Hazy Day by Marset

Ambrosia

Marset > Ceiling lamp

Ambrosia is essentially a line of light that can be converted into a modular system, capable of extending the illumination it offers to adapt to any space. A design that recovers and revisits the tube light, timeless, and updates it so that its simple structure and diffuse lighting add beauty to any space. This collection expands on its possibilities by proposing a change in the plane of light, from horizontal to vertical.This new style of lamp is available in two versions, both of which are pendant lamps. First there is the Ambrosia V2, a 235-cm-high vertical structure consisting of two tubes of light of different lengths. An interrupted line of light, a detail that brings lightness and character to the lamp. Its design allows you to choose the lighting, either towards the wall for indirect light, or towards the main space for direct light. This aesthetic and functional design also works well in domestic settings. The other vertical version, Ambrosia V3, joins three light tubes placed at different heights, forming a sculptural ensemble. This option can provide a great deal of light and therefore comes with a dimming system for easy lighting control. It is available in two heights of 130 and 175 cm. Both sizes can be electrically connected through the ceiling rosette or the floor plug. The new Ambrosia allows you to create vertical lighting compositions, combining different sizes in repetition to illuminate large spaces. When installed individually, it fills the space with light and warmth. Its slender design sets the perfect scene in any room. A totally new perspective for this flexible lighting system, which achieves maximum light expression with a minimalist structure. The metal structure is available in two finishes – black and matte gold – and the light source in three colour temperatures: 2200 K, 2700 K and 3000 K.

Ambrosia

Marset > Floor lamp

Ambrosia is essentially a line of light that can be converted into a modular system, capable of extending the illumination it offers to adapt to any space. A design that recovers and revisits the tube light, timeless, and updates it so that its simple structure and diffuse lighting add beauty to any space. This collection expands on its possibilities by proposing a change in the plane of light, from horizontal to vertical.This new style of lamp is available in two versions, both of which are pendant lamps. First there is the Ambrosia V, a 235-cm-high vertical structure consisting of two tubes of light of different lengths. An interrupted line of light, a detail that brings lightness and character to the lamp. Its design allows you to choose the lighting, either towards the wall for indirect light, or towards the main space for direct light. This aesthetic and functional design also works well in domestic settings. The other vertical version, Ambrosia V, joins three light tubes placed at different heights, forming a sculptural ensemble. This option can provide a great deal of light and therefore comes with a dimming system for easy lighting control. It is available in two heights of 130 and 175 cm. Both sizes can be electrically connected through the ceiling rosette or the floor plug. The new Ambrosia allows you to create vertical lighting compositions, combining different sizes in repetition to illuminate large spaces. When installed individually, it fills the space with light and warmth. Its slender design sets the perfect scene in any room. A totally new perspective for this flexible lighting system, which achieves maximum light expression with a minimalist structure. The metal structure is available in two finishes – black and matte gold – and the light source in three colour temperatures: 2200 K, 2700 K and 3000 K.          

Dipping Light

Marset > Ceiling lamp

The Dipping Light is more than just a lamp; it inspires emotions. On, it is mesmerizing: its different shades of paint filter the light creating a magical ambience. Off, it transforms into a multi-coloured glass sphere, with a strong aesthetic impact.The Dipping Light started out as an experiment – dipping a switched-on light bulb in paint several times – but it became a lamp. The result is layers of colour painted in concentric circles which trap the light, attenuating its intensity. The paint acts as a shade, colouring the light and giving it texture. This artisanal process involved makes each lamp unique and exclusive. The pendant version of the Dipping Light sheds all unnecessary elements and retains only what is essential: colour takes centre stage. When using several lamps to make a composition, the visual effect is mesmerising. It is available in four different diameters: 12 cm, 20 cm, 30 cm and a new diameter of 40 cm. When this bigger bulb is switched on, it simply demands attention: colour is the message. Its size exudes so much strength and visual aesthetic that it can fill any space, bathing the room in colour. A cluster accessory is also available for the 12-, 20- and 30-cm pendant Dipping Light, allowing you to connect several pendant lamps at once to a single point of light. This offers the freedom to build with light, to illuminate large spaces and to create compositions.  

Fris

Marset > Ceiling lamp

Drawing thin beams of light in a space with each one of them pointing in any direction. This is why we have created Fris, a multi-purpose lighting system, available in a wall/ceiling or pendant version, which allows you to combine several units in different sizes and positions, each one aiming its own beam of light.Its design consists of a glass tube that encases the light. What makes it unique is that the glass not only protects the light, but also provides a mechanical function, suspending the whole system and allowing the lamp to rotate and the light to be steered in a certain direction. As a result, the glass is both material and function. Through the transparent glass we see the lamp’s interior, which consists of two profiles: one includes the light source and the other acts as a parabola, projecting a crisp, intense light. This system makes it possible to compose light structures and to join a set of lamps by means of different assembly and hanging accessories. In the pendant version, each Fris unit is supported by a strap, so that several can be placed horizontally, in line, one on top of the other, or perpendicularly, creating intersections of light. They can also function separately as an individual lamp. The other version can be fixed to the ceiling or wall. The pendant version is available in three lengths of 80, 155 cm and 215 cm and the version for ceiling or wall comes in another three lenghts 80, 155, and 215 cm. There is also a more technical version where the light is distributed in cells with independent lenses, achieving a UGR of under 19. Fris offers a very versatile and functional design for precise lighting of any type of project. An ingenious system that boldly tackles a previously unresolved issue: to have a set of lamps where each one directs the light individually.

Plaff-on!

Marset > Ceiling lamp

The quality of a product’s design lies in whether or not it withstands the test of time. Plaff-on! has been illuminating indoor and outdoor ceilings and walls for more than a decade, and recently, thanks to a bollard version, gardens as well. A collection that is now expanding to include a new pendant version with a totally industrial vibe. Solid and compact, its 16-cm-wide structure, in black or rust brown, surrounds the glass diffuser.A design that combines simplicity and functionality and which in this new pendant version comes with a garland accessory allowing different lamps to be joined to a single point of light. Finally, a neoprene cable ensures waterproofing with no deterioration. The new Plaff-on! projects the light directly downwards. This highly effective collection continues to evolve and expand its applications, proving that a functional design is a lasting design.

