Haiku is a Japanese poem consisting of just three lines and a total of seventeen syllables. The coffee table designed by Marco Zito for Saba Italia is in fact made up of three parts: the frame and the two tops. The slim architecture suspends the tops on two levels which play with the partial overlap of colors, in a simple and well-gauged relationship of balance and proportions. Haiku was designed with a sophisticated color palette. Frame in painted metal rod. Top in lacquered MDF.
Frequently Asked Questions
Is the Haiku suitable for commercial projects?
Yes, the Haiku by Saba Italia is suitable for both residential and commercial interiors. It is commonly specified by interior designers and architects for hospitality, office, and retail environments.
The textile collection that includes bed linen, throws and carpets, stems from the principle that luxury is a state of mind, reached when beauty and quality intertwine with unconventional comfort. Natural and recycled materials, capable of conveying awareness and respect for the world in which we live in, are the basis on which Saba has transferred its decorative imagery made of colors that suggest harmony and well-being.
The textile collection that includes bed linen, throws and carpets, stems from the principle that luxury is a state of mind, reached when beauty and quality intertwine with unconventional comfort. Natural and recycled materials, capable of conveying awareness and respect for the world in which we live in, are the basis on which Saba has transferred its decorative imagery made of colors that suggest harmony and well-being. Texture Collection is suitable for outdoor.
The textile collection that includes bed linen, throws and carpets, stems from the principle that luxury is a state of mind, reached when beauty and quality intertwine with unconventional comfort. Natural and recycled materials, capable of conveying awareness and respect for the world in which we live in, are the basis on which Saba has transferred its decorative imagery made of colors that suggest harmony and well-being.
The textile collection that includes bed linen, throws and carpets, stems from the principle that luxury is a state of mind, reached when beauty and quality intertwine with unconventional comfort. Natural and recycled materials, capable of conveying awareness and respect for the world in which we live in, are the basis on which Saba has transferred its decorative imagery made of colors that suggest harmony and well-being.
New York Sofa outdoor is the result of careful research into materials so as to preserve the uniqueness of the original design. It features a painted tubular metal frame specifically treated for outdoor use. The ergonomic cushion is covered in a quick-drying, non-absorbent technical fabric, and its great performance in the Martindale test guarantees abrasion resistance as well as hygienic breathability. The cushions are filled with quick-draining polyurethane, with a waterproof white cover. New York outdoor interprets the art of outdoor living with poetically light style and colorful charm, offering a choice of different tones, blends and solid colors. Combined with the standard armchair, it creates the ideal oasis of comfort outdoors. Fully removable covers.
Saba’s iconic Geo pouf moves outdoor. The versatile element that is the Geo pouf can now be used in outdoor environments thanks to the thermo-treated upholstery that allows for the seating to be water resistant. In the outdoor version the metal structure is not available. Fully removable covers.
Metal, wood, rope: simple materials which reinvent commonly used objects. A collection of poufs and coffee tables made in metal rods and woven nautical cords, mixed together like the paints on an artist’s palette. The reference to David Bowie’s iconic Ziggy Stardust is no accident and relates to the irony in the idea of revolutionising the type of accessory furniture in the area for relaxing. The barrel and hourglass silhouettes come together to make up islands which expand: interweaving and volumes are enhanced in the coordination of the mixed colours of the cord, pointing to a new idea of furnishing accessory with endless possibilities of personalising the space. The two-tone plaited rope is an exclusive Saba combination.
The Shade of Venice dividers, inspired by the Venetian islands and their local glow, are created with a magical colorful weave of nautical cords. From the white stone of Giudecca to the colors of the vegetables that grow in the garden patches of Venice’s Sant’Erasmo, four variations were born: Murano, Burano, Giudecca and Sant’Erasmo. The light blue and green colors of Murano play in the threads of the divider’s weave, whilst the bright tonalities and contrasts of the Burano design reflect the colorful houses of the island in orange and blue. The design plays with positive and negative space, creating a peek-a-boo effect subtly revealing the surroundings beyond. The Shade of Venice dividers allow for great flexibility and infinite styling possibilities, both indoor and outdoor.
Garden is a stylish outdoor table, with a distinct design and elegant look. The HPL top and metal base are painted to suit outdoor environments. The table, available in three sizes, can be completely dismantled and easily transported. Matched with the new New York Soleil collection, it creates an oasis of comfort, ideal for outdoor use.
