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Georg Bench

fritzhansen > Bench

Georg is a collection of functional furniture and accessories made from a warm mix of Nordic sensuality and Japanese minimalism. Designed in collaboration with Nordic designer, Chris Liljenberg Halstrøm. Whether as a stand-alone piece or an addition to a table, the Georg Bench adds a warm atmosphere in practical form. The natural oak bench comes with a choice of unbleached linen cushion and braided linen strap or a dark grey woollen cushion with black leather strap. The black coloured oak bench comes with a soft woollen cushion in light grey with leather strap.

Hven Bench

fritzhansen > Bench

Hven is a collection of inviting and minimalist furniture with a natural Nordic look and feel. Hven is named after the Swedish island that lies in the strait between Denmark and Sweden. Designed in collaboration with contemporary Swedish designer, Anton Björsing, the minimalistic collection is easy to mix with other furniture. Hven Bench is made from solid oak with a beautiful grain pattern and superb durability. A minimalistic design, characterised by its round legs and corners, the bench sits easily with other furniture.

Cutter Bench

fritzhansen > Bench

The iconic Cutter series designed in collaboration with Danish designer, Niels Hvass, is minimalistic, functional and a popular choice for hallways. Inspired by the German Bauhaus movement, the series contains many options and combinations giving a wonderful array of choice to suit every home. The Bauhaus-inspired Cutter bench saw the idea of a slatted seat on a coherent frame brought to life. The minimalist design is effortless in its expression and elevates atmospheres with its modern design. Note: Only the teak bench is suitable for outdoor use.

Maissi Bench

fritzhansen > Bench

The distinctive Maissi is inspired by the handrails from old stairs and industrial machinery. Designed by the Finnish-based Studio Kaksikko. Maissi is an artistic two-person bench with a unique look in FSC-certified oak. The narrow style and clean cuts make it a welcoming piece in any modern space, from the hallway to the bedroom or living room.

Vent Bench

fritzhansen > Bench

The Vent series is named after the Danish word for wait—a nod to its origins as seating conceived for leisurely viewing artworks at museums. Handmade in collaboration with a local workshop for the blind and sight impaired, the designs marry form with function. Designed by the Danish/Swedish furniture designer Chris Liljenberg Halstrøm Set on a slender, painted steel frame, the seat of the minimalist, two-seater Vent Bench is woven by hand from paper cord. Comfortable to sit on and beautiful to look at, it elevates surroundings whether in a public setting or home space.

PK15™

fritzhansen > Chair

Experience the refined beauty of the PK15™ chair designed by Poul Kjærholm in 1979. Crafted with meticulous attention to detail, the PK15 features clean lines, organic shapes, and precise proportions, adding an air of sophistication and elegance to any interior. As Kjærholm’s final design, his lifelong pursuit of perfection and dedication to details is evident in the simple and calm appearance masking remarkably complex woodwork craftsmanship. Consisting of two materials, the PK15 is available in two configurations: natural ash or black coloured ash, both with a natural French cane seat. An additional loose seat cushion in either black or natural leather is also available.

Carimate™

fritzhansen > Chair

Originally designed in 1959 for the Carimate golf club north of Milan, from which the chair takes its name, Vico Magistretti’s bold and charismatic design became a highly prized collectable piece from the Italian designer’s body of work. A strikingly memorable as well as comfortable chair, the Carimate™ is known for its bold personality and finely detailed construction. Fritz Hansen is proud to reintroduce Magistretti’s charismatic Carimate in natural Beech and Black Coloured Ash with paper cord seat as a pure and honest expression of the design icon. Perfect for creating a bold and memorable dining setting and a must-have for collectors of Magistretti works.

Series 7™

fritzhansen > Chair

The Series 7™ chair is an icon in modern furniture history, designed by Arne Jacobsen in 1955. Its unique shape is timeless and incredibly versatile, displaying character without overpowering the eye. The chair is made from 9 layers of pressure moulded veneer for strength, flexibility and durability despite its slender form. This is the most popular design within Fritz Hansen’s chair collection. The 3107 has slim yet strong steel-tubed legs that complement the shell’s curved profile. Legs extend just beyond the edge of the seat, allowing chairs to be easily arranged in rows or stacked for storage. The base/legs are discreetly mounted to a circular disc beneath the seat further enhancing the clean, minimal aesthetic of Jacobsen’s design.

Ant™

fritzhansen > Chair

The Ant™ chair’s visual expression is delicate and artful, much like the curves of a musical instrument. Designed by Arne Jacobsen in 1952, the chair is made from nine layers of pressure moulded veneer. Its elegant shape disguises its remarkable strength and comfort. The 3101 model retains the sculptural simplicity of the original three-legged Ant design while expanding its distinct, expressive profile to suit a myriad of interior settings. Although the four-legged version of the Ant chair was occasionally produced during Jacobsen’s lifetime, it was only put into official production in 1971.

Grand Prix™

fritzhansen > Chair

The Grand Prix™ chair is an iconic Arne Jacobsen design with a graphic edge. It was introduced at the Designers’ Spring Exhibition at the Danish Museum of Art & Design in 1957. Later that year, the chair was displayed at the Triennale in Milan, where it received the Grand Prix, the finest distinction of the exhibition. The celebrated chair comes in a range of models and can be customised with an almost endless variety of colours, wood types and upholstery. Wooden legs are angled smoothly outwards in this design, mimicking the steel legs of Jacobsen’s other plywood chairs. This is one of the few Arne Jacobsen chair designs with wooden legs. Remember that the Grand Prix chair with wooden legs is not stackable.

Series 7™

fritzhansen > Office Chair

The Series 7™ chair is an icon in modern furniture history, designed by Arne Jacobsen in 1955. Its unique shape is timeless and incredibly versatile, displaying character without overpowering the eye. The chair is made from 9 layers of pressure moulded veneer for strength, flexibility and durability despite its slender form. This is the most popular design within Fritz Hansen’s chair collection. The 3217 combines Arne Jacobsen’s original armrest design with a height-adjustable swivel base and smooth, durable twin-wheeled castors. with a choice of hard or soft wheels to suit a range of floor surfaces. The result is a flexible work chair which is perfect for both home and office.

