PRODUCT DESCRIPTION
The characteristic flexing action of HAL Cantilever's base augments the comfort of this chair. The seat shell is made of recycled plastic and like many other HAL models, its comfort can be enhanced by padded upholstery or loose cushions from the Soft Seats range. HAL RE Cantilever is suited to a wide variety of settings and applications.
SUPPLIER: VITRA
TYPE: FURNITURE

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Other Products From This Supplier
A wide range of product from furniture to finishes to meet the desire of all designers.
Wooden Doll No. 2

vitra > Styling
Alexander Girard originally created the Wooden Dolls (1952), a whimsical assortment of figures both joyful and grim, for his own home. Today they add a charming touch to any interior.
ID Visitor Air

vitra > Chair
Antonio Citterio collaborated with Vitra to develop different versions of the ID Visitor chair, perfectly coordinated with the ID Chair Concept. Thanks to an understated design, they can be combined with almost any office chair and integrated in a wide variety of work environments.<br/><br/>ID Visitor Air has a particularly light and graceful appearance thanks to its slender plastic backrest. The perforated back allows for flexible movement and good air circulation, while offering targeted support. The seat padding is optionally available in a more sustainable PU-free version, and the cantilever base is stackable.<br/>
Eames Storage Unit ESU, Bookcase

vitra > Cabinet
The ESU Bookcase is four units high. Fitted with drawers and sliding doors, it provides plenty of practical storage space.
Girard Ornaments - Angel

vitra > Styling
The range of motifs does not limit the use of Ornaments by Alexander Girard to seasonal occasions but a number of them are perfect, for example, for Christmas time.
Grand Sofà 3½-Seater

vitra > Sofa
Grand Sofà (2017) is Antonio Citterio's interpretation of luxurious comfort and contemporary design. The designer's Italian flair for lightness and elegance is united with the trademark quality and precision of the Swiss company Vitra.
Tabouret Bois

vitra > Stool
Tabouret Bois bears the unmistakable signature of Jean Prouvé, reflecting an aesthetic based on structural requirements. The sturdy stool is available in natural oak, dark oak or American walnut.
APC

vitra > Chair
Designed by Jasper Morrison, the APC is reminiscent of classic wooden chairs while advancing the appearance and functionality of this typology. The graceful chair combines great stability with excellent comfort; its backrest is attached to the frame with resilient connectors that allow it to flex in response to the sitter's movements. The APC comes in a choice of two-tone colours and is suited for both indoor and outdoor use.
Joyn 2 Platform

vitra > Table
The Joyn 2 Platform serves as a basis for teamwork, and despite just four legs allows table lengths of up to 6.4 metres for 8 to 10 regular workspaces – with maximum legroom, easily accessible power and data options and diverse accessories for personalisation. The platforms emphasise the horizontal – only the accessories rise above the table surface.<br/> <br/>Joyn 2 Platform is modular in design and easy to reconfigure in diverse formats. The table tops are available in three versions: as one-piece tops, as tops with a gap in the middle for easy access to power and data connections, and as a version with a technical rail – in the latter two versions, accessories can be fitted individually and repositioned as required. End table tops measuring 80 cm in depth add an additional fully-fledged workstation at either end of the table. Joyn 2 Platform can be adjusted from 74 to 82 cm in height.<br/>
Ampi

vitra > Styling
Ampi serves as a wireless charger and offers the necessary power connections to transform any table into a workstation quickly and easily – whether at home or in the office.
Akari YP1

vitra > Styling
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
Belleville Armchair Wood

vitra > Chair
The contrasting materials of the moulded plywood veneer seat shell and slender black plastic frame constitute a characteristic feature of the Belleville Armchair. Its elegant armrests are an integral part of the curved structural frame and offer excellent comfort. The Belleville Armchair is also available with a plastic seat shell or with a cover in leather or fabric.
Soft Modular Sofa Three-seater, Chaise Longue

vitra > Sofa
With carefully balanced proportions, great comfort and a conscious renunciation of decorative details, the Soft Modular Sofa (2016) by Jasper Morrison unites the characteristics of a modular lounge sofa in its purest form.
Eames Plastic Armchair DAX

vitra > Chair
The Plastic Chairs by Charles and Ray Eames were the very first chairs to be developed out of plastic for industrial production. Their organically shaped seat shells can be combined with a variety of different bases. The DAX chair (Dining Height Armchair X-Base) has a visually understated four-legged tubular steel base, which comes in a powder-coated version that is also suited for outdoor applications.
Embroidered Pillows - Double Heart 2, blue

vitra > Styling
The designer Alexander Girard drew wide acclaim with his interior concept for the legendary Miller House (1953-57), for which he personally selected each individual object. The centrepiece of the house was a so-called 'conversation pit', a sunken seating area in the living room, with built-in sofas covered in fabrics by Girard and decorated with embroidered pillows made specifically for this setting. <br/><br/>Girard's famous 'double heart' motif was used and varied by the designer throughout his lifetime. It is composed of two intersecting S's that form a continuous loop of mirrored hearts. Each S represents the first letter of the pet names used by Girard and his wife – Sandro and Susie – which prompted him to name the double heart symbol '<a href="/en-me/magazine/details/sansusi">Sansusi</a>'.<br/><br/>The embroidered pillow with the 'Double Heart 2' motif was created by Alexander Girard for the Miller family in 1975 – 20 years after the completion of the Miller House.<br/>
Guéridon

vitra > Table
French designer and engineer Jean Prouvé created the round, wooden Guéridon table for the University of Paris in 1949. It comes in two different sizes and various types of high-quality wood.
Girard Ornaments - Rabbit

vitra > Styling
The range of motifs does not limit the use of Ornaments by Alexander Girard to seasonal occasions but a number of them are perfect, for example, for Christmas time.
Wall Clocks - Sunflower Clock

vitra > Styling
With his collection of Wall Clocks (1949-1960), George Nelson conceived a wide array of timepieces, many of which have since become icons of 1950s design.
Resting Bird

vitra > Styling
Numerous works by the creative duo Front are devoted to the systematic observation of sleeping or hibernating animals. This fascination inspired their design of a group of slumbering creatures – Resting Animals – whose poses exude a serene tranquillity. The Resting Birds are ornamental ceramic figures in two different sizes. Their peaceful presence goes beyond the decorative to communicate a deep sense of contentment.
Plywood Group DCW

vitra > Chair
The DCW (Dining Chair Wood) bears witness to the ultimate success of Charles and Ray Eames' early experiments with moulding plywood into complex shapes. Made entirely of wood, the appearance of this iconic chair remains as contemporary today as when it was first conceived.
Plywood Group LCM

vitra > Chair
Due to the slender organic shapes of its seat and back shells, the LCM (Lounge Chair Metal) by Charles and Ray Eames quickly acquired the nickname 'potato chip chair'.
Akari 10A

vitra > Styling
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
Eames Fiberglass Armchair LAR

vitra > Chair
The Shell Chairs by Charles and Ray Eames are among the most important designs in the history of furniture. Following their initial presentation at the 'Low Cost Furniture Design' competition organised by the Museum of Modern Art in 1948, the chairs were launched on the market in 1950 in an armchair version (A-shell) and as a simpler side chair (S-shell) – making them the first ever mass-produced chairs made of plastic. <br/><br/>With the debut of this revolutionary design, Charles and Ray Eames introduced a new furniture typology that has since spread around the globe: the multifunctional chair whose shell can be joined with a variety of different bases. Already in 1950, they presented a series of bases that enabled various sitting positions, including the low-slung LAR (Lounge Height Armchair Rod Base) with a geometric steel wire base, which quickly acquired the charming nickname 'Cat's Cradle' in reference to the children's string game. <br/><br/>The LAR seems to have been one of Charles and Ray's favourite designs: it can be spotted in numerous vintage photographs of the legendary Eames House in Pacific Palisades, both indoors and out. This also reveals how lightweight the chair is, and how easily it can be moved around.<br/><br/>Due to the organic shape of this classic armchair, the LAR is a striking solo piece, but it can also be paired with many types of sofas to create an appealing contrast. The LAR is offered as the Plastic Chair LAR with a polypropylene shell, or as the Fiberglass Chair LAR with a fibreglass shell that draws attention to the lively texture so valued by connoisseurs. The fascination of fibreglass lies in its irregular surface, whose clearly visible fibres make it appear almost like a natural material. The Fiberglass Chair LAR is not offered with full upholstery in order to show off the unique characteristics of this material to maximum effect. However, a comfortable seat cushion is optionally available.
Desk Clock - Cone Base Clock

