FONTANA - Blown glass lampshade _ FontanaArte - 2d files - 3d files

Accessories > Accessories

PRODUCT DESCRIPTION

This elegant diffuser is crafted from satin-finish blown glass, available in three sizes: Small (Ø20), Medium (Ø32), and Large (Ø47), each designed to seamlessly pair with specific models of the "Fontana 1853" table lamp series, including codes F185300100BINE, F185305100BINE, and F185310100BINE, among others. The diffuser comes in a timeless white color, adding a touch of sophistication to any space. For added convenience, a downloadable 3D file of the product is available for design and planning purposes. Manufactured by FontanaArte, a renowned Italian design company founded in 1932 by Luigi Fontana and Gio Ponti, this product reflects the brand's legacy of combining innovative design, premium materials, and timeless elegance. FontanaArte, headquartered in Milan, is celebrated for its lighting and furnishing solutions that blend traditional craftsmanship with contemporary aesthetics, catering to a global audience of design enthusiasts and professionals.

SUPPLIER: FONTANAARTE

COLLECTION: FONTANA

TYPE: ACCESSORIES

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Other Products From This Supplier

A wide range of product from furniture to finishes to meet the desire of all designers.

UOVO LARGE

UOVO LARGE

fontanaarte > Table lamp

A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the Uovo lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light. Available in three sizes, it has all the versatility of a collection designed for multiple uses: from the small version which serves as a tiny utility lamp to the large version, a veritable light sculpture, protagonist of any space.

UOVO MEDIUM

UOVO MEDIUM

fontanaarte > Table lamp

A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the Uovo lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light. Available in three sizes, it has all the versatility of a collection designed for multiple uses: from the small version which serves as a tiny utility lamp to the large version, a veritable light sculpture, protagonist of any space.

UOVO SMALL

UOVO SMALL

fontanaarte > Table lamp

A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the Uovo lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light. Available in three sizes, it has all the versatility of a collection designed for multiple uses: from the small version which serves as a tiny utility lamp to the large version, a veritable light sculpture, protagonist of any space.

PAROLA

PAROLA

fontanaarte > Table lamp

Designed by Gae Aulenti and Piero Castiglioni in 1980, the Parola lamp features three different kinds of glass working processes: blown glass, natural glass and natural crystal. It is an exemplary model of technical integration between artisan and industrial skills.

PAROLA

PAROLA

fontanaarte > Table lamp

Designed by Gae Aulenti and Piero Castiglioni in 1980, the Parola lamp features three different kinds of glass working processes: blown glass, natural glass and natural crystal. It is an exemplary model of technical integration between artisan and industrial skills.

REGINA

REGINA

fontanaarte > Table lamp

Inspired by the game of chess with their sinuous shapes, Re and Regina are the key characters of the chessboard. Their profiles stand out clearly in the white light diffused by opalescent glass. Real individuals, they play in pairs alternating spheres, cylinders and rings of light. Vertical the King (Re), horizontal the Queen (Regina). They can be placed next to each other or in different spots in the same room, be used as floor or table lamps, on a coffee table or a desk, both Re and Regina have the presence to create a context. The dimmer allows to modulate the light making it a surreal element with different degrees of intensity: an element of representation that releases energy in space when the light is bright, abstract and restful when the light is soft and low. Glass sculptures during the day in environments illuminated by natural light. Re and Regina are inspired by the history of art, from Cosmè Tura to the Flemish interiors of Jan Van Eych to the conceptual imagery of Marcel Duchamp who plays chess as a lifestyle. Re and Regina are Cartesian axes of a universe that crosses ages and cultures. In 2020 FontanaArte reintroduces these glass lamps as a sign of the expressive wealth contained in the great repertory of ideas that is the FontanaArte catalogue and, most importantly an homage to the talent of an artist who had a gift for calibrating the formal tension of a utilitarian object on a quest for unity among the arts.

ASHANGHAI

ASHANGHAI

fontanaarte > Table lamp

This extremely elegant table lamp was designed by Max Ingrand in 1955, during the period when this French maestro was artistic director at FontanaArte. Chromed brass joints hold together five tubes made of transparent borosilicate glass that form a series of intersections supporting the lamp.

METAFORA

METAFORA

fontanaarte > Table lamp

Metafora was born in the flourishing creative climate of the early ‘80s, when Gae Aulenti took on the role of artistic director for FontanaArte and decided to bring glass back to the forefront of the company’s production. On Aulenti’s invitation, Umberto Riva designed a precious table lamp consisting of a conical shade in layered opal glass supported by a transparent glass base that hides the metal frame, all interlocking. A highly decorative object, produced with traditional techniques like glass blowing and other examples of artisanal know-how, reproposed today to a clientele ever more attentive to originality of design and its timeless expressions.

LASOSPESA

LASOSPESA

fontanaarte > Table lamp

FontanaArte calls Stefano Boeri Architetti and launches "lasospesa", the new table lamp. For one of the most important Milanese architects in the world, whose Bosco Verticale is one of the most representative and iconic projects of our time, trying a lamp was an interesting change of scale. Like FontanaArte: historic and contemporary Milan, elegant entrances and new buildings, fashion and major art exhibitions. Like FontanaArte's art: it finds form in an object that does not preclude function and from which a light comes to life. lasospesa is in fact a symmetrical table lamp, born from the elementary principle of the incorporation of two cylinders: a cylinder of primary light suspended in a cylinder of diffused light. "A non-lamp with numerous uses and iridescent luminosity, very simple and classic, lasospesa seems to have always been there, where you placed it" says Stefano Boeri.

BILIA

BILIA

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

UOVO RECHARGEABLE

UOVO RECHARGEABLE

fontanaarte > Table lamp

A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the UOVO lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light.

BILIA MINI

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA

BILIA

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA

BILIA

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA

BILIA

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

OORT

OORT

fontanaarte > Table lamp

The OORT system is composed of tubular elements made of borosilicate glass. Inside them are flexible LED light tubes of the latest generation, easily replaceable, with perfectly uniform 360° light emission and certified also for outdoor use. The borosilicate glass is ribbed on the inside, a feature that enhances the light by making it warm and welcoming, brings out the effect of light and shadow, and allows easy cleaning of the smooth outer surface. The light is diffuse, dimmable and available at 3000K (1900Lm/m) or Dim To Warm which allows to change the colour temperature, by dimming, from minumum 1800K to 4000K at maximum intensity. The flux is dimmer-dependent to a maximum of approx 1000Lm/m. The product can be supplied at 2700K on request.