Taburet

fritzhansen > Stool

Taburet is a contemporary, functional stool and occasional side table design that embodies uncompromising precision in its exquisite craftsmanship. Offering tactility and sitting comfort, Taburet is crafted in FSC™-certified solid wood with visible grain and a subtly concaved seat. Refined and beautiful, the Taburet’s seamless joints, perfectly balanced dimensions and meticulously aligned grain patterns set this piece apart. Taburet was designed in 2021 by renowned Danish designer Cecilie Manz.

Drop™

fritzhansen > Chair

The Drop™ chair draws inspiration from the feeling of an embrace, but it has also been designed for freedom of movement; creating a unique sense of comfort. Designed by Arne Jacobsen, it was originally created for the SAS Royal Hotel in Copenhagen before being relaunched in 2014. It is said to be Jacobsen’s favourite chair among his many designs.

China Chair™

fritzhansen > Chair

The China Chair™ was designed by Hans J. Wegner in 1944. Inspired by the timeless aesthetic of ancient Chinese design in the 17th and 18th century, the China Chair epitomises his lifelong quest to understand the nature of wood and explore its possibilities. In his modern interpretation, he unfolds his talent as a wood craftsman and his flair for expressive and sculptural functionalism. The China Chair shows Wegner’s firm belief that furniture should be beautiful from all angles, as freestanding monuments to the inseparable relationship between handcrafted forms and the fine, natural materials

Grand Prix™

fritzhansen > Office Chair

The Grand Prix™ chair is an iconic Arne Jacobsen design with a graphic edge. It was introduced at the Designers’ Spring Exhibition at the Danish Museum of Art & Design in 1957. Later that year, the chair was displayed at the Triennale in Milan, where it received the Grand Prix, the finest distinction of the exhibition. The celebrated chair comes in a range of models and can be customised with an almost endless variety of colours, wood types and upholstery. The height-adjustable 3131 swivel chair features an elevated five-legged steel base with high-quality aluminium capped castors, originally designed by Jørgen Rasmussen in 1965 for the KEVI chair. The castor’s twin-wheeled design improves manoeuvrability, and customers have a choice of hard or soft wheels that glide smoothly on a range of surfaces without damaging the floor.

Oxford™

fritzhansen > Office Chair

Originally designed by Arne Jacobsen for professors at St. Catherine’s College at the University of Oxford, England, Fritz Hansen’s elegant Oxford™ chair has since been upgraded for a new generation of workspaces to offer supreme sitting comfort and customisation to suit every modern need. Blending form with function, the low-back 3291T is set on a five-star base with an adjustable seat height and tilt mechanism that reclines as you lean back. Available with armrests which tuck neatly under tabletops. The minimalist design is cushioned for comfort and lumbar support for a more natural sitting posture.

Series 7™

fritzhansen > Chair

The Series 7™ chair is an icon in modern furniture history, designed by Arne Jacobsen in 1955. Its unique shape is timeless and incredibly versatile, displaying character without overpowering the eye. The chair is made from 9 layers of pressure moulded veneer for strength, flexibility and durability despite its slender form. This is the most popular design within Fritz Hansen’s chair collection. The height-adjustable 3117 swivel chair features an elevated five-legged steel base with high-quality aluminium capped castors, originally designed by Jørgen Rasmussen in 1965 for the KEVI chair. The castor’s twin-wheeled design improves manoeuvrability, and customers have a choice of hard or soft wheels that glide smoothly on a range of surfaces without damaging the floor.

Ant™

fritzhansen > Chair

The Ant™ chair’s visual expression is delicate and artful, much like the curves of a musical instrument. Designed by Arne Jacobsen in 1952, the chair is made from nine layers of pressure moulded veneer. Its elegant shape disguises its remarkable strength and comfort. The three-legged Ant is inspired by the simple, agricultural stools created to stand firmly on uneven floors in Danish farmhouses. The chair beautifully exemplifies Jacobsen’s understanding of the inherent strength of raw materials, consisting of only two parts: the combined seat and backrest in form-pressed plywood and a tubular steel frame.

Series 7™

fritzhansen > Chair

The Series 7™ chair is an icon in modern furniture history, designed by Arne Jacobsen in 1955. Its unique shape is timeless and incredibly versatile, displaying character without overpowering the eye. The chair is made from 9 layers of pressure moulded veneer for strength, flexibility and durability despite its slender form. This is the most popular design within Fritz Hansen’s chair collection. The 3187 counter stool has a four-sided footrest in tubular steel fixed to the extended legs, preserving the visual harmony of the chair’s clean, simple construction. It was launched in 2005 to honour the 50th anniversary of the Series 7 design.

Series 7™

fritzhansen > Chair

The Series 7™ chair is an icon in modern furniture history, designed by Arne Jacobsen in 1955. Its unique shape is timeless and incredibly versatile, displaying character without overpowering the eye. The chair is made from 9 layers of pressure moulded veneer for strength, flexibility and durability despite its slender form. This is the most popular design within Fritz Hansen’s chair collection. The 3197 barstool has a four-sided footrest in tubular steel fixed to the extended legs, preserving the visual harmony of the chair’s clean, simple construction. It was launched in 2005 to honour the 50th anniversary of the Series 7 design.

Hven Armchair

fritzhansen > Chair

Hven is a collection of inviting and minimalist furniture with a natural Nordic look and feel. Hven is named after the Swedish island that lies in the strait between Denmark and Sweden. Designed in collaboration with contemporary Swedish designer, Anton Björsing, the minimalistic collection is easy to mix with other furniture. An embracing and comfortable armchair designed to support memorable moments around the dining table. Hven Armchair carries a light expression highlighted by a few subtle details such as the overlapping poles, round corners and curved shape. Made of 100% FSC-certified oak.