vitra > Styling
The many accessories created for the home by George Nelson include a variety of table clocks. Representing a selection of these classic designs, the Desk Clocks offer a refreshing alternative to conventional clocks. Equipped with high-quality quartz movements, the charm of these decorative timepieces is equalled by their precision.
Elephant Stool

vitra > Stool
As one of the most famous objects of Japanese post-war design, the Elephant Stool was created by the prolific product designer Sori Yanagi. The stackable plastic stool can be used both indoors and outside.
Suita Club Sofa

vitra > Sofa
The Suita Club Sofa was developed for use in offices, waiting areas and lobbies. The construction and workmanship are designed to withstand the demanding conditions of such public areas. The upholstery of the backrest ensures a high degree of comfort without the need for additional cushions.
Eames Plastic Armchair DAL

vitra > Chair
The seat shells of the Eames Plastic Chairs can be combined with a variety of different bases. The base for the DAL chair (Dining Height Armchair La Fonda Base) was developed by Charles and Ray Eames in 1961 for the legendary New York restaurant La Fonda del Sol, whose interior was designed by their friend Alexander Girard. With its central pedestal consisting of four parallel shafts that split at the bottom to form a four-star base, it is one of the most elegant and unconventional bases ever designed by the Eameses.
Zoo Timers - Fernando the Fish

vitra > Styling
The Zoo Timers (1965) by George Nelson – wall clocks in the form of colourfully hand-drawn characters from the animal kingdom – offer children a playful and enjoyable approach to telling the time.
Elliptical Table ETR

vitra > Coffee table
The expansive, elegant ETR sofa table by Charles and Ray Eames comes with tops in a choice of black or white and a wire base with a chrome-plated or black powder-coated finish. On account of its elliptical shape, it quickly acquired the nickname 'surfboard table'.
Allstar

vitra > Office Chair
The Allstar office chair by Konstantin Grcic imparts a relaxed home-like feel and sense of familiarity. Its rounded form exudes comfort and yields a calming influence on the fast-paced dynamic of today's offices. Allstar also satisfies all the necessary functions of a task chair, allowing it to be used wherever high functional performance is desired but a classic office chair would not be appropriate for aesthetic reasons – an especially ideal choice for modern workplace concepts.
Heart Cone Chair

vitra > Chair
The Heart Cone Chair takes its name from the expressive, heart-shaped silhouette of its seat shell. Designed by Verner Panton in the late 1950s, the chair combines a comfortably upholstered seat with an understated, elegant base made of satin stainless steel.
Joyn 2 Meet

vitra > Table
Joyn 2 Meet offers meeting tables ranging from 120 x 80 cm to 900 x 180 cm. The base can be configured in diverse shapes and sizes for sitting or standing-height tables – on either glides or castors. Furniture on castors promotes dynamic work methods in the office, while variants with glides enable electrification cables to be concealed in the table legs.
Nuage

vitra > Styling
The Nuage vases produce an attractive interplay of light and shadow with their undulating shape and anodised aluminium finish in various colours. Flowers and grasses can be arranged in each cluster of eight individual tubes, and thanks to their precise outer contours, the vases can also be fitted together to create entire 'cloud formations'.
Organic Chair

vitra > Chair
Charles Eames and Eero Saarinen created the Organic Chair in 1940 as part of their entry for 'Organic Design in Home Furnishings', a competition organised by the Museum of Modern Art in New York. The small reading chair offers superb comfort, thanks to its comfortably upholstered, biomorphically shaped seat shell, and is also available in a version with a higher backrest: Organic Highback.
Wall Clocks - Sunburst Clock

vitra > Styling
With his collection of Wall Clocks (1949-1960), George Nelson conceived a wide array of timepieces, many of which have since become icons of 1950s design.
Amoebe

vitra > Chair
With its curving shapes and vivid colours, the Amoebe chair (1970) by Verner Panton embodies the exuberant spirit of the early 1970s. It is also available with an overhanging backrest under the name Amoebe Highback.
HAL Lounge Ottoman

vitra > Pouf
The compact HAL Lounge Chair (2021) is Jasper Morrison's reinterpretation of the softly upholstered four-legged armchair with a high backrest.
ID Soft L

vitra > Chair
The high backrest of ID Soft L comes with padded upholstery for excellent comfort. Although the chair exudes elegant sophistication, its sleek lines and minimal design also lend it an understated character. ID Soft L can be harmoniously combined with other chairs and is a perfect addition to many different settings.
Toolbox

vitra > Styling
The Toolbox by Arik Levy is designed as a practical organisational utensil for storing accessories and small items. Thanks to its handy size, it can be easily stowed in a cabinet or on a shelf, and it takes up little room on a table. The Toolbox is available in a selection of different colours.
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vitra > Styling
During the 1940s, Jean Prouvé designed the Potence wall lamp for his own home in Nancy: a simple light bulb affixed to a long pivoting metal bar, which is supported by a steel wire. In 1947 Prouvé developed a cone-shaped lamp shade to match Potence in its different versions and sizes. Historical photos of Jean Prouvé’s house show that he experimented with different types of lamp shades, including designs by others.<br/><br/>Abat-Jour Conique is the first lampshade designed for Potence by Prouvé in 1947 and is intended for use with the Potence and Petite Potence lamps. It is simply fitted over the light bulb and can be removed again when needed.
Akari 24N

vitra > Styling
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Rayonnage Mural

vitra > Styling
Reminiscent of the rudder of an aircraft or ship, the streamlined shape of the two wall brackets of the Rayonnage Mural bookcase (1936) is a recurring element in Prouvé's creative oeuvre.
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vitra > Styling
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vitra > Chair
The characteristic flexing action of HAL Cantilever's base augments the comfort of this chair. The seat shell is made of recycled plastic and like many other HAL models, its comfort can be enhanced by padded upholstery or loose cushions from the Soft Seats range. HAL RE Cantilever is suited to a wide variety of settings and applications.
sila - 1109.12
vescom > Wallpaper
two-tone, non-directional fine linen structure with a subtle sheen
Stone Life Cotton

florim > Wall tile-stone-brick
<p>The Contemporary Design Stone Life collection encapsulates the essence of a simple lifestyle with an informal touch.</p> <p>There is a distinctively clean-cut and modern look to Florim’s new collection, whose <strong>warm, neutral colours</strong> are ideal for versatile, understated spaces free from superfluous features.</p> <p><br>The colours and textures encourage interplay between different elements inspired by nature and can play a part in countless interior design styles.</p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p>
Vetro 04 Tortora

florim > Floor tile-stone
Each tile is unique and extremely precious Vetro allows recognizable and attractive decorations to be created, expressing a timeless design. The Vetro collection is available in seven solid, warm, soft and enchanting colors, in two finishes - matt and lux - and in two sizes or in the metallic variation with varying reflections in a single size. VETRO can be applied as a floor and wall application on any surface in dry or damp areas using special sealants and adhesives.
Storie Castello

