Super Fold Table - 2d files - 3d files

Cork Family, Model D

vitra > Coffee table

Wooden Doll No. 2

vitra > Styling

Alexander Girard originally created the Wooden Dolls (1952), a whimsical assortment of figures both joyful and grim, for his own home. Today they add a charming touch to any interior.

ID Visitor Air

vitra > Chair

Antonio Citterio collaborated with Vitra to develop different versions of the ID Visitor chair, perfectly coordinated with the ID Chair Concept. Thanks to an understated design, they can be combined with almost any office chair and integrated in a wide variety of work environments.<br/><br/>ID Visitor Air has a particularly light and graceful appearance thanks to its slender plastic backrest. The perforated back allows for flexible movement and good air circulation, while offering targeted support. The seat padding is optionally available in a more sustainable PU-free version, and the cantilever base is stackable.<br/>

Eames Storage Unit ESU, Bookcase

vitra > Cabinet

The ESU Bookcase is four units high. Fitted with drawers and sliding doors, it provides plenty of practical storage space.

Girard Ornaments - Angel

vitra > Styling

The range of motifs does not limit the use of Ornaments by Alexander Girard to seasonal occasions but a number of them are perfect, for example, for Christmas time.

Grand Sofà 3½-Seater

vitra > Sofa

Grand Sof&#224; (2017) is Antonio Citterio's interpretation of luxurious comfort and contemporary design. The designer's Italian flair for lightness and elegance is united with the trademark quality and precision of the Swiss company Vitra.

Tabouret Bois

vitra > Stool

Tabouret Bois bears the unmistakable signature of Jean Prouv&#233;, reflecting an aesthetic based on structural requirements. The sturdy stool is available in natural oak, dark oak or American walnut.

APC

vitra > Chair

Designed by Jasper Morrison, the APC is reminiscent of classic wooden chairs while advancing the appearance and functionality of this typology. The graceful chair combines great stability with excellent comfort; its backrest is attached to the frame with resilient connectors that allow it to flex in response to the sitter's movements. The APC comes in a choice of two-tone colours and is suited for both indoor and outdoor use.

Joyn 2 Platform

vitra > Table

The Joyn 2 Platform serves as a basis for teamwork, and despite just four legs allows table lengths of up to 6.4 metres for 8 to 10 regular workspaces &#8211; with maximum legroom, easily accessible power and data options and diverse accessories for personalisation. The platforms emphasise the horizontal &#8211; only the accessories rise above the table surface.<br/> <br/>Joyn 2 Platform is modular in design and easy to reconfigure in diverse formats. The table tops are available in three versions: as one-piece tops, as tops with a gap in the middle for easy access to power and data connections, and as a version with a technical rail &#8211; in the latter two versions, accessories can be fitted individually and repositioned as required. End table tops measuring 80 cm in depth add an additional fully-fledged workstation at either end of the table. Joyn 2 Platform can be adjusted from 74 to 82 cm in height.<br/>

Ampi

vitra > Styling

Ampi serves as a wireless charger and offers the necessary power connections to transform any table into a workstation quickly and easily &#8211; whether at home or in the office.

Akari YP1

vitra > Styling

The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. &#8216;The harshness of electricity is thus transformed through the magic of paper back to the light of our origin &#8211; the sun.&#8217; (Noguchi)

Belleville Armchair Wood

vitra > Chair

The contrasting materials of the moulded plywood veneer seat shell and slender black plastic frame constitute a characteristic feature of the Belleville Armchair. Its elegant armrests are an integral part of the curved structural frame and offer excellent comfort. The Belleville Armchair is also available with a plastic seat shell or with a cover in leather or fabric.

Soft Modular Sofa Three-seater, Chaise Longue

vitra > Sofa

With carefully balanced proportions, great comfort and a conscious renunciation of decorative details, the Soft Modular Sofa (2016) by Jasper Morrison unites the characteristics of a modular lounge sofa in its purest form.

Eames Plastic Armchair DAX

vitra > Chair

The Plastic Chairs by Charles and Ray Eames were the very first chairs to be developed out of plastic for industrial production. Their organically shaped seat shells can be combined with a variety of different bases. The DAX chair (Dining Height Armchair X-Base) has a visually understated four-legged tubular steel base, which comes in a powder-coated version that is also suited for outdoor applications.

