Belleville Table (rectangular) by Vitra
Description
Specifications
| Indoor / Outdoor | Indoor |
|---|---|
| Durability | Contract-grade |
| Size | Large |
| Brand | Vitra |
| Category | Table |
Frequently Asked Questions
Is the Belleville Table (rectangular) suitable for commercial projects?
Yes, the Belleville Table (rectangular) by Vitra is specifically designed for commercial and contract use. It is commonly specified by interior designers and architects for hospitality, office, and retail environments.
Can the Belleville Table (rectangular) be used outdoors?
The Belleville Table (rectangular) is designed for indoor use only.
More Table by Vitra
Wooden Doll No. 2
Vitra > Styling
Alexander Girard originally created the Wooden Dolls (1952), a whimsical assortment of figures both joyful and grim, for his own home. Today they add a charming touch to any interior.
ID Visitor Air
Vitra > Chair
Antonio Citterio collaborated with Vitra to develop different versions of the ID Visitor chair, perfectly coordinated with the ID Chair Concept. Thanks to an understated design, they can be combined with almost any office chair and integrated in a wide variety of work environments.<br/><br/>ID Visitor Air has a particularly light and graceful appearance thanks to its slender plastic backrest. The perforated back allows for flexible movement and good air circulation, while offering targeted support. The seat padding is optionally available in a more sustainable PU-free version, and the cantilever base is stackable.<br/>
Eames Storage Unit ESU, Bookcase
Vitra > Cabinet
The ESU Bookcase is four units high. Fitted with drawers and sliding doors, it provides plenty of practical storage space.
Girard Ornaments - Angel
Vitra > Styling
The range of motifs does not limit the use of Ornaments by Alexander Girard to seasonal occasions but a number of them are perfect, for example, for Christmas time.
Grand Sofà 3½-Seater
Vitra > Sofa
Grand Sofà (2017) is Antonio Citterio's interpretation of luxurious comfort and contemporary design. The designer's Italian flair for lightness and elegance is united with the trademark quality and precision of the Swiss company Vitra.
Tabouret Bois
Vitra > Stool
Tabouret Bois bears the unmistakable signature of Jean Prouvé, reflecting an aesthetic based on structural requirements. The sturdy stool is available in natural oak, dark oak or American walnut.
APC
Vitra > Chair
Designed by Jasper Morrison, the APC is reminiscent of classic wooden chairs while advancing the appearance and functionality of this typology. The graceful chair combines great stability with excellent comfort; its backrest is attached to the frame with resilient connectors that allow it to flex in response to the sitter's movements. The APC comes in a choice of two-tone colours and is suited for both indoor and outdoor use.
Joyn 2 Platform
Vitra > Table
The Joyn 2 Platform serves as a basis for teamwork, and despite just four legs allows table lengths of up to 6.4 metres for 8 to 10 regular workspaces – with maximum legroom, easily accessible power and data options and diverse accessories for personalisation. The platforms emphasise the horizontal – only the accessories rise above the table surface.<br/> <br/>Joyn 2 Platform is modular in design and easy to reconfigure in diverse formats. The table tops are available in three versions: as one-piece tops, as tops with a gap in the middle for easy access to power and data connections, and as a version with a technical rail – in the latter two versions, accessories can be fitted individually and repositioned as required. End table tops measuring 80 cm in depth add an additional fully-fledged workstation at either end of the table. Joyn 2 Platform can be adjusted from 74 to 82 cm in height.<br/>
Ampi
Vitra > Styling
Ampi serves as a wireless charger and offers the necessary power connections to transform any table into a workstation quickly and easily – whether at home or in the office.
Akari YP1
Vitra > Styling
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
Belleville Armchair Wood
Vitra > Chair
The contrasting materials of the moulded plywood veneer seat shell and slender black plastic frame constitute a characteristic feature of the Belleville Armchair. Its elegant armrests are an integral part of the curved structural frame and offer excellent comfort. The Belleville Armchair is also available with a plastic seat shell or with a cover in leather or fabric.
Soft Modular Sofa Three-seater, Chaise Longue
Vitra > Sofa
With carefully balanced proportions, great comfort and a conscious renunciation of decorative details, the Soft Modular Sofa (2016) by Jasper Morrison unites the characteristics of a modular lounge sofa in its purest form.