florim > Wall Paint
The faded wall fresco, damp stains in plaster. «Technological innovation enables us to reproduce on large-sized ceramic materials all the effects of wear and stratification that normally only time is able to create.» Giorgia Zanellato & Daniele Bortotto Children stare at the walls of a farmhouse, wondering what the cracks are, and whether every mark is a path and every path is a story. They think that miniature beings live in the air pockets that have formed, and the detaching plaster is like an avalanche cascading from a glacier. They don't ask why the colours are as they are, because they just had to be like that. And every square centimetre becomes the first page of an adventure that restarts at every break in the pattern. Could this be why we say that both textures and plots have twists, and stories are woven? As even children know, walls are tales. Not only do they contain adventures, emotions, moments, loves and hates and record them on their surfaces; their uneven, active surfaces generate new imaginary worlds, in which one can literally get lost. The "Storie" collection by Giorgia Zanellato and Daniele Bortotto brings this metaphor to three-dimensional life by expressing the moods, loves and hates and moments that the walls and floors of old Italian homes conserve, and capturing them in a frozen instant. The theme of time and the changes wrought in matter by the passing seasons, weather and human action have always been a strong source of inspiration for architects: some have tried to freeze it, while others have used sleight of hand to embrace it while resisting its effects, and yet others have accelerated, anticipated, directed and re-created it.<br /> Zanellato and Bortotto do all these things at once, engaging in a duel with History with a capital H, in which it is never clear who is winning: design or object, man or nature, culture or time. And it is probably this unresolved tension which makes the "Storie" designs so universal and meaningful, so intimate and yet familiar. The floor is the only thing we can be certain that everyone entering our home will touch, and at the same time it is the most intimate part, the most steeped in private happenings. They talk about having your "feet firmly on the ground". This image stands for common sense, but also a recognition of how things are, how things work. The wall is a synecdoche, too: it is the part of the home that expresses an idea of solidity, the layering of time, the passage of lives. "Storie" gives form to this metaphor by drawing a line that links the most classical of taste to a sophisticated modernity of taste and style. The two designers did a great deal of background work for this project: old Italian homes, country villas, noble palazzos, farmhouses and old factors, which become an unlimited source of motifs, colours, textures and materials. But, perhaps unconsciously, literature also re-emerges from this survey of locations, with its blend of aestheticism and decadence, with echoes of Wilde and D'Annunzio, Ruskin and Huysmans. "Storie" would be the ideal backdrop for Des Esseintes, the dandy in "A Rebours". And in fact the collection clearly has strong theatrical connections, arising partly from its storytelling connotations but also from its scene-setting potential.<br /> It represents life, which we are, have been and wish to continue to be. And it is thrilling to realise that this vision comes from the youngest designers in CEDIT's new era, who have successfully taken a confident, cultured, astute, sidelong approach to the most ancient of topics, with a persuasive effect which appears, at least, to be not at all intimidated by the many stories, the type of product they are dealing with, the catalogue in which they are included, the designers who have gone before them or, naturally, the adventures that lie concealed in the historic dwellings they reproduce. The reference to Italy, on the other hand, is in perfect harmony with the work of the brand and its past and present designers: it is intrinsic to the perfection of the production process that underlies the collection, the relationship with the brand's tradition and its local roots, and the intelligent, strategic use of its innovations in the treatment of this complex material.Child's play? Yes, but with the integrity and ability to enchant unique to specific designs, capable of an immediacy of vision and feeling that makes them little novels written in cement.
Rilievi Nebbia

florim > Wall Paint
The alternation and symbiosis between concave and convex, recessed and raised. <p>Rilievi is a work of design balanced between different historic periods: while the volumetric relief tile modules are inspired by artistic experiments conducted in Italy during the Sixties and Seventies, the large slabs are the outcome of research into materials and technology that has only come to fruition in very recent times. The shadow effects generated on the surfaces of the slabs by the light striking the projecting parts of the modules create an unusual impression of architectural depth found virtually nowhere else in ceramic coverings, laying the bases for a new decoration interior design language.</p> This project simply embodies perfection - a term which certainly sets the bar high in a description of a new product for launch on the market. But when an enlightened manufacturer is capable of encapsulating a designer's personal research in a product to be added to its range, the outcome is a perfect synthesis. A perfect synthesis between untrammelled creativity and market trends. CEDIT had the insight needed to perceive, identify and rework the immense potential of Practice Practice Practice "“ a self-produced project by Zaven (Enrica Cavarzan and Marco Zavagno "“ and realised that its sophisticated design, originated by pure, pristine input (unadulterated by external factors except the noblest of them all, research) could provide the basis for an innovative, successful collection. I might add, a collection unique of its kind. Zaven is also a name that comes with guarantees; the two partners are good at what they do. Their work always starts from personal curiosity and investigations, the study of other stories (as in this case inspiration was drawn from the output of artist and activist Nino Caruso) and individual interests, which are broken down, developed, optimised and prepared for transformation into something fresh.Enrica Cavarzan and Marco Zavagno have a masterly ability to transform their own wishes and passions into design work of the greatest breadth and, as we see here, the widest, richest application. Their use of ceramics as a material is clearly outstanding and reflects a method precisely founded on the desire to look at things from an unusual viewpoint, under a different light. And to be daring. Zaven have an unconventional approach to convention. In the specific case of the Rilievi collection, the "modules" created for CEDIT seem to explode off the walls; in fact, they are constructed by combining the two-dimensional slab with its three-dimensional decor.Rilievi seems to be seeking space. More space. Even though these modules have actually established a dialogue with the wall from which they are born. At the same time, they hypnotise us with their tight sequence of lines, the pattern that is always different although its root is the same, and the intriguing, unusual colours that add another vital factor to the finished product. Their firm grounding in graphic design (and here we have come back to two-dimensional effects, of the kind most often associated with a wall covering) easily evolves into a facade which seems to have been carved with a chisel - although this is not the case. These modules are conceived to convey an impression of movement, and the three models, in seven colour combinations, create a powerful effect on a surface, which is never passive but rather an organic contributor to the forms and colours involved in the fascinating combinations. The slab is very much present and has the same worth and status as the relief pattern associated to it. In the light of this dichotomy between the linear and the sculpted, expressed through the skilfully balanced visual expedients, the use of repetition adds vigour to the module's intrinsic meaning. As we have seen, a rejection of facile, superficial creative dynamics in favour of an investigation reaching above and beyond has always been a central, clearly recognisable feature of this Venice-based duo, who already have impressive international partnerships to their credit, including the London Design Festival, the Kalmar Konstmuseum, the Paris Designer Days, Ca' Foscari University, the Venice Biennale, the Sandretto Re Rebaudengo Foundation, the Sindika Dokolo Foundation and the V-A-C Foundation, and also won the 2018 Wallpaper Design Award. Graphics, advertising and product design: the pair have always opted for a type of design closely linked to the observation of everyday items, followed by their reinterpretation in a version applied to experimentation with materials. This duality, combined with their energetic yet elegant visual language, forms Enrica and Marco's primary code, experienced in this specific context through serial carvings. On walls.
Rilievi Terra

florim > Wall Paint
The alternation and symbiosis between concave and convex, recessed and raised. <p>Rilievi is a work of design balanced between different historic periods: while the volumetric relief tile modules are inspired by artistic experiments conducted in Italy during the Sixties and Seventies, the large slabs are the outcome of research into materials and technology that has only come to fruition in very recent times. The shadow effects generated on the surfaces of the slabs by the light striking the projecting parts of the modules create an unusual impression of architectural depth found virtually nowhere else in ceramic coverings, laying the bases for a new decoration interior design language.</p> This project simply embodies perfection - a term which certainly sets the bar high in a description of a new product for launch on the market. But when an enlightened manufacturer is capable of encapsulating a designer's personal research in a product to be added to its range, the outcome is a perfect synthesis. A perfect synthesis between untrammelled creativity and market trends. CEDIT had the insight needed to perceive, identify and rework the immense potential of Practice Practice Practice "“ a self-produced project by Zaven (Enrica Cavarzan and Marco Zavagno "“ and realised that its sophisticated design, originated by pure, pristine input (unadulterated by external factors except the noblest of them all, research) could provide the basis for an innovative, successful collection. I might add, a collection unique of its kind. Zaven is also a name that comes with guarantees; the two partners are good at what they do. Their work always starts from personal curiosity and investigations, the study of other stories (as in this case inspiration was drawn from the output of artist and activist Nino Caruso) and individual interests, which are broken down, developed, optimised and prepared for transformation into something fresh.Enrica Cavarzan and Marco Zavagno have a masterly ability to transform their own wishes and passions into design work of the greatest breadth and, as we see here, the widest, richest application. Their use of ceramics as a material is clearly outstanding and reflects a method precisely founded on the desire to look at things from an unusual viewpoint, under a different light. And to be daring. Zaven have an unconventional approach to convention. In the specific case of the Rilievi collection, the "modules" created for CEDIT seem to explode off the walls; in fact, they are constructed by combining the two-dimensional slab with its three-dimensional decor.Rilievi seems to be seeking space. More space. Even though these modules have actually established a dialogue with the wall from which they are born. At the same time, they hypnotise us with their tight sequence of lines, the pattern that is always different although its root is the same, and the intriguing, unusual colours that add another vital factor to the finished product. Their firm grounding in graphic design (and here we have come back to two-dimensional effects, of the kind most often associated with a wall covering) easily evolves into a facade which seems to have been carved with a chisel - although this is not the case. These modules are conceived to convey an impression of movement, and the three models, in seven colour combinations, create a powerful effect on a surface, which is never passive but rather an organic contributor to the forms and colours involved in the fascinating combinations. The slab is very much present and has the same worth and status as the relief pattern associated to it. In the light of this dichotomy between the linear and the sculpted, expressed through the skilfully balanced visual expedients, the use of repetition adds vigour to the module's intrinsic meaning. As we have seen, a rejection of facile, superficial creative dynamics in favour of an investigation reaching above and beyond has always been a central, clearly recognisable feature of this Venice-based duo, who already have impressive international partnerships to their credit, including the London Design Festival, the Kalmar Konstmuseum, the Paris Designer Days, Ca' Foscari University, the Venice Biennale, the Sandretto Re Rebaudengo Foundation, the Sindika Dokolo Foundation and the V-A-C Foundation, and also won the 2018 Wallpaper Design Award. Graphics, advertising and product design: the pair have always opted for a type of design closely linked to the observation of everyday items, followed by their reinterpretation in a version applied to experimentation with materials. This duality, combined with their energetic yet elegant visual language, forms Enrica and Marco's primary code, experienced in this specific context through serial carvings. On walls.
Rilievi Cielo