OORT

OORT

fontanaarte > Table lamp

The OORT system is composed of tubular elements made of borosilicate glass. Inside them are flexible LED light tubes of the latest generation, easily replaceable, with perfectly uniform 360° light emission and certified also for outdoor use. The borosilicate glass is ribbed on the inside, a feature that enhances the light by making it warm and welcoming, brings out the effect of light and shadow, and allows easy cleaning of the smooth outer surface. The light is diffuse, dimmable and available at 3000K (1900Lm/m) or Dim To Warm which allows to change the colour temperature, by dimming, from minumum 1800K to 4000K at maximum intensity. The flux is dimmer-dependent to a maximum of approx 1000Lm/m. The product can be supplied at 2700K on request.

DARUMA LARGE

DARUMA LARGE

fontanaarte > Table lamp

On show at the Museum of Modern Art in New York, Daruma was produced in 1968 to a design by Sergio Asti. His table lamp has simple, formal features: a spherical vase topped by a little lid.

DARUMA MEDIUM

DARUMA MEDIUM

fontanaarte > Table lamp

On show at the Museum of Modern Art in New York, Daruma was produced in 1968 to a design by Sergio Asti. His table lamp has simple, formal features: a spherical vase topped by a little lid.

DARUMA SMALL

DARUMA SMALL

fontanaarte > Table lamp

On show at the Museum of Modern Art in New York, Daruma was produced in 1968 to a design by Sergio Asti. His table lamp has simple, formal features: a spherical vase topped by a little lid.

BLOM

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

MATRIX LARGE

MATRIX LARGE

fontanaarte > Table lamp

Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.

MATRIX MEDIUM

MATRIX MEDIUM

fontanaarte > Table lamp

Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.

MATRIX LARGE

MATRIX LARGE

fontanaarte > Table lamp

Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.

MATRIX MEDIUM

MATRIX MEDIUM

fontanaarte > Table lamp

Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.

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Vetro 04 Tortora

florim > Floor tile-stone

Each tile is unique and extremely precious Vetro allows recognizable and attractive decorations to be created, expressing a timeless design. The Vetro collection is available in seven solid, warm, soft and enchanting colors, in two finishes - matt and lux - and in two sizes or in the metallic variation with varying reflections in a single size. VETRO can be applied as a floor and wall application on any surface in dry or damp areas using special sealants and adhesives.

Storie Villa

Storie Villa

florim > Wall Paint

The faded wall fresco, damp stains in plaster. «Technological innovation enables us to reproduce on large-sized ceramic materials all the effects of wear and stratification that normally only time is able to create.» Giorgia Zanellato & Daniele Bortotto Children stare at the walls of a farmhouse, wondering what the cracks are, and whether every mark is a path and every path is a story. They think that miniature beings live in the air pockets that have formed, and the detaching plaster is like an avalanche cascading from a glacier. They don't ask why the colours are as they are, because they just had to be like that. And every square centimetre becomes the first page of an adventure that restarts at every break in the pattern. Could this be why we say that both textures and plots have twists, and stories are woven? As even children know, walls are tales. Not only do they contain adventures, emotions, moments, loves and hates and record them on their surfaces; their uneven, active surfaces generate new imaginary worlds, in which one can literally get lost. The "Storie" collection by Giorgia Zanellato and Daniele Bortotto brings this metaphor to three-dimensional life by expressing the moods, loves and hates and moments that the walls and floors of old Italian homes conserve, and capturing them in a frozen instant. The theme of time and the changes wrought in matter by the passing seasons, weather and human action have always been a strong source of inspiration for architects: some have tried to freeze it, while others have used sleight of hand to embrace it while resisting its effects, and yet others have accelerated, anticipated, directed and re-created it.<br /> Zanellato and Bortotto do all these things at once, engaging in a duel with History with a capital H, in which it is never clear who is winning: design or object, man or nature, culture or time. And it is probably this unresolved tension which makes the "Storie" designs so universal and meaningful, so intimate and yet familiar. The floor is the only thing we can be certain that everyone entering our home will touch, and at the same time it is the most intimate part, the most steeped in private happenings. They talk about having your "feet firmly on the ground". This image stands for common sense, but also a recognition of how things are, how things work. The wall is a synecdoche, too: it is the part of the home that expresses an idea of solidity, the layering of time, the passage of lives. "Storie" gives form to this metaphor by drawing a line that links the most classical of taste to a sophisticated modernity of taste and style. The two designers did a great deal of background work for this project: old Italian homes, country villas, noble palazzos, farmhouses and old factors, which become an unlimited source of motifs, colours, textures and materials. But, perhaps unconsciously, literature also re-emerges from this survey of locations, with its blend of aestheticism and decadence, with echoes of Wilde and D'Annunzio, Ruskin and Huysmans. "Storie" would be the ideal backdrop for Des Esseintes, the dandy in "A Rebours". And in fact the collection clearly has strong theatrical connections, arising partly from its storytelling connotations but also from its scene-setting potential.<br /> It represents life, which we are, have been and wish to continue to be. And it is thrilling to realise that this vision comes from the youngest designers in CEDIT's new era, who have successfully taken a confident, cultured, astute, sidelong approach to the most ancient of topics, with a persuasive effect which appears, at least, to be not at all intimidated by the many stories, the type of product they are dealing with, the catalogue in which they are included, the designers who have gone before them or, naturally, the adventures that lie concealed in the historic dwellings they reproduce. The reference to Italy, on the other hand, is in perfect harmony with the work of the brand and its past and present designers: it is intrinsic to the perfection of the production process that underlies the collection, the relationship with the brand's tradition and its local roots, and the intelligent, strategic use of its innovations in the treatment of this complex material.Child's play? Yes, but with the integrity and ability to enchant unique to specific designs, capable of an immediacy of vision and feeling that makes them little novels written in cement.