Eames Plastic Armchair DAX
Vitra > Chair
The Plastic Chairs by Charles and Ray Eames were the very first chairs to be developed out of plastic for industrial production. Their organically shaped seat shells can be combined with a variety of different bases. The DAX chair (Dining Height Armchair X-Base) has a visually understated four-legged tubular steel base, which comes in a powder-coated version that is also suited for outdoor applications.
Embroidered Pillows - Double Heart 2, blue
Vitra > Styling
The designer Alexander Girard drew wide acclaim with his interior concept for the legendary Miller House (1953-57), for which he personally selected each individual object. The centrepiece of the house was a so-called 'conversation pit', a sunken seating area in the living room, with built-in sofas covered in fabrics by Girard and decorated with embroidered pillows made specifically for this setting. <br/><br/>Girard's famous 'double heart' motif was used and varied by the designer throughout his lifetime. It is composed of two intersecting S's that form a continuous loop of mirrored hearts. Each S represents the first letter of the pet names used by Girard and his wife – Sandro and Susie – which prompted him to name the double heart symbol '<a href="/en-me/magazine/details/sansusi">Sansusi</a>'.<br/><br/>The embroidered pillow with the 'Double Heart 2' motif was created by Alexander Girard for the Miller family in 1975 – 20 years after the completion of the Miller House.<br/>
Guéridon
Vitra > Table
French designer and engineer Jean Prouvé created the round, wooden Guéridon table for the University of Paris in 1949. It comes in two different sizes and various types of high-quality wood.
Girard Ornaments - Rabbit
Vitra > Styling
The range of motifs does not limit the use of Ornaments by Alexander Girard to seasonal occasions but a number of them are perfect, for example, for Christmas time.
Wall Clocks - Sunflower Clock
Vitra > Styling
With his collection of Wall Clocks (1949-1960), George Nelson conceived a wide array of timepieces, many of which have since become icons of 1950s design.
Resting Bird
Vitra > Styling
Numerous works by the creative duo Front are devoted to the systematic observation of sleeping or hibernating animals. This fascination inspired their design of a group of slumbering creatures – Resting Animals – whose poses exude a serene tranquillity. The Resting Birds are ornamental ceramic figures in two different sizes. Their peaceful presence goes beyond the decorative to communicate a deep sense of contentment.
Plywood Group DCW
Vitra > Chair
The DCW (Dining Chair Wood) bears witness to the ultimate success of Charles and Ray Eames' early experiments with moulding plywood into complex shapes. Made entirely of wood, the appearance of this iconic chair remains as contemporary today as when it was first conceived.
Plywood Group LCM
Vitra > Chair
Due to the slender organic shapes of its seat and back shells, the LCM (Lounge Chair Metal) by Charles and Ray Eames quickly acquired the nickname 'potato chip chair'.
Akari 10A
Vitra > Styling
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
Eames Fiberglass Armchair LAR
Vitra > Chair
The Shell Chairs by Charles and Ray Eames are among the most important designs in the history of furniture. Following their initial presentation at the 'Low Cost Furniture Design' competition organised by the Museum of Modern Art in 1948, the chairs were launched on the market in 1950 in an armchair version (A-shell) and as a simpler side chair (S-shell) – making them the first ever mass-produced chairs made of plastic. <br/><br/>With the debut of this revolutionary design, Charles and Ray Eames introduced a new furniture typology that has since spread around the globe: the multifunctional chair whose shell can be joined with a variety of different bases. Already in 1950, they presented a series of bases that enabled various sitting positions, including the low-slung LAR (Lounge Height Armchair Rod Base) with a geometric steel wire base, which quickly acquired the charming nickname 'Cat's Cradle' in reference to the children's string game. <br/><br/>The LAR seems to have been one of Charles and Ray's favourite designs: it can be spotted in numerous vintage photographs of the legendary Eames House in Pacific Palisades, both indoors and out. This also reveals how lightweight the chair is, and how easily it can be moved around.<br/><br/>Due to the organic shape of this classic armchair, the LAR is a striking solo piece, but it can also be paired with many types of sofas to create an appealing contrast. The LAR is offered as the Plastic Chair LAR with a polypropylene shell, or as the Fiberglass Chair LAR with a fibreglass shell that draws attention to the lively texture so valued by connoisseurs. The fascination of fibreglass lies in its irregular surface, whose clearly visible fibres make it appear almost like a natural material. The Fiberglass Chair LAR is not offered with full upholstery in order to show off the unique characteristics of this material to maximum effect. However, a comfortable seat cushion is optionally available.