florim > Wall Paint
The alternation and symbiosis between concave and convex, recessed and raised. <p>Rilievi is a work of design balanced between different historic periods: while the volumetric relief tile modules are inspired by artistic experiments conducted in Italy during the Sixties and Seventies, the large slabs are the outcome of research into materials and technology that has only come to fruition in very recent times. The shadow effects generated on the surfaces of the slabs by the light striking the projecting parts of the modules create an unusual impression of architectural depth found virtually nowhere else in ceramic coverings, laying the bases for a new decoration interior design language.</p> This project simply embodies perfection - a term which certainly sets the bar high in a description of a new product for launch on the market. But when an enlightened manufacturer is capable of encapsulating a designer's personal research in a product to be added to its range, the outcome is a perfect synthesis. A perfect synthesis between untrammelled creativity and market trends. CEDIT had the insight needed to perceive, identify and rework the immense potential of Practice Practice Practice "“ a self-produced project by Zaven (Enrica Cavarzan and Marco Zavagno "“ and realised that its sophisticated design, originated by pure, pristine input (unadulterated by external factors except the noblest of them all, research) could provide the basis for an innovative, successful collection. I might add, a collection unique of its kind. Zaven is also a name that comes with guarantees; the two partners are good at what they do. Their work always starts from personal curiosity and investigations, the study of other stories (as in this case inspiration was drawn from the output of artist and activist Nino Caruso) and individual interests, which are broken down, developed, optimised and prepared for transformation into something fresh.Enrica Cavarzan and Marco Zavagno have a masterly ability to transform their own wishes and passions into design work of the greatest breadth and, as we see here, the widest, richest application. Their use of ceramics as a material is clearly outstanding and reflects a method precisely founded on the desire to look at things from an unusual viewpoint, under a different light. And to be daring. Zaven have an unconventional approach to convention. In the specific case of the Rilievi collection, the "modules" created for CEDIT seem to explode off the walls; in fact, they are constructed by combining the two-dimensional slab with its three-dimensional decor.Rilievi seems to be seeking space. More space. Even though these modules have actually established a dialogue with the wall from which they are born. At the same time, they hypnotise us with their tight sequence of lines, the pattern that is always different although its root is the same, and the intriguing, unusual colours that add another vital factor to the finished product. Their firm grounding in graphic design (and here we have come back to two-dimensional effects, of the kind most often associated with a wall covering) easily evolves into a facade which seems to have been carved with a chisel - although this is not the case. These modules are conceived to convey an impression of movement, and the three models, in seven colour combinations, create a powerful effect on a surface, which is never passive but rather an organic contributor to the forms and colours involved in the fascinating combinations. The slab is very much present and has the same worth and status as the relief pattern associated to it. In the light of this dichotomy between the linear and the sculpted, expressed through the skilfully balanced visual expedients, the use of repetition adds vigour to the module's intrinsic meaning. As we have seen, a rejection of facile, superficial creative dynamics in favour of an investigation reaching above and beyond has always been a central, clearly recognisable feature of this Venice-based duo, who already have impressive international partnerships to their credit, including the London Design Festival, the Kalmar Konstmuseum, the Paris Designer Days, Ca' Foscari University, the Venice Biennale, the Sandretto Re Rebaudengo Foundation, the Sindika Dokolo Foundation and the V-A-C Foundation, and also won the 2018 Wallpaper Design Award. Graphics, advertising and product design: the pair have always opted for a type of design closely linked to the observation of everyday items, followed by their reinterpretation in a version applied to experimentation with materials. This duality, combined with their energetic yet elegant visual language, forms Enrica and Marco's primary code, experienced in this specific context through serial carvings. On walls.
Araldica Base Blu

florim > Wall Paint
The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete.<br /><br />«The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.»<br />Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these.<br /> He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him.<br /> This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen.<br /> A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.
Araldica Base Grigio

florim > Wall Paint
The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete.<br /><br />«The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.»<br />Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these.<br /> He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him.<br /> This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen.<br /> A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.
Neutra 6.0 07 petrolio

florim > Wall Paint
After a decade of success, the Neutra collection becomes a container of colors and increasingly advanced materials and transforms into Neutra 6.0. The surfaces thereby create scenery for pure sensory pleasure, where nothing is left to chance, but everything is always skillfully calibrated to the search for a new bon ton where the body and mind can be rejuvenated. The perfect integration between man and the space in which he lives is expressed through a simple architecture where you can spread your artistic sign on the surfaces, in the colors and in the furnishing for an unrepeatable result from which your own creative identity emerges.
Neutra 6.0 08 avio

florim > Wall Paint
After a decade of success, the Neutra collection becomes a container of colors and increasingly advanced materials and transforms into Neutra 6.0. The surfaces thereby create scenery for pure sensory pleasure, where nothing is left to chance, but everything is always skillfully calibrated to the search for a new bon ton where the body and mind can be rejuvenated. The perfect integration between man and the space in which he lives is expressed through a simple architecture where you can spread your artistic sign on the surfaces, in the colors and in the furnishing for an unrepeatable result from which your own creative identity emerges.
Rainforest Pendant

castrolighting > Ceiling lamp
The Rainforest Collection arose from the timeless lighting celebration of nature silhouettes, its elements, and movements. Immerse yourself into the magnificent atmosphere of the sparkling rainforest where the art of brass craftsmanship becomes luxury lighting design. The ultimate fusion between the artistic design, authenticity of traditional Portuguese metal-work techniques, and creative craftsmanship. The Rainforest elegant pendant is unparalleled in the refinement and grace it represents. The gold-plated brass coupled with clear crystal glass - applied by hand - brings a delicate charisma that resembles nature in full bloom. A broad-leaved masterpiece of modern lighting design along with falling raindrops and butterflies takes you to remote spaces and the open sky. A dreamy lighting fixture creates an exceptional ambiance to the classy interiors. A luxury custom-designed collection was made to be featured in the most sophisticated projects organically. The sizes and distribution of the elements can be naturally customizable. This handmade suspension lamp is perfect for spacious living rooms, dining rooms, or hallways with high ceilings, fitting in a vast variety of decors. The exquisite light dispersion of this gracious lamp will make it the central piece for all luxury houses and help achieve the desired timeless chic. This beautiful suspension lamp is the right choice for a mid-century modern, modern classic, or art deco interior style.
Elven Pendant

castrolighting > Ceiling lamp
The mystical and charming collection arose from the enthusiasm and passion for the mythical world the Nordic Mythology. Elven Collection takes you on an exceptional and magical journey through the fantasy world. Elven Pendant resembles a beautifully balanced curve that twists like a shell, as its gold-plated brass tube is bent and hammered by the hands of experienced craftsmen. Designed to be a breathtaking and glitzy highlight to an interior design project, it combines modern simplicity with an elegant and luxurious twist. This golden pendant gives a stunning gleam to the interior space, as its warm light is spread in a gentle, delicate way. This piece is ideal for a bedroom, a living room, and hallways, framing a painting. In a commercial space, like a restaurant or bar, it can create a more romantic and inviting atmosphere. Explore new lighting design solutions and celebrate opportunities for filling a space in a spectacular way. VIEW FULL FAMILY
Labics Pendant