Pleat Box

Marset > Ceiling lamp

Applying a digitally designed fabric crease to ceramics. This is how the Pleat Box lamp was created, resulting in a design that conveys beauty in its material, shapes and texture.Ceramic is a ductile, malleable material, and every lamp in the collection is handcrafted. Fusing the clay with different enamels has allowed Xavier Mañosa to discover and interpret new light effects. He has gone as far as to play with two different finishes on the inside of the lamp: a brilliant white enamel to create sparkles that enhance the light, and a 24-carat gold plated version that emits extraordinarily warm lighting. The outside of the lamp comes in the collection’s classic finishes – white, black, terracotta and grey – as well as in the recently added dark green and ochre, two new shades that expand the range of possibilities to combine different sizes, heights and colours. The Pleat Box collection is also available with integrated LED technology, which projects warm indirect light and prevents glare. This lamp shows respect for craftsmanship, care for ceramics and the ingenuity of design.  

Tam Tam

Marset > Ceiling lamp

Imaginative and playful, Tam Tam is dynamic in its configuration and expressive in its colours. The extensive collection, which comes in pendant, wall and floor lamps, has harnessed colour since its inception to create volume and accentuate spaces. A decade later, the collection is getting an update to offer new possibilities. The glossy finishes have become semi-matte and new, softer colours have been added, including silver-grey and olive yellow.Besides colour and texture, Tam Tam has also evolved to offer the possibility of including more powerful light sources. New ideas to expand the collection, new colours to create a fresh look, new varieties to offer users maximum flexibility, and new options to improve the quality of light. The Tam Tam is moving forward in every way possible.  

Tam Tam

Marset > Ceiling lamp

With the Tam Tam collection, Fabien Dumas shows us his knack for innovation: bringing together various lamps in one and allowing each to send light in any direction. The design features a central light source, to which various satellite lamps -between 3 and 5- can be added to project light from any angle.Imaginative and playful, Tam Tam is dynamic in its configuration and expressive in its colours. The extensive collection, which comes in pendant, wall and floor lamps, has harnessed colour since its inception to create volume and accentuate spaces. A decade later, the collection is getting an update to offer new possibilities. The glossy finishes have become semi-matte and new, softer colours have been added, including blue-grey and khaki for the central lamp and silver-grey and olive yellow for the satellite lamps. The combination of colours is what harmonises the whole. Besides colour and texture, Tam Tam has also evolved to offer the possibility of including more powerful light sources. New ideas to expand the collection, new colours to create a fresh look, new varieties to offer users maximum flexibility, and new options to improve the quality of light. The Tam Tam is moving forward in every way possible.  

The W

Marset > Ceiling lamp

Unfold the light or fold it. The latest from PerezOchando is a flexible, large-format lamp designed to adapt to the different lighting requirements in large spaces.A large black vertical structure is the main shaft from which a number of rods emerge; some can be moved upwards to expand the light and others downwards to focus it. The rods all have a suspended spotlight that projects the light downwards or in a large, sharp beam. The cylindrical spotlights – with an inner ring that comes in ivory, terracotta or gold – spread the light evenly. This decorative light, with an extremely graphic profile that’s easy to outline, takes its inspiration from an old-fashioned winding machine: used to wind thread or wire around an axis and form a ball. Designers Pedro Ochando and Claudia Pérez have no interest in the machine’s function, rather in its shape, which enables vertical movement with a horizontal effect. A light, sober and functional design with great presence that can change shape, opening to extend the light up to a diameter of 2 metres for large spaces, or folding up to 1.2 metres in diameter to focus on a smaller area. The designers say that standing under the open lamp feels like being below a dome of light. The key feature is that, whatever its size, it always provides exceptional ambient lighting.

Ambrosia

Marset > Ceiling lamp

The starting point for the Ambrosia was to bring back the traditional Linestra lamp to update it and show that a technical, resolute design can also be poetic. The Linestra was initially a line of light, which transitioned into a modular system that can be extended to adapt to any space.Its design stems from a tubular structure with gentle lines that attaches to the ceiling, allowing the light to descend and gently illuminate any type of project. It is this diffuse light that fills the space, adding beauty. This lighting system is available in four pre-set lengths, from 120 to 315 cm. Extensions measuring 40 and 60 cm let you define the height from which to hang them. That way, you can adjust their distance from the ceiling to create visually uninterrupted compositions. The LED SMD 24V light tube is available in three warm colour temperatures, 2200K, 2700K and 3000K, and offers adjustable intensity. It can also be installed on a canopy that includes the driver, or hidden and recessed. The Ambrosia started out as a unique and decorative piece for a multi-brand luxury boutique in Madrid. The Ciszak Dalmas studio, along with Joan Gaspar, decided to revise it in an effort to combine simplicity, functionality and aesthetics. Its linear and unique design, a nearly flat segment of light, was made modular and asymmetric to create a soft and surprising lighting system.

Atlas

Marset > Ceiling lamp

Since its beginnings, Atlas has consisted of a transparent polycarbonate design that envelops the bulb and has the interior structure of a spotlight. A transparent suit that conveys lightness and enables it to blend in with its surroundings.It is available in a pendant version that emits directed light, or as a wall lamp, in which the light can be direct or indirect, bouncing off the ceiling or wall.

Bohemia

Marset > Ceiling lamp

The Bohemia is unique. At first glance, it appears to be made of blown glass—but its size made this option untenable. Its designer, Joan Gaspar, overcame this difficult challenge by opting for polycarbonate instead.The result is an exciting, organic, translucent profile that integrates two volumes into a single shape. This allows for a large shade in different colors that don’t interfere with the interior, which is always white, giving of impeccable lighting with no color bleed. When it’s on, the Bohemia shines a white light downward, while also enhancing the shade with subtle hues and shadows. This interplay between shadow and light defines the two volumes. The Bohemia is bright and striking, with an exceptional light that aims to surprise all viewers.