Rilievi Terra

Rilievi Terra

florim > Wall Paint

The alternation and symbiosis between concave and convex, recessed and raised. <p>Rilievi is a work of design balanced between different historic periods: while the volumetric relief tile modules are inspired by artistic experiments conducted in Italy during the Sixties and Seventies, the large slabs are the outcome of research into materials and technology that has only come to fruition in very recent times. The shadow effects generated on the surfaces of the slabs by the light striking the projecting parts of the modules create an unusual impression of architectural depth found virtually nowhere else in ceramic coverings, laying the bases for a new decoration interior design language.</p> This project simply embodies perfection - a term which certainly sets the bar high in a description of a new product for launch on the market. But when an enlightened manufacturer is capable of encapsulating a designer's personal research in a product to be added to its range, the outcome is a perfect synthesis. A perfect synthesis between untrammelled creativity and market trends. CEDIT had the insight needed to perceive, identify and rework the immense potential of Practice Practice Practice "“ a self-produced project by Zaven (Enrica Cavarzan and Marco Zavagno "“ and realised that its sophisticated design, originated by pure, pristine input (unadulterated by external factors except the noblest of them all, research) could provide the basis for an innovative, successful collection. I might add, a collection unique of its kind. Zaven is also a name that comes with guarantees; the two partners are good at what they do. Their work always starts from personal curiosity and investigations, the study of other stories (as in this case inspiration was drawn from the output of artist and activist Nino Caruso) and individual interests, which are broken down, developed, optimised and prepared for transformation into something fresh.Enrica Cavarzan and Marco Zavagno have a masterly ability to transform their own wishes and passions into design work of the greatest breadth and, as we see here, the widest, richest application. Their use of ceramics as a material is clearly outstanding and reflects a method precisely founded on the desire to look at things from an unusual viewpoint, under a different light. And to be daring. Zaven have an unconventional approach to convention. In the specific case of the Rilievi collection, the "modules" created for CEDIT seem to explode off the walls; in fact, they are constructed by combining the two-dimensional slab with its three-dimensional decor.Rilievi seems to be seeking space. More space. Even though these modules have actually established a dialogue with the wall from which they are born. At the same time, they hypnotise us with their tight sequence of lines, the pattern that is always different although its root is the same, and the intriguing, unusual colours that add another vital factor to the finished product. Their firm grounding in graphic design (and here we have come back to two-dimensional effects, of the kind most often associated with a wall covering) easily evolves into a facade which seems to have been carved with a chisel - although this is not the case. These modules are conceived to convey an impression of movement, and the three models, in seven colour combinations, create a powerful effect on a surface, which is never passive but rather an organic contributor to the forms and colours involved in the fascinating combinations. The slab is very much present and has the same worth and status as the relief pattern associated to it. In the light of this dichotomy between the linear and the sculpted, expressed through the skilfully balanced visual expedients, the use of repetition adds vigour to the module's intrinsic meaning. As we have seen, a rejection of facile, superficial creative dynamics in favour of an investigation reaching above and beyond has always been a central, clearly recognisable feature of this Venice-based duo, who already have impressive international partnerships to their credit, including the London Design Festival, the Kalmar Konstmuseum, the Paris Designer Days, Ca' Foscari University, the Venice Biennale, the Sandretto Re Rebaudengo Foundation, the Sindika Dokolo Foundation and the V-A-C Foundation, and also won the 2018 Wallpaper Design Award. Graphics, advertising and product design: the pair have always opted for a type of design closely linked to the observation of everyday items, followed by their reinterpretation in a version applied to experimentation with materials. This duality, combined with their energetic yet elegant visual language, forms Enrica and Marco's primary code, experienced in this specific context through serial carvings. On walls.

Rilievi Cielo

Rilievi Cielo

florim > Wall Paint

The alternation and symbiosis between concave and convex, recessed and raised. <p>Rilievi is a work of design balanced between different historic periods: while the volumetric relief tile modules are inspired by artistic experiments conducted in Italy during the Sixties and Seventies, the large slabs are the outcome of research into materials and technology that has only come to fruition in very recent times. The shadow effects generated on the surfaces of the slabs by the light striking the projecting parts of the modules create an unusual impression of architectural depth found virtually nowhere else in ceramic coverings, laying the bases for a new decoration interior design language.</p> This project simply embodies perfection - a term which certainly sets the bar high in a description of a new product for launch on the market. But when an enlightened manufacturer is capable of encapsulating a designer's personal research in a product to be added to its range, the outcome is a perfect synthesis. A perfect synthesis between untrammelled creativity and market trends. CEDIT had the insight needed to perceive, identify and rework the immense potential of Practice Practice Practice "“ a self-produced project by Zaven (Enrica Cavarzan and Marco Zavagno "“ and realised that its sophisticated design, originated by pure, pristine input (unadulterated by external factors except the noblest of them all, research) could provide the basis for an innovative, successful collection. I might add, a collection unique of its kind. Zaven is also a name that comes with guarantees; the two partners are good at what they do. Their work always starts from personal curiosity and investigations, the study of other stories (as in this case inspiration was drawn from the output of artist and activist Nino Caruso) and individual interests, which are broken down, developed, optimised and prepared for transformation into something fresh.Enrica Cavarzan and Marco Zavagno have a masterly ability to transform their own wishes and passions into design work of the greatest breadth and, as we see here, the widest, richest application. Their use of ceramics as a material is clearly outstanding and reflects a method precisely founded on the desire to look at things from an unusual viewpoint, under a different light. And to be daring. Zaven have an unconventional approach to convention. In the specific case of the Rilievi collection, the "modules" created for CEDIT seem to explode off the walls; in fact, they are constructed by combining the two-dimensional slab with its three-dimensional decor.Rilievi seems to be seeking space. More space. Even though these modules have actually established a dialogue with the wall from which they are born. At the same time, they hypnotise us with their tight sequence of lines, the pattern that is always different although its root is the same, and the intriguing, unusual colours that add another vital factor to the finished product. Their firm grounding in graphic design (and here we have come back to two-dimensional effects, of the kind most often associated with a wall covering) easily evolves into a facade which seems to have been carved with a chisel - although this is not the case. These modules are conceived to convey an impression of movement, and the three models, in seven colour combinations, create a powerful effect on a surface, which is never passive but rather an organic contributor to the forms and colours involved in the fascinating combinations. The slab is very much present and has the same worth and status as the relief pattern associated to it. In the light of this dichotomy between the linear and the sculpted, expressed through the skilfully balanced visual expedients, the use of repetition adds vigour to the module's intrinsic meaning. As we have seen, a rejection of facile, superficial creative dynamics in favour of an investigation reaching above and beyond has always been a central, clearly recognisable feature of this Venice-based duo, who already have impressive international partnerships to their credit, including the London Design Festival, the Kalmar Konstmuseum, the Paris Designer Days, Ca' Foscari University, the Venice Biennale, the Sandretto Re Rebaudengo Foundation, the Sindika Dokolo Foundation and the V-A-C Foundation, and also won the 2018 Wallpaper Design Award. Graphics, advertising and product design: the pair have always opted for a type of design closely linked to the observation of everyday items, followed by their reinterpretation in a version applied to experimentation with materials. This duality, combined with their energetic yet elegant visual language, forms Enrica and Marco's primary code, experienced in this specific context through serial carvings. On walls.