castrolighting > Ceiling lamp
Encouraged by the powerful Labics Structures that are well-known as an installation consisting of 50 architectural models realized by the studio Labics between 2014 and 2015. This Collection takes inspiration from the abstracted architectural installations of models, which were constructed from an abstract matrix. The Labics Collection allows to express yourself through the lighting aesthetics and decorate boldly. Dynamic lines create an organic movement of subtle brass tubes as straight as arrows, completing the handmade suspension with glass. Assembled over several brass tubes, they have a daring angularity that’s tempered by their masculine matt finish coupled with glass. As the encouragement came from the architecture of buildings, the iconic collection recreated graphic pattern’s ideas on the chandelier. The Collection's highlight? For the determined and adventurous customers, as it gives an impression of brave, strong and unique motives of geometrical silhouettes in the space. These futuristic lighting fixtures symbolically portray the development of modern design and city architecture. The outstanding lighting design can be applied to any interior from modern classic style to contemporary, or mid-century modern. Feel the dynamism of this suspension as the simple geometry of the brass elements complements the refinement of the interior and permits to explore a new kind of energy and charisma. VIEW FULL FAMILY
Cielo Wall Light

castrolighting > Wall lamp
Reveal the power of nature's majesty by inviting it inside your home with the Cielo Collection which has been inspired by nature's magnificence and its wonders - the fusion of pure elements. The Cielo Collection visualizes the concept of natural forces and their mysterious power. The fusion of pure elements – fire, ocean waves, sky, and stones – is the greatest source of inspiration. Fire creates delicacy, wave shapes stones, the sky elevates magic, and stone brings textures. Therefore, nature shapes lighting design. The Cielo Collection is a dynamic way of conceiving the world and the joy of discovery and wonder. The luxury oasis is waiting, imagine the calcite forms decorations that hang from the ceiling – stalactites with multi-coloured lighting that splits through rocks to glow in the dark. This time, Castro Lighting carries its manufacturing traditions transforming them into contemporary interior aesthetics – a minimal yet artistic expression of the modern lighting design within natural wonders. Brass finishes, textures, and glass curves – the customization options are limitless. The Cielo Wall Light proudly bears the name which in Italian is related to sky or heaven. This handmade lighting fixture is made of gold-plated brass, the strong lines create an organic movement of subtle brass tubes complementing the luxury chandelier with clear glass. If you look closely enough, the extended tubes remind dangling stalactite and stalagmite shapes. Hammered by the hands of experienced craftsmen, it is capable of transforming the living space into grand adventurous scenery. This finest lighting design is a beautiful addition to enhance modern living rooms, contemporary hallways, and luxurious hotel corridors. The Cielo handcrafted gold pendant is the perfect choice for the interiors with modern classic style, and contemporary vibes, as well as the art-deco touch. Feel the powerful energy of this pendant which brass elements complement the refinement of the interior and permitted to reveal a new meaning of beauty. Simplicity, smooth texture, and clean glass lines help define this contemporary lighting design as the signature collection fitting to the most exquisite decors.
Fromme Fromme Square Table - Grey blue Tom Chung

petitefriture > Table
The FROMME collection was created by Tom Chung, a Canadian designer with a passion for cycling, and is characterised by its sleek and streamlined lines inspired by racing bikes.This aluminum table is suitable for both indoor and outdoor use. The water and UV-resistant, grained, matt powder coating ensures optimum durability.Its modern design and durability will make it the centrepiece of your social gatherings. It can be complemented with chairs and stools from the same collection. For indoor use, you can combine it with the FROMME wooden or upholstered chairs.
Donut Mug L - Blue

petitefriture > Styling
The Donut collection draws its inspiration from the world of baking. Designer Pia Chevalier arouses our senses with this collection of appetising cups and mugs. The pieces’ oversized handle imitates the shape of a doughnut and the enamelling echoes the flavour of the glazing. Made in Portugal, the large Donut mug is 12cm high – the biggest and boldest piece of the collection. It is available in Vanilla and Pistachio only, and can be used both to enjoy a drink or as an object of decoration. Read more
Fromme Fromme Coffee Table - Dune Tom Chung

petitefriture > Table
The FROMME collection was created by Tom Chung, a Canadian designer with a passion for cycling, and is characterised by its sleek and streamlined lines inspired by racing bikes.This aluminum coffee table is suitable for both indoor and outdoor use. The water and UV-resistant, grained, matt powder coating ensures optimum durability.Its modern design and durability will make it the centrepiece of your social gatherings. It can be complemented with chairs and stools from the same collection. For indoor use, you can combine it with the FROMME wooden or upholstered chairs.
UPTOWN - LED stained glass floor lamp _ Foscarini

foscarini > Floor lamp
The Uptown floor lamp is a striking piece of lighting design, crafted from painted glass, stainless steel, and PMMA, blending modern aesthetics with functional elegance. It features an integrated LED light source (17.7W, 2700K, 2498 lm, CRI>80) with a built-in dimmer, offering both energy efficiency (DA) and a warm, inviting glow. When illuminated, the lamp transforms into a captivating sculpture, with light projected upwards through its three sheet-glass shapes, creating a dramatic visual impact that enhances any space. A 3D file of the Uptown lamp is available for download, allowing for detailed visualization and planning. Designed by Foscarini, a renowned Italian lighting company founded in 1981 on the island of Murano, the brand is celebrated for its innovative, artistic, and high-quality lighting solutions that merge contemporary design with avant-garde craftsmanship.
CIRCUS - Blown glass wall light _ Foscarini

foscarini > Wall lamp
The Circus wall light, crafted by Foscarini, is an elegant blend of blown glass and nickel-plated or coated metal, offering a soft, glare-free illumination that adds a timeless decorative touch to any space. Available in two sizes, the Circus big accommodates a 220/240V LED retrofit with a maximum of 4x60W E27 bulbs, while the Circus small supports a 220/240V LED retrofit with up to 4x40W E14 bulbs, both non-dimmable and rated IP 20 (bulbs not included). The design features a central metal button that adds a charming focal point, creating a balanced and artistic aesthetic. A 3D file of the product is available for download, allowing for detailed visualization and planning. Foscarini, an Italian lighting design company founded in 1981 on the island of Murano, is renowned for its innovative, high-quality, and avant-garde lighting solutions, collaborating with international designers to create sculptural and contemporary pieces that elevate residential and commercial spaces worldwide.
EVERYWHERE - Folding office desk with casters _ Herman Miller

Herman Miller > Desk
Transform social spaces with Everywhere Tables, a versatile collection designed to foster conversation and relaxation, featuring single-column bases available in coffee, café, and standing heights to suit diverse settings. Ideal for cafes, dining areas, or impromptu gatherings, these tables combine elegance and functionality, offering a variety of sizes, shapes, heights, and finishes, including power options, to create a sense of calm and order in any environment. Customize your table with premium veneer tops and polished bases for a sophisticated look, or opt for warm, textured laminates paired with painted bases for a modern aesthetic. Everywhere Tables are designed to adapt to any style, ensuring seamless integration into your space. Additionally, a downloadable 3D file of the product is available for planning and visualization. Manufactured by Herman Miller, a globally recognized leader in innovative and high-quality furniture design since 1905, Everywhere Tables reflect the brand’s commitment to timeless, functional, and aesthetically pleasing solutions for both residential and commercial spaces.
KEYN - Stackable chair with armrests _ Herman Miller