Ant™

fritzhansen > Chair

The Ant™ chair’s visual expression is delicate and artful, much like the curves of a musical instrument. Designed by Arne Jacobsen in 1952, the chair is made from nine layers of pressure moulded veneer. Its elegant shape disguises its remarkable strength and comfort. The Ant™ Children’s Chair is a perfectly scaled down version of Jacobsen’s iconic design. The Ant Children’s Chair is the perfect introduction to a lifetime of beautiful, long-lasting design. The chair is stackable with other Arne Jacobsen Children's chairs.

Series 7™

fritzhansen > Office Chair

The Series 7™ chair is an icon in modern furniture history, designed by Arne Jacobsen in 1955. Its unique shape is timeless and incredibly versatile, displaying character without overpowering the eye. The chair is made from 9 layers of pressure moulded veneer for strength, flexibility and durability despite its slender form. This is the most popular design within Fritz Hansen’s chair collection. The 3217 combines Arne Jacobsen’s original armrest design with a height-adjustable swivel base and smooth, durable twin-wheeled castors. with a choice of hard or soft wheels to suit a range of floor surfaces. The result is a flexible work chair which is perfect for both home and office.

Series 7™ Children's chair

fritzhansen > Chair

The Series 7™ chair is an icon in modern furniture history, designed by Arne Jacobsen in 1955. Its unique shape is timeless and incredibly versatile, displaying character without overpowering the eye. The chair is made from 9 layers of pressure moulded veneer for strength, flexibility and durability despite its slender form. This is the most popular design within Fritz Hansen’s chair collection. The Series 7 Children’s Chair is a perfectly scaled down version of Jacobsen’s iconic design. The Series 7 Children’s Chair is the perfect introduction to a lifetime of beautiful, long-lasting design. The chair is stackable with other Arne Jacobsen Children's chairs.

Series 7™ Junior

fritzhansen > Chair

The Series 7™ chair is an icon in modern furniture history, designed by Arne Jacobsen in 1955. Its unique shape is timeless and incredibly versatile, displaying character without overpowering the eye. The chair is made from 9 layers of pressure moulded veneer for strength, flexibility and durability despite its slender form. This is the most popular design within Fritz Hansen’s chair collection. By raising the height of the children’s chair and adding a four-sided footrest in tubular steel, the Junior Series 7 chair allows children to take part in family meals or work more comfortably at standard height tables.

Lily™

fritzhansen > Chair

Arne Jacobsen first created the sleek, curvaceous Lily™ chair for Danmarks Nationalbank. Its characteristic wide shoulders and slim waist are striking examples of Jacobsen exploring and challenging the possibilities of veneer to create perfect curves and offer ultimate comfort. The Lily 3108 was originally called the ‘Series 8’ and is widely considered Arne Jacobsen’s most elaborate, stackable chair design.

Lily™

fritzhansen > Chair

Arne Jacobsen first created the sleek, curvaceous Lily™ chair for Danmarks Nationalbank. Its characteristic wide shoulders and slim waist are striking examples of Jacobsen exploring and challenging the possibilities of veneer to create perfect curves and offer ultimate comfort. The Lily 3208 has angled armrests which accentuate the chair’s wood grain and require expert craftsmanship. This model is the pinnacle of Arne Jacobsen’s plywood designs and experimentations with wood veneer.

Grand Prix™

fritzhansen > Chair

The Grand Prix™ chair is an iconic Arne Jacobsen design with a graphic edge. It was introduced at the Designers’ Spring Exhibition at the Danish Museum of Art & Design in 1957. Later that year, the chair was displayed at the Triennale in Milan, where it received the Grand Prix, the finest distinction of the exhibition. The celebrated chair comes in a range of models and can be customised with an almost endless variety of colours, wood types and upholstery. The Grand Prix with steel legs reflects Arne Jacobsen’s larger collection of stackable plywood chairs with tubular steel legs.

Drop™

fritzhansen > Chair

The Drop™ chair draws inspiration from the feeling of an embrace, but it has also been designed for freedom of movement; creating a unique sense of comfort. Designed by Arne Jacobsen, it was originally created for the SAS Royal Hotel in Copenhagen before being relaunched in 2014. It is said to be Jacobsen’s favourite chair among his many designs.

Vester Chair

fritzhansen > Chair

The award-winning Vester Chair is discretely elegant and understated without losing momentum. Developed and produced for the iconic Danish seaside hotel, Svinkløv Badehotel, in collaboration with Nordic designer, Chris Liljenberg Halstrøm, the Vester Chair won the “Furniture of the Year” award at the Danish Design Awards 2020. A dining chair designed in a well-proportioned idiom, the Vester Chair combines beauty and elegance with function and comfort. A transverse brass rod at the back indicates where to pull out the chair. Legs continuing up into the backrest form a small hook for hanging a purse or small item. The chair’s body in golden oiled 100% FSC-certified oak naturally contrasts the fine brass detailing in this award-winning piece.

Hven Bar Stool

fritzhansen > Stool

Light and Nordic, robust and elegant, the Bar Stool has the same open and inviting signature and comfort as the dining chair. Made of 100% FSC-certified oak, the extra-long legs have transverse poles in stainless steel for extra strength and support for feet. Light and Nordic, robust and elegant, the Bar Stool has the same open and inviting signature and comfort as the dining chair. Made of 100% FSC-certified oak, the extra-long legs have transverse poles in stainless steel for extra strength and support for feet.

N01™

fritzhansen > Chair

The N01™ chair fuses Danish and Japanese design in nine layers of pressure moulded veneer and solid wood legs. Millimetre by millimetre, the design is an illustration of beauty and functionality.