Araldica Base Blu

Araldica Base Blu

florim > Wall Paint

The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete.<br /><br />«The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.»<br />Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these.<br /> He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him.<br /> This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen.<br /> A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.

Araldica Base Grigio

Araldica Base Grigio

florim > Wall Paint

The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete.<br /><br />«The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.»<br />Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these.<br /> He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him.<br /> This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen.<br /> A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.

B&W_Marble WHITE

B&W_Marble WHITE

florim > Wall Paint

Nature's sheer strength comes to life, white and black find new forms of expression Inspired by the different morphologies formed by the visceral movement of the earth, the collection's large slabs embrace and explore the concept of light-absence of light by presenting a chromatic gradient based on white and black in a multi-faceted graphic proposal that joins the two monochromatic surfaces, White and Black. Soft, sinuous shapes contrast with those more rigid and geometric, coming to life from the different proportions with which the white and black combine on the surface.

Neutra 6.0 07 petrolio

Neutra 6.0 07 petrolio

florim > Wall Paint

After a decade of success, the Neutra collection becomes a container of colors and increasingly advanced materials and transforms into Neutra 6.0. The surfaces thereby create scenery for pure sensory pleasure, where nothing is left to chance, but everything is always skillfully calibrated to the search for a new bon ton where the body and mind can be rejuvenated. The perfect integration between man and the space in which he lives is expressed through a simple architecture where you can spread your artistic sign on the surfaces, in the colors and in the furnishing for an unrepeatable result from which your own creative identity emerges.

Neutra 6.0 08 avio

Neutra 6.0 08 avio

florim > Wall Paint

After a decade of success, the Neutra collection becomes a container of colors and increasingly advanced materials and transforms into Neutra 6.0. The surfaces thereby create scenery for pure sensory pleasure, where nothing is left to chance, but everything is always skillfully calibrated to the search for a new bon ton where the body and mind can be rejuvenated. The perfect integration between man and the space in which he lives is expressed through a simple architecture where you can spread your artistic sign on the surfaces, in the colors and in the furnishing for an unrepeatable result from which your own creative identity emerges.

Maeve Suspension

Maeve Suspension

castrolighting > Ceiling lamp

Like the strong-willed, ambitious and warrior-queen Maeve of Ireland, whose passion led warriors to fight for her beliefs, the Maeve Suspension uses the same name and magnificence it offers. Conceived to incorporate traditional techniques and modern design influences, this lighting fixture has an enormous value due to its bespoke quality. The gold-plated brass structure is hammered by the hands of experienced lighting design artisans, delicate Crystals are also individually assembled by hand at the bottom of the lighting suspension. These characteristics make this luxurious suspension the perfect fit for any luxurious hospitality or residential project as it creates a prestigious ambience wherever it is placed. VIEW FULL FAMILY #vibranthome

Mastery Suspension Snooker

Mastery Suspension Snooker

castrolighting > Ceiling lamp

The iconic Mastery Collection does justice to its name as the book Mastery by Robert Greene. Having the brass plates as a highlight, along with its modern and singular design, this suspension pampers the eyes while giving an opportunity to be creative. Mastery chandelier design evokes the lives of the different historical personalities examined in the book, such as Charles Darwin or Mozart, as well as contemporary leaders. The delicacy of the different pieces and the finishes used, led to the name of this design, reminding the traits and universal ingredients that made these characters masters. Mastery’s powerful yet smooth lines create an organic movement of lights and shadows that suggest elegance and glamour. This sumptuous suspension handcrafted in gold plated brass will stand out in the most luxurious and exclusive interior décors. This snooker version of the collection is a signature adaptation of the original design, with handmade skills by Castro Lighting's experienced and passionate craftsman. VIEW FULL FAMILY

Mondrian Suspension

Mondrian Suspension

castrolighting > Ceiling lamp

Piet Mondrian is recognized for the purity of his abstractions as he radically simplified the elements of his paintings to reflect what he saw as the spiritual order, creating an aesthetic language. Inspired by this painter’s unique artwork, Mondrian Suspension is composed by several pieces with geometrical squared shapes, just as the artist used to do in his work. This unique bespoke lighting piece combines two different finishes – brushed and hammered – applied by hand in the gold plated brass ornamented with the unique delicate Crystals. The light strives to convey balance through squared shapes that lead to a gentle light diffusion, granting to the surrounding space the all-time perfect inviting ambiance. VIEW FULL FAMILY SHOWROOM FEATURING MONDRIAN SUSPENSION  

Galilei Suspension

Galilei Suspension

castrolighting > Ceiling lamp

Following Galileo’s cognomen of the "father of observational astronomy” and the idea of the sun being the leading figure of the solar system as all planets move around the golden star, Galilei suspension has rotating rings spinning around the light in the center that shimmer through the delicate crystals. This bold statement piece is ideal for interior design projects that aim to leave a strong impression. The unique mix of details is a guarantee that eyes will stop to contemplate while crossing this piece. Galilei is the perfect fit for contemporary interior designs that combine strong pieces in a harmonious interiors décor. VIEW FULL FAMILY This product page features ambiences designed by Maryana Shepeleva

