FRENESI by Fontana Arte
Key details
| Brand | Fontana Arte |
|---|---|
| Category | Wall lamp |
| Colour | Neutral |
Description
Frequently Asked Questions
Is the FRENESI suitable for commercial projects?
Yes, the FRENESI by Fontana Arte is suitable for both residential and commercial interiors. It is commonly specified by interior designers and architects for hospitality, office, and retail environments.
Can the FRENESI be used outdoors?
The FRENESI is designed for indoor use only.
Specifications
| Style | Modern |
|---|---|
| Indoor / Outdoor | Indoor |
| Brand | Fontana Arte |
| Category | Wall lamp |
More Wall lamp by Fontana Arte
UOVO LARGE
Fontana Arte > Table lamp
A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the Uovo lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light. Available in three sizes, it has all the versatility of a collection designed for multiple uses: from the small version which serves as a tiny utility lamp to the large version, a veritable light sculpture, protagonist of any space.
UOVO MEDIUM
Fontana Arte > Table lamp
A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the Uovo lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light. Available in three sizes, it has all the versatility of a collection designed for multiple uses: from the small version which serves as a tiny utility lamp to the large version, a veritable light sculpture, protagonist of any space.
UOVO SMALL
Fontana Arte > Table lamp
A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the Uovo lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light. Available in three sizes, it has all the versatility of a collection designed for multiple uses: from the small version which serves as a tiny utility lamp to the large version, a veritable light sculpture, protagonist of any space.
PAROLA
Fontana Arte > Table lamp
Designed by Gae Aulenti and Piero Castiglioni in 1980, the Parola lamp features three different kinds of glass working processes: blown glass, natural glass and natural crystal. It is an exemplary model of technical integration between artisan and industrial skills.
PAROLA
Fontana Arte > Table lamp
Designed by Gae Aulenti and Piero Castiglioni in 1980, the Parola lamp features three different kinds of glass working processes: blown glass, natural glass and natural crystal. It is an exemplary model of technical integration between artisan and industrial skills.
REGINA
Fontana Arte > Table lamp
Inspired by the game of chess with their sinuous shapes, Re and Regina are the key characters of the chessboard. Their profiles stand out clearly in the white light diffused by opalescent glass. Real individuals, they play in pairs alternating spheres, cylinders and rings of light. Vertical the King (Re), horizontal the Queen (Regina). They can be placed next to each other or in different spots in the same room, be used as floor or table lamps, on a coffee table or a desk, both Re and Regina have the presence to create a context. The dimmer allows to modulate the light making it a surreal element with different degrees of intensity: an element of representation that releases energy in space when the light is bright, abstract and restful when the light is soft and low. Glass sculptures during the day in environments illuminated by natural light. Re and Regina are inspired by the history of art, from Cosmè Tura to the Flemish interiors of Jan Van Eych to the conceptual imagery of Marcel Duchamp who plays chess as a lifestyle. Re and Regina are Cartesian axes of a universe that crosses ages and cultures. In 2020 FontanaArte reintroduces these glass lamps as a sign of the expressive wealth contained in the great repertory of ideas that is the FontanaArte catalogue and, most importantly an homage to the talent of an artist who had a gift for calibrating the formal tension of a utilitarian object on a quest for unity among the arts.
ASHANGHAI
Fontana Arte > Table lamp
This extremely elegant table lamp was designed by Max Ingrand in 1955, during the period when this French maestro was artistic director at FontanaArte. Chromed brass joints hold together five tubes made of transparent borosilicate glass that form a series of intersections supporting the lamp.
METAFORA
Fontana Arte > Table lamp
Metafora was born in the flourishing creative climate of the early ‘80s, when Gae Aulenti took on the role of artistic director for FontanaArte and decided to bring glass back to the forefront of the company’s production. On Aulenti’s invitation, Umberto Riva designed a precious table lamp consisting of a conical shade in layered opal glass supported by a transparent glass base that hides the metal frame, all interlocking. A highly decorative object, produced with traditional techniques like glass blowing and other examples of artisanal know-how, reproposed today to a clientele ever more attentive to originality of design and its timeless expressions.