Desk Clock - Cone Base Clock
Vitra > Styling
The many accessories created for the home by George Nelson include a variety of table clocks. Representing a selection of these classic designs, the Desk Clocks offer a refreshing alternative to conventional clocks. Equipped with high-quality quartz movements, the charm of these decorative timepieces is equalled by their precision.
Elephant Stool
Vitra > Stool
As one of the most famous objects of Japanese post-war design, the Elephant Stool was created by the prolific product designer Sori Yanagi. The stackable plastic stool can be used both indoors and outside.
Suita Club Sofa
Vitra > Sofa
The Suita Club Sofa was developed for use in offices, waiting areas and lobbies. The construction and workmanship are designed to withstand the demanding conditions of such public areas. The upholstery of the backrest ensures a high degree of comfort without the need for additional cushions.
Eames Plastic Armchair DAL
Vitra > Chair
The seat shells of the Eames Plastic Chairs can be combined with a variety of different bases. The base for the DAL chair (Dining Height Armchair La Fonda Base) was developed by Charles and Ray Eames in 1961 for the legendary New York restaurant La Fonda del Sol, whose interior was designed by their friend Alexander Girard. With its central pedestal consisting of four parallel shafts that split at the bottom to form a four-star base, it is one of the most elegant and unconventional bases ever designed by the Eameses.
Zoo Timers - Fernando the Fish
Vitra > Styling
The Zoo Timers (1965) by George Nelson – wall clocks in the form of colourfully hand-drawn characters from the animal kingdom – offer children a playful and enjoyable approach to telling the time.
Elliptical Table ETR
Vitra > Coffee table
The expansive, elegant ETR sofa table by Charles and Ray Eames comes with tops in a choice of black or white and a wire base with a chrome-plated or black powder-coated finish. On account of its elliptical shape, it quickly acquired the nickname 'surfboard table'.
Allstar
Vitra > Office Chair
The Allstar office chair by Konstantin Grcic imparts a relaxed home-like feel and sense of familiarity. Its rounded form exudes comfort and yields a calming influence on the fast-paced dynamic of today's offices. Allstar also satisfies all the necessary functions of a task chair, allowing it to be used wherever high functional performance is desired but a classic office chair would not be appropriate for aesthetic reasons – an especially ideal choice for modern workplace concepts.
Heart Cone Chair
Vitra > Chair
The Heart Cone Chair takes its name from the expressive, heart-shaped silhouette of its seat shell. Designed by Verner Panton in the late 1950s, the chair combines a comfortably upholstered seat with an understated, elegant base made of satin stainless steel.
Joyn 2 Meet
Vitra > Table
Joyn 2 Meet offers meeting tables ranging from 120 x 80 cm to 900 x 180 cm. The base can be configured in diverse shapes and sizes for sitting or standing-height tables – on either glides or castors. Furniture on castors promotes dynamic work methods in the office, while variants with glides enable electrification cables to be concealed in the table legs.
Nuage
Vitra > Styling
The Nuage vases produce an attractive interplay of light and shadow with their undulating shape and anodised aluminium finish in various colours. Flowers and grasses can be arranged in each cluster of eight individual tubes, and thanks to their precise outer contours, the vases can also be fitted together to create entire 'cloud formations'.
Organic Chair
Vitra > Chair
Charles Eames and Eero Saarinen created the Organic Chair in 1940 as part of their entry for 'Organic Design in Home Furnishings', a competition organised by the Museum of Modern Art in New York. The small reading chair offers superb comfort, thanks to its comfortably upholstered, biomorphically shaped seat shell, and is also available in a version with a higher backrest: Organic Highback.