The New York Soleil outdoor collection expands its offer to include the modular sofa. Characterised by intertwined backrests and armrests and an iconic silhouette, this project offers the possibility of defining entire open-air spaces with its chairs, stools and lounge armchair. New York Soleil interprets the art of outdoor living with poetry and elegance. Fully removable covers.
Pixel Light, the new seating system designed by Sergio Bicego, stems from the desire to expand on the concept of flexible form to embrace the idea of fluidity of spaces. We investigated new ways of using the Pixel sofa, the iconic Saba project, which celebrated its tenth anniversary in 2020. We lightened its forms by improving the technical performances, while maintaining intact its distinctive style that is suited to both interior and exterior spaces. Fully removable covers.
Preserving its ancient background and timeless appeal, Sitar lives on with the same finishes proposed for interiors and for open-air spaces, thanks to a special treatment applied to its structure, which enriches the Saba outdoor collection.
Metal, wood, rope: simple materials which reinvent commonly used objects. A collection of poufs and coffee tables made in metal rods and woven nautical cords, mixed together like the paints on an artist’s palette. The reference to David Bowie’s iconic Ziggy Stardust is no accident and relates to the irony in the idea of revolutionising the type of accessory furniture in the area for relaxing. The barrel and hourglass silhouettes come together to make up islands which expand: interweaving and volumes are enhanced in the coordination of the mixed colours of the cord, pointing to a new idea of furnishing accessory with endless possibilities of personalising the space. The two-tone plaited rope is an exclusive Saba combination.
To complete the homonymous seating line, Ananta Class Table represents a new, democratic and contemporary of subordinating the object to the centrality of man.
Elegant like jewellery, the Ring coffee tables are inspired by raw cuts of precious stones prior to being mounted into rings. The choice of materials is aimed to emphasise this inspiration behind the collection. The metal base structures are available in several variants each of which corresponds to a geometric form. Like in jewellery design, the glass tops in transparent or light colours are literally set onto the base structures.
The Leyva table is made of painted iron rod welded into a grille of uniform squares. Sophisticated and unintrusive, Leyva decorates the living room with a light, contemporary touch. The Leyva collection also includes a latticework bookcase with the same design, a clean-cut and essential silhouette. Its willowy minimal contours conjure up an airy lightness. Whether it is wall-mounted or free-standing, it will easily blend into any setting. Perfect for modern settings and a seamless solution for industrial surrounds, it could also bestow an unexpected twist on more classical décor. Moveable shelves and the base, for floor version, are in coated sheet metal.
Haiku is a Japanese poem consisting of just three lines and a total of seventeen syllables. The coffee table designed by Marco Zito for Saba Italia is in fact made up of three parts: the frame and the two tops. The slim architecture suspends the tops on two levels which play with the partial overlap of colors, in a simple and well-gauged relationship of balance and proportions. Haiku was designed with a sophisticated color palette. Frame in painted metal rod. Top in lacquered MDF.
The project takes its inspiration from the concept of our memory, reimagining simple and iconic forms with echoes from the past. Central to the design is the upright hexagonal structure typically used in building construction that, in this particular context, is interpreted as a joint onto which the feet are attached perpendicularly. This style detail is reminiscent of 1950’s furniture design. The base of the table is painted finished metallic wire drawn.
The project takes its inspiration from the concept of our memory, reimagining simple and iconic forms with echoes from the past. Central to the design is the upright hexagonal structure typically used in building construction that, in this particular context, is interpreted as a joint onto which the feet are attached perpendicularly. This style detail is reminiscent of 1950’s furniture design. The base of the table is painted finished metallic wire drawn.
The seating Geo collection welcomes a new element: a versatile small table with a nomadic allure that proposes again the characteristic base in three shades, black chrome, satin brass and glossy copper. The tables have the peculiarity of having a mobile top, allowing it to become a tray if needed. Perfectly matched to the Geo armchair and small sofa, but also to the rest of the Saba collection. Available in two sizes.
The Teo low table, stems from the idea of evoking a constructive and symbolic archetype such as the dome. The surface has slight facets, recalling the segments that usually form the domes in architecture. Its transversal nature, the materiality and the nuances that characterize it, make it a passe-partout accessory in Saba environments, both indoor and outdoor.