LASOSPESA
Fontana Arte > Table lamp
FontanaArte calls Stefano Boeri Architetti and launches "lasospesa", the new table lamp. For one of the most important Milanese architects in the world, whose Bosco Verticale is one of the most representative and iconic projects of our time, trying a lamp was an interesting change of scale. Like FontanaArte: historic and contemporary Milan, elegant entrances and new buildings, fashion and major art exhibitions. Like FontanaArte's art: it finds form in an object that does not preclude function and from which a light comes to life. lasospesa is in fact a symmetrical table lamp, born from the elementary principle of the incorporation of two cylinders: a cylinder of primary light suspended in a cylinder of diffused light. "A non-lamp with numerous uses and iridescent luminosity, very simple and classic, lasospesa seems to have always been there, where you placed it" says Stefano Boeri.
BILIA
Fontana Arte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA MINI
Fontana Arte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA MINI
Fontana Arte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
UOVO RECHARGEABLE
Fontana Arte > Table lamp
A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the UOVO lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light.
BILIA MINI
Fontana Arte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA MINI
Fontana Arte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA MINI
Fontana Arte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA MINI
Fontana Arte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA
Fontana Arte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA MINI
Fontana Arte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA MINI
Fontana Arte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA
Fontana Arte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA MINI
Fontana Arte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA
Fontana Arte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA MINI
Fontana Arte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
OORT
Fontana Arte > Table lamp
The OORT system is composed of tubular elements made of borosilicate glass. Inside them are flexible LED light tubes of the latest generation, easily replaceable, with perfectly uniform 360° light emission and certified also for outdoor use. The borosilicate glass is ribbed on the inside, a feature that enhances the light by making it warm and welcoming, brings out the effect of light and shadow, and allows easy cleaning of the smooth outer surface. The light is diffuse, dimmable and available at 3000K (1900Lm/m) or Dim To Warm which allows to change the colour temperature, by dimming, from minumum 1800K to 4000K at maximum intensity. The flux is dimmer-dependent to a maximum of approx 1000Lm/m. The product can be supplied at 2700K on request.
OORT
Fontana Arte > Table lamp
The OORT system is composed of tubular elements made of borosilicate glass. Inside them are flexible LED light tubes of the latest generation, easily replaceable, with perfectly uniform 360° light emission and certified also for outdoor use. The borosilicate glass is ribbed on the inside, a feature that enhances the light by making it warm and welcoming, brings out the effect of light and shadow, and allows easy cleaning of the smooth outer surface. The light is diffuse, dimmable and available at 3000K (1900Lm/m) or Dim To Warm which allows to change the colour temperature, by dimming, from minumum 1800K to 4000K at maximum intensity. The flux is dimmer-dependent to a maximum of approx 1000Lm/m. The product can be supplied at 2700K on request.
DARUMA LARGE
Fontana Arte > Table lamp
On show at the Museum of Modern Art in New York, Daruma was produced in 1968 to a design by Sergio Asti. His table lamp has simple, formal features: a spherical vase topped by a little lid.
DARUMA MEDIUM
Fontana Arte > Table lamp
On show at the Museum of Modern Art in New York, Daruma was produced in 1968 to a design by Sergio Asti. His table lamp has simple, formal features: a spherical vase topped by a little lid.
DARUMA SMALL
Fontana Arte > Table lamp
On show at the Museum of Modern Art in New York, Daruma was produced in 1968 to a design by Sergio Asti. His table lamp has simple, formal features: a spherical vase topped by a little lid.
BLOM
Fontana Arte > Table lamp
Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.
BLOM
Fontana Arte > Table lamp
Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.
BLOM
Fontana Arte > Table lamp
Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.
BLOM
Fontana Arte > Table lamp
Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.
BLOM
Fontana Arte > Table lamp
Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.
BLOM
Fontana Arte > Table lamp
Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.
BLOM
Fontana Arte > Table lamp
Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.
MATRIX LARGE
Fontana Arte > Table lamp
Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.
MATRIX MEDIUM
Fontana Arte > Table lamp
Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.