Wall Clocks - Sunburst Clock
Vitra > Styling
With his collection of Wall Clocks (1949-1960), George Nelson conceived a wide array of timepieces, many of which have since become icons of 1950s design.
Amoebe
Vitra > Chair
With its curving shapes and vivid colours, the Amoebe chair (1970) by Verner Panton embodies the exuberant spirit of the early 1970s. It is also available with an overhanging backrest under the name Amoebe Highback.
HAL Lounge Ottoman
Vitra > Pouf
The compact HAL Lounge Chair (2021) is Jasper Morrison's reinterpretation of the softly upholstered four-legged armchair with a high backrest.
ID Soft L
Vitra > Chair
The high backrest of ID Soft L comes with padded upholstery for excellent comfort. Although the chair exudes elegant sophistication, its sleek lines and minimal design also lend it an understated character. ID Soft L can be harmoniously combined with other chairs and is a perfect addition to many different settings.
Toolbox
Vitra > Styling
The Toolbox by Arik Levy is designed as a practical organisational utensil for storing accessories and small items. Thanks to its handy size, it can be easily stowed in a cabinet or on a shelf, and it takes up little room on a table. The Toolbox is available in a selection of different colours.
Recently Viewed Products
Lukis
Cappellini > Chair
The centuries-old tradition of rattan craftsmanship meets contemporary design in the creation of the Lukis armchair, envisioned by Indonesian designer Abie Abdillah; his ground-breaking interpretation of these artisanal techniques from South-East Asia is aimed at fostering greater environmental awareness and sustainability: in fact, rattan is fast-growing, the whole plant is utilizable, and it can be easily moulded with hot steam. For the Lukis, rattan is used to form the distinctive seat and backrest, whereas the frame of the armchair is made of rubber wood, from the tree that yields rubber. The result of this blending of elements is a hand-woven indoor design element characterized by a precise and regular pattern: the cleanliness and accuracy of the pattern and details are a testament to the design, as they might lead one to believe the product was made by sophisticated high-tech machinery. The seat of the Lukis armchairs is available in a natural finish and the legs can be stained in matte blue or matte black. A chair version is also available; for both the chair and armchair, the seat cushion has a fixed cover.
O-CAP
Cappellini > Office Chair
The O-Cap armchair emerged from the intuition to cut and shape a simple sheet of leather around a chair: this was the inspiration that sparked Jasper Morrison. A technological evolution of the 2013 Cap-Chair, the O-Cap armchair reconfirms the extraordinary complexity of the manufacturing process: it is a masterpiece of artisanal craftsmanship, based upon the excellence of Italian leather making. For this edition, O-Cap offers a shell in raw cut leather: a detail that offers support and softness to this new armchair’s internal structure, which is made of metal and reduced to the minimum to offer both optimal stability and maximum lightness. The aluminium base, also reduced to the essential, is available with five spokes with or without wheels. Envisioned for the office and lounge areas, with its prized craftsmanship and elegant form, the O-Cap armchair is also readily suitable for residential use.
Low Pad
Cappellini > Chair
Maximum comfort, minimum dimensions: this was the underlying study behind this design by Jasper Morrison. The Low Pad has a shell made of curved beech plywood paired with perfectly shaped cushioned padding in multi-density polyurethane foam. The legs, in satined stainless steel or matte varnished (in white, mud or black), feature rubber feet.
Capo
Cappellini > Armchair
The form is reminiscent of a hat, with enveloping lines like a shell: Capo armchair, by London studio Doshi Levien, stands strong with a design that is both slender and robust, created to offer an element of style for variety of settings, both private and contract.
Hiroi
Cappellini > Chair
Visually light and well-balanced, with a timeless design, Hiroi armchair by Janský & Dunděra relies on two simple yet highly refined materials: leather and wood.
Morrison Stool
Cappellini > Stool
Available in three different heights, the Morrison stool by Jasper Morrison has a slightly concave seat that is a harmonious contrast to the straight, well-defined lines of the base: a detail that is an eloquent representation of the designer’s distinctive style.
Hangman
Cappellini > Styling
Sophisticated and essential, the Hangman clothing rack by Marc Newson is made of satined stainless steel and comes in two different sizes.