Herman Miller > Chair
The Keyn chair is a versatile and ergonomic seating solution designed to adapt to various environments and user needs, offering a range of customizable options such as bases, shell finishes, arm selections, and upholstery materials. Available with either a four-leg or five-star base, the chair provides flexibility for stacking, swiveling, or mobility, making it ideal for meeting spaces, collaborative work areas, or desk use. Its innovative one-piece seat-and-back shell mechanism allows for smooth sliding and up to 10 degrees of recline, promoting natural movement and comfort, which enhances focus and productivity. The chair’s perforated shell design not only adds a lightweight, textural aesthetic but also ensures back aeration, while its global availability ensures consistency across multiple locations. A 3D file of the Keyn chair is available for download, allowing for detailed visualization and integration into design plans. Manufactured by Herman Miller, a globally recognized leader in interior design since 1905, the Keyn chair reflects the company’s commitment to innovative, functional, and timeless furniture solutions that cater to both residential and commercial spaces worldwide.
FONTANA - Blown glass lampshade _ FontanaArte

fontanaarte > Accessories
This elegant diffuser is crafted from satin-finish blown glass, available in three sizes: Small (Ø20), Medium (Ø32), and Large (Ø47), each designed to seamlessly pair with specific models of the "Fontana 1853" table lamp series, including codes F185300100BINE, F185305100BINE, and F185310100BINE, among others. The diffuser comes in a timeless white color, adding a touch of sophistication to any space. For added convenience, a downloadable 3D file of the product is available for design and planning purposes. Manufactured by FontanaArte, a renowned Italian design company founded in 1932 by Luigi Fontana and Gio Ponti, this product reflects the brand's legacy of combining innovative design, premium materials, and timeless elegance. FontanaArte, headquartered in Milan, is celebrated for its lighting and furnishing solutions that blend traditional craftsmanship with contemporary aesthetics, catering to a global audience of design enthusiasts and professionals.
LUCE SOLIDA - Metal pendant lamp _ DE CASTELLI

DE CASTELLI > Ceiling lamp
The Luce Solida lamp, crafted by DE CASTELLI, is a striking blend of iron and brass that forms a sunburst design, elegantly outlining and expanding light while exploring new formal boundaries. This lightweight lamp features a unique ‘shade’ constructed from small metal rods arranged side by side, creating a delicate interplay of positive and negative spaces that dematerialize its structure. Rigorous in its graphic precision and innovative in its use of elemental materials, Luce Solida directly illuminates spaces, enhancing luminosity through its airy diffuser. The lamp operates at 230V 50/60 Hz, with a maximum power of 6W GU10 LED at 3000K, and is made from E5 DeLabré iron and BF2 DeLabré brass. A 3D file of the product is available for download, allowing for detailed visualization and integration into design projects. DE CASTELLI, an esteemed Italian interior design supplier founded in 2003, is renowned for its handcrafted metal furnishings and architectural elements, blending traditional craftsmanship with contemporary aesthetics to create timeless, luxurious pieces for residential, hospitality, and commercial spaces.
A-MODULO - Metal planter _ DE CASTELLI

DE CASTELLI > Accessories
The A-Modulo planter boxes exemplify the art of simplicity through meticulously crafted designs that seamlessly integrate with natural surroundings, enhancing gardens, parks, and terraces with their modular, easy-to-arrange structure. These outdoor planters, featuring an inner Enkadrain coating, are available in a variety of premium materials such as Corten, stainless steel, and aluminum, offering both durability and aesthetic versatility. A 3D file of the product is available for download, allowing for precise planning and visualization. Manufactured by DE CASTELLI, a renowned Italian design house established in 2003, the company is celebrated for its handcrafted metal furnishings and architectural elements that blend traditional craftsmanship with modern innovation, catering to residential, hospitality, and commercial spaces worldwide.
KOINÈ - Aluminium floor lamp _ LUCEPLAN

luceplan > Floor lamp
Here’s the rephrased and expanded product description, including a concise supplier mention and a note about the 3D file: --- **Koinè Floor/Suspension Lamp by Mandalaki** Expanding the iconic Koinè collection, Mandalaki introduces a versatile lighting solution that blends the elegance of a suspension lamp with the practicality of a floor lamp. Designed with the same minimalist ethos and innovative technology as the original series, this model features a sleek carbon fiber stem, a cylindrical steel counterweight, and an integrated dimmer pedal for adjustable illumination. The lamp’s unique design suspends the shade from the ceiling via a thin cable while anchoring it to the floor, creating a floating effect. Equipped with a glare-free glass lens, it delivers uniform, precise lighting, adaptable to any space thanks to customizable height and angle adjustments. Finished in matte black (55 cm diameter), it suits contemporary interiors seamlessly. A downloadable 3D file is available for design planning. *Supplied by Luceplan, a Milan-based leader in high-end lighting since 1978, renowned for merging cutting-edge technology with sustainable design.* --- This version keeps the product details engaging and concise while adding the requested supplier note and 3D file mention. Let me know if you'd like further refinements!
FLÄPPS CROWNHÄNG 60x20-1 - WHITE - Plywood coat rack _ ambivalenz

ambivalenz > Furniture accessories
Forest By Lori Weitzner Bianco Carrara Marble Decorative Tile

artistictile > Floor tile-stone
The first in our collaboration with award-winning textile designer Lori Weitzner, Forest expresses Lori's affinity for texture, etching a distinctly organic tree bark-like pattern into marble via three individual techniques. The pattern's surface treatment interacts with the natural movement in the stone beneath to make Each piece a unique composition. Stocked as a 12 x 24 field tile.
Opal Swivel

papatya > Chair
Polycarbonate shell in mat colours offers a new way of looking and feeling. It’s a pleasant range where you can relax in perfect harmony. Anti UV stabilized.
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Oslo Lounge Chair Swivel Base
muuto > Chair
Marrying its compact design with comfort and elegance, the Oslo Lounge Chair offers an inviting and dynamic seat with a classic yet distinctly modern expression. A low and deep shell is elevated by an embracing back that envelopes and supports. The combination of sculptural qualities and a distinctly functional design makes it an ideal piece for the contemporary home and public spaces alike. The Swivel base adds a classic and dynamic feel to the chair as it facilitates flexibility and movement while seated.
Fiber Conference Armchair Swivel Base
muuto > Chair
A sculptural yet distinctly ergonomic seat makes the Fiber Conference Armchair ideal anywhere we spend an extended time seated. Its interior shell is made using 100% recycled plastic, while its spacious seat and embracing curves are fully upholstered with a soft fixed cushion, providing maximum comfort in public spaces and the home alike.
Cover Armchair
muuto > Chair
Referencing the values of honest craftsmanship and Scandinavian materiality, the Cover Armchair is an elegant perspective on the timeless wooden armchair. With its curved backrest and folded armrest covers, the Cover Armchair explores the possibilities of wooden veneer, paired with a deep comfort, modern expression and base in solid wood. Echoing the seamless appearance of the chair, it features no visible screws for a simple touch. Use the Cover Armchair in the living room, hallway or bedroom of the home as well as in restaurants, canteens, educational institutions, workplaces and more. The Cover Series without upholstery is EU Ecolabel Certified. By carrying the EU Ecolabel Certification, the product is guaranteed to have a reduced environmental impact throughout the total lifecycle of the product from raw material to disposal.
Loft Chair
muuto > Chair
Loft Chair exemplifies honest, simple design thanks to an expression inspired by industrial design. The design features contrasting materials with its frame in powder coated steel that is offset by the soft plywood on seat and back, molded to embrace the user's body.
Fiber Armchair Tube Base
muuto > Chair
The Fiber Chair brings a new perspective to the iconic shell chair through its innovative composite of 100% recycled plastic and wood fibers. The wood fibers blend into the surface for a matte finish, adding a soft, inviting touch. The Fiber Chair is designed with friendly, embracing curves that provide extensive comfort to its user while taking up little space in the room.
Workshop Chair
muuto > Chair
The Workshop Chair brings a playful approach to the wooden chair. The design creates a new perspective on archetypical Scandinavian design through its thin back shell and slightly curved seat that gives the chair its distinct look.
Fiber Armchair Sled Base
muuto > Chair
The Fiber Chair brings a new perspective to the iconic shell chair through its innovative composite of 100% recycled plastic and wood fibers. The wood fibers blend into the surface for a matte finish, adding a soft, inviting touch. The Fiber Chair is designed with friendly, embracing curves that provide extensive comfort to its user while taking up little space in the room.
Fiber Side Chair Sled Base
muuto > Chair
The Fiber Chair brings a new perspective to the iconic shell chair through its innovative composite of 100% recycled plastic and wood fibers. The wood fibers blend into the surface for a matte finish, adding a soft, inviting touch. The Fiber Chair is designed with friendly, embracing curves that provide extensive comfort to its user while taking up little space in the room.
Linear Steel Armchair
muuto > Chair
The Linear Steel Armchair is designed with clean, elegant lines and subtle details for a modern expression. Uniting invitingly organic shapes with extensive comfort and long-lasting qualities, the Linear Steel Armchair is an outdoor chair without any compromises. It is defined by its contrasts; the clean lines of its seat and front legs in combination with the ergonomic, smoothly curved backrest for an enveloping comfort. The Linear Steel Armchair is rationally designed in the way in which its seat is part of the apron, making for less material use in the production phase while making for a strong, durable design. Linear Steel Armchair stacks up to 5 chairs on the floor.
Gyon