MATRIX LARGE
Fontana Arte > Table lamp
Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.
MATRIX MEDIUM
Fontana Arte > Table lamp
Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.
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FRENESI
Fontana Arte > Wall lamp
The Frenesi lamp comes from the author’s passion – filmmaker Luca Guadagnino - for art deco, a style he loves in all its declinations, particularly for the angularity, the design, the regular shapes of the lines that meet and intersect. Today, the FontanaArte collection is still a synthesis of art deco, which, in an Italian key, illuminates homes all over the world. The designer questioned the form to which he should strive in order to create an object that respected the stylistic expression of the era from which it was inspired but with a contemporary language.
Dynamic colours pillowcases
Auping > Bed linen
The Dynamic colours pillowcases are made of 100% cotton satin. The coloured stripes on the front of the pillowcases blend into the duvet cover. The back of the pillowcases are plain brown. Pillowcase with double hotel closureThe Auping pillowcases from the seasonal collection have what is known as a double hotel closure. A hotel closure is a folded opening on the shortest side of the pillowcase. With a double hotel closure, it doesn't matter which side of your pillow you use, it always looks neat.Sizes of our pillowcasesThe pillowcases from the basic collection and seasonal collection are also available as a loose set in sizes:60 x 70 cm40 x 60 cmSustainabilityAt Auping, we dream of a rested world. Of sleeping under wonderful bedding made in an environmentally friendly way and under good working conditions. That's why all our duvet covers in the basic collection have the internationally recognised GOTS certificate. This is the very highest international standard for organic textiles. It not only guarantees top quality but also gives us the assurance that the entire chain complies with strict social and environmental requirements. The covers in the seasonal collection carry the BCI label, which also guarantees sustainably and socially responsible produced bed textiles.Quality labelsNot only sustainability but also the quality of our products is very important to us. We pay a lot of attention to this and work with the following quality marks and institutes to guarantee our quality. All Auping duvet covers are checked annually by TÜV Rheinland Netherlands for size, shrinkage, colour fastness and strength properties.All Auping duvet covers have the Oeko-Tex Standard 100 certificate. This quality mark is issued by the Oeko-Tex institute which guarantees that the tested and certified textiles are free of harmful substances in relation to human health and environmental impact. It is thus a safety seal for textiles.
Mexican Talavera Ceramic Decorative Tile: Blue Ville
Casatile > Styling
Please Consider: Moderate variations are expected for all Handcrafted Talavera tiles. Size, color, color runs offs, texture and design are all likely to vary from piece to piece due to the handmade process. Therefore, it is recommended that the entire range is viewed and arranged before installation.Shades of color are seen differently on computer monitors and therefore requesting a sample before making a final selection or purchase is recommended. Lot variation in size and color may be present from shipment to shipment. There is no guarantee that tiles ordered as add-ons will match those from the original orders. Description: Tiles have embellished numerous public and private spaces throughout Mexico. A glimpse anywhere in Mexico, particularly in the central states, shows the widespread use of talavera tiles decorating a broad range of spaces from kitchens, fountains, facades, interiors of luxurious hacienda homes to churches. It is through traditional artifacts, such as handcrafted tiles, that one can perceive an artisan’s sensibility, and creativity. Handcrafted ceramic tile is a rooted cultural heritage in Mexico, since its practice of making it began in the late sixteen century, around 1570 and 1573. Mexican ceramic tiles have actively played a distinguished role as an important utilitarian and decorative element in Mexican architecture. Recommended Use: All interiors of residential and commercial wall applications. Light-use residential flooring as accents or as a border to define an area. Outdoor use in areas where freezing temperatures are not common. Tiles are not frost proof. Wet areas such as showers, pools or fountains. Tiles and grout must be sealed with a penetrating sealer that will form an invisible barrier resistant to moisture and stains. Specifications Texture: Smooth Finish: Gloss Body: Red Bisque Thickness: 1/4 in. Variation: V3 - Moderate Variation Grout: Sanded grout if joint is greater than 1/4 in. orNon-sanded grout if joint is less than 1/4 in. Sealer: Use penetrating sealer Tiles per Square Foot: Size (in.) Number of Tiles 2x2 36 tiles 3x3 16 tiles 4.25 x 4.25 8 tiles 6x6 4 tiles Please Note: Customer is responsible for final quantity order. Industry standard recommends adding on 5-10% additional tile to account for waste, special cuts, or other unforeseen problems. It is recommended to revise measurements and tile quantities with an expert installer. Care and Considerations: Clean with mild cleanser and damp cloth, do not use abrasive cleaners. Some glazes such as matte colors are acid sensitive. Do not use cleaners with an acid base since these may cause discoloration.