Embroidered Pillows - Double Heart 2, blue

vitra > Styling

The designer Alexander Girard drew wide acclaim with his interior concept for the legendary Miller House (1953-57), for which he personally selected each individual object. The centrepiece of the house was a so-called 'conversation pit', a sunken seating area in the living room, with built-in sofas covered in fabrics by Girard and decorated with embroidered pillows made specifically for this setting. <br/><br/>Girard's famous 'double heart' motif was used and varied by the designer throughout his lifetime. It is composed of two intersecting S's that form a continuous loop of mirrored hearts. Each S represents the first letter of the pet names used by Girard and his wife &#8211; Sandro and Susie &#8211; which prompted him to name the double heart symbol '<a href="/en-me/magazine/details/sansusi">Sansusi</a>'.<br/><br/>The embroidered pillow with the 'Double Heart 2' motif was created by Alexander Girard for the Miller family in 1975 &#8211; 20 years after the completion of the Miller House.<br/>

Guéridon

vitra > Table

French designer and engineer Jean Prouv&#233; created the round, wooden Gu&#233;ridon table for the University of Paris in 1949. It comes in two different sizes and various types of high-quality wood.

Girard Ornaments - Rabbit

vitra > Styling

The range of motifs does not limit the use of Ornaments by Alexander Girard to seasonal occasions but a number of them are perfect, for example, for Christmas time.

Rotary Tray

vitra > Styling

Wall Clocks - Sunflower Clock

vitra > Styling

With his collection of Wall Clocks (1949-1960), George Nelson conceived a wide array of timepieces, many of which have since become icons of 1950s design.

Resting Bird

vitra > Styling

Numerous works by the creative duo Front are devoted to the systematic observation of sleeping or hibernating animals. This fascination inspired their design of a group of slumbering creatures &#8211; Resting Animals &#8211; whose poses exude a serene tranquillity. The Resting Birds are ornamental ceramic figures in two different sizes. Their peaceful presence goes beyond the decorative to communicate a deep sense of contentment.

Plywood Group DCW

vitra > Chair

The DCW (Dining Chair Wood) bears witness to the ultimate success of Charles and Ray Eames' early experiments with moulding plywood into complex shapes. Made entirely of wood, the appearance of this iconic chair remains as contemporary today as when it was first conceived.

Plywood Group LCM

vitra > Chair

Due to the slender organic shapes of its seat and back shells, the LCM (Lounge Chair Metal) by Charles and Ray Eames quickly acquired the nickname 'potato chip chair'.

Akari 10A

vitra > Styling

The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. &#8216;The harshness of electricity is thus transformed through the magic of paper back to the light of our origin &#8211; the sun.&#8217; (Noguchi)

Eames Fiberglass Armchair LAR

vitra > Chair

The Shell Chairs by Charles and Ray Eames are among the most important designs in the history of furniture. Following their initial presentation at the 'Low Cost Furniture Design' competition organised by the Museum of Modern Art in 1948, the chairs were launched on the market in 1950 in an armchair version (A-shell) and as a simpler side chair (S-shell) &#8211; making them the first ever mass-produced chairs made of plastic. <br/><br/>With the debut of this revolutionary design, Charles and Ray Eames introduced a new furniture typology that has since spread around the globe: the multifunctional chair whose shell can be joined with a variety of different bases. Already in 1950, they presented a series of bases that enabled various sitting positions, including the low-slung LAR (Lounge Height Armchair Rod Base) with a geometric steel wire base, which quickly acquired the charming nickname 'Cat's Cradle' in reference to the children's string game. <br/><br/>The LAR seems to have been one of Charles and Ray's favourite designs: it can be spotted in numerous vintage photographs of the legendary Eames House in Pacific Palisades, both indoors and out. This also reveals how lightweight the chair is, and how easily it can be moved around.<br/><br/>Due to the organic shape of this classic armchair, the LAR is a striking solo piece, but it can also be paired with many types of sofas to create an appealing contrast. The LAR is offered as the Plastic Chair LAR with a polypropylene shell, or as the Fiberglass Chair LAR with a fibreglass shell that draws attention to the lively texture so valued by connoisseurs. The fascination of fibreglass lies in its irregular surface, whose clearly visible fibres make it appear almost like a natural material. The Fiberglass Chair LAR is not offered with full upholstery in order to show off the unique characteristics of this material to maximum effect. However, a comfortable seat cushion is optionally available.

Desk Clock - Cone Base Clock

vitra > Styling

The many accessories created for the home by George Nelson include a variety of table clocks. Representing a selection of these classic designs, the Desk Clocks offer a refreshing alternative to conventional clocks. Equipped with high-quality quartz movements, the charm of these decorative timepieces is equalled by their precision.

Elephant Stool

vitra > Stool

As one of the most famous objects of Japanese post-war design, the Elephant Stool was created by the prolific product designer Sori Yanagi. The stackable plastic stool can be used both indoors and outside.

Suita Club Sofa

vitra > Sofa

The Suita Club Sofa was developed for use in offices, waiting areas and lobbies. The construction and workmanship are designed to withstand the demanding conditions of such public areas. The upholstery of the backrest ensures a high degree of comfort without the need for additional cushions.