Discocó

Marset > Ceiling lamp

If there is one iconic design in the Marset collection, it is the Discocó: exuberant, even when switched off, the richness of the light emitted by this lamp provides direct downward illumination as well as a dramatic surrounding interplay of light and shadow. Its detailed study of indirect light adds nuance and also depth. Further reflections dance off the chrome-covered sphere at the core, to which the discs are attached.When switched off, the Discocó is a stunning object that catches the eye and fills the space. Available in white, grey, beige and gold black in 5 different sizes and also in an oak wood finish, a high-quality material that provides unmatched quality and comfort. Using wood and making it light without conveying apparent or real weight is a challenge and for this reason this version is only available in pendant format, with a diameter of 68 cm. In this wooden edition, the interior metal structure comes in a graphite nickel finish. All versions of the Discocó provide an exceptionally cosy light.

Djembé

Marset > Ceiling lamp

The Djembé collection is designed for repetition, creating musical compositions of light. A bell-shaped ceiling fixture with an exposed interior, Djembé is available in a numerous sizes and bright, airy colors that can be used individually or combined to create a brilliant statement piece.Using a rotomolding technique allowed the designer, Joan Gaspar, to design a fixture with vastly different interiors and exteriors: its outside recalls the texture of a stone, giving off a perception of great weight, emphasized by its volume. In the spacious interior you’ll find a smooth, white space perfect for the reflection of light. Djembé is a lamp designed for use in public spaces that seeks to bring beauty and an unbeatable quality of light. Faced with the challenge of lighting very large spaces, the Djembé collection is growing in every sense of the word, we are introducing new ceiling and pendant versions that are over a meter in diameter, featuring the same finishes as the rest of the collection. The pendant version is notable for its intense visual impact, combining beauty and strength as it projects large amounts of indirect light. Djembé is a lamp designed for use in public spaces that seeks to bring beauty and an unbeatable quality of light.

Ginger

Marset > Ceiling lamp

Wood is a great ally of cozy lighting. It is a material that is hard to mold, a challenge that the Ginger collection neatly resolves. The combination of sheets of wood, paper and resins pressed together under high pressure achieves a laminate that appears almost entirely flat, which discreetly lights up spaces with indirect light.This collection has been expanding over time to provide a solution to different lighting needs: different sizes for the suspension, tabletop (including the portable version) and floor models, two wall versions with a movable arm, and four wall lamp sizes that are simple yet formal and that can be combined with one another. The Ginger is also available in metal, offering the same warm, reflected light with no glare that helps highlight spaces. This material is applied to some models in the collection with different finishes: brushed brass, black or white on the outside, and brushed brass or white on the inside. A lighter, more refined, almost sculptural option. With these two highly diverse materials –wood and metal– the Ginger turns into a versatile collection, rounding out the circle and offering a lamp for every lighting and decorating need.

Hazy Day

Marset > Ceiling lamp

Hazy Day is the outcome of a delicate study of light and how it diffuses, inspired by that time of day when the sun has not yet come up and the light of the sky is filtered through the haze. As a hanging lamp, the opal glass ball fades from a sandy matte to a shiny transparent finish at the small curvature that rounds out the lampshade. This detail breaks up the essential geometry of the sphere and harkens back to the technical procedure of glassblowing, the technique used to craft it.From certain vantage points, the downward-shifted position of the bulb and the bottom curvature generate a provocative sense that there is a double source of light.

Ihana

Marset > Ceiling lamp

The serene shapes of the Ihana trace out a silhouette of light. This lighting system consists of several opal blown glass diffusers that are pleasing to the eye, appear ductile and contrast with the firmness of the metal structure that determines its shape and fastens it to the ceiling.In an effort to offer ambient light for any classic or contemporary interior design project, this collection can be used to create light compositions. This is made possible by its structure, which can be extended to include 14 diffusers, connected to a single point of light. It is available in different sizes to illuminate spaces with high ceilings as well. In addition, the Ihana features dim to warm technology, which allows not only regulating the intensity of the light, but also its colour temperature, which can vary from a warm white (3000K) to an ultra warm white, simulating candle light (1800K). Often, a design is born of necessity. Ihana, which means “exquisite” in Finnish, is one of them. Its creator, the architect Joanna Laajisto, moved her studio to a 19th century building in Helsinki and couldn’t find any lamps that fit in with her new office. In search of the beauty of light, she created a sculptural lamp defined by its pure, almost graphic forms, and by the balance between rigidity and fragility. Ihana is a synthesis of contrasts that combines contrasting colours, the black metallic structure and white diffusers, and nuances of old and new. A contemporary and timeless design made by its creator to endure over time and become part of those stories in which no one remembers what year it was designed.

Maranga

Marset > Ceiling lamp

Distributing the light to make rational use of lighting. The design of the Maranga consists of a shade made up of 32 interspersed pieces that allow fine chinks of light to escape and generate shadows on any nearby wall or surface. In the centre at the bottom, an opening fitted with a diffuser filters the direct light which is projected downwards.It has a unique shape and emits a warm, nuanced light without any glare.  

Mercer

Marset > Ceiling lamp

The beauty of the Mercer comes not only from its pure shape but also from how its materials blend together. The transparent blown glass structure envelops the textile shade, which appears to float, conveying lightness and sophistication. The inner diffuser fabric is available in two finishes: in ecru cotton ribbon, and in a more modern and minimalist version, in pearl white. 