Rainforest Pendant

Rainforest Pendant

castrolighting > Ceiling lamp

The Rainforest Collection arose from the timeless lighting celebration of nature silhouettes, its elements, and movements. Immerse yourself into the magnificent atmosphere of the sparkling rainforest where the art of brass craftsmanship becomes luxury lighting design. The ultimate fusion between the artistic design, authenticity of traditional Portuguese metal-work techniques, and creative craftsmanship. The Rainforest elegant pendant is unparalleled in the refinement and grace it represents. The gold-plated brass coupled with clear crystal glass - applied by hand - brings a delicate charisma that resembles nature in full bloom. A broad-leaved masterpiece of modern lighting design along with falling raindrops and butterflies takes you to remote spaces and the open sky. A dreamy lighting fixture creates an exceptional ambiance to the classy interiors. A luxury custom-designed collection was made to be featured in the most sophisticated projects organically. The sizes and distribution of the elements can be naturally customizable. This handmade suspension lamp is perfect for spacious living rooms, dining rooms, or hallways with high ceilings, fitting in a vast variety of decors. The exquisite light dispersion of this gracious lamp will make it the central piece for all luxury houses and help achieve the desired timeless chic. This beautiful suspension lamp is the right choice for a mid-century modern, modern classic, or art deco interior style.

Elven Pendant

Elven Pendant

castrolighting > Ceiling lamp

The mystical and charming collection arose from the enthusiasm and passion for the mythical world the Nordic Mythology. Elven Collection takes you on an exceptional and magical journey through the fantasy world. Elven Pendant resembles a beautifully balanced curve that twists like a shell, as its gold-plated brass tube is bent and hammered by the hands of experienced craftsmen. Designed to be a breathtaking and glitzy highlight to an interior design project, it combines modern simplicity with an elegant and luxurious twist. This golden pendant gives a stunning gleam to the interior space, as its warm light is spread in a gentle, delicate way. This piece is ideal for a bedroom, a living room, and hallways, framing a painting. In a commercial space, like a restaurant or bar, it can create a more romantic and inviting atmosphere. Explore new lighting design solutions and celebrate opportunities for filling a space in a spectacular way. VIEW FULL FAMILY

Cielo Pendant

Cielo Pendant

castrolighting > Ceiling lamp

Reveal the power of nature's majesty by inviting it inside your home with the Cielo Collection that has been inspired by nature's magnificence and its wonders - the fusion of pure elements. The Cielo Collection visualizes the concept of natural forces and their mysterious power. The fusion of pure elements – fire, ocean waves, sky, and stones – is the greatest source of inspiration. Fire creates delicacy, wave shapes stones, sky elevates magic, stone brings textures. Therefore, nature shapes lighting design. The Cielo Collection is the dynamic way of conceiving the world and the joy of discovery and wonder. The luxury oasis is waiting, imagine the calcite forms decorations that hang from the ceiling – stalactites with multi-coloured lighting that splits through rocks to glow in the dark. This time, Castro Lighting carries its manufacturing traditions transforming them into contemporary interior aesthetics – a minimal yet artistic expression of the modern lighting design within natural wonders. Brass finishes, textures, glass curves – the customization options are limitless. The Cielo Pendant lamp proudly bears the name which in Italian is related to sky or heaven. This handmade lighting fixture is made of gold-plated brass, the strong lines create an organic movement of subtle brass tubes complementing the luxury chandelier with clear glass. If you look closely enough, the extended tubes remind dangling stalactite and stalagmite shapes. Hammered by the hands of experienced craftsmen, it is capable of transforming the living space into grand adventurous scenery. This finest lighting design is a beautiful addition to complement the hotel lobby, large hallways, long staircases, or the spacious living room. The Cielo handcrafted gold pendant is the perfect choice for the interiors with modern classic style, contemporary vibes, as well as the art-deco touch. Feel the powerful energy of this pendant which brass elements complement the refinement of the interior and permit to reveal a new meaning of beauty. Simplicity, smooth texture, and clean glass lines help define this contemporary lighting design as the signature collection fitting to the most exquisite decors. VIEW FULL FAMILY

Labics Pendant

Labics Pendant

castrolighting > Ceiling lamp

Encouraged by the powerful Labics Structures that are well-known as an installation consisting of 50 architectural models realized by the studio Labics between 2014 and 2015. This Collection takes inspiration from the abstracted architectural installations of models, which were constructed from an abstract matrix. The Labics Collection allows to express yourself through the lighting aesthetics and decorate boldly. Dynamic lines create an organic movement of subtle brass tubes as straight as arrows, completing the handmade suspension with glass. Assembled over several brass tubes, they have a daring angularity that’s tempered by their masculine matt finish coupled with glass. As the encouragement came from the architecture of buildings, the iconic collection recreated graphic pattern’s ideas on the chandelier. The Collection's highlight? For the determined and adventurous customers, as it gives an impression of brave, strong and unique motives of geometrical silhouettes in the space. These futuristic lighting fixtures symbolically portray the development of modern design and city architecture. The outstanding lighting design can be applied to any interior from modern classic style to contemporary, or mid-century modern. Feel the dynamism of this suspension as the simple geometry of the brass elements complements the refinement of the interior and permits to explore a new kind of energy and charisma. VIEW FULL FAMILY