N02™ Recycle

fritzhansen > Chair

The N02™ Recycle is a multi-use chair made from upcycled plastic household waste that can be recycled again. A crease in the chair’s back is inspired by a folded piece of paper on the designer’s studio table and provides extra support for the upper and lower back. Seven colour options are inspired by Scandinavian nature and, along with multiple base options, make N02 Recycle particularly applicable for work, meeting and dining arrangements. The four-legged N02 Recycle chair is elegantly simple and functional, as well as stackable and easy to arrange in rows. Gently curved, steel legs recall the single-shell chair designs of Arne Jacobsen and Vico Magistretti.

N02™ Recycle

fritzhansen > Chair

The N02™ Recycle is a multi-use chair made from upcycled plastic household waste that can be recycled again. A crease in the chair’s back is inspired by a folded piece of paper on the designer’s studio table and provides extra support for the upper and lower back. Seven colour options are inspired by Scandinavian nature and, along with multiple base options, make N02 Recycle particularly applicable for work, meeting and dining arrangements. Armrests follow the backrest of the N02 Recycle and go on to form the rear legs of the chair, keeping the seat open and comfortable. N02 armrests are made from the same recycled polypropylene plastic as the shell and fixed to gently curved steel tubing.

N02™ Recycle

fritzhansen > Office Chair

The N02™ Recycle is a multi-use chair made from upcycled plastic household waste that can be recycled again. A crease in the chair’s back is inspired by a folded piece of paper on the designer’s studio table and provides extra support for the upper and lower back. Seven colour options are inspired by Scandinavian nature and, along with multiple base options, make N02 Recycle particularly applicable for work, meeting and dining arrangements. With its matching recycled polypropylene armrests, height-adjustable seat, five-pointed star base, and durable twin-wheel castors, the N02-31 swivel chair provides a strong, flexible solution for a broad range of seating requirements.

Vico Duo™

fritzhansen > Chair

The Vico Duo is a stylish veneer stacking chair with simple, tight lines. Magistretti designed the original in 1997, sitting among his sketches in Fritz Hansen’s design department. The chair is well suited for agile work spaces and hospitality. The VM110 is a beautiful solution for seating and storage with Magistretti’s signature style and Fritz Hansen veneer craftsmanship.

Vico Duo™

fritzhansen > Chair

The Vico Duo is a stylish veneer stacking chair with simple, tight lines. Magistretti designed the original in 1997, sitting among his sketches in Fritz Hansen’s design department. The chair is well suited for agile work spaces and hospitality. The VM111 with armrests is an elegant solution for seating and storage with Magistratti’s signature style and Fritz Hansen veneer craftsmanship.

Vico Duo™

fritzhansen > Chair

The Vico Duo is a stylish veneer stacking chair with simple, tight lines. Magistretti designed the original in 1997, sitting among his sketches in Fritz Hansen’s design department. The chair is well suited for agile work spaces and hospitality.

Director's Chair

fritzhansen > Chair

Director's Chair is a Nordic interpretation of the iconic chair from film sets. Its characteristic look has a universal appeal that is perfect for modern interiors. It is equally suited as a dining chair or as a comfortable chair in the bedroom, office or any other room. Made of 100% FSC-certified teak, all visible fittings are in brass. Director's Chair is foldable and wonderful for afternoons in the garden, terrace or balcony. As the canvas is not weather-resistant, the Director’s Chair should stay indoors at night. Director’s Chair is foldable, comfortable and beautiful to behold.

PK11™

fritzhansen > Chair

Characterised by its three-legged satin brushed stainless steel frame, PK11™ strikes the perfect balance of curves and bold angles. Designed by Poul Kjærholm in 1957, it is a complex yet elegant chair, created as a companion to the PK51™ worktable.

Blow 1858

martinelliluce > Ceiling lamp

A breath of lightDespite its large size, it looks lightweight and ethereal, perfect in its spherical shape. Like a breath of light, it illuminates the environment in a soft and harmonious manner. Hanging lamp diffused light. White opal methacrylate diffuser. Detail and canopy in painted metal. For Led bulb.

Matières Gris

florim > Floor tile-stone

A perfect balance of elegance and craftsmanship finds room in a collection with vast stylistic versatility <p>A perfect balance of elegance and craftsmanship finds room in a collection with vast stylistic versatility Matières is a perfect surface for modern and trendy environments, conserving all the class to adorn even the oldest and most memory-rich spaces.</p> </strong>The colour selection offers six modern shades which, combined with one another, suggest interesting decorative compositions. A wide range of large sizes extends the collection's range of applications both in traditional uses and in furnishing complements. A specific range for outdoor spaces provides two brand new sizes to allow decorative continuity between the indoor and outdoor spaces. A return to the small size with a rustic style and crafted edges returns the sense refinement and detail that is so characteristic of the ceramic tradition, modernising it in new uses such as, squares, public spaces and driveways. 

Matrice Forma

florim > Wallcovering

An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.

Matrice Struttura

florim > Wallcovering

An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.

Matrice Sostanza

florim > Wallcovering

An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.

pluralis - KS438

fritzhansen > Table

As inferred by its name, the Pluralis™ table series by Kasper Salto offers a myriad of possibilities. Characterised by its understated design, elegance and uncompromising quality, it brings a whole new level of functionality to the workspace. Pluralis™ tables include cable management and electrification solutions across the entire range of sizes and shapes. The Pluralis™ KS438 wall mounted table is an elegant solution for accommodating a screen in meeting rooms. Its trapezoid shape ensures all participants have a clear view of the screen. Bespoke solutions are available upon request. Please contact your local Fritz Hansen sales representative for more details.

NASTRI - Handmade glass pendant lamp _ VENINI

VENINI > Ceiling lamp

Nastri is a stunning suspension lamp crafted from modular ribbon glass, featuring hand-blown and meticulously handcrafted glass elements such as Polyhedra, Canes, Ribbons, Trilobo, Triedri, Balloton Spheres, and Plates, which come together to create a chandelier of extraordinary complexity and beauty. Regardless of its size, Nastri exudes a monumental presence, casting a majestic light that transforms any space. Available as a pendant light, wall light, or table lamp, it is offered in crystal and powered by 8 x max 8W LED E14 light sources. A 3D file of the product is available for download, allowing for detailed visualization and planning. VENINI, the esteemed Italian supplier behind Nastri, has been a symbol of excellence in glassmaking since its founding in 1921 in Murano, Italy, a region celebrated for its centuries-old glassmaking heritage. Renowned for its collaboration with leading designers and artists, VENINI combines traditional craftsmanship with innovative design to produce timeless, high-quality lighting and glassware that elevate both residential and commercial spaces.