Milana

Marset > Ceiling lamp

Moving the point of light, that’s the idea behind the new design by Jaume Ramírez. Milana involves a system of modular suspension lamps that combine with one another and can be moved both vertically and horizontally.Paradoxically, this new design starts by deconstructing the archetype of a lamp; by synthesizing it as much as possible, only a cylindrical body remains, suspended with a built-in LED. To this cylinder we can add different conical shades in oyster white and black in several sizes. But most ingenious of all is that each of these lamps can have a simple counterweight such that when they are hung between two points, they can be moved. An almost imperceptible lens covers the LED and distributes the light. If only the cylindrical lamp is used, the downward-directed light is impeccable, and when a shade is added, the light escapes, illuminating the lamp itself. This new lighting system gives the user control of the light, offering a new conceptual proposal. Furthermore, the Milana collection is now also available with a pressed glass accessory, in a smoked finish. A feature that adds volume and nuance to your lighting. This version is 24 V-ready, a technical detail that allows several lamp units to be connected to a single light source. With the pressed glass version of Milana, light sets can be created to illuminate large spaces. Covering and baring lamps, moving them up, down and sideways. Mixing cylindrical shapes or combining them with decorative lamps. Milana lets you create countless compositions, a symphony of light. A cluster accessory is also available for the Milana collection, allowing you to connect several pendant lamps at once to a single point of light. This offers the freedom to build with light, to illuminate large spaces and to create compositions.

MVV

Marset > Ceiling lamp

The MVV story begins in the 1970s. This new suspension lamp is a first, and was designed by Manuel Valls Vergés, one of Spain’s most notable architects at the time and partner of Jose Antonio Coderch for 15 years, alongside whom he undertook such prominent projects as the Ugalde house, near Barcelona. The MVV name reflects Vergés’ initials, as a way of displaying his authorship of this unique lamp. That was the desire of his grandson, also an architect, and of his partners in the Two-bo studio. Pablo, María and Alberto rescued this lamp 45 years later.Marset, acting as a bridge in time, took the original design —an octagon with overlapping sheets— and updated it by giving it a dual skin: cherry wood on the outside of the sheets and a white colour inside to enhance the light quality. The measurements are the same as the original’s —45 cm— and the interior structure, which was originally made of iron, is now polycarbonate, which makes it lighter. Through the use of wood, the MVV yields an exceptionally warm light. An understated, rational and eminently geometric lamp —the MVV is like a construction site, in which the direct, down-facing light is complemented by indirect light that filters through the sheets. A design that, though timeless, reflects the constructive logic of that period and evokes a great many memories.

Neón de Luz

Marset > Ceiling lamp

Versatile and functional, Neón de Luz is a design intended for spaces where constant lighting is needed. Its light source is housed in a translucent polycarbonate profile. It can be installed both as a wall lamp or as a suspension lamp. 

Piola

Marset > Ceiling lamp

How does one design a light that translates the playfulness of an endlessly spiraling ribbon? The Piola collection is about imitating this fluidity of infinite movement, in search of a balance between the diffusion of light and the creation of shadows.A central metal column holds more than 5 meters of spiraling, laminated band, enveloping, protecting, and sifting the light for beauty and comfort. Several different types of light coexist here: direct downward light, indirect reflected light, and a light that sneaks between the edges of the spiral, illuminating the fixture itself with a warm, homey glow. The fixture’s spiraling form breaks with the monotony of cleanly ordered lines, offering a different face from every angle. At the same time, the central column provides a symmetry and solidity that supports and reinforces the visual movement of the screen.

Pu-erh

Marset > Ceiling lamp

The distinction of the new Pu-erh collection lies in its use of ceramics as material to yield a lamp with a delicate, fabric-like effect. Designer and ceramist Xavier Mañosa has created a texture, evoking pleated silk, which is then applied to a conical shade, casting a wide and beautiful ray of illumination.The Pu-erh begins with a rough sketch, drawn by the hand of its designer. This sketch, with all its ridges and grooves, is applied directly to the ceramic mold, yielding a lamp whose irregular variations supply a raw, natural effect. This underlies the collection’s most essential aspect: the simplicity of its artisanal process. The craftsman barely intervenes, letting the lamp take shape naturally within the mold. The Pu-erh is arresting in its simplicity and innovative in the transparency of its process. This new collection of suspension lamps is available in three sizes —21, 32, and 42 cm— and a wide range of muted colors that allows one to appreciate the texture of the ceramic: black, blue, white, burgundy and pink. Dancing off the beautifully rippled underside of the shade, Pu-erh’s light is warm, pleasant, and playful.

Santorini

Marset > Ceiling lamp

Inspired by the lanterns found on fishing boats, this collection of outdoor customizable lamps allows you to create multiple compositions. Users can choose how many shades to place on the diffuser, along with their order, position and direction. This interplay of combinations yields a rich array of direct or reflected light.This collection remains rich in its nuances and shapes by allowing the user to position the shades, creating different lighting arrangements. As such, with the Santorini Indoor the light can still be direct or reflected, simply and easily, with shades in four comforting colors: soft pink, clear green, sand or off-white. The new cloth cable gives it an appropriate softness and elegance. The variations on the Santorini lamp are further expanded by the choice of the shade color, which comes in white, grey and mustard.

Scotch Club

Marset > Ceiling lamp

The warmth of the Scotch Club’s ceramics contrasts with the angles of the shade. This design follows a careful artisanal production process in which its shade is kiln-fired four times. But the Scotch Club collection isn’t just defined by ceramics. The different enamels created especially for this collection – white, terracotta and black for the outside and the brilliant white enamel or 24-carat liquid gold finishes for the inside – provide colour and texture.This original design draws geometric sculptures and is available in pendant, wall and small ceiling light versions.  

Soho

Marset > Ceiling lamp

The Soho makes a statement in recognition of those lamps that were traditionally used to light up markets, taverns and cafeterias.It is made from rotation-molded polyethylene, a technique that allows us to offer it in different sizes: 38-cm diameter for smaller spaces, 57 cm and 112 cm for large spaces. This collection is also available for outdoors, including wall and floor versions in different colours: black, gray, translucent white, and sky blue.

Vetra

Marset > Ceiling lamp

At first glance, Vetra could be no more than a traditional, old-fashioned, blown-glass lamp, but turning it on yields a surprise. Joan Gaspar uses a completely closed glass diffuser as a reflector, and creatively places the light source outside -instead of inside- the shade. The Vetra gives off more light than one would expect, without glare. Much of the light is directed downward, and the rest is filtered toward the inside of the shade, subtly illuminating it.Like an echo multiplying the light, when it’s on, its entire outline is drawn out and seems to come alive. This collection is offered in different diameters (20, 32 and 43 cm) in white and amber, a color that emphasizes even more its relationship with the light. A contrasting layout in which the lamp proper becomes more visible and its light – sheltered by these tones – warmer.