Terra Wall Light

Terra Wall Light

castrolighting > Wall lamp

Cielo Wall Light

Cielo Wall Light

castrolighting > Wall lamp

Reveal the power of nature's majesty by inviting it inside your home with the Cielo Collection which has been inspired by nature's magnificence and its wonders - the fusion of pure elements. The Cielo Collection visualizes the concept of natural forces and their mysterious power. The fusion of pure elements – fire, ocean waves, sky, and stones – is the greatest source of inspiration. Fire creates delicacy, wave shapes stones, the sky elevates magic, and stone brings textures. Therefore, nature shapes lighting design. The Cielo Collection is a dynamic way of conceiving the world and the joy of discovery and wonder. The luxury oasis is waiting, imagine the calcite forms decorations that hang from the ceiling – stalactites with multi-coloured lighting that splits through rocks to glow in the dark. This time, Castro Lighting carries its manufacturing traditions transforming them into contemporary interior aesthetics – a minimal yet artistic expression of the modern lighting design within natural wonders. Brass finishes, textures, and glass curves – the customization options are limitless. The Cielo Wall Light proudly bears the name which in Italian is related to sky or heaven. This handmade lighting fixture is made of gold-plated brass, the strong lines create an organic movement of subtle brass tubes complementing the luxury chandelier with clear glass. If you look closely enough, the extended tubes remind dangling stalactite and stalagmite shapes. Hammered by the hands of experienced craftsmen, it is capable of transforming the living space into grand adventurous scenery. This finest lighting design is a beautiful addition to enhance modern living rooms, contemporary hallways, and luxurious hotel corridors. The Cielo handcrafted gold pendant is the perfect choice for the interiors with modern classic style, and contemporary vibes, as well as the art-deco touch. Feel the powerful energy of this pendant which brass elements complement the refinement of the interior and permitted to reveal a new meaning of beauty. Simplicity, smooth texture, and clean glass lines help define this contemporary lighting design as the signature collection fitting to the most exquisite decors.

Fromme Fromme Square Table - Grey blue Tom Chung

Fromme Fromme Square Table - Grey blue Tom Chung

petitefriture > Table

The FROMME collection was created by Tom Chung, a Canadian designer with a passion for cycling, and is characterised by its sleek and streamlined lines inspired by racing bikes.This aluminum table is suitable for both indoor and outdoor use. The water and UV-resistant, grained, matt powder coating ensures optimum durability.Its modern design and durability will make it the centrepiece of your social gatherings. It can be complemented with chairs and stools from the same collection. For indoor use, you can combine it with the FROMME wooden or upholstered chairs.

Donut Mug L - Blue

Donut Mug L - Blue

petitefriture > Styling

The Donut collection draws its inspiration from the world of baking. Designer Pia Chevalier arouses our senses with this collection of appetising cups and mugs. The pieces’ oversized handle imitates the shape of a doughnut and the enamelling echoes the flavour of the glazing. Made in Portugal, the large Donut mug is 12cm high – the biggest and boldest piece of the collection. It is available in Vanilla and Pistachio only, and can be used both to enjoy a drink or as an object of decoration. Read more

Fromme Fromme Coffee Table - Dune Tom Chung

Fromme Fromme Coffee Table - Dune Tom Chung

petitefriture > Table

The FROMME collection was created by Tom Chung, a Canadian designer with a passion for cycling, and is characterised by its sleek and streamlined lines inspired by racing bikes.This aluminum coffee table is suitable for both indoor and outdoor use. The water and UV-resistant, grained, matt powder coating ensures optimum durability.Its modern design and durability will make it the centrepiece of your social gatherings. It can be complemented with chairs and stools from the same collection. For indoor use, you can combine it with the FROMME wooden or upholstered chairs.

U18042

U18042

pfleiderer > Paneling

UPTOWN - LED stained glass floor lamp _ Foscarini

UPTOWN - LED stained glass floor lamp _ Foscarini

foscarini > Floor lamp

The Uptown floor lamp is a striking piece of lighting design, crafted from painted glass, stainless steel, and PMMA, blending modern aesthetics with functional elegance. It features an integrated LED light source (17.7W, 2700K, 2498 lm, CRI>80) with a built-in dimmer, offering both energy efficiency (DA) and a warm, inviting glow. When illuminated, the lamp transforms into a captivating sculpture, with light projected upwards through its three sheet-glass shapes, creating a dramatic visual impact that enhances any space. A 3D file of the Uptown lamp is available for download, allowing for detailed visualization and planning. Designed by Foscarini, a renowned Italian lighting company founded in 1981 on the island of Murano, the brand is celebrated for its innovative, artistic, and high-quality lighting solutions that merge contemporary design with avant-garde craftsmanship.

CIRCUS - Blown glass wall light _ Foscarini

CIRCUS - Blown glass wall light _ Foscarini

foscarini > Wall lamp

The Circus wall light, crafted by Foscarini, is an elegant blend of blown glass and nickel-plated or coated metal, offering a soft, glare-free illumination that adds a timeless decorative touch to any space. Available in two sizes, the Circus big accommodates a 220/240V LED retrofit with a maximum of 4x60W E27 bulbs, while the Circus small supports a 220/240V LED retrofit with up to 4x40W E14 bulbs, both non-dimmable and rated IP 20 (bulbs not included). The design features a central metal button that adds a charming focal point, creating a balanced and artistic aesthetic. A 3D file of the product is available for download, allowing for detailed visualization and planning. Foscarini, an Italian lighting design company founded in 1981 on the island of Murano, is renowned for its innovative, high-quality, and avant-garde lighting solutions, collaborating with international designers to create sculptural and contemporary pieces that elevate residential and commercial spaces worldwide.

KEYN - Stackable chair with armrests _ Herman Miller

KEYN - Stackable chair with armrests _ Herman Miller

Herman Miller > Chair

The Keyn chair is a versatile and ergonomic seating solution designed to adapt to various environments and user needs, offering a range of customizable options such as bases, shell finishes, arm selections, and upholstery materials. Available with either a four-leg or five-star base, the chair provides flexibility for stacking, swiveling, or mobility, making it ideal for meeting spaces, collaborative work areas, or desk use. Its innovative one-piece seat-and-back shell mechanism allows for smooth sliding and up to 10 degrees of recline, promoting natural movement and comfort, which enhances focus and productivity. The chair’s perforated shell design not only adds a lightweight, textural aesthetic but also ensures back aeration, while its global availability ensures consistency across multiple locations. A 3D file of the Keyn chair is available for download, allowing for detailed visualization and integration into design plans. Manufactured by Herman Miller, a globally recognized leader in interior design since 1905, the Keyn chair reflects the company’s commitment to innovative, functional, and timeless furniture solutions that cater to both residential and commercial spaces worldwide.