JAMES SLIM - Fabric sofa with removable cover _ Meridiani

Meridiani > Sofa

The James Slim sofa is a versatile and elegant piece featuring removable modular elements in fabric (fixed for the leather version) and visible feet, crafted with a wooden structure, non-deformable polyurethane padding, and feet available in black, light, or almond-stained wood. It includes metal brackets for securing modular elements, a seat cushion with polyurethane and supported feathers, and optional lumbar support in supported down. The sofa’s design blends contemporary aesthetics with subtle nods to the past, characterized by its pure lines, soft upholstery, and a slightly inclined backrest that enhances both comfort and style. Perfect for relaxation, reading, or conversation, it offers deep seating complemented by cushions or backrests. Additionally, a downloadable 3D file of the product is available for customization and planning. Meridiani, the Italian supplier behind James Slim, is renowned for its sophisticated, timeless furniture and home accessories, blending clean lines, natural materials, and luxurious finishes to create versatile, premium designs since its founding in 1996.

CIRCUIT - Borosilicate glass pendant lamp _ Cattelan Italia

Cattelan Italia > Ceiling lamp

The **CIRCUIT** ceiling lamp is a modern lighting masterpiece featuring a frame crafted from titanium-embossed lacquered steel (GFM11) and satin nickel, paired with a small transparent borosilicate glass lampshade and a larger fumé borosilicate glass shade. Designed by STC Studio, this iconic chandelier integrates LED lighting, creating a striking illuminated constellation effect. Its graphic design elements and avant-garde production techniques reflect the meticulous attention to detail synonymous with high-quality craftsmanship. A 3D file of the product is available for download, allowing for detailed visualization and planning. **Cattelan Italia**, the renowned Italian supplier behind this product, has been a leader in contemporary interior design since 1979, offering premium furniture and accessories that blend innovation, Italian craftsmanship, and luxury for residential and commercial spaces worldwide.

STORE 408 - Tall laundry room cabinet with sink _ Gruppo Geromin

Gruppo Geromin > Cabinet

The Composition 408 by Gruppo Geromin is a harmonious blend of simplicity, elegance, and unparalleled comfort, offering versatile solutions from a compact sink to a spacious basin suitable for any countertop size. Crafted with Honey Sherwood Melamine finishes, Griff handles, and Geacryl® White Gloss consoles, this functional design adapts seamlessly to both small and large spaces, maximizing efficiency in every corner of the laundry area. The collection features pull-out baskets, trolleys, and fully-fitted modules for dynamic storage, while the dark-toned base units, smoked glass shelves, and under-cabinet LED lighting add a contemporary, glamorous touch. With space-saving designs, tall units for tidiness, and customizable options like open modules and side taps, the Composition 408 ensures practicality and style. Additionally, a 3D file of the product is available for download, allowing for detailed visualization and planning. Gruppo Geromin, a renowned Italian interior design supplier established in 1974, specializes in premium bathroom furniture and accessories, offering modern, minimalist, and luxurious solutions for residential and commercial spaces worldwide.

DIAMOND - Fabric armchair with armrests _ Sicis

Sicis > Armchair

Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *The Diamond armchair features a sturdy solid wood and plywood frame, upholstered with multi-density polyurethane foam for optimal comfort, and rests on a sleek lacquered base for a refined finish. A 3D file of the design is available for download, allowing for seamless integration into virtual planning. Crafted by Sicis, a renowned Italian luxury design brand celebrated for its exquisite craftsmanship and innovative fusion of traditional and contemporary aesthetics, the armchair embodies elegance and functionality.*

BABYLON - Round coffee table _ Sicis

Sicis > Coffee table

Here’s the rephrased and expanded product description, along with a concise supplier overview and mention of the 3D file: *"This elegant side table features a polished ebony finish, adorned with decorative inserts crafted from liquid metal and intricate mosaic detailing, while the top is made of durable Vetrite for a refined yet functional surface. A 3D file of the design is available for download, allowing for seamless integration into virtual planning. Manufactured by Sicis, a renowned Italian luxury design house celebrated for its artisanal mosaics and high-end furniture, the piece embodies the brand’s signature blend of traditional craftsmanship and contemporary sophistication."* (Note: The supplier description has been condensed to one sentence while retaining key details about Sicis’ reputation and style.)

RIFLESSI 7200 - Lead Crystal pendant lamp _ Patrizia Volpato

Patrizia Volpato > Ceiling lamp

Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *"This elegant light fixture features a dual light source (2 x G9 halogen energy-saving or 2 x G9 LED bulbs), blending a sleek, modern design with antique-inspired shades. The bright, high-quality crystal, encased in a polished metal band, creates a striking contrast, offering a perfect balance of design, beauty, and craftsmanship. Ideal for elevating any space, it adds a touch of sophistication and uniqueness. Available in polished chrome, tortora, and brushed burnished finishes. A 3D file of this product is available for download. Manufactured by Patrizia Volpato, a renowned Italian lighting brand celebrated for its premium, contemporary designs since 1997."*

PAULI - Wall-mounted wooden coat rack _ Sancal

Sancal > Accessories

Here’s a rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *"Nachacht, a Berlin-based design studio, has crafted the PAULI coat hanger, a playful and interactive piece inspired by the modularity of Meccano toys. Featuring delicate marquetry, the hanger’s structure is made of natural oak, while the detachable hooks are crafted from colorful Polirey veneer, combining vibrant aesthetics with enhanced durability. Its adaptable shape allows for customizable configurations, adding a dynamic touch to any space. A 3D file of the product is available for download, offering further creative possibilities. Designed for Sancal—a renowned Spanish furniture brand celebrated for its innovative, high-quality designs since 1973—PAULI reflects their commitment to functional yet imaginative interiors."* (Note: I condensed the supplier details to one sentence while retaining key info about Sancal’s reputation and origin.)