Zenc

Marset > Ceiling lamp

The Zenc’s design is inspired by the water tanks on New York rooftops. With this in mind, Gaspar has created a contemporary form reminiscent of industrial aesthetics.A shade 44 cm in diameter and 28 cm high surrounds the light source. On the outside its texture enriches the volume, and generates surprise… It seems to be made of metal, specifically zinc, a material traditionally linked to storage tanks, and like tanks, even the joints stick out. However, it is produced in rotomoulded bi-layer polyethylene. Its interior is covered in a white layer so that the light bounces, emanates and catches the eye. And that’s where the contrast is created: the outside is available in several colours – blue, grey, off-white, red, pale pink and pale yellow – while the inside is always white. A simple design reminiscent of a circular house, an archetype of essential shapes that also work in combination with each other, in different heights and colours, to offer multiple lighting possibilities. Walking around New York means looking up, wanting to discover where the skyscrapers end. On his last trip to this city, Joan Gaspar looked around the rooftops of New York and there, seeing the water tanks, he found the shape for this new design. A unique element that forms part of the city’s skyline. Water tanks have been a sign of New York’s identity since the beginning of the 19th century, and not only are they still there, but, surprisingly enough, they are also still installed, performing the same function.

Tam Tam

Marset > Floor lamp

Imaginative and playful, Tam Tam is dynamic in its configuration and expressive in its colours. The extensive collection, which comes in pendant, wall and floor lamps, has harnessed colour since its inception to create volume and accentuate spaces. A decade later, the collection is getting an update to offer new possibilities. The glossy finishes have become semi-matte and new, softer colours have been added, including silver-grey and olive yellow.Besides colour and texture, Tam Tam has also evolved to offer the possibility of including more powerful light sources. New ideas to expand the collection, new colours to create a fresh look, new varieties to offer users maximum flexibility, and new options to improve the quality of light. The Tam Tam is moving forward in every way possible.

Cala

Marset > Floor lamp

The beauty of the Cala collection comes from its simple, essential form: a shade that embraces the light without restricting it, letting it project its warmth around you space. Its oak wood structure is lightweight yet strong, and is inspired by the classic painter’s easel. An iconic Marset design defined by that most precious pairing: form and function.A highly functional lamp perfect as general lighting for larger spaces. The Cala collection is also available in an outdoor version and a metal version.    

Cala Metal

Marset > Floor lamp

The beauty exuded by the Cala stems from its simple, synthetic and essential form: a shade that embraces the light without containing it, letting it escape to yield very warm lighting. Its structure has always been made of wood, and now it’s also available in a black lacquered metal. An iconic Marset design defined by that most valuable pairing: form and function.The new Cala with a metal stand is even more sophisticated: a structure that is easier on the eyes, and is lighter. Both versions speak the same language: the proportions, the harmony, the cosy light, and now with two different finishes to offer more possibilities. This collection is expanding, and this new metal edition provides a more neutral and versatile version.

Copérnica

Marset > Floor lamp

When moving the Copérnica lamp, you feel the sensation of weightlessness. As if levitating, its weight is barely noticeable. It moves through space precisely, with no friction or resistance.Circles, semicircles, tubes, and bars of different diameters, materials, and weights…with the combination of these primary elements the Copérnica collection constructs geometric sculptures of light, establishing an intimate relationship with space and combining functionality with the beauty of pure lines. This collection consists of a table and floor lamp, as well as a separate torchier-style floor lamp, all of which use mixed materials of different densities, such as aluminum and steel, to create a unique counterweight system. This structure affords great precision when moving the lamp, reaching different heights and distances to adjust the position and direction of the light beam. Copérnica draws minimalist sculptures in the space as if it were a canvas, and is offered in different finish combinations with subtle chromatic pairings.  

Funiculí

Marset > Floor lamp

For Lluís Porqueras, designing consisted of eliminating the superfluous until an essential object was left: beautiful, useful and simple. This was the case with the Funiculí, a 1979 lamp that Marset reissued in 2013 and which has become an emblem of the collection.Lightweight, it takes up almost no space and can function as an ambient lamp or for direct light, depending on how you direct the beam. Its designer released the shade to give maximum mobility. It can rotate through 360 degrees to focus the light where you want and also has a double clamp system for height adjustment. For the Funiculí, forty years are nothing; it has stood the test of time and now comes in new colours that further expand its possibilities. It is no longer only available in the neutrals moss grey, black and off-white. The new colours – green, terracotta and mustard – are intense. They are design statements, highlighting the shapes of the Funiculí and bringing chromaticism to the space. The new shades are cheerful and vivid, conveying that colour can also be essential.

Funiculí

Marset > Floor lamp

The Funiculí is one Marset’s most emblematic lamps. Its design is over 30 years old, but is still just as modern and functional as the day it was designed. Yet there’s one avenue that remains unexplored.Heir to the first Funiculí, we offer a version with a fabric shade, a design that Lluís Porqueras first conceived in 1979 but that is only now seeing the light of day. Respecting the initial design to the fullest, only its proportions have been updated. In the fabric version, the cloth on the shade unlocks the light, allowing it to filter through and better illuminate the space. It shares the same structure as the original, so you can easily adjust the lamp to your desired height.  The essence of both lamps continues to be their simplicity, but this design is chic and classical, perhaps even more sophisticated than the original. This collection comes in floor, table and wall versions and two colours, beige or white, with the black structure.  

Ginger

Marset > Floor lamp

The floor version of the Ginger collection is available in wood, a great ally of more intimate lighting. The difficulties of moulding wood are solved neatly with this collection: the ingenious combination of thin sheets of wood, paper and resins, compacted under high pressure, yields a lamp with an almost flat, understated appearance that use reflected to warmly illuminate spaces.The extensive Ginger collection includes numerous sizes of pendant, table (including the portable version), floor, and wall lamps, as well as a flush-mount version that can combined together in clusters of 2 to 3 fixtures, connected via an accessory to a single outlet box. A new outdoor collection, with water-resistant metal shades, joined the family this year. There’s truly a Ginger lamp for every lighting and aesthetic need.