leolux > Chair
Designer Christian Werner has stripped the dining chair back to the basics. The result is Gyon, a design built entirely on basic shapes. Werner has created a stunningly elegant chair that doesn't compromise on comfort.
Tamarinde

leolux > Chair
Tamarinde is a slender dining chair with invitingly open arms and an adjustable back, so you can easily relax after dessert. With Tamarinde, a good conversation can go on for hours after an amazing meal.
Be bop

kartell > Chair
A chair that combines several expressions in a single vocabulary, tracing the lines of the most traditional carved African stools and merging them with the American design of the golden years, echoing the concept of curved multilayer plywood.
Ero|s|

kartell > Chair
Ero|S| is a swivel armchair with an organic egg shape, a refined combination of finishes and an adept use of colour. Ero|S| is ideal for the home, in dining or living rooms, but it also fits nicely into offices as a representative chair in the meeting room or in waiting areas. Two versions are available: the chair can rest on a glossy aluminium rotating base with central support or on a lightweight four-legged chrome structure.
Comback (2 chairs)

kartell > Chair
Comback is a chair featuring a backrest consisting of seven "teeth" which spread out towards the lumbar region where they meet a reinforced hexagonal rim with slim shafts radiating down to join the seat. A goodly size, this single mould chair embodies functionality and well-freighted ergonomics with sentiment and memories. The Comback comes in several modernised versions – the “swivel” model with four spokes and a central swivel shaft and the “sled” with two slim tubular sides.
UPON - Stackable wood veneer chair _ Zilio A&C

Zilio A&C > Chair
Upon Chair by Zilio A&C – A Minimalist and Ingenious Stacking Chair for Versatile Spaces A Pure, Expressive Design with a Hidden Innovation Designed by Sylvain Willenz for Zilio A&C, the Upon Chair is a study in understated elegance and intelligent engineering. What makes Upon truly unique is its seamless backrest connection—as if by magic, the form-pressed veneer backrest sits on the contrasting metal frame with no visible fixings, thanks to a hidden internal joint. This precision-engineered detail not only enhances the chair’s aesthetic purity but also ensures it is lightweight, strong, and stackable, making it ideal for both commercial and residential interiors. Versatile for Home, Hospitality & Office Settings With its clean lines, refined proportions, and practical stackability, Upon adapts effortlessly to a variety of spaces: Cafés & Restaurants – A stylish, durable chair that allows for easy stacking and storage. Workspaces & Offices – A minimal yet comfortable seating solution for meeting rooms and collaborative spaces. Modern Dining Rooms – A sculptural, contemporary chair that complements Scandinavian and Japandi aesthetics. Hotel & Hospitality Projects – Perfect for lobbies, conference areas, and guest spaces. The upcoming armchair version and optional upholstered seat further expand Upon’s possibilities, allowing designers to customize it for enhanced comfort and style. Materiality: A Balance of Strength & Lightness Upon is designed with a mix of materials that emphasize both functionality and refined aesthetics: Form-Pressed Veneer Backrest – Tapers to just 6mm at the edges, offering a light, floating appearance while maintaining strength. Contrasting Metal Frame – Ensures structural durability while keeping the chair light and visually effortless. Optional Upholstered Seat – Adds extra comfort, making it suitable for longer seating durations in work and hospitality environments. Dimensions & Stackability Upon’s compact yet ergonomic proportions make it a functional choice for both small and large spaces: Width: 500 mm Depth: 505 mm Height: 785 mm Its stackable design allows for efficient storage, making it an excellent solution for flexible and adaptable environments. Why Choose the Upon Chair? ✔ Innovative design – Hidden joint creates a seamless, floating backrest effect. ✔ Lightweight & stackable – Ideal for contract and hospitality use. ✔ Minimal yet strong – A refined balance of form, function, and durability. ✔ Versatile for multiple settings – From homes and cafés to offices and hotels. ✔ Optional upholstery & armchair version – Customizable for enhanced comfort. A Contemporary Seating Solution for Modern Interiors With its elegant simplicity, functional stackability, and precise craftsmanship, Upon by Zilio A&C is a timeless seating solution that brings sophistication to any setting. Whether used as a stylish dining chair, a practical workspace seat, or a sleek hospitality solution, Upon merges technical innovation with design purity. 📥 2D & 3D files available for download for seamless integration into interior projects. 🔗 Discover more at Zilio A&C. Search ChatGPT can make mistakes. Check important info.
UPON - Stackable wood veneer chair with integrated cushion _ Zilio A&C

Zilio A&C > Chair
Upon Chair by Zilio A&C – A Minimalist and Ingenious Stacking Chair for Versatile Spaces A Pure, Expressive Design with a Hidden Innovation Designed by Sylvain Willenz for Zilio A&C, the Upon Chair is a study in understated elegance and intelligent engineering. What makes Upon truly unique is its seamless backrest connection—as if by magic, the form-pressed veneer backrest sits on the contrasting metal frame with no visible fixings, thanks to a hidden internal joint. This precision-engineered detail not only enhances the chair’s aesthetic purity but also ensures it is lightweight, strong, and stackable, making it ideal for both commercial and residential interiors. Versatile for Home, Hospitality & Office Settings With its clean lines, refined proportions, and practical stackability, Upon adapts effortlessly to a variety of spaces: Cafés & Restaurants – A stylish, durable chair that allows for easy stacking and storage. Workspaces & Offices – A minimal yet comfortable seating solution for meeting rooms and collaborative spaces. Modern Dining Rooms – A sculptural, contemporary chair that complements Scandinavian and Japandi aesthetics. Hotel & Hospitality Projects – Perfect for lobbies, conference areas, and guest spaces. The upcoming armchair version and optional upholstered seat further expand Upon’s possibilities, allowing designers to customize it for enhanced comfort and style. Materiality: A Balance of Strength & Lightness Upon is designed with a mix of materials that emphasize both functionality and refined aesthetics: Form-Pressed Veneer Backrest – Tapers to just 6mm at the edges, offering a light, floating appearance while maintaining strength. Contrasting Metal Frame – Ensures structural durability while keeping the chair light and visually effortless. Optional Upholstered Seat – Adds extra comfort, making it suitable for longer seating durations in work and hospitality environments. Dimensions & Stackability Upon’s compact yet ergonomic proportions make it a functional choice for both small and large spaces: Width: 500 mm Depth: 505 mm Height: 785 mm Its stackable design allows for efficient storage, making it an excellent solution for flexible and adaptable environments. Why Choose the Upon Chair? ✔ Innovative design – Hidden joint creates a seamless, floating backrest effect. ✔ Lightweight & stackable – Ideal for contract and hospitality use. ✔ Minimal yet strong – A refined balance of form, function, and durability. ✔ Versatile for multiple settings – From homes and cafés to offices and hotels. ✔ Optional upholstery & armchair version – Customizable for enhanced comfort. A Contemporary Seating Solution for Modern Interiors With its elegant simplicity, functional stackability, and precise craftsmanship, Upon by Zilio A&C is a timeless seating solution that brings sophistication to any setting. Whether used as a stylish dining chair, a practical workspace seat, or a sleek hospitality solution, Upon merges technical innovation with design purity. 📥 2D & 3D files available for download for seamless integration into interior projects. 🔗 Discover more at Zilio A&C. Search ChatGPT can make mistakes. Check important info.
LAB MEETING ZXLB - Height-adjustable fabric office chair with armrests with 5-Spoke base _ Inno