Leaving a mark between two or more people is one of the oldest and most evocative acts of communication, and writing represents the essence of the act in the evolution of the instruments used. To study, to work, to write but also to think, read and reflect, the place, the atmosphere and the furnishing become part of the act itself. With Alphabet, Saba narrates the interpretation of the writing table: a desk that was created for the domestic environment but that is also well suited to the most sophisticated demands in the field of hospitality and contract. A reserved corner, sometimes private, with a retro flavor but yet increasingly current, capable of interpreting the new scenarios of living. In compliance with the stylistic codes of the brand, 967Arch offers a desk with rounded lines, able to fit into environments with personality and lightness. The finishes follow this philosophy, harmonizing with the family of products in the catalog, with which it can be freely combined. The varnished iron structure that unrolls like a ribbon, the curved top in lacquered wood and the details for the support of technology are interpreted with simple, almost hidden, identifying signs. A "secretaire" drawer completes the furniture while preserving a flavor of the past, presented with elegance and simplicity. The attention to detail and craftsmanship embellishes an essential design. Another letter in Saba’s alphabet, to narrate of new stories and emotions yet to be written.
Teatro Magico Low Table is the new sculptural coffee table inspired by the sinuous base of the homonymous table. Two volumes and two heights characterized by the possibility of interlocking and the combination of matt or mirroring finishes.
Teatro Magico, the first table by Saba, is a scenic backdrop for the domestic and contract environment. The softness of the fabric, reinterpreted in the base of the table, alludes to the very essence of the company, the table bases can be united or separated and they accentuate the compositional freedom of a sculptural furniture piece that becomes the silent protagonist of the environment. The table top, clean and essential, is available in different shapes and sizes, round and oval, to accompany different stories of conviviality. The new tops for the Teatro Magico table collection use satin glass as a material with which to sculpt the color of light. Warm amber and soft cashmere are the two new colors which, in addition to white, enrich the Saba chromatic proposal. The table reveals itself in its poetic soul, without neglecting its function.
Bed & Breakfast is a sofa which transforms into a comfortable bed simply by folding down the backrest. The sofa bed is easy to open, thanks to a rectangular hole cut into the underside of the base, and to the special structure of the boxspring, which runs horizontally on a finger-jointed mechanism to create the extra length needed. Bed and Breakfast ranges are comprised of the Sofa-double bed and the Chaise Longue-single bed. This is the result of advanced research into new-generation materials which give maximum comfort with optimum resilience. The maxi scatter cushions unfold to create a small quilt, and can then be refolded and fastened with two buttons, to offer excellent back support. Fully removable covers.
The Avant-Après bed has a sober allure and an elegant presence. Grounded yet lightweight, it transforms into extremely interesting configurations thanks to the particular headboards that can be positioned along the bases’s perimeter. The bed-frame, available for upholstery in fabric or leather, rests neatly on a metal base finished with painted metal feet. Fully removable covers.
Limes T Large follows the same stylistic line of the Limes collection and is characterized by a functional integrated padded shelf, which depending on the panels positioning, can add an extra area to the headboard or footboard. Fully removable covers.
The Limes bed maintains the intelligent functionality that characterises the sofa line but has been adapted for a different interior area and function. The lightweight mobile island appears to be floating on its 14cm rectangular transparent legs. It can become something else by simply adjusting the position of the two metal headboards that can be placed anywhere along mattress’s entire perimeter. Fully removable covers.
Limes Large is the most generous option within the Limes collection, thanks to the two wider sides that allow for a functional and unusual support. The rectangular feet in transparent methacrylate onto which the base is rested, make the bed appear to float. Fully removable covers.
The variation with a floor bed frame offers a fuller option and expresses the classic identity of the New York line, maintaining the iconic quilted headrest. Fully removable covers.
The New York Air bed follows the same line of the sofa collection exhibiting all its retro elegance mixed with a contemporary soul and timeless spirit. A bed of two identities and characterised by the hexagonal shape and quilted detailing of the headboard, New York Air rests on a sled base. Fully removable covers.
Pixel Air offers a lighter aesthetic to the Pixel collection, distinguished by being delicately rested on four feet. A linear and essential frame plays with the large and generous headboard that remains constant in the collection and is characterised by the quilted seams. Fully removable covers.