CANZONE - Upholstered armchair with armrests _ ERBA ITALIA

ERBA ITALIA > Armchair

Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *The CANZONE armchair by Erba Italia features a beautifully rounded, enveloping design that combines comfort with timeless elegance. Crafted with a solid wood frame and multilayer wood construction, it ensures durability, while the sprung seat with elastic belts and polyurethane foam (CFC-free) offers exceptional support. The seat is padded with virgin natural goose feather and polyurethane foam, while the back is filled with 100% virgin goose feather for luxurious softness. Available in premium fabric or leather upholstery, this armchair adds sophistication to any interior. A 3D file of the product is available for download, allowing for seamless integration into design plans.* *Erba Italia, a renowned Italian luxury furniture brand since 1936, is celebrated for its craftsmanship and elegant designs.*

EDIZIONE - Sectional sofa _ ERBA ITALIA

ERBA ITALIA > Sofa

Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: **EDIZIONE** features a sturdy metal frame with non-deformable polyurethane foam padding, wrapped in soft polyester fibre for comfort. The base boasts a durable metal construction with a sleek powder-coated finish, while the seat combines plush natural goose feather filling with a supportive polyurethane foam insert for lasting resilience. Customize your piece with a premium fabric or leather cover to suit your style. For added convenience, a 3D file of this design is available for download, ideal for visualization or planning. Crafted by **ERBA ITALIA**, a heritage Italian brand renowned for its luxury furniture since 1936, the EDIZIONE reflects their commitment to timeless elegance and exceptional craftsmanship. Explore their collections at [www.erbaitalia.it](http://www.erbaitalia.it).

CONVERSATION - Sectional sofa _ ERBA ITALIA

ERBA ITALIA > Sofa

Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *The CONVERSATION collection features modular sofas and sectional elements designed to seamlessly connect, offering versatility and elegance. Crafted with a solid wood and multilayer wood frame, the sofa incorporates an elastic webbing spring system for durability, padded with high-resilience polyurethane foam and luxuriously upholstered in Dacron Du Pont. The design includes non-visible feet for a sleek, floating appearance, while the backrest is supported by a metal frame, cushioned with non-deformable foam and wrapped in soft polyester fiber and velveteen. The back cushions are upholstered in 100% cotton fabric and filled with a premium blend of 70% natural goose feather and 30% polyester fiber HCS for plush comfort. Customization is effortless, as the covers are available in fabric or leather and can be removed (optional for cushions). For added convenience, a 3D file of the product is available for download, enabling precise visualization and planning. ERBA ITALIA, a renowned Italian luxury furniture brand since 1936, is celebrated for its exquisite craftsmanship and timeless designs, blending tradition with modern sophistication.*

SPAZIO - Recliner sectional sofa _ ERBA ITALIA

ERBA ITALIA > Sofa

**SPAZIO Sofa** – A modern, essential-design sofa featuring a reclining back mechanism for adjustable comfort. Its sturdy metal frame is complemented by an elastic belt springing system, padded with high-resilience polyurethane foam and polyester fiber for lasting support. The seat is luxuriously cushioned with natural goose feather and layered with multi-density polyurethane foam, while the reclinable back and plush arms are crafted with injected foam and *piumafill* (70% natural goose feather, 30% polyester fiber). The satin-matt chrome steel feet add a sleek finish, and the sofa can be customized with either premium fabric or leather upholstery. A downloadable 3D file of the product is available for design planning. **Supplier:** ERBA ITALIA, a prestigious Italian furniture brand since 1936, is celebrated for its refined craftsmanship and timeless luxury designs. Explore their collections at [www.erbaitalia.it](http://www.erbaitalia.it).

ICONA - Upholstered armchair with headrest _ ERBA ITALIA

ERBA ITALIA > Armchair

**ICONA** is a modern reinterpretation of the iconic *Red Baron* chair, featuring an elegantly hollowed-out backrest. Its striking design is highlighted by the sculpted metal back panel, adorned with an artistic arrangement of circles in varying sizes, making each piece truly unique. The seat is upholstered with high-density, non-deformable polyurethane foam that is C.F.C.-free, ensuring both comfort and sustainability. Available in premium fabric or leather, this chair blends sophistication with versatility. A downloadable 3D file of the product is also available for design planning. **Supplier:** *ERBA ITALIA* is a prestigious Italian design house, renowned since 1936 for its luxury furniture and refined craftsmanship. Explore their collections at [www.erbaitalia.it](http://www.erbaitalia.it).

VICEVERSA - 2 seater sofa _ ERBA ITALIA

ERBA ITALIA > Sofa

Here’s the rephrased and expanded product description, including a concise supplier overview and a mention of the 3D file availability: *"This elegant product combines timeless design with exceptional craftsmanship, offering a perfect blend of luxury and functionality for both residential and commercial spaces. Crafted from high-quality materials, it reflects sophisticated aesthetics suitable for contemporary, classic, or transitional interiors. A downloadable 3D file of the product is available for detailed visualization and planning. Supplied by ERBA ITALIA, a renowned Italian luxury furniture brand since 1936, known for its premium designs and global presence."* Let me know if you'd like any further refinements!

REPORT - Corner armchair with armrests _ ERBA ITALIA

ERBA ITALIA > Armchair

Here’s the refined product description with an expanded yet concise supplier detail and the addition of the 3D file availability: *"REPORT – A sleek little armchair designed for minimalist spaces, featuring a durable metal frame with a satin matt chrome finish, an elastic webbing spring system, and high-resilience polyurethane foam padding topped with polyester fiber for comfort. The chair offers customizable covers in fabric or leather, and a 3D file of the design is available for download. Crafted by ERBA ITALIA, a renowned Italian luxury furniture brand since 1936, known for its timeless elegance and premium craftsmanship."* This keeps the supplier description brief while highlighting their legacy and expertise. Let me know if you'd like any further adjustments!