Ginger

Marset > Floor lamp

Wood is a great ally of cozy lighting. It is a material  that is hard to mold, a challenge that the Ginger collection neatly resolves. The combination of sheets of wood and paper  pressed together under high pressure achieves a laminate that appears almost entirely flat, which discreetly lights up spaces  with indirect light. 

High Line

Marset > Floor lamp

Visually, the High Line is a light sculpture, a svelte line that gives off light without revealing its source. This floor lamp by Josep Lluís Xuclà generates light indirectly by reflection, and uniquely, the light does not bounce off the ceiling, but off the wall. Its designer is interested in having the wall return the emitted light. A wall is this lamp’s greatest ally, and they want to remain close.Formally, it’s a composition in volumes and colors. Three blocks that stand out for their shapes and tones: the vertical, light-carrying element in oak or wenge is attached to a block of lacquered wood. Both rise above the black base, which defines the optimal distance at which to place the lamp from the wall to generate an ideal light source. The austerity of its shapes contrasts with the warmth of its wood and the depth of its colors.

Polo

Marset > Floor lamp

Polo stands out for the fluidity of its movements. This design unites the head to a thin, light structure that can be fully extended while taking up hardly any space. It features a ball joint system for accurately aiming the light beam. The wheel switch is integrated into the top of the diffuser, and switches on and off when turned, a retro nod to the history of lamps. The Polo has a technical and solid design that is available in floor, table, ceiling and wall versions. 

Scantling

Marset > Floor lamp

Wood and metal combine in a design that utilizes the beauty and simplicity of basic geometric shapes. The Scantling is based on a highly functional and flexible system, in which all the movements of the fully rotational shade use ball joints and arms to create a versatile, easy-to-move light. In addition, its technical precision requires no exposed springs or counterweights to stay in the specified position.The word Scantling refers to a wooden strip that was formerly used as a unit of measurement, especially in shipbuilding. Its assembly is reminiscent of a construction set, and its profile evokes a silhouette of light, an archetypal, almost graphic design. The Scantling collection includes a table, wall and two floor versions.

In Situ Modular Sofa Cushion

Muuto > Accessories

The In Situ Modular Sofa is a grand, modular design with sculptural lines that can be tailored to your individual space and taste with its modular elements hidden through subtle detailing of its front profile, paired with deep comfort and a soft seat. Choose from any of the 30 predesigned configurations or create your own, using the 9 different seating modules and loose cushions. The look and feel of the In Situ Modular Sofa is more casual in its appearance, compared to some of our other sofas. Visit our Product Planner to explore the possible configurations: planner.muuto.com/in-situ *Please note that the In Situ Cushions are not part of any configuration or seating module and must be added separately to your order.

Outline Chair

Muuto > Chair

The Outline Series adds new perspectives to the classic Scandinavian design sofas of the 1960's, marrying the ideals of simplicity and function into one. With the design taking its name from its strong outline of a sofa, the Outline Series is clean and elegant on the outside with a deep seat and soft cushioning on its inside. The Outline Series has an expression that is at once elegant yet timeless, elevated by its lines referencing architectural shapes alongside its curved armrests, giving the design a distinct appearance across various sizes and variants. The Outline Series also includes Studio versions of the Sofa and Chair, being compact versions with slimmed-down proportions for smaller spaces within the home, hotel rooms, work settings and more. The Outline Studio Sofa and Chair have a smaller depth of 76 cm / 29.9”.

Chios 150 Textured Grey

Astro > Wall lamp

This modern wall sconce features a sleek, matte metal design, perfect for adding a touch of elegance to hallways. Its minimalist form and upward light direction create a refined ambiance, ideal for contemporary interiors.

Audrey (2 small armchairs)

Kartell > Armchair

Audrey is a versatile and contemporary chair which because of its simple, clean lines obtained through a special die-casting process is composed of only two parts and made without welding. It is multifunctional and adaptable to all uses - indoor, outdoor, the home, office and contract - with its wonderfully rich range of combinations both hard and soft. Audrey comes in either the chair or the armchair (with arms) version.

Madame ecopelle

Kartell > Chair

The Madame small armchair is part of the La DoubleJ collection. The seat structure is available in two different colours (white and black), which transversely match the patterns of the frame.

Vero Washbasin

Duravit > Washbasin

Rectangular, Tap hole platform: Yes, Underside glazed, Back side glazed: No, 1050 mm Design by Duravit

Ellis 1-seater module

Sofa Company > Sofa

Ellis has a soft and curvy design with a contemporary and elegant twist. Ellis’ modules can be adapted endlessly and can be combined for instance into a regular straight sofa, a corner sofa, a chaiselong sofa or as a U-sofa. In other words, so many variations for both small and larger spaces.

Palette JH9

&tradition > Desk

Inspired by Alexander Calder’s kinetic sculptures, Spanish designer Jaime Hayon transformed the idea of a mobile into a table - stabilised by a metal armature. A series of multi-tiered tables of varying shapes, sizes, colours and materials. Get this Palette desk in two different variants.

The Eye AP9

&tradition > Styling

It’s hard to look away from this bedspread from contemporary brand All the Way to Paris, which places an illustration of a singular eye in the centre of a geometric design. Quilted by hand, and crafted from organic cotton, it comes in two colours: Brown Earth and Blue Midnight.

Betty TK1

&tradition > Chair

Named after the Betty Nansen theatre in Copenhagen, this stackable chair comes in two versions: one with a seat made from exposed webbing crafted from natural linen fibres, and another with a solid wooden seat. It is available in three contemporary frame colours: Black lacquered ash, Maroon lacquered ash, as well as lacquered solid oak.