FONTANA - Blown glass lampshade _ FontanaArte

FONTANA - Blown glass lampshade _ FontanaArte

fontanaarte > Accessories

This elegant diffuser is crafted from satin-finish blown glass, available in three sizes: Small (Ø20), Medium (Ø32), and Large (Ø47), each designed to seamlessly pair with specific models of the "Fontana 1853" table lamp series, including codes F185300100BINE, F185305100BINE, and F185310100BINE, among others. The diffuser comes in a timeless white color, adding a touch of sophistication to any space. For added convenience, a downloadable 3D file of the product is available for design and planning purposes. Manufactured by FontanaArte, a renowned Italian design company founded in 1932 by Luigi Fontana and Gio Ponti, this product reflects the brand's legacy of combining innovative design, premium materials, and timeless elegance. FontanaArte, headquartered in Milan, is celebrated for its lighting and furnishing solutions that blend traditional craftsmanship with contemporary aesthetics, catering to a global audience of design enthusiasts and professionals.

LUCE SOLIDA - Metal pendant lamp _ DE CASTELLI

LUCE SOLIDA - Metal pendant lamp _ DE CASTELLI

DE CASTELLI > Ceiling lamp

The Luce Solida lamp, crafted by DE CASTELLI, is a striking blend of iron and brass that forms a sunburst design, elegantly outlining and expanding light while exploring new formal boundaries. This lightweight lamp features a unique ‘shade’ constructed from small metal rods arranged side by side, creating a delicate interplay of positive and negative spaces that dematerialize its structure. Rigorous in its graphic precision and innovative in its use of elemental materials, Luce Solida directly illuminates spaces, enhancing luminosity through its airy diffuser. The lamp operates at 230V 50/60 Hz, with a maximum power of 6W GU10 LED at 3000K, and is made from E5 DeLabré iron and BF2 DeLabré brass. A 3D file of the product is available for download, allowing for detailed visualization and integration into design projects. DE CASTELLI, an esteemed Italian interior design supplier founded in 2003, is renowned for its handcrafted metal furnishings and architectural elements, blending traditional craftsmanship with contemporary aesthetics to create timeless, luxurious pieces for residential, hospitality, and commercial spaces.

A-MODULO - Metal planter _ DE CASTELLI

A-MODULO - Metal planter _ DE CASTELLI

DE CASTELLI > Accessories

The A-Modulo planter boxes exemplify the art of simplicity through meticulously crafted designs that seamlessly integrate with natural surroundings, enhancing gardens, parks, and terraces with their modular, easy-to-arrange structure. These outdoor planters, featuring an inner Enkadrain coating, are available in a variety of premium materials such as Corten, stainless steel, and aluminum, offering both durability and aesthetic versatility. A 3D file of the product is available for download, allowing for precise planning and visualization. Manufactured by DE CASTELLI, a renowned Italian design house established in 2003, the company is celebrated for its handcrafted metal furnishings and architectural elements that blend traditional craftsmanship with modern innovation, catering to residential, hospitality, and commercial spaces worldwide.

KOINÈ - Aluminium floor lamp _ LUCEPLAN

KOINÈ - Aluminium floor lamp _ LUCEPLAN

luceplan > Floor lamp

Here’s the rephrased and expanded product description, including a concise supplier mention and a note about the 3D file: --- **Koinè Floor/Suspension Lamp by Mandalaki** Expanding the iconic Koinè collection, Mandalaki introduces a versatile lighting solution that blends the elegance of a suspension lamp with the practicality of a floor lamp. Designed with the same minimalist ethos and innovative technology as the original series, this model features a sleek carbon fiber stem, a cylindrical steel counterweight, and an integrated dimmer pedal for adjustable illumination. The lamp’s unique design suspends the shade from the ceiling via a thin cable while anchoring it to the floor, creating a floating effect. Equipped with a glare-free glass lens, it delivers uniform, precise lighting, adaptable to any space thanks to customizable height and angle adjustments. Finished in matte black (55 cm diameter), it suits contemporary interiors seamlessly. A downloadable 3D file is available for design planning. *Supplied by Luceplan, a Milan-based leader in high-end lighting since 1978, renowned for merging cutting-edge technology with sustainable design.* --- This version keeps the product details engaging and concise while adding the requested supplier note and 3D file mention. Let me know if you'd like further refinements!

FLÄPPS CROWNHÄNG 60x20-1 - WHITE - Plywood coat rack _ ambivalenz

FLÄPPS CROWNHÄNG 60x20-1 - WHITE - Plywood coat rack _ ambivalenz

ambivalenz > Furniture accessories

ICON II - Square linen cushion _ kiasmo

ICON II - Square linen cushion _ kiasmo

kiasmo > Furniture accessories

VANITY - Wooden console table with drawers _ carpanelli

VANITY - Wooden console table with drawers _ carpanelli

carpanelli > Console

Forest By Lori Weitzner Bianco Carrara Marble Decorative Tile

Forest By Lori Weitzner Bianco Carrara Marble Decorative Tile

artistictile > Floor tile-stone

The first in our collaboration with award-winning textile designer Lori Weitzner, Forest expresses Lori's affinity for texture, etching a distinctly organic tree bark-like pattern into marble via three individual techniques. The pattern's surface treatment interacts with the natural movement in the stone beneath to make Each piece a unique composition. Stocked as a 12 x 24 field tile.

Opal Swivel

Opal Swivel

papatya > Chair

Polycarbonate shell in mat colours offers a new way of looking and feeling. It’s a pleasant range where you can relax in perfect harmony. Anti UV stabilized. 

Products From the Same Collection

A wide range of product from furniture to finishes to meet the desire of all designers.