Eames Plastic Armchair DAL

vitra > Chair

The seat shells of the Eames Plastic Chairs can be combined with a variety of different bases. The base for the DAL chair (Dining Height Armchair La Fonda Base) was developed by Charles and Ray Eames in 1961 for the legendary New York restaurant La Fonda del Sol, whose interior was designed by their friend Alexander Girard. With its central pedestal consisting of four parallel shafts that split at the bottom to form a four-star base, it is one of the most elegant and unconventional bases ever designed by the Eameses.

Zoo Timers - Fernando the Fish

vitra > Styling

The Zoo Timers (1965) by George Nelson &#8211; wall clocks in the form of colourfully hand-drawn characters from the animal kingdom &#8211; offer children a playful and enjoyable approach to telling the time.

Elliptical Table ETR

vitra > Coffee table

The expansive, elegant ETR sofa table by Charles and Ray Eames comes with tops in a choice of black or white and a wire base with a chrome-plated or black powder-coated finish. On account of its elliptical shape, it quickly acquired the nickname 'surfboard table'.

Allstar

vitra > Office Chair

The Allstar office chair by Konstantin Grcic imparts a relaxed home-like feel and sense of familiarity. Its rounded form exudes comfort and yields a calming influence on the fast-paced dynamic of today's offices. Allstar also satisfies all the necessary functions of a task chair, allowing it to be used wherever high functional performance is desired but a classic office chair would not be appropriate for aesthetic reasons &#8211; an especially ideal choice for modern workplace concepts.

Heart Cone Chair

vitra > Chair

The Heart Cone Chair takes its name from the expressive, heart-shaped silhouette of its seat shell. Designed by Verner Panton in the late 1950s, the chair combines a comfortably upholstered seat with an understated, elegant base made of satin stainless steel.

Joyn 2 Meet

vitra > Table

Joyn 2 Meet offers meeting tables ranging from 120 x 80 cm to 900 x 180 cm. The base can be configured in diverse shapes and sizes for sitting or standing-height tables &#8211; on either glides or castors. Furniture on castors promotes dynamic work methods in the office, while variants with glides enable electrification cables to be concealed in the table legs.

Nuage

vitra > Styling

The Nuage vases produce an attractive interplay of light and shadow with their undulating shape and anodised aluminium finish in various colours. Flowers and grasses can be arranged in each cluster of eight individual tubes, and thanks to their precise outer contours, the vases can also be fitted together to create entire 'cloud formations'.

Organic Chair

vitra > Chair

Charles Eames and Eero Saarinen created the Organic Chair in 1940 as part of their entry for 'Organic Design in Home Furnishings', a competition organised by the Museum of Modern Art in New York. The small reading chair offers superb comfort, thanks to its comfortably upholstered, biomorphically shaped seat shell, and is also available in a version with a higher backrest: Organic Highback.

Wall Clocks - Sunburst Clock

vitra > Styling

With his collection of Wall Clocks (1949-1960), George Nelson conceived a wide array of timepieces, many of which have since become icons of 1950s design.

Amoebe

vitra > Chair

With its curving shapes and vivid colours, the Amoebe chair (1970) by Verner Panton embodies the exuberant spirit of the early 1970s. It is also available with an overhanging backrest under the name Amoebe Highback.

HAL Lounge Ottoman

vitra > Pouf

The compact HAL Lounge Chair (2021) is Jasper Morrison's reinterpretation of the softly upholstered four-legged armchair with a high backrest.

ID Soft L

vitra > Chair

The high backrest of ID Soft L comes with padded upholstery for excellent comfort. Although the chair exudes elegant sophistication, its sleek lines and minimal design also lend it an understated character. ID Soft L can be harmoniously combined with other chairs and is a perfect addition to many different settings.

Toolbox

vitra > Styling

The Toolbox by Arik Levy is designed as a practical organisational utensil for storing accessories and small items. Thanks to its handy size, it can be easily stowed in a cabinet or on a shelf, and it takes up little room on a table. The Toolbox is available in a selection of different colours.

Wooden Doll No. 11

vitra > Styling

Alexander Girard originally created the Wooden Dolls (1952), a whimsical assortment of figures both joyful and grim, for his own home. Today they add a charming touch to any interior.

Akari 1A

vitra > Styling

The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. &#8216;The harshness of electricity is thus transformed through the magic of paper back to the light of our origin &#8211; the sun.&#8217; (Noguchi)

Girard Ornaments - Sun

vitra > Styling

The range of motifs does not limit the use of Ornaments by Alexander Girard to seasonal occasions but a number of them are perfect, for example, for Christmas time.

Classic Trays - Baby's Breath

vitra > Styling

The Classic Trays (1945-74) by Alexander Girard and Charles and Ray Eames come in three sizes. Made of laminated plywood, they feature motifs from the rich store of images created by these legendary designers.