Gustave Residential

Flos > Table lamp

Gustave is a portable, self-powered luminaire, specially designed for tabletop lighting applications and other related uses as supplementary lighting. Gustaves compact size encloses a perfect mix of the most innovative optical and light technology and a disruptive engineering, developed in the service of a discretionary purpose of Flos for this project: to create the first portable luminaire on the market with circular design awareness, ecological and honestly conceived against obsolescence.Portable luminaire with autonomous battery, designed for residential applications. Powered by 'Button Type 18650 Li-Ion' batteries (2 units, included inside the product). USB-C charging cable (plug adapter not included). 0-100% sequential regulation by means of capacitive haptic push button.

Pebble Cheese Plane Black

Normann Copenhagen > Styling

Hazy Day

Marset > Ceiling lamp

Hazy Day is the outcome of a delicate study of light and how it diffuses, inspired by that time of day when the sun has not yet come up and the light of the sky is filtered through the haze. As a hanging lamp, the opal glass ball fades from a sandy matte to a shiny transparent finish at the small curvature that rounds out the lampshade. This detail breaks up the essential geometry of the sphere and harkens back to the technical procedure of glassblowing, the technique used to craft it.From certain vantage points, the downward-shifted position of the bulb and the bottom curvature generate a provocative sense that there is a double source of light.

The Living Workspace

Occony > Desk

Occony introduces The Living Workspace, our latest collaboration with designer Robert Bronwasser. The Living Workspace is a modern workspace concept, inspired by nature, with organic shapes and smart solutions that promote functionality, connection and well-being, even in the most business-like environments. The Living Workspace is a modular system that is customizable in size, direction, composition and color & finishes. It acts as an innovative replacement for conventional workplaces and promotes innovation, social interaction, and various forms of collaboration. As well, it offers the opportunity to create quiet, ergonomic workplaces for individual work. Our workplaces are acoustically optimized, electrically height-adjustable, and comply with the NPR 1813 and NEN 527 guidelines for sit-stand workplaces.

Slab Table Natural 2.4m

Tom Dixon > Table

This wooden Slab Table is part of a series of robust pieces constructed in angular forms of inviting simplicity. Made in Lithuania using solid wood, this modern table is celebrating the natural beauty of Oak. More Information Also available in a Black finish. The collection includes an Individual Desk, Dining Table, Dining Chair and Bar Stool.

ponza - 7074.10

Vescom > Curtain

plain velvet curtain fabric with an extreme soft hand and a natural luster

ROVERE MASER

Skema > Wallcovering

Airtech London_Black

Florim > Wall tile-stone-brick

Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>

Araldica Cemento

Florim > Wallcovering

The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete.<br /><br />«The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.»<br />Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these.<br /> He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him.<br /> This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen.<br /> A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.

Atmosphères Désir

Florim > Wall tile-stone-brick

A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.

Atmosphères Charme

Florim > Wall tile-stone-brick

A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.

Atmosphères Harmonie

Florim > Wall tile-stone-brick

A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.

Biotech Crema Stone

Florim > Wall tile-stone-brick

<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p> <p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>

Buildtech/2.0 Build Coal TU

Florim > Wallcovering

Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br /> 

marmoleum decibel orbit

Forbo > Synthetic Floor

Within our linoleum flooring range, Marmoleum Decibel provides the highest impact sound reduction of 18dB. This sustainable acoustic flooring consists of 2.5 mm Marmoleum laminated onto a 1 mm layer of polyolefin foam. Available in 27 colors selected from the Marmoleum Marbled and Solid collections.

marmoleum decibel cinder

Forbo > Synthetic Floor

Within our linoleum flooring range, Marmoleum Decibel provides the highest impact sound reduction of 18dB. This sustainable acoustic flooring consists of 2.5 mm Marmoleum laminated onto a 1 mm layer of polyolefin foam. Available in 27 colors selected from the Marmoleum Marbled and Solid collections.

marmoleum cocoa hummus

Forbo > Synthetic Floor

Marmoleum Cocoa embraces our ethos of sustainable design with its combination of circularity and beauty.Marmoleum Cocoa floors are developed and manufactured to be recycled and reused while preventing and sequestering carbon emissions.By adding cocoa shells to the traditional Marmoleum ingredients we have created an exciting surface texture that is both natural looking and contemporary in feel. Marmoleum Cocoa floors combine the liveliness of cocoa husks with the calmness of mineral tones.A timeless floor that fits everywhere.All Marmoleum Solid colours can be ordered in a 3.5 mm Marmoleum Decibel construction.

Hoff Medium Footstool - Grey/beige

Petite Friture > Pouf

Hoff created by designer duo Morten & Jonas is a collection of two modular stools and two modular armchairs. They can combine to make a sofa as well an entire living room area. They are characteristed the visual and tactile qualities of the surfaces. Morten & Jonas like to create objects that arouse emotions. Read more

F73051

Pfleiderer > Decorative Finishes

WALL.E - Rectangular plate washbasin

Rexa > Washbasin

JAMES - Extending solid wood dining table

Martini Interiors > Table

Marble Dark 2.0 Matte Porcelain Slab 100x300

Kale > Wall tile-stone-brick

Marble Dark 2.0 Matte Porcelain Slab 100x300. Made of porcelain. Size 100 x 300 cm, 5 mm thick. Matte surface. Certified: EPD, GREENGUARD, TS EN, TSE.

Pietra Di Gre Matte Grey Porcelain Slab 162x323

Kale > Wall tile-stone-brick

Pietra Di Gre Matte Grey Porcelain Slab 162x323. Made of porcelain. Size 162 x 323 cm, 6 mm thick. Matte surface. Certified: EPD, GREENGUARD, TSE.

Marmo Metallo Matte Kalesinterflex Porcelain Slab 162x323

Kale > Wall tile-stone-brick

Marmo Metallo Matte Kalesinterflex Porcelain Slab 162x323. Made of porcelain. Size 162 x 323 cm, 12 mm thick. Matte surface. Certified: EPD, GREENGUARD, TSE.

Marmo Metallo Matte Kalesinterflex Porcelain Slab 160x320

Kale > Wall tile-stone-brick

Marmo Metallo Matte Kalesinterflex Porcelain Slab 160x320. Made of porcelain. Size 160 x 320 cm, 6 mm thick. Matte surface. Certified: EPD, GREENGUARD, TSE.