DAVID - Sectional fabric sofa with chaise longue _ ERBA ITALIA

ERBA ITALIA > Sofa

Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *"This sofa features modern, asymmetrical lines, blending originality with elegant refinement, making it a striking centerpiece for spacious lounges or open-plan areas. Its generous armrests and sleek metal legs complement the bold design, while the solid and multilayer wood frame ensures durability. The seat cushion combines polyurethane foam with a goose feather wrap for plush comfort, and the back cushions and backrest are fully filled with natural goose feather for a luxurious feel. Available in premium fabric or leather, this sofa balances style and sophistication. A downloadable 3D file of the model is also available for design planning. Crafted by ERBA ITALIA, a renowned Italian luxury furniture brand since 1936, known for its timeless craftsmanship and high-end materials."*

SLEEPY - Upholstered leather double bed _ Tonin Casa

Tonin Casa > Bed frame

Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *"SLEEPY by Tonin Casa is a strikingly modern bed with clean, sharp lines, elevated by luxurious leather upholstery that creates a serene and inviting atmosphere. Available in three sizes, its minimalist yet warm design makes it an ideal centerpiece for contemporary, refined bedrooms. For further customization, the 3D file of SLEEPY is available for download. Tonin Casa, a renowned Italian design brand since 1975, is celebrated for its innovative, high-quality furniture blending timeless elegance with modern functionality."* (Note: I condensed the supplier details to one impactful sentence while retaining key brand values. Let me know if you'd like any adjustments!)

MARBLE CASSETTONATO FOGLIA - Porcelain stoneware flooring with marble effect _ Versace Ceramics

Versace Ceramics > Synthetic Floor

**Product Description:** The *Marble Cassettonato Foglia* is a beautifully colored, rectified, and frost-resistant porcelain stoneware floor tile, available in multiple elegant variants. Part of the *Marble* collection by Versace Ceramics, this design captures the grandeur of classical antiquity while seamlessly blending into modern interiors. The collection features six distinct marble-inspired designs along with a variety of coordinated decorative elements, offering timeless sophistication for luxurious living spaces. These tiles interact beautifully with light, showcasing a refined palette of shades that pair effortlessly with artfully crafted mosaics, intricate details, and geometric inlays. Versace Ceramics transforms any space—from floors to living areas and bathrooms—into a statement of opulence, incorporating iconic Versace motifs for a truly unique aesthetic. A downloadable 3D file of this product is available for visualization and design planning. **Supplier Description:** Versace Ceramics is a premier luxury interior design brand renowned for its high-end ceramic tiles, mosaics, and bespoke decorative solutions, embodying the lavish elegance of the Versace lifestyle.

EXTRA - Wardrobe with coplanar doors _ Composit

Composit > wardrobe

Here’s a refined and expanded product description, including a concise supplier overview and a note about the 3D file: *"The Extra Complanare wardrobe features a sleek, lacquered laminate finish with seamless coplanar doors, offering a modern and minimalist storage solution for contemporary interiors. A downloadable 3D file of the product is available for design planning. Crafted by Composit, a renowned Italian supplier of high-quality furniture, the brand combines sustainable materials with innovative, stylish designs for residential and commercial spaces."* This keeps the supplier description brief while highlighting key details and adding the 3D file mention. Let me know if you'd like further adjustments!

FINO - Wall-mounted steel coat rack _ Rosconi

Rosconi > Accessories

Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability: --- The **Fino coat rack** combines a sleek wall-mounted design with a practical coat rail, available in two elegant finishes: full stainless steel or powder-coated vertical tubes with T-feet. Known for its timeless appeal and durable construction, the Fino series features high-quality materials and a robust build, ensuring long-lasting performance. Customize your storage with versatile hook options—single, double, or triple hooks, along with hat and coat hooks—maximizing capacity without compromising style. For added convenience, a **3D file of the product is available for download**, allowing for seamless integration into design plans. **Supplier Overview**: Rosconi, a renowned German-based interior design supplier, specializes in premium furniture and decor for both commercial and residential spaces, blending functionality with contemporary aesthetics. For more details, visit the manufacturer’s page: [FINO | Wall-mounted coat rack – Rosconi](https://www.rosconi.com/). --- This version keeps the supplier description brief while highlighting key details about the product and its 3D file availability. Let me know if you'd like any further refinements!

VERSION 3 - High ash stool with footrest _ Askia

Askia > Stool

Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: **Product Description:** The **Version 3 Barstool** (High: 1.C07.AH.MNT / Low: 1.C08.AH.MNT) is a smart, casual seating solution that combines comfort with minimalist charm, perfect for everyday social settings. Its sleek frame features a slender seat and backrest, exuding elegance and a touch of playfulness. Designed for versatility, it seamlessly fits into both commercial and residential spaces, with a natural wood texture that adapts effortlessly to various themes and color palettes. The stool’s sturdy, CNC-cut feet are hand-polished for a refined finish, while the curved plywood backrest is veneer-covered for added sophistication. Available in oak or ash, its lightweight yet durable construction ensures easy mobility around counters, bars, or high tables. A downloadable 3D file of the product is also available for design planning. **Supplier Overview:** Askia is a trusted interior design supplier based in Romania, offering a curated selection of stylish, high-quality furniture and decor for modern spaces. (Note: The supplier description has been condensed to one sentence as requested, while the product description is expanded and refined.)