Wooden Doll No. 7

vitra > Styling

Alexander Girard originally created the Wooden Dolls (1952), a whimsical assortment of figures both joyful and grim, for his own home. Today they add a charming touch to any interior.

Super Fold Table

vitra > Table

The Super Fold Table by Jasper Morrison folds up completely with a single movement of the hand, and the legs of the four-star base are also rotated and vertically aligned for compact space-saving storage. The Super Fold Table comes in a range of materials, with different shaped table tops. It is available in both sitting and standing height versions.

Akari UF3-Q

vitra > Styling

The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. &#8216;The harshness of electricity is thus transformed through the magic of paper back to the light of our origin &#8211; the sun.&#8217; (Noguchi)

Wall Clocks - Popsicle Clock

vitra > Styling

With his collection of Wall Clocks (1949-1960), George Nelson conceived a wide array of timepieces, many of which have since become icons of 1950s design.

Ceramic Container No. 2

vitra > Styling

The hand-glazed Ceramic Containers (1952) derive from the original lathe-turned wooden objects by Alexander Girard. Their silhouettes are reminiscent of the traditional shapes of apothecary vessels, board game tokens or millinery blocks.

Ronan Bouroullec Drawing Poster, green

vitra > Styling

The drawings of Ronan Bouroullec exemplify the practice of 'intuitive drawing', derived from Surrealism's literary roots and its &#233;criture automatique.

La Chaise

vitra > Styling

Charles and Ray Eames designed the elegant lounge chair La Chaise for a competition at the Museum of Modern Art in New York in 1948. It was inspired by the 'Floating Figure' sculpture by Gaston Lachaise. The lounge chair has long since established itself as an icon of organic design.

Herringbone Vessels - Bowl

vitra > Styling

The Herringbone Vessels are created by repeatedly immersing ceramic bowls and vases in a coloured glaze. This process yields a pattern with an intrinsic logic, determined by the dipping angle as well as the shape and weight of the piece. As the dyeing process is performed entirely by hand, each bowl and vase in the Herringbone Collection is a unique object.

Grieta Table

paolocastelli > Table

A functional table with essential forms that reveals its poetics in the artistic intervention. A Spanish translation of the word ‘cleft’, Grieta table makes interruptions in continuity an opportunity to embark on a new journey to discover the potential of ceramics, the material from which it is made. Characterised by a bell-shaped base with an irregular surface, available in glazed ceramic or Vicenza stone, the Grieta table represents a contemporary stage for sharing, a sophisticated solution that inhabits the dining area with ease thanks to the clean and essential design of the table top. MATERIALS Base: single-fired fine porcelain stoneware, monolite ipergres or stone Top: ceramic Under-top: MDF FINISHES Base: ceramic col. Sage, Terracotta, Ocean, Grey or Vicenza stone col. Ivory or col. Light grey Top: col. Sage, Terracotta, Ocean, Grey Under-top: glossy lacquered in matching colour  

Anodine Floor

paolocastelli > Floor lamp

Anodine Floor is a free-standing lamp that transforms light into a sculpture evoking the concept of “shape non-shape” of the light, which adds an artistic touch to the ambience. It comprises 13 shiny brass stems anchored to a square metal base finished “mat gold”, some decorated with metal leaves, all asymmetrical and hand-made by expert artisans, with a matt gold finish. Perfect as a couple to create the right symmetry in the room. Thanks to hand-made manufacturing techniques, each piece of the collection is unique.

Melt Floor Light Copper

tomdixon > Floor lamp

Melt is a beautifully distorted floor light in a modern Copper finish. Emitting an attractive, mildly hallucinogenic light, this floor light creates a mesmirizing melting hot-blown glass effect when on and a mirror-finish effect when off. Made in Germany using a high tech manufacturing technique to achieve the perfect melted orb. More Information The range is blow moulded and vacuum metallised - techniques that have been developed over several years, working with German engineering and manufacturing experts. Melt also comes as a table, pendant and surface light.

kwic

axolight > Wall lamp

Kwic is a lively expression of graphic geometry, dynamism and refinement. Its asymmetrical lines are like elusive droplets that play with highly intense, luminous reflections.

Modern Multiformato Natural 6"/7"/9"X73"

porcelanosa > Floor plank

Brushed multiformat stained oak wood flooring with natural-looking oiled finish. Size 6/7/9 x 73 in, suitable for interior floor.

Genova 1L Brown 6"X86"

porcelanosa > Floor plank

Matt varnished brushed stained oak wood flooring. Size 6 x 86 in, suitable for interior floor.