Koeda
Cappellini > Styling
The Koeda clothing hanger was designed by Nendo. The structure is made of metal rods and square bars, which form a box shape out of open space; the geometric rigour is interrupted by a single inner branch on which garments can be hung.
Tuta
Cappellini > Styling
Tuta is a free-standing clothes hanger designed by Nendo. The structure is made of laser-cut metal, matte varnished in white, mud or black.
AXO
Cappellini > Styling
“Children will find the strength and courage to fight to build a better world only if they are able to imagine things that do not exist”, said Gianni Rodari. And this is exactly the inspiration of AXO, a project conceived by Cappellini in collaboration with Elena Salmistraro, presented during Salone del Mobile 2021. AXO is a diminutive of Axolotl, a unique species of salamander with a sort of magical power: the extraordinary ability to recover and regenerate itself.
Uni
Cappellini > Cabinet
Defined by large volumes, the Uni cabinet series was envisioned by Piero Lissoni. The pieces are made of medium-density conglomerate wood, equipped with aluminium-lined poplar plywood hinged-doors and drawers, with minimum thickness. The base panels are made of thick laminate with a metal frame for support. The cabinets are available with a matte or glossy finish, in all the colours of the collection.
Cloud
Cappellini > Cabinet
The Cloud bookshelf by Ronan & Erwan Bouroullec, with hollow compartments, is an extravagant furnishing element with a pop flair and an absolutely unforgettable design.
Belleville Table (rectangular)
Vitra > Table
Reminiscent of the classic bistro table, the Belleville Table by Ronan and Erwan Bouroullec comes in several versions. Rectangular tables of different sizes can be used both indoors and outside, depending on the choice of materials. The Belleville Table is also available in a small, elegant bistro version with a round or square top.
Eames Contract Tables
Vitra > Table
For the Contract Tables, Charles and Ray Eames developed the universal base, whose form strongly resembles the bases of the Soft Pad Group, while the structure evokes associations with the larger Eames Segmented Tables.<br/><br/>The Contract Tables make perfect small meeting tables and are also ideal as bistro tables for both indoor and outdoor use. They come with a round top in a choice of two sizes or as a square model.<br/>
MedaMorph folding table
Vitra > Table
Thanks to its castor base and simple flip-up folding mechanism, the MedaMorph folding table is not only easy to move around, but also requires little space for storage. This version of the comprehensive table system is thus particularly well-suited for dynamic, ever-changing environments that are adapted by users themselves to fulfil their current requirements. The MedaMorph folding table is available in two sizes.
EM Table
Vitra > Table
The aesthetic appearance of Jean Prouvé's EM Table adheres to structural principles, illustrating the flow of forces and stresses in its construction. It comes in a range of sizes with table tops in premium solid wood or HPL laminate in a choice of colours. Tops measuring 2000 or 2400 mm in length are also available in oak veneer. Thanks to this wide selection, the ideal EM Table can be found for every dining room.
Compas Direction
Vitra > Table
The slender, elegantly splayed legs of Compas Direction, designed by Jean Prouvé in 1953, call to mind the hinged arms of a compass – 'le compas' in French. With its compact dimensions, the desk is ideal for the contemporary home office.
TABLE S.A.M. BOIS - Rectangular solid wood table
Vitra > Table
The TABLE S.A.M. BOIS is a meticulously crafted piece of furniture that embodies the elegance and functionality of mid-20th century design, specifically designed by Jean Prouvé for Solvay Chemical Company during World War II. This table exemplifies Prouvé's innovative construction methods, showcasing how structural details can harmonize with aesthetic appeal. Crafted from solid wood components, the TABLE S.A.M. BOIS features a robust base made of matched legs in natural oak, smoked oak, or American walnut, all finished with an oiled finish that enhances its natural beauty and durability. The tubular steel crossbar is powder-coated for a smooth, modern appearance. This design choice not only adds strength but also introduces a contemporary touch to the table. The TABLE S.A.M. BOIS's solid wood construction ensures stability and longevity, while the oiled finish on both the tabletop and base provides a refined look that complements its technical precision. The interplay of forces and stresses evident in this design is reminiscent of Prouvé’s later work, such as his EM Table, which features metal legs for added strength. Designed during a period of scarcity due to wartime conditions, the TABLE S.A.M. BOIS stands as a testament to ingenuity and craftsmanship. Its robust yet refined aesthetic makes it suitable for both contemporary and classic interiors, offering a harmonious blend of style and functionality. For optimal care, regular cleaning with a soft cloth is recommended to maintain its natural beauty. Avoid harsh chemicals or abrasive materials that could damage the oiled finish. Periodic re-oiling can help preserve the wood's integrity and prolong the table’s appearance. By adhering to these simple maintenance practices, owners can ensure their TABLE S.A.M. BOIS remains a cherished part of their home for years to come.