FONTANA LARGE - Blown glass table lamp _ FontanaArte

FONTANA LARGE - Blown glass table lamp _ FontanaArte

fontanaarte > Table lamp

This elegant table lamp, designed by the renowned French Master glassmaker Max Ingrand in 1954, features a unique triple light control system, allowing you to illuminate the base, top, and bottom separately for versatile lighting options. Crafted with a painted metal frame and a diffuser and base made of satined, blown glass, the lamp exudes timeless sophistication. It comes with a black power cable, plug, and switch, and a European two-pole plug, though the bulb is not included. The lamp is available in black or white and is compatible with various bulb types, including LED and halogen options, ensuring energy efficiency (A++ energy class). Originally named "1853" and later "Fontana" in homage to the company where Ingrand served as Artistic Director, this iconic design remains a bestseller and a symbol of timeless elegance. For design enthusiasts, a downloadable 3D file of the lamp is available, making it easier to visualize and integrate into your space. Fontanaarte, the supplier, is a prestigious Italian design company founded in 1932 by Luigi Fontana and Gio Ponti, renowned for its innovative lighting and furnishing solutions that blend traditional craftsmanship with contemporary aesthetics. Headquartered in Milan, the brand is celebrated for its high-quality materials, modern designs, and global presence, catering to both residential and commercial spaces.

FONTANA MEDIUM - Table lamp _ FontanaArte

FONTANA MEDIUM - Table lamp _ FontanaArte

fontanaarte > Table lamp

This elegant table lamp features a dimmable, diffused light source, housed in a painted metal frame with a black power cable, dimmer, and European two-pole plug (bulb not included). Available in multiple variants, including diffusers and bases in white or colored paste-blown glass, satin brass, or a combination of glossy paste-colored blown glass with a satin brass base. Crafted from high-quality materials such as glass (available in light gray, purple, black, or white) and metal (brass or brass/black, brass/white finishes), this lamp is energy-efficient with an A++ rating. Designed in 1954 by the renowned French Master glassmaker Max Ingrand, the lamp, originally named "1853" and later "Fontana," is a timeless design icon with multiple light sources for versatile illumination, from soft ambient lighting to focused reading light. A 3D file of the product is available for download, offering a detailed preview for design enthusiasts. The lamp is proudly made in Italy and supplied by Fontanaarte, a prestigious Italian design company founded in 1932, celebrated for its innovative lighting and furnishing solutions that blend traditional craftsmanship with contemporary aesthetics.

FONTANA SMALL - Table lamp _ FontanaArte

FONTANA SMALL - Table lamp _ FontanaArte

fontanaarte > Table lamp

This elegant table lamp features a dimmable, diffused light source, housed within a painted metal frame, and comes with a black power cable, dimmer, and a European two-pole plug (bulb not included). Designed in 1954 by the renowned French glassmaker Max Ingrand, the lamp, originally named "1853" and later "Fontana," is a timeless design icon, celebrated for its multiple light sources that offer versatile lighting options—from soft ambient glow to focused reading light. The lamp is available in frosted white blown glass, with new color variants like light grey and purple amethyst, blending classic design with modern aesthetics. A 3D file of the product is available for download, allowing for detailed visualization and integration into design projects. The lamp is proudly crafted in Italy by **Fontanaarte**, a prestigious interior design supplier founded in 1932 by Luigi Fontana and Gio Ponti, renowned for its innovative lighting and furnishing solutions that combine traditional craftsmanship with contemporary design. Explore their collections at [www.fontanaarte.com](http://www.fontanaarte.com).

FONTANA - Satin glass pendant lamp _ FontanaArte

FONTANA - Satin glass pendant lamp _ FontanaArte

fontanaarte > Ceiling lamp

This elegant suspension lamp features a dimmable, diffused light, perfect for creating a warm and inviting ambiance. The lamp’s diffuser is crafted from satined and blown glass, supported by a sleek chromed metal frame, while the suspension cable is made of durable steel. It includes a transparent power cable and a painted polycarbonate ceiling rose, though the bulb is not included. Available in white, this lamp is energy-efficient with an A++ rating and is compatible with LED or halogen bulbs (recommended: LED 1x21W E27 or HA 1x100W E27). Designed and made in Italy, this lamp combines timeless craftsmanship with modern functionality, and a downloadable 3D file is available for design visualization. FontanaArte, the renowned Italian design house founded in 1932 by Luigi Fontana and Gio Ponti, is celebrated for its innovative lighting and furnishing solutions that blend contemporary aesthetics with high-quality materials, making it a trusted name among designers and architects worldwide.

FONTANA - Blown glass vase _ FontanaArte

FONTANA - Blown glass vase _ FontanaArte

fontanaarte > Accessories

The Fontana Vase is an exquisite hand-blown glass masterpiece, inspired by the iconic FontanaArte abat-jour, model 1853, originally designed by Max Ingrand in 1954. This miniature replica captures the essence of timeless elegance with its milky white frosted glass and satin finish, making it a versatile decorative piece. Whether used as a unique flower vase, a tealight candle holder to create an intimate ambiance, or to discreetly conceal an air freshener, the Fontana Vase adds a touch of sophistication to any space. Presented in an elegant package, it serves as a perfect gift for design enthusiasts and a prestigious addition to any interior. A downloadable 3D file of the product is also available for those seeking a digital representation. Crafted by Fontanaarte, a renowned Italian design house founded in 1932 by Luigi Fontana and Gio Ponti, this vase reflects the brand’s legacy of blending traditional craftsmanship with contemporary aesthetics, offering innovative and high-quality design solutions for over nine decades.

FONTANA - Blown glass lampshade _ FontanaArte

FONTANA - Blown glass lampshade _ FontanaArte

fontanaarte > Accessories

This elegant diffuser is crafted from satin-finish blown glass, available in three sizes: Small (Ø20), Medium (Ø32), and Large (Ø47), each designed to seamlessly pair with specific models of the "Fontana 1853" table lamp series, including codes F185300100BINE, F185305100BINE, and F185310100BINE, among others. The diffuser comes in a timeless white color, adding a touch of sophistication to any space. For added convenience, a downloadable 3D file of the product is available for design and planning purposes. Manufactured by FontanaArte, a renowned Italian design company founded in 1932 by Luigi Fontana and Gio Ponti, this product reflects the brand's legacy of combining innovative design, premium materials, and timeless elegance. FontanaArte, headquartered in Milan, is celebrated for its lighting and furnishing solutions that blend traditional craftsmanship with contemporary aesthetics, catering to a global audience of design enthusiasts and professionals.

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duravit > Accessories

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duravit > Accessories

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duravit > Accessories

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duravit > Accessories

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duravit > Accessories

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duravit > Accessories

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Upholstery > vescom

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Upholstery > vescom

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Upholstery > vescom

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