Chimera Ritmo Azzurro

florim > Wallcovering

 In <em>Chimera,</em> Elena Salmistraro merges rigour with self-expression, in a graphic grammar laden with symbolic meaning.  <em>Empatia </em>speaks to the emotions with graphics that interpret, through a highly individual abstract code, the stage make-up of a clown, with the aid of superimposed geometric forms and images. <em>Radici </em>is a tribal statement, a tribute to primitive ritual custom, evoked by the interplay between a sequence of triangles and rectangles and a set of figurative fragments. <em>Ritmo</em> is inspired by fabrics, suggesting the rhythmic alternation of woven yarns through a largely linear pattern. In <em>Colore, </em>the upheaval of a background of small isolated spots generated by a parametric digital program is combined with densely packed repeated forms. "The Chimera collection is rather like a book with four different chapters: I set out to differentiate these graphic motifs to create four totally different stories."<br></br>Elena Salmistraro  It all starts with drawing. A <em>passion</em> for drawing. An <em>obsession</em> with drawing. Drawings like spider-webs, obsessively filling spaces, in a kind of manual choreography or gymnastics, a continuous flow. Elena Salmistraro draws all the time. She draws everywhere. Mostly on loose sheets or random surfaces. First and foremost with pen and pencil. Her drawings only acquire colour at a later stage. Often - just like Alessandro Mendini used to do - she draws "monsters": fascinating yet disturbing, subversive forms. The denser, more contorted the shape, the more obvious its underlying truth. For Elena, drawing is an intimate act. It is relaxing. And therapeutic. With an unrivalled communicative strength. Because drawing gives shape to ideas: you both give form to the world and reveal yourself. This passion, combined with natural graphic talent, has guided Elena Salmistraro in her project for Cedit: an experimental series of ceramic slabs produced using a high-definition 3D decorative technique. The explicit aim is to transform surfaces beyond their original flatness so that a new, visual and tactile, three-dimensional personality emerges, sweeping aside the coldness and uniformity that ceramic objects often inevitably convey.Elena Salmistraro has always viewed ceramics as a democratic material, in view of their accessibility, and the infinite potentials for shaping matter that they provide. She began working and experimenting with ceramics very early in her career, just after she graduated from the Milan Politecnico in 2008. She came into contact with small artistic craft firms specialising in smallproduction lots, and cut her teeth on projects that demanded the hand-processing of every detail, and finishes of high artistic value, for the high end of the market. The large corporations and galleries came later, but here again Elena kept faith with her desire to make mass-produced pieces unique, and to combine artistic value with specifically industrial characteristics. The monkey-shaped <em>Primates</em> vases reflect this method and intention, aiming to excite, surprise and charm. Antiminimalist and hyper-figurative, playful, ironic and a rich image-maker, often drawing on anthropology and magic, over the years Salmistraro has built up her own fantastic universe, inhabited by ceramic bestiaries, painted jungles and a cabinet like a one-eyed cyclops , always finding inspiration and inputs in nature and always aiming to reveal the extraordinary in the everyday. Given this background, it was almost inevitable she would work with Cedit: constantly seeking new talents and new approaches, as well as designs that break down the boundaries of ceramics and release them into the realm of art and innovation, the Modena company has recognised Elena Salmistraro as a leading contemporary creative spirit and involved her in a project intended to experiment with fresh ideas in materials and synaesthetics.Salmistraro's collection for Cedit is entitled <em>Chimera</em> and consists of large ceramic slabs, which can be enjoyed not only visually, through their patterns and colours, but also on a tactile level. Like the chimera in the "grotesque" tradition, monstrous in the etymological sense of the word with its merging of hybrid animal and vegetable shapes, the Cedit project attempts to originate a synaesthetic form of ceramics, through a three-dimensional development that exactly reproduces the texture of leathers and fabrics, creating an absolutely new kind of layered effect, with a tactile awareness that recalls the passion of grand master Ettore Sottsass for "surfaces that talk". And the surfaces of the slabs Salmistraro has created really seem to talk: in <em>Empatia </em>clown faces add theatricality to the cold gleam of marbles, interspersed with references to Art Déco graphics; <em>Radici</em> uses the textures of leathers and hide as if to re-establish a link between ceramics and other materials at the origins of human activity and creativity; in <em>Ritmo</em> the texture of cloth dialogues with pottery, almost in homage to the tactile rationalism of warp and weft, of which Bauhaus pioneer Anni Albers was one of the most expressive past interpreters ; finally, <em>Colore</em> has a spotted base generated by computer to underline the contrast between analogue and digital, the graphic sign and the matter into which it is impressed. It is an aesthetic of superimposition and mixing, and especially of synaesthesia: as in her drawings, in the <em>Chimera </em>slabs Elena Salmistraro's art is one of movement and acceleration. A process not of representation but of exploration. Of the world and of oneself. Almost a kind of Zen, for distancing oneself from the world to understand it more fully. In every sense. 