PLATE - Rectangular dining table
Vitra > Table
The Plate Dining Table (2018) by Jasper Morrison is a meticulously crafted piece that seamlessly blends aesthetic elements with structural integrity, resulting in a table that embodies timeless elegance and contemporary simplicity. The design features include MDF tops with a 25 mm thickness, featuring a powder-coated finish for durability and modern appeal. For those seeking a more natural touch, solid wood options are available: an oiled top with either natural oak or dark oak, both finished with protective natural lacquer to enhance their inherent beauty. For those who prefer the sleek look of glass, the Plate Dining Table offers a 12 mm thick float glass option, complemented by a satin finish on the underside and a ground edge for added sophistication. For those desiring a touch of luxury, the table features a 15 mm thick Carrara marble top, meticulously brushed and waxed to ensure both beauty and longevity. The base is constructed from die-cast aluminium legs combined with extruded crossbars, all powder-coated for a uniform finish that complements the tabletops. This design not only ensures stability but also adds to the overall aesthetic appeal of the table. In terms of style, the Plate Dining Table by Jasper Morrison embodies a minimalist approach, making it suitable for both contemporary and modern living spaces. Its clean lines and understated elegance make it an ideal choice for dining areas in homes or restaurants alike. When caring for your Plate Dining Table (2018), it is recommended to avoid placing hot items directly on the tabletops as this can cause damage over time. Regular cleaning with a soft cloth and mild detergent should suffice, ensuring that the table remains both functional and visually appealing. For more specific care instructions or further information from the manufacturer, please refer to Vitra's comprehensive guide for Plate Dining Tables. This description provides detailed insights into the materials, construction, style, design features, suitable applications, and basic care tips of the Jasper Morrison Plate Dining Table (2018), ensuring potential buyers have a thorough understanding of what they are purchasing.
Similar Table for Commercial Interiors
70/70 Table
Muuto > Table
The 70/70 Table is designed with a simple expression, paired with subtle, understated details that reveal themselves upon closer inspection. Adding character to the design, the details of the 70/70 Table include the triangular shape of its base for a modern expression and the slanted edges of the table top. Available in a variety of sizes and finishes, the 70/70 Table is an ideal match for any dining area, home office, workplace or hospitality area.
Workshop Table
Muuto > Table
The Workshop Table joins together the ideals of Scandinavian craftsmanship and subtle detailing for a deliberately simple and archetypal expression. With its tabletop in either oak veneer or linoleum harmoniously carving itself into the solid oak frame, the Workshop Table brings a refined and understated appearance to any setting.
Base Table
Muuto > Table
The Base Table references the heritage of Scandinavian design through its simple frame and subtle details. With its design harking back to the essence of a table, the Base Table features a veneer edge for a touch of Scandinavian materiality, paired with the elegant shapes of its table top and frame. Use the design in any home, workplace, educational institution or hospitality space for notes of Scandinavian simplicity.
Base High Table
Muuto > Table
The Base High Table references the heritage of Scandinavian design through its simple frame and subtle details. With its design harking back to the essence of a table, the Base High Table comes with either a veneer edge for a touch of Scandinavian materiality or an edge in ABS for a monochrome appearance, paired with the elegant shapes of its table top and frame. Use the design in any workplace, educational institution or hospitality space for notes of Scandinavian simplicity.