6x6 Circle - Tierra High-Fired Floor Tile
Casatile > Floor tile-stone
Please Consider: To complete the pattern you need to order Cross 2. Please Consider: Substantial variations are expected for all Tierra tiles. Tiles are substantially variant meaning that random color and texture differences will be present from piece to piece. Final installation will be unique. Therefore, it is recommended that the entire range is viewed and arranged before installation. Shades of color are seen differently on computer monitors and therefore requesting a sample before making a final selection or purchase is recommended. Lot variation in size and color may be present from shipment to shipment. There is no guarantee that tiles ordered as add-ons will match those from the original orders. Description: Tierra handmade and high fired terra-cotta floor tiles are of unparallel quality. The durability and strength of our Tierra terracotta tiles greatly depends on high quality raw materials and its firing processes. We have a very strict quality control in the selection and formulation of the clay that embodies these tiles, along with high firing.In comparison to Saltillo tiles and mission red tiles, Tierra floor tiles are of superior quality and durability; that is why they are the preferred terra cotta floor tiles by architects, professional builders, and designers. Tierra floor tiles are 100% handcrafted and deliver a stunning and authentic old-world charm with 21st century high quality standards; additionally, they require very little maintenance. Recommended Use: • Residential and medium use industrial flooring. • All interiors of residential and commercial wall applications. • Wet areas such as showers, pools or fountains. • Frost resistant. Suitable for exterior environments with temperatures below 0º C. • Tiles and grout must be sealed with a penetrating sealer that will form an invisible barrier resistant to moisture and stains. Specifications: Texture: Coarse, Irregular Finish: Unsealed natural clay Body: Red Bisque, Irregular Thickness: 3/8 in. Variation: V3 - Moderate Variation Grout: Sanded grout if joint is greater than 1/4 in. Sealer: Use 511 Impregnator • Tierra tiles are fired at temperatures ranging from 1180 to 1200 degrees centigrade. Highly resistant due to its dense body and are almost non-absorbent. Moisture Absorption ≤ 5.3%• Samples of unglazed Tierra tiles were submitted to ASTM C1026 Testing, consisting on freezing the tiles in water to 27°F and then thawing the tiles in water to 40°F. No damage was shown after 300 freeze-thaw cycles. • Static Coefficient of Friction is greater than .90 (SCOF ≥ .90) • Breaking Strength ≥ 365 lbf Tiles per Linear Foot Size (in.) Number of Tiles Circle 2.5 tiles Cross 2 2.5 tiles Please Note: Customer is responsible for final quantity order. Care and Considerations: • For routine maintenance immediately clean any spills. Damp mop floor tile with a neutral pH cleanser and water.• Do not use abrasive cleaners, acids or bleaches.