Pixel Box is soft in the entirety of its design. It offers a generous and comforting single volume thanks to the ample padding of the upholstered structure and rounded corners. The bed-frame and the headboard are characterised by the quilted seams that recall Saba’s iconic Pixel sofa. Fully removable covers.
Pixel Box Large is the most voluminous option in the Pixel bed collection, completely enclosed by the soft and ample bed frame. Pixel Box Large most evidently recalls the iconic and generous rounded shapes of Saba’s Pixel sofa. Fully removable covers.
Wabi is a word that celebrates the pleasure of simplicity and the beauty inherent in the natural imperfection of things. The Wabi philosophy teaches us to rediscover the beauty of intuitive and spontaneous creation. We love the new bed designed by Alain Gilles precisely for its apparent imperfection that combines, with a harmonious style, the sculptural quality of the feet with the clear-cut contrast created by the soft and textured headboard. Fully removable covers.
The whimsical and feminine touch that defines the Isabelle chairs has been elevated in the form of a stool element. The stool maintains the organic shape that characterizes the seating solution, accentuated by the lavish upholstery: velvet and boucle jacquard. The 96 cm height make it perfect for commercial use. Fully removable covers.
A whimsical, feminine seat: discreet and refined, calm and simple. The rounded shape is accentuated by the sumptuous fabric, velvet on the outside and boucle jacquard on the inside. Fully removable covers.
The Ola chair grows taller: it adapts the same concept of curved sheets converging towards a single central point but this time in the form of a stool. The padded and welcoming form of the Ola collection extends to a different use within the dining area, available in two different heights, intended for both residential and commercial use. Fully removable covers.
The Ola family extends to the dining room: Ola chair originates from the same concept of curved sheets, each converging towards a single center point. Four sheets become two sheets for the variation without armrests. The metal frame has an essential and graphic silhouette, in contrast with the padded and rounded form. Fully removable covers.
A sophisticated item of furniture for the dining area, the New York chair with or without armrests stands out with its sprightly structure and comfortable upholstery embellished by small tonal quilted parts. Available in chrome or painted finish. Fully removable covers.
The In Situ Modular Sofa is a grand, modular design with sculptural lines that can be tailored to your individual space and taste with its modular elements hidden through subtle detailing of its front profile, paired with deep comfort and a soft seat. Choose from any of the 30 predesigned configurations or create your own, using the 9 different seating modules and loose cushions. The look and feel of the In Situ Modular Sofa is more casual in its appearance, compared to some of our other sofas. Visit our Product Planner to explore the possible configurations: planner.muuto.com/in-situ *Please note that the In Situ Cushions are not part of any configuration or seating module and must be added separately to your order.
The Outline Series adds new perspectives to the classic Scandinavian design sofas of the 1960's, marrying the ideals of simplicity and function into one. With the design taking its name from its strong outline of a sofa, the Outline Series is clean and elegant on the outside with a deep seat and soft cushioning on its inside. The Outline Series has an expression that is at once elegant yet timeless, elevated by its lines referencing architectural shapes alongside its curved armrests, giving the design a distinct appearance across various sizes and variants. The Outline Series also includes Studio versions of the Sofa and Chair, being compact versions with slimmed-down proportions for smaller spaces within the home, hotel rooms, work settings and more. The Outline Studio Sofa and Chair have a smaller depth of 76 cm / 29.9”.
This modern wall sconce features a sleek, matte metal design, perfect for adding a touch of elegance to hallways. Its minimalist form and upward light direction create a refined ambiance, ideal for contemporary interiors.
Audrey is a versatile and contemporary chair which because of its simple, clean lines obtained through a special die-casting process is composed of only two parts and made without welding. It is multifunctional and adaptable to all uses - indoor, outdoor, the home, office and contract - with its wonderfully rich range of combinations both hard and soft. Audrey comes in either the chair or the armchair (with arms) version.
The Madame small armchair is part of the La DoubleJ collection. The seat structure is available in two different colours (white and black), which transversely match the patterns of the frame.
Ellis has a soft and curvy design with a contemporary and elegant twist. Ellis’ modules can be adapted endlessly and can be combined for instance into a regular straight sofa, a corner sofa, a chaiselong sofa or as a U-sofa. In other words, so many variations for both small and larger spaces.
Inspired by Alexander Calder’s kinetic sculptures, Spanish designer Jaime Hayon transformed the idea of a mobile into a table - stabilised by a metal armature. A series of multi-tiered tables of varying shapes, sizes, colours and materials. Get this Palette desk in two different variants.