Coretech Satin Dark

florim > Wall tile-stone-brick

<p>Florim’s Coretech collection takes Piasentina stone quarried in the foothills of the Julian Alps and enhances its performance to cater to the needs of contemporary architecture.</p> <p>Piasentina stone is ideally suited to the creation of relief textures and finishes using traditional methods and age-old techniques.<br>Different types of processing give different colours and feels to this natural stone, thus making it possible to put together numerous combinations using the same material. </p> <p>Piasentina stone’s name means “pleasing stone” in Friulian. It has been known since ancient Roman times and it is now highly sought after in architecture in Italy and internationally due to the shades of colour and versatility it can offer indoors and outdoors, on both urban floors and walls.</p> <p><br>It stands out not only due to its distinctive feel but also thanks to its refined <strong>grey tones </strong>with slender white veins and little brownish tinges.</p> <p><br>It is a stone that can conjure up all sorts of emotional responses, making it a popular choice among interior designers and architects across the globe. It has played a central role in numerous constructions over the centuries, including churches, palaces, villas, rural buildings and flooring. It was used by figures such as the Renaissance master Andrea Palladio and Raimondo D’Aronco in the Art Nouveau period and it continues to be employed in 21st century architecture and design.</p>

Earthtech DESERT_GROUND

florim > Wallcovering

From an ancient past to a responsible future <p>The collection injects new life into the earth through a sustainable production process, with a strong focus on green management, to offer the architect an exceptional technical and aesthetic performance in compliance with the socio-environmental context and the latest eco-friendly building needs. With EARTHTECH earth becomes “technical earth” with a highly innovative content, offering new solutions to green architecture and fulfilling the new frontiers of circular economy in construction, guaranteeing a sustainable future. <br />EARTHTECH offers a choice of organic textures to observe and touch, thanks to the wide range of finishes (Comfort, Glossy-Bright and structured) which add a tactile and unexpected perceptive dimension for use in all types of application. <br /><a class="btn arrow" href="https://www.florim.com/en/surfaces/the-new-comfort-surface/"> Discover the new Comfort surface </a></p> <p>EARTHTECH/ is also a return to the origins of the Florim brand through a full body technical product that blends surface and thickness and derives from the spontaneous mixing of carefully pre-selected fragments and pigments of different shades which give the material a unique, one-of-a-kind visual effect in each slab, mimicking the amazing variety of colours and elements in nature. The result is a composite product with a textured design, in which the flakes and aggregate grains create an original mélange effect that is vitrified during firing, producing a robust, high-quality and exceptionally strong and wear-resistant product; one which can be used in any type of building setting and weather conditions, even the harshest.</p>

EXALT Fairy White

florim > Wall tile-stone-brick

<p><br />Exalt is the new collection, inspired by marble, which completes the research project undertaken by Contemporary Design. </p> <p>The series offers six types of marble effect with veining and delicate graphics for a versatile and modern look, particularly suited to residential applications. There are two available thicknesses - 9 mm and 6 mm - with glossy and natural finishes.</p>

Gold Gold

florim > Floor tile-stone

<p>A precious ingredient enhances the surfaces. It is the gold sheet taken from the past as an ancient form of decoration.</p> <p>Used at the service of plasters and valuable furniture, Gold allows you to adorn the environments, providing even more precious prestige and becoming a decorative furnishing itself, transversely integrating with Florim collections. Emotion, light and seductive wealth describe the essence of Gold, an expression of beauty with strong bonds between tradition and modernism.</p>

Rêves Rêve Rose

florim > Wall tile-stone-brick

A contemporary, luxurious but balanced lifestyle Soft vein patterns and gentle colour contrasts characterise a collection that exudes taste and authenticity, the bright and showy shades of yesterday consigned to memory. Surfaces with luminous, deep and delicate shades restore a sense of preciousness to the space without overpowering the architecture. The collection lends itself to various stylistic interpretations: the warm colours with matte finishes create natural and relaxing atmospheres, the pearl and blue tones emit light and uniqueness, revealing an infinite potential that is waiting to be explored.

Rêves Rêve Noisette

florim > Wall tile-stone-brick

A contemporary, luxurious but balanced lifestyle Soft vein patterns and gentle colour contrasts characterise a collection that exudes taste and authenticity, the bright and showy shades of yesterday consigned to memory. Surfaces with luminous, deep and delicate shades restore a sense of preciousness to the space without overpowering the architecture. The collection lends itself to various stylistic interpretations: the warm colours with matte finishes create natural and relaxing atmospheres, the pearl and blue tones emit light and uniqueness, revealing an infinite potential that is waiting to be explored.