Ksf Piet Di Gre Grey Porcelain Slab 100x300

Kale > Wall tile-stone-brick

Ksf Piet Di Gre Grey Porcelain Slab 100x300. Made of porcelain. Size 100 x 300 cm, 4 mm thick. Matte surface. Certified: EPD, GREENGUARD, TS EN, TSE.

Marble Limestone Matte Sinterflex Porcelain Tile 120x180

Kale > Wall tile-stone-brick

Marble Limestone Matte Sinterflex Porcelain Tile 120x180. Made of porcelain. Size 120 x 180 cm, 3 mm thick. Matte surface. Certified: EPD, GREENGUARD, TS EN, TSE.

KSF Borgogna Stone Natural Porcelain Slab 100x300

Kale > Wall tile-stone-brick

KSF Borgogna Stone Natural Porcelain Slab 100x300. Size 100 x 300 cm, 3 mm thick. Matte surface.

Sandra Matte White Glazed Granite 59x59

Kale > Wall tile-stone-brick

Sandra Matte White Glazed Granite 59x59. Made of glazed porcelain. Matte surface.

Terrazzo Polished Black Multicolor Porcelain Tile 60x120

Kale > Wall tile-stone-brick

Terrazzo Polished Black Multicolor Porcelain Tile 60x120. Made of porcelain. Size 60 x 120 cm, 8 mm thick. Polished surface. Certified: TSE.

Top Pendant Lamp

Muuto > Ceiling lamp

With its universal and simple design, Top Pendant is a contemporary reinterpretation of the archetypical cone-shaped pendant. Its top is a striking feature designed to neatly fit its compact LED light source. Manufactured in spun steel with a graphic rolled hem, it is a versatile lighting family that offers an array of opportunities in color, size and function.

Ambit Rail Lamp

Muuto > Ceiling lamp

The Ambit Rail Lamp is characterized by its simple lines and elegant shapes, bringing a refined light to any space. With its shades being made of handspun aluminum, the Ambit Rail Lamp features white interiors that provide a contrast to its outside shade while enhancing the light emitted into the room of any home, office or hospitality space.

Ambit Pendant Lamp

Muuto > Ceiling lamp

Embodying the values of Scandinavian design, the Ambit Pendant Lamp is as timeless as it is contemporary. Made of hand-spun aluminum that has been hand-painted, the Ambit Pendant Lamp features clean lines and a white interior that heighten contrasts of its outside shade while enhancing the light emitted in any room of a home, office or commercial space. Use the design on its own or symmetric formations and vibrant clusters.

Fluid Pendant Lamp

Muuto > Ceiling lamp

Inspired by a resting drop of water, the Fluid Pendant Lamp shows how soft light can diffuse across a space for a cosy atmosphere. The frosted matte surface creates a glowing ambience that fits into any home or casual business setting. Present the design individually or in a group for an intimate atmosphere.

Homefield Pendant 240 Textured Black

Astro > Ceiling lamp

This industrial pendant light features a bold, minimalist design with a single exposed bulb encased in a matte black metal frame. Perfect for dining areas, its clean lines and simple form make it a versatile addition to modern interiors.

Portree Pendant Solid Brass

Astro > Ceiling lamp

This elegant pendant light features a brushed metallic finish and a clear glass shade, offering a modern touch to dining spaces. Its single light source provides a warm, downward illumination, perfect for creating an inviting atmosphere. The combination of metal and glass materials ensures durability and style.

Drum 500 Oyster

Astro > Ceiling lamp

This modern pendant light features an elegant drum-shaped fabric shade, perfect for adding a touch of sophistication to dining areas. The matte finish and neutral color palette make it a versatile choice for contemporary interiors. Designed for indoor use, it provides a warm, downward illumination ideal for creating an inviting atmosphere.

Khan metal

Kartell > Ceiling lamp

Many different styles, from 18th century eclecticism to contemporary minimalism, come together in Philippe Starck’s KHAN chandelier to create a new icon of elegance and modernity. The symbolism of the design is complemented by the technological innovation of Kartell’s new polycarbonate 2.0 in the colours black, champagne and clear.

Small fl/y transparent

Kartell > Ceiling lamp

FL/Y is an essentially-styled suspension lamp. The particular transparency of the material and the sheen of the colours recreate the idea of a soap bubble, shimmering iridiscently in the light. The shade is not perfectly hemispherical, with the cut-off falling just below the level of the diameter, offering greater concentration of the light. The lamp is available in three different sizes: Fl/Y (diameter 52cm, shade depth 33cm), Small Fl/Y (diameter 38cm, shade depth 28cm) and Big Fl/Y (diameter 83cm, shade depth 55cm).

Ge' metal

Kartell > Ceiling lamp

Gè is a suspension lamp attached to the ceiling with a decorated rosette suggestive of antique Venetian chandeliers. It comes with a 37 cm diameter pleated lampshade. The cable can be adjusted in height from 45 to 230 cm.

Bloom hanging medium metal

Kartell > Ceiling lamp

Bloom is a tubular polycarbonate framework entirely covered by a structure of tiny transparent polycarbonate double corolla flowers. The result is an industrially produced lamp but with all the forms and stylistic complexity of a unique handcrafted piece.

Bloom hanging big

Kartell > Ceiling lamp

Bloom is a tubular polycarbonate framework entirely covered by a structure of tiny transparent polycarbonate double corolla flowers. The result is an industrially produced lamp but with all the forms and stylistic complexity of a unique handcrafted piece.

Mist AP16

&tradition > Ceiling lamp

Mist is inspired by the warm, diffused light of morning rays shining through the haze, offering a modern take on the classic globe light silhouette. Crafted from mouth-blown opal glass with white coated aluminium details and a textile cord, the Mist pendant lamp is available in two sizes.

Taraxacum 88 Suspension 1

Flos > Ceiling lamp

Suspension lamp providing direct and reflected lighting. Structure formed by 20 pressed, polished aluminum triangles. 60 clear Globolux lamps housed around the structure. Steel ceiling fitting and rose.