It’s hard to look away from this bedspread from contemporary brand All the Way to Paris, which places an illustration of a singular eye in the centre of a geometric design. Quilted by hand, and crafted from organic cotton, it comes in two colours: Brown Earth and Blue Midnight.
Named after the Betty Nansen theatre in Copenhagen, this stackable chair comes in two versions: one with a seat made from exposed webbing crafted from natural linen fibres, and another with a solid wooden seat. It is available in three contemporary frame colours: Black lacquered ash, Maroon lacquered ash, as well as lacquered solid oak.
Gustave is a portable, self-powered luminaire, specially designed for tabletop lighting applications and other related uses as supplementary lighting. Gustaves compact size encloses a perfect mix of the most innovative optical and light technology and a disruptive engineering, developed in the service of a discretionary purpose of Flos for this project: to create the first portable luminaire on the market with circular design awareness, ecological and honestly conceived against obsolescence.Portable luminaire with autonomous battery, designed for residential applications. Powered by 'Button Type 18650 Li-Ion' batteries (2 units, included inside the product). USB-C charging cable (plug adapter not included). 0-100% sequential regulation by means of capacitive haptic push button.
Hazy Day is the outcome of a delicate study of light and how it diffuses, inspired by that time of day when the sun has not yet come up and the light of the sky is filtered through the haze. As a hanging lamp, the opal glass ball fades from a sandy matte to a shiny transparent finish at the small curvature that rounds out the lampshade. This detail breaks up the essential geometry of the sphere and harkens back to the technical procedure of glassblowing, the technique used to craft it.From certain vantage points, the downward-shifted position of the bulb and the bottom curvature generate a provocative sense that there is a double source of light.
Occony introduces The Living Workspace, our latest collaboration with designer Robert Bronwasser. The Living Workspace is a modern workspace concept, inspired by nature, with organic shapes and smart solutions that promote functionality, connection and well-being, even in the most business-like environments. The Living Workspace is a modular system that is customizable in size, direction, composition and color & finishes. It acts as an innovative replacement for conventional workplaces and promotes innovation, social interaction, and various forms of collaboration. As well, it offers the opportunity to create quiet, ergonomic workplaces for individual work. Our workplaces are acoustically optimized, electrically height-adjustable, and comply with the NPR 1813 and NEN 527 guidelines for sit-stand workplaces.
Gispen TMNL is a modular desk and (conference) table range, specially designed for intensive use. Ideal for dynamic organisations that place high demands on multifunctional office design, with an eye for sustainability. The frame, top and base are easy to assemble and the desired height is easy to adjust.
As its name suggests, the Gentleman Relax armchair is designed to favour moments of rest in both domestic settings and public venues. Its soft lines and characteristic pointed feet echo the Gentleman Single model, which is reinterpreted with a greater depth of the seat. The armchair can be upholstered in leather or fabric, also with grosgrain edging, and can be combined with the matching pouffe.
This wooden Slab Table is part of a series of robust pieces constructed in angular forms of inviting simplicity. Made in Lithuania using solid wood, this modern table is celebrating the natural beauty of Oak.
More Information Also available in a Black finish. The collection includes an Individual Desk, Dining Table, Dining Chair and Bar Stool.
Haiku is a Japanese poem consisting of just three lines and a total of seventeen syllables. The coffee table designed by Marco Zito for Saba Italia is in fact made up of three parts: the frame and the two tops. The slim architecture suspends the tops on two levels which play with the partial overlap of colors, in a simple and well-gauged relationship of balance and proportions. Haiku was designed with a sophisticated color palette. Frame in painted metal rod. Top in lacquered MDF.
The colored polycarbonate shade adds personality to any setting. The control rod is positioned close to the light source. A counterweight provides easy height adjustment.
Discover deep scarlet and bright sapphire hues balanced by softer shades. The Calligraphy Bird Carpet shows the extinct animals colourful beauty in all its splendour. Treat your interior with this round carpet that hides a seductive streak.
Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>
The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete.<br /><br />«The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.»<br />Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these.<br /> He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him.<br /> This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen.<br /> A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p>
<p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Within our linoleum flooring range, Marmoleum Decibel provides the highest impact sound reduction of 18dB. This sustainable acoustic flooring consists of 2.5 mm Marmoleum laminated onto a 1 mm layer of polyolefin foam. Available in 27 colors selected from the Marmoleum Marbled and Solid collections.