Sensi Brown Fossil

florim > Floor tile-stone

Lightness, Earth, Sensoriality  The Sensi collection also features a <strong>decorative mosaic</strong> made from <strong>recycled glass</strong> made from disused TV and PC screens. This mosaic, manufactured by a <strong>process in which human hands play a role</strong>, has a distinctive surface structure. Due to the nature of the recycled glass and the production cycle, every tiny chip is different from the others, creating a <strong>dynamic surface.</strong> Soft, velvety or structured to the touch, it dialogues with the light and may become shiny or matte. This product also derives its uniqueness from its colour. <strong>Every chip is unique </strong>and has its own shades of the same tone. <p>Developed with close attention to environmental impact, "<em>Sensi</em>" is the perfect synthesis of innovation and sustainability and also a virtuous example of <strong>circular economy</strong>. The collection is made <strong>over 90% natural raw materials</strong> and up to 41%<strong> of recycled materials</strong>. "<em>Sensi</em>" is the result of <strong>up to 100% sustainable production process</strong>, both in terms of water consumption and self-generated electricity.</p>

Sensi Brown Dust

florim > Floor tile-stone

Lightness, Earth, Sensoriality  The Sensi collection also features a <strong>decorative mosaic</strong> made from <strong>recycled glass</strong> made from disused TV and PC screens. This mosaic, manufactured by a <strong>process in which human hands play a role</strong>, has a distinctive surface structure. Due to the nature of the recycled glass and the production cycle, every tiny chip is different from the others, creating a <strong>dynamic surface.</strong> Soft, velvety or structured to the touch, it dialogues with the light and may become shiny or matte. This product also derives its uniqueness from its colour. <strong>Every chip is unique </strong>and has its own shades of the same tone. <p>Developed with close attention to environmental impact, "<em>Sensi</em>" is the perfect synthesis of innovation and sustainability and also a virtuous example of <strong>circular economy</strong>. The collection is made <strong>over 90% natural raw materials</strong> and up to 41%<strong> of recycled materials</strong>. "<em>Sensi</em>" is the result of <strong>up to 100% sustainable production process</strong>, both in terms of water consumption and self-generated electricity.</p>

SPOKES 2 - LED epoxy paint steel pendant lamp _ Foscarini

foscarini > Ceiling lamp

The Spokes 2 pendant lamp, crafted from varnished steel and aluminum, is a versatile lighting solution available in four sizes (Small, Midi, Large, and Extra Large), each featuring integrated LED light sources with a warm 2700K color temperature, high CRI (>90), and dimmable functionality via On-Off/Push, DALI, or the Casambi Bluetooth app. Designed to create captivating light and shadow effects, the double LED source ensures optimal illumination while adding a touch of elegance to any space. The lamp is energy-efficient, with ratings ranging from D+ to E, and comes with an IP 20 rating, making it suitable for indoor use. A 3D file of the Spokes 2 is available for download, allowing for seamless integration into design projects. Manufactured by Foscarini, a renowned Italian lighting design company founded in 1981, the brand is celebrated for its innovative, artistic, and high-quality lighting solutions that blend contemporary and avant-garde styles, making them statement pieces in both residential and commercial settings.

SPOKES 1 - LED epoxy paint steel pendant lamp _ Foscarini

foscarini > Ceiling lamp

The Spokes 1 pendant lamp is a stunning lighting piece crafted from varnished steel and aluminum, featuring a double LED light source (30W, 2700K, 3220 lm, CRI>90) that delivers perfect illumination below while creating enchanting light and shadow effects on walls and ceilings. Dimmable via On-Off/Push/DALI or Bluetooth through the Casambi App, this IP20-rated lamp combines energy efficiency with a versatile design, available in various forms, sizes, and colors to suit diverse spaces. A 3D file of the product is available for download, allowing for detailed visualization and planning. Manufactured by Foscarini, a renowned Italian lighting design company founded in 1981 on the island of Murano, the brand is celebrated for its innovative, artistic, and high-quality lighting solutions that blend contemporary and avant-garde styles, making them statement pieces in both residential and commercial settings.

70/70 Table

muuto > Table

The 70/70 Table is designed with a simple expression, paired with subtle, understated details that reveal themselves upon closer inspection. Adding character to the design, the details of the 70/70 Table include the triangular shape of its base for a modern expression and the slanted edges of the table top. Available in a variety of sizes and finishes, the 70/70 Table is an ideal match for any dining area, home office, workplace or hospitality area.

Workshop Table

muuto > Table

The Workshop Table joins together the ideals of Scandinavian craftsmanship and subtle detailing for a deliberately simple and archetypal expression. With its tabletop in either oak veneer or linoleum harmoniously carving itself into the solid oak frame, the Workshop Table brings a refined and understated appearance to any setting.

Base Table

muuto > Table

The Base Table references the heritage of Scandinavian design through its simple frame and subtle details. With its design harking back to the essence of a table, the Base Table features a veneer edge for a touch of Scandinavian materiality, paired with the elegant shapes of its table top and frame. Use the design in any home, workplace, educational institution or hospitality space for notes of Scandinavian simplicity.