Linear System Configurations
Muuto > Table
The Linear System Table is a simple yet refined table with subtle details and references to the Scandinavian design heritage. Its legs are cut into half-circles and joined with the table for a light expression while the slender overhang at both ends of the table makes for a refined expression. The Linear System Table is available as a freestanding table to be used on its own, as predesigned configurations or as Middle and End Modules that can be configured to the exact needs of your space.
Base Table With Castors
Muuto > Table
Simple and elegant lines, joined by the functionality of castors. Frame is made from extruded aluminum, painted with an acrylic paint initially developed for outdoor interiors and building facades. Organize and manage cords and wires with our Cable Management. Our Power Outlet can be added to the Base Table. Made-to-order: Laminate with ABS or plywood edge in black or white. Linoleum with plywood edge in black. Nanolaminate finish in either black or white. Bases available in Black or White with matching castors.
Toveri Dining
Leolux > Table
Studio Truly Truly has designed a wonderfully luxurious dining table to join the Toveri family by Leolux. Just like the coffee tables, the Toveri dining table is an interplay of soft shapes and hard materials, shadows and curves.
Bondi
Leolux > Table
Leolux was looking for something new, a table that adds a pop of colour to the interior. Bondi is the perfect answer. Its unusual organic leaf shape is the first thing to stand out, with space for at least five users.
Columna
Leolux > Table
Columna is a table built on pure form, with the base and table top connected by a straight column. The only playful element Hugo de Ruiter allowed is the way the column links to the base: like an ancient marble column.
Viscount of wood rectangular
Kartell > Table
VISCOUNT OF WOOD tables are the latest addition. These naturally composed tables complement the collection's choice of seats and create a sustainable living area in which wood plays a central role thanks to its lightweight properties. These large items of furniture feature top-quality materials and advanced manufacturing technology. The square and rectangular versions with four legs come in five sizes (100x100, 145x80, 160x90, 190x90 and 240x100) and three top finishes: light ash with two darker shades, flamed walnut and a third, characterised by thin strips of different tones of dark wood. The legs are in chrome or black.
Glossy marble oval
Kartell > Table
A family of tables ideal for the home and office. The light steel structure is made particular by the use of the cross element that joins the legs on each of the four sides, supporting the top. The collection comprises square, oval and round versions.
Pavilion AV18
&tradition > Table
Available in three sizes, the larger, six or eight-person Pavilion table is ideal for an office meeting room or dining space while the smaller, four-person version is a perfect addition to the home. The table can be matched with the Pavilion desk to provide a cohesive design experience, and cable management can be easily inserted into the table due to the location of the stretcher.
Pavilion AV24
&tradition > Table
Available in three sizes, the larger, six or eight-person Pavilion table is ideal for an office meeting room or dining space while the smaller, four-person version is a perfect addition to the home. The table can be matched with the Pavilion desk to provide a cohesive design experience, and cable management can be easily inserted into the table due to the location of the stretcher.
In Between SK4
&tradition > Table
Inspired by the Scandinavian heritage of design and furniture craftmanship, In Between is a result of Sami Kallio’s solid grounding in traditional wood- working techniques and his eye for ingenious detail. It started with a single chair which later resulted in a series of furniture including both tables and bar stools. Get this In Between dining table in three different variants.
BM1160 Hunting Table
Carl Hansen > Table
Børge Mogensen designed the BM1160 Hunting Table for the Copenhagen Cabinetmakers’ Guild Furniture Exhibition in 1950. The table combines excellent woodwork with elegant metal brace bars, creating a bold and organic whole.
CH002 Dining Table
Carl Hansen > Table
The CH002 is the smaller of two dining tables that Hans J. Wegner created in 1982. The table expresses Wegner’s functional design philosophy through an appealing solution for modern interiors. The CH002 is crafted to fit smaller spaces, and can be extended easily with two accompanying leaves.
CH006 Dining Table
Carl Hansen > Table
At 90 x 138 cm, the CH006 is a longer version of the CH002 dining table, designed in 1982. The table, with solid extension frames and built-in grip for the two hinged extension leaves with rounded edges, illustrates Hans J. Wegner’s visionary approach to functional design. The CH006 table is versatile and can be adapted to smaller gatherings as well as larger dinner parties.
Add to Project
Create New Project
Your Projects
Loading projects...