Within our linoleum flooring range, Marmoleum Decibel provides the highest impact sound reduction of 18dB. This sustainable acoustic flooring consists of 2.5 mm Marmoleum laminated onto a 1 mm layer of polyolefin foam. Available in 27 colors selected from the Marmoleum Marbled and Solid collections.
Marmoleum Cocoa embraces our ethos of sustainable design with its combination of circularity and beauty.Marmoleum Cocoa floors are developed and manufactured to be recycled and reused while preventing and sequestering carbon emissions.By adding cocoa shells to the traditional Marmoleum ingredients we have created an exciting surface texture that is both natural looking and contemporary in feel. Marmoleum Cocoa floors combine the liveliness of cocoa husks with the calmness of mineral tones.A timeless floor that fits everywhere.All Marmoleum Solid colours can be ordered in a 3.5 mm Marmoleum Decibel construction.
Hoff created by designer duo Morten & Jonas is a collection of two modular stools and two modular armchairs. They can combine to make a sofa as well an entire living room area. They are characteristed the visual and tactile qualities of the surfaces. Morten & Jonas like to create objects that arouse emotions. Read more
The Taula table collection is inspired by the monumental stone structures of Menorca and Mallorca in the Mediterranean, reimagined by designer Patricia Urquiola into a series of innovative dining tables that celebrate the tactile qualities of natural stone. Each piece features soft, sinuous forms crafted from marble and limestone, seamlessly integrated with an ingenious metal support system. This design not only defies conventional perceptions but also creates the illusion of a floating top, suspended above sturdy legs, thanks to meticulous research into form and perspective.
The Taula collection comprises six striking dining tables in various styles: rectangular variants featuring Crema d’Orcia, Pietra d’Avola, and a combination of Bianco Carrara with legs made from sandblasted Pietra d’Avola. Additionally, square-shaped pieces are available in Bianco Carrara, Gris du Marais®, and Bianco Carrara paired with sandblasted Verde Alpi.
The Taula tables have been treated with a neutral sealer that not only protects them from staining but also makes them suitable for food-related use. However, it is important to note that natural stone will retain some level of absorption; therefore, products containing high levels of acid, fat, or oil should never be placed on these surfaces. Any spills should be wiped off immediately to prevent damage.
For optimal care and longevity, it is recommended to clean the Taula tables with a soft cloth using mild detergent and water when necessary. Avoid harsh chemicals that could potentially harm the surface's finish. Regular maintenance will help preserve the beauty of this unique collection for years to come. For further information on proper care and handling, please refer to the manufacturer’s guidelines provided by TAULA Salvatori.
Marmo Metallo Matte Kalesinterflex Porcelain Slab 162x323. Made of porcelain. Size 162 x 323 cm, 12 mm thick. Matte surface. Certified: EPD, GREENGUARD, TSE.
The Around Coffee Table brings a new perspective to its typology through the characterful wooden veneer frame that runs along the edge of the table, echoing the ideas of Scandinavian design. With its round shape and multiple sizes, the Around Coffee Table can be used in a multitude of settings, on its own or in groups, in any living room, lounge setting, lobby area or hotel room.
The Dice coffee table is truly a design object. No compromise has been made in its design. Every detail is exactly as designers Studio Truly Truly intended. This creates a fascinating table that continues to surprise from every perspective.
Toveri marries curves and hard materials to create a table series with soft shapes and striking features. The link between the top and the base has been moved to the centre of the tables, so the table top appears to float. The symmetry of the two elements makes the base seem like a shadow of the top.
Natural shapes and materials bring tranquillity to your living space because they exude softness and quality. It's the first thing you notice about Iduna coffee tables. The tapered wooden legs support a marble or solid oak top - large or small, in a high or low version for the most beautiful pairings.
With Liliom, design studio Beck Design has crafted a series of organically shaped tables in varying shapes and heights. They're as beautiful as they are practical – you can nest them for a tidier look. The ceramic or solid wood top gives the piece a natural accent, while a lacquered finish creates a colourful look.
Small table. Steel frame painted in the shades black or white. Tops available either in white Carrara marble, in black Marquinia marble or in Emperador marble, with stain-resistant protective varnish, in clear matt polyester.