a distinct character for the interior usages.
This whimsical ceramic piece combines the elegance of high heels with playful floral designs, creating a unique decorative object. Perfect for adding a touch of charm to a bedroom or dressing area.
An elegant side table with two planes, connected through a graphic leg for a modern expression. Pull the Relate Side Table up to a sofa to use as a hot desk or place it in any space to hold various objects.
HIRAY takes metal, one of the most important materials for the greening of the Kartell catalogue, and uses the welded wire process to shape it. The result is an essential and functional product that is nevertheless rich in emotion. Metal wires form well-defined yet lightweight structural parts of the collection’s chair, chair with arms, bistro table, armchair, divan and side table. The various articles come in white, Bordeaux, black and green.
Blast is a side-table (available in square or rectangular versions with rounded corners) with transparent base and tops. The design is a development of the Sir Gio table, with the opportunity to associate and combine different coloured bases and tops. The central core of the base is available in chrome or copper metallic finishes.
A completely transparent small side table in the perfect size: 40x40x40 cm. Colourful, practical, safe and functional, Jolly is a versatile and fun side table.
Rotate’s unassuming appearance belies its highly functional design. Created to fulfil a wide variety of purposes – from an office trolley, to a bedside table or bathroom storage unit – this asymmetrical piece can be inserted into any space. To ensure maximum adaptability, it sits on discreet wheels to facilitate quick and simple manoeuvrability from one location to the next.
Sitting within the larger In Between series, this lounge table carefully echoes many aspects of the In Between chair, from its gentle curvature to the outward splay of its legs. It is available in two heights and comes in three finishes: black lacquered oak; oiled oak; and smoked oiled oak.
The BK16 side table was designed in 1959 by Danish architect and professor Bodil Kjær. Part of a collection of beautifully crafted indoor-outdoor furniture in solid teak, its Cubist-inspired form echoes other designs in the series, all of which have a clean-lined and geometric quality. Perfectly proportioned to match the height of the collection’s lounge chair, the BK16 side table displays the same superior craftsmanship and striking simplicity that underpins the entire Indoor-Outdoor Series.
Tables. Base in Cristalplant®, composite material based on polyester and acrylic resins, loaded with minerals and mass pigmented. For the version 2575, tempered, extraclear, acidated plate glass top painted in the shade of white or made of white Carrara marble only matching the matt white base; or Sahara Noir marble top, with stain-resistant clear matt polyester protective varnish, matching the matt black varnished base. For the version 2576, clear plate glass top, matching the matt white base or black glossy lacquered; or smoky grey plate glass top only matching the black glossy lacquered base.
Bedside table with drawer. Graphite painted steel frame. Handle in graphite painted aluminium. Drawer in medium density fiberboard veneered with natural oak or varnished grey or white.
Small table. Steel frame painted in the shades black or white. Tops available either in white Carrara marble, in black Marquinia marble or in Emperador marble, with stain-resistant protective varnish, in clear matt polyester.