Base High Table

muuto > Table

The Base High Table references the heritage of Scandinavian design through its simple frame and subtle details. With its design harking back to the essence of a table, the Base High Table comes with either a veneer edge for a touch of Scandinavian materiality or an edge in ABS for a monochrome appearance, paired with the elegant shapes of its table top and frame. Use the design in any workplace, educational institution or hospitality space for notes of Scandinavian simplicity.

Linear System Configurations

muuto > Table

The Linear System Table is a simple yet refined table with subtle details and references to the Scandinavian design heritage. Its legs are cut into half-circles and joined with the table for a light expression while the slender overhang at both ends of the table makes for a refined expression. The Linear System Table is available as a freestanding table to be used on its own, as predesigned configurations or as Middle and End Modules that can be configured to the exact needs of your space.

Base Table With Castors

muuto > Table

Simple and elegant lines, joined by the functionality of castors. Frame is made from extruded aluminum, painted with an acrylic paint initially developed for outdoor interiors and building facades. Organize and manage cords and wires with our Cable Management. Our Power Outlet can be added to the Base Table. Made-to-order: Laminate with ABS or plywood edge in black or white. Linoleum with plywood edge in black. Nanolaminate finish in either black or white. Bases available in Black or White with matching castors.

Toveri Dining

leolux > Table

Studio Truly Truly has designed a wonderfully luxurious dining table to join the Toveri family by Leolux. Just like the coffee tables, the Toveri dining table is an interplay of soft shapes and hard materials, shadows and curves.

Bondi

leolux > Table

Leolux was looking for something new, a table that adds a pop of colour to the interior. Bondi is the perfect answer. Its unusual organic leaf shape is the first thing to stand out, with space for at least five users.

Columna

leolux > Table

Columna is a table built on pure form, with the base and table top connected by a straight column. The only playful element Hugo de Ruiter allowed is the way the column links to the base: like an ancient marble column.

Viscount of wood rectangular

kartell > Table

VISCOUNT OF WOOD tables are the latest addition. These naturally composed tables complement the collection's choice of seats and create a sustainable living area in which wood plays a central role thanks to its lightweight properties. These large items of furniture feature top-quality materials and advanced manufacturing technology. The square and rectangular versions with four legs come in five sizes (100x100, 145x80, 160x90, 190x90 and 240x100) and three top finishes: light ash with two darker shades, flamed walnut and a third, characterised by thin strips of different tones of dark wood. The legs are in chrome or black. 

Glossy marble oval

kartell > Table

A family of tables ideal for the home and office. The light steel structure is made particular by the use of the cross element that joins the legs on each of the four sides, supporting the top. The collection comprises square, oval and round versions.

Pavilion AV18

&tradition > Table

Available in three sizes, the larger, six or eight-person Pavilion table is ideal for an office meeting room or dining space while the smaller, four-person version is a perfect addition to the home. The table can be matched with the Pavilion desk to provide a cohesive design experience, and cable management can be easily inserted into the table due to the location of the stretcher.

Pavilion AV24

&tradition > Table

Available in three sizes, the larger, six or eight-person Pavilion table is ideal for an office meeting room or dining space while the smaller, four-person version is a perfect addition to the home. The table can be matched with the Pavilion desk to provide a cohesive design experience, and cable management can be easily inserted into the table due to the location of the stretcher.

In Between SK4

&tradition > Table

Inspired by the Scandinavian heritage of design and furniture craftmanship, In Between is a result of Sami Kallio’s solid grounding in traditional wood- working techniques and his eye for ingenious detail. It started with a single chair which later resulted in a series of furniture including both tables and bar stools. Get this In Between dining table in three different variants.

BM1160 Hunting Table

carlhansen > Table

B&#248;rge Mogensen designed the BM1160 Hunting Table for the Copenhagen Cabinetmakers&#8217; Guild Furniture Exhibition in 1950. The table combines excellent woodwork with elegant metal brace bars, creating a bold and organic whole.

CH002 Dining Table

carlhansen > Table

The CH002 is the smaller of two dining tables that Hans J. Wegner created in 1982. The table expresses Wegner&#8217;s functional design philosophy through an appealing solution for modern interiors. The CH002 is crafted to fit smaller spaces, and can be extended easily with two accompanying leaves.

CH006 Dining Table

carlhansen > Table

At 90 x 138 cm, the CH006 is a longer version of the CH002 dining table, designed in 1982. The table, with solid extension frames and built-in grip for the two hinged extension leaves with rounded edges, illustrates Hans J. Wegner&#8217;s visionary approach to functional design. The CH006 table is versatile and can be adapted to smaller gatherings as well as larger dinner parties.