Inno > Chair
Lab Meeting L ZXLB – A Sleek and Functional Meeting Chair for Modern Workspaces Ergonomic Comfort Meets Contemporary Aesthetics The Lab Meeting L ZXLB is a modern, high-quality meeting chair designed to bring comfort, elegance, and flexibility to professional environments. As part of a versatile office seating collection, it blends contemporary design with ergonomic functionality, making it an excellent choice for conference rooms, co-working spaces, hospitality lounges, and private offices. With a refined yet approachable look, it elevates workplace interiors without compromising on comfort. Minimalist Design with a Professional Appeal The clean lines and balanced proportions of the Lab Meeting L ZXLB make it a seamless fit for both corporate and creative spaces. Its modern silhouette exudes sophistication, while the quilted seat upholstery adds an extra layer of elegance. The chair’s design strikes the perfect balance between professional formality and relaxed comfort, making it suitable for both formal meetings and informal collaborative sessions. With a fully upholstered seat and backrest, the chair provides excellent cushioning and support, ensuring that users stay comfortable even during extended meetings. The high-quality stitching and soft contours contribute to its inviting aesthetic, making meeting spaces feel warm and approachable rather than overly rigid or sterile. Durable Materials and Custom Finishes The chair is available in a range of high-quality fabric and leather upholstery options, allowing for complete customisation based on aesthetic preferences and functional needs. From subtle neutral tones to bold accent colours, the upholstery choices make it adaptable to different workplace environments and branding schemes. The frame and base come in various metal finishes, including matte black, metallic grey, silver aluminium, and white variants, providing flexibility in design coordination. Whether integrating into a monochrome minimalist office or a vibrant creative workspace, the chair’s customisation options ensure a perfect fit. Ergonomic Features for Comfort and Productivity The Lab Meeting L ZXLB is designed with ergonomic principles in mind, ensuring maximum comfort and support throughout the workday. The soft, padded seat is contoured to promote good posture, reducing strain on the back and shoulders. The gently curved backrest provides adequate lumbar support, making long hours of sitting more comfortable. A height-adjustable mechanism allows users to modify the seating position to match different table heights, making it adaptable to various workspace configurations. The swivel function ensures easy mobility, while the five-star base with smooth-rolling castors provides effortless movement across different floor types. This combination of features makes it an ideal chair for dynamic work environments, where users need flexibility and ease of movement. Versatile Applications Across Different Work Environments The Lab Meeting L ZXLB is a multi-purpose chair suitable for a wide range of professional settings, including: Corporate Offices and Conference Rooms For executive boardrooms, team meeting areas, and private offices, this chair adds a touch of sophistication while maintaining a comfortable and functional seating experience. Its polished design ensures that meeting spaces feel both professional and inviting. Co-Working Spaces and Startups In fast-paced, open-plan work environments, flexibility is key. The chair’s mobile base and ergonomic design make it a practical choice for co-working spaces, where users may need to switch between workstations, collaboration zones, and lounge areas. Hospitality and Public Spaces Beyond traditional office settings, this chair works well in hotel business lounges, client meeting rooms, and reception areas. Its sleek yet comfortable design allows guests to relax while maintaining an upright posture, making it perfect for areas that require both style and functionality. Educational and Training Facilities In universities, training centres, and seminar rooms, this chair’s adjustable height and swivel base ensure adaptability for different table setups, fostering a collaborative learning environment. A Part of a Thoughtfully Designed Seating Collection The Lab Meeting L ZXLB is part of a larger family of seating solutions, designed for cohesive office layouts. Various configurations, including models with different bases and armrest options, allow for a unified yet varied seating arrangement throughout a workspace. For designers looking to create aesthetic consistency across multiple areas, combining different variations of the Lab series ensures a harmonious look while addressing different functional needs. Sustainability and Longevity Beyond aesthetics and comfort, the Lab Meeting L ZXLB is built with durability and sustainability in mind. The materials used in its construction are chosen for their longevity, ensuring that the chair maintains its quality and performance over time. The metal frame and base are sturdy and wear-resistant, while the upholstery fabrics are designed to withstand daily use. Investing in high-quality office seating means fewer replacements and reduced waste, contributing to a more sustainable workplace.
LAB MEETING ZXLA - Height-adjustable fabric office chair _ Inno

Inno > Chair
Lab Meeting L ZXLA: An Ergonomic and Versatile Meeting Chair for Modern Workspaces Introduction The Lab Meeting L ZXLA is a meticulously designed meeting chair that combines ergonomic comfort with modern aesthetics, making it an ideal choice for contemporary work environments. Part of the renowned Lab product family by Inno, this chair is crafted to enhance comfort and functionality in meeting rooms, conference spaces, and multi-functional work areas. inno.fi Design and Aesthetics The Lab Meeting L ZXLA features a sleek and minimalist design characterized by clean lines and a refined silhouette. Its modern appearance is complemented by a soft quilted seat, adding a touch of sophistication while ensuring maximum comfort during extended meetings or work sessions. The chair's understated elegance allows it to integrate seamlessly into various interior design styles, from minimalist to industrial chic. Materials and Finishes Inno offers a diverse selection of materials and finishes for the Lab Meeting L ZXLA, enabling customization to suit specific aesthetic preferences and functional requirements. The upholstery options include high-quality fabrics such as Gabriel Step Melange, Fame, Crisp, and Europost 2, each available in a wide array of colors. These fabrics are known for their durability, soft texture, and vibrant hues, allowing designers to create a cohesive look that aligns with the overall interior theme. The chair's frame is available in several finishes, including: Crystal Aluminium: Offers a sleek, metallic appearance that complements modern interiors. Silver Aluminium: Provides a subtle sheen, adding a touch of elegance without overpowering the space. Metallic Grey: Introduces a contemporary and industrial feel, suitable for cutting-edge office designs. Effect White: Creates a clean and crisp look, ideal for minimalist environments. Matte White: Delivers a soft and understated finish, blending seamlessly with neutral palettes. Matte Black: Adds a bold and sophisticated touch, perfect for creating contrast in lighter settings. Effect Black: Features a textured finish that adds depth and interest to the chair's design. These finish options provide flexibility in achieving the desired aesthetic for any professional setting. Dimensions and Ergonomic Features While specific dimensions are not provided in the available information, the Lab Meeting L ZXLA is designed with ergonomics in mind. It features a 5-star cross base equipped with castors, facilitating smooth mobility across various floor surfaces. The chair also includes a height adjustment mechanism, allowing users to customize the seating position for optimal comfort and posture support during meetings or collaborative sessions. Suitable Environments The versatility and thoughtful design of the Lab Meeting L ZXLA make it suitable for a wide range of applications: Corporate Offices: Ideal for conference rooms, boardrooms, and executive offices where comfort and professionalism are paramount. Educational Institutions: Suitable for seminar rooms, lecture halls, and administrative offices, providing ergonomic support for extended periods. Hospitality Settings: Enhances guest experiences in hotel business centers, meeting rooms, and collaborative lounges. Co-Working Spaces: Fits seamlessly into modern co-working environments, offering flexibility and comfort to diverse users. Lab Product Family and Recognition The Lab Meeting L ZXLA is part of Inno's broader Lab product family, which includes a wide range of chairs, tables, and sofas designed to bring comfort and coziness into everyday working environments. This collection emphasizes versatility and cohesive design, allowing for the creation of harmonious interior landscapes. Notably, the Lab product family has been honored with the internationally recognized GOOD DESIGN™ 2015 Award, presented by The Chicago Athenaeum: Museum of Architecture and Design in collaboration with the European Centre for Architecture, Art, Design, and Urban Studies. This accolade underscores the collection's excellence in design, innovation, and functionality. Alternatives For those seeking alternative options within the Lab product family, Inno offers various configurations to suit different needs: Lab Meeting L ZXL: Similar to the L ZXLA model but without armrests, offering a more streamlined appearance. Lab Meeting L ZXC: Features a cantilever base, providing a different aesthetic and seating experience. Lab Lounge: A lower seating option with a more relaxed posture, suitable for lounge areas and informal meeting spaces. These alternatives allow for cohesive design across various areas within a workspace, maintaining a unified aesthetic while catering to different functional requirements. Conclusion The Lab Meeting L ZXLA by Inno exemplifies the fusion of modern design, ergonomic functionality, and customizable aesthetics. Its adaptability to various professional environments, coupled with the recognition from prestigious design awards, makes it a standout choice for those seeking to enhance their interiors with stylish and comfortable seating solutions.
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