12.375 x 12.375 Stair Cove Molding - Tierra High-Fired Floor Tile
Casatile > Floor tile-stone
Minimum Qty. of 40 is required. This item will ship by freight truck. Sample orders will be shipped with UPS Ground. Please Consider: Substantial variations are expected for all Tierra tiles. Tiles are substantially variant meaning that random color and texture differences will be present from piece to piece. Final installation will be unique. Therefore, it is recommended that the entire range is viewed and arranged before installation. Shades of color are seen differently on computer monitors and therefore requesting a sample before making a final selection or purchase is recommended. Lot variation in size and color may be present from shipment to shipment. There is no guarantee that tiles ordered as add-ons will match those from the original orders. Description: Tierra handmade and high fired terra-cotta floor tiles are of unparallel quality. The durability and strength of our Tierra terracotta tiles greatly depends on high quality raw materials and its firing processes. We have a very strict quality control in the selection and formulation of the clay that embodies these tiles, along with high firing.In comparison to Saltillo tiles and mission red tiles, Tierra floor tiles are of superior quality and durability; that is why they are the preferred terra cotta floor tiles by architects, professional builders, and designers. Tierra floor tiles are 100% handcrafted and deliver a stunning and authentic old-world charm with 21st century high quality standards; additionally, they require very little maintenance. Recommended Use: • Residential and medium use industrial flooring. • All interiors of residential and commercial wall applications. • Wet areas such as showers, pools or fountains. • Frost resistant. Suitable for exterior environments with temperatures below 0º C. • Tiles and grout must be sealed with a penetrating sealer that will form an invisible barrier resistant to moisture and stains. Specifications: Texture: Coarse, Irregular Finish: Unsealed natural clay Body: Red Bisque, Irregular Thickness: 1/2 in. Variation: V3 - Moderate Variation Grout: Sanded grout if joint is greater than 1/4 in. Sealer: Use 511 Impregnator • Tierra tiles are fired at temperatures ranging from 1180 to 1200 degrees centigrade. Highly resistant due to its dense body and are almost non-absorbent. Moisture Absorption ≤ 5.3%• Samples of unglazed Tierra tiles were submitted to ASTM C1026 Testing, consisting on freezing the tiles in water to 27°F and then thawing the tiles in water to 40°F. No damage was shown after 300 freeze-thaw cycles. • Static Coefficient of Friction is greater than .90 (SCOF ≥ .90) • Breaking Strength ≥ 365 lbf Tiles per Linear Foot Size (in.) Number of Tiles 12 1 tile Please Note: Customer is responsible for final quantity order. Care and Considerations: • For routine maintenance immediately clean any spills. Damp mop floor tile with a neutral pH cleanser and water.• Do not use abrasive cleaners, acids or bleaches.
Siena Ceramic Solid Tile: Quartz Matte
Casatile > Floor tile-stone
Please Consider: Substantial variations are expected for all Handcrafted Siena tiles. Tiles are substantially variant meaning that random color and texture differences will be present from piece to piece. Final installation will be unique. Therefore, it is recommended that the entire range is viewed and arranged before installation.Shades of color are seen differently on computer monitors and therefore requesting a sample before making a final selection or purchase is recommended. Lot variation in size and color may be present from shipment to shipment. There is no guarantee that tiles ordered as add-ons will match those from the original orders. Description: A ceramic tile collection inspired by the colors and textures found in Siena, a region of Tuscany. It features multi-colored tiles developed in a high fired handmade rustic red body. Imperfections and moderate color and size variation are evident; adding a rich and old world look to any surface. Recommended Use: All interiors of residential and commercial wall applications. Residential and medium use industrial flooring. Outdoor use in areas where freezing temperatures are not common. Tiles are not frost proof. Moist areas where tiles are not submerged in water. Gloss glazes are recommended for these installations since matte glazes may be subject to discoloration. Tiles and grout must be sealed with a penetrating sealer that will form an invisible barrier resistant to moisture and stains. Specifications Texture: Smooth, Irregular Finish: Matte Body: Red Bisque, Irregular Thickness: 3/8 in. Variation: V4 - Substantial Variation Grout: Sanded grout if joint is greater than 1/4 in. orNon-sanded grout if joint is less than 1/4 in. Sealer: Penetrating Sealer Tiles per Square Foot: Size (in.) Number of Tiles 4.25 x 4.25 8 tiles Please Note: Customer is responsible for final quantity order. Industry standard recommends adding on 5-10% additional tile to account for waste, special cuts, or other unforeseen problems. It is recommended to revise measurements and tile quantities with an expert installer. Care and Considerations: Clean with mild cleanser and damp cloth, do not use abrasive cleaners. Some glazes such as matte colors are acid sensitive. Do not use cleaners with an acid base since these may cause discoloration.
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