TIPRO - Stackable cork chair _ Askia

Askia > Chair

Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *The Tipro chair, designed by Dragos Motica, showcases the versatility of modern furniture with its modular and customizable design. Available in black, ash, oak, or walnut structures—or a combination of two—it offers multiple finish options: a cork seat, a cork seat with an upholstered back, or an upholstered seat with a cork back. Crafted entirely from wood, its components are easily disassembled without sacrificing durability, while the interchangeable seat and backrest modules allow for personalized styling. The chair’s elastic backrest ensures exceptional comfort, and its lightweight yet sturdy construction makes it both elegant and easy to transport. A 3D file of the product is available for download, enabling seamless integration into design projects. Tipro is supplied by Askia, a renowned Romanian-based interior design brand known for its high-quality furniture and decor.*

IPOT 2X_N - Aluminium plant pot _ iPot

iPot > Accessories

**Product Description:** The **iPot** is an innovative modular system that offers limitless design possibilities, adapting effortlessly to any space or function. Its flexible structure allows you to create partition walls, indoor or outdoor green islands, bookcases, display stands, and more, with the help of versatile accessories. Whether you need a compact unit for a single plant or an elaborate multi-tiered setup, the iPot can be customized to fit perfectly. Each **iPot Kit** includes a base structure and accessories, with options to personalize the structure’s color and the materials or finishes of the add-ons. For added convenience, a **3D file of the product is available for download**, enabling you to visualize and plan your ideal configuration. **Supplier Description:** iPot is a renowned Italian interior design brand specializing in stylish and functional decor solutions for homes and offices, with a global presence. Explore their collection at [ipotdesign.it](https://ipotdesign.it).

BROWNIE STS - Imitation leather soap dish _ DECOR WALTHER

DECOR WALTHER > Sanitary accessories

ÉTOILE DAY - Square silver leaf coffee table _ Cantiero

Cantiero > Coffee table

EASY 6 - Wall-mounted HPL vanity unit with drawers _ Mobilcrab

Mobilcrab > Washbasin cabinet

T-STORE - Beauty salon trolley _ Lemi Group

Lemi Group > Other

DILAN - Fabric armchair with armrests _ A.R. Arredamenti

A.R. Arredamenti > Armchair

GIULIETTA - Round wooden coffee table _ CASA +39

CASA +39 > Coffee table

GIULIETTA - Fabric armchair with armrests _ CASA +39

CASA +39 > Armchair

SACCO POLIGONO6 GREIGE - Natural stone wall/floor tiles _ TWS

TWS > Wall tile-stone-brick

HOLLYWOOD HOS PM - Brass pull handle _ Fama International

Fama International > Finishes accessories

VANITY - Upholstered bed with tufted headboard _ carpanelli

carpanelli > Bed frame

CUBE - Contemporary style rectangular low glass coffee table for living room _ carpanelli

carpanelli > Coffee table

70/70 Table

muuto > Table

The 70/70 Table is designed with a simple expression, paired with subtle, understated details that reveal themselves upon closer inspection. Adding character to the design, the details of the 70/70 Table include the triangular shape of its base for a modern expression and the slanted edges of the table top. Available in a variety of sizes and finishes, the 70/70 Table is an ideal match for any dining area, home office, workplace or hospitality area.

Workshop Table

muuto > Table

The Workshop Table joins together the ideals of Scandinavian craftsmanship and subtle detailing for a deliberately simple and archetypal expression. With its tabletop in either oak veneer or linoleum harmoniously carving itself into the solid oak frame, the Workshop Table brings a refined and understated appearance to any setting.

Base Table

muuto > Table

The Base Table references the heritage of Scandinavian design through its simple frame and subtle details. With its design harking back to the essence of a table, the Base Table features a veneer edge for a touch of Scandinavian materiality, paired with the elegant shapes of its table top and frame. Use the design in any home, workplace, educational institution or hospitality space for notes of Scandinavian simplicity.

Base High Table

muuto > Table

The Base High Table references the heritage of Scandinavian design through its simple frame and subtle details. With its design harking back to the essence of a table, the Base High Table comes with either a veneer edge for a touch of Scandinavian materiality or an edge in ABS for a monochrome appearance, paired with the elegant shapes of its table top and frame. Use the design in any workplace, educational institution or hospitality space for notes of Scandinavian simplicity.

Linear System Configurations

muuto > Table

The Linear System Table is a simple yet refined table with subtle details and references to the Scandinavian design heritage. Its legs are cut into half-circles and joined with the table for a light expression while the slender overhang at both ends of the table makes for a refined expression. The Linear System Table is available as a freestanding table to be used on its own, as predesigned configurations or as Middle and End Modules that can be configured to the exact needs of your space.

Base Table With Castors

muuto > Table

Simple and elegant lines, joined by the functionality of castors. Frame is made from extruded aluminum, painted with an acrylic paint initially developed for outdoor interiors and building facades. Organize and manage cords and wires with our Cable Management. Our Power Outlet can be added to the Base Table. Made-to-order: Laminate with ABS or plywood edge in black or white. Linoleum with plywood edge in black. Nanolaminate finish in either black or white. Bases available in Black or White with matching castors.

Toveri Dining

leolux > Table

Studio Truly Truly has designed a wonderfully luxurious dining table to join the Toveri family by Leolux. Just like the coffee tables, the Toveri dining table is an interplay of soft shapes and hard materials, shadows and curves.

Bondi

leolux > Table

Leolux was looking for something new, a table that adds a pop of colour to the interior. Bondi is the perfect answer. Its unusual organic leaf shape is the first thing to stand out, with space for at least five users.

Columna

leolux > Table

Columna is a table built on pure form, with the base and table top connected by a straight column. The only playful element Hugo de Ruiter allowed is the way the column links to the base: like an ancient marble column.

Viscount of wood rectangular

kartell > Table

VISCOUNT OF WOOD tables are the latest addition. These naturally composed tables complement the collection's choice of seats and create a sustainable living area in which wood plays a central role thanks to its lightweight properties. These large items of furniture feature top-quality materials and advanced manufacturing technology. The square and rectangular versions with four legs come in five sizes (100x100, 145x80, 160x90, 190x90 and 240x100) and three top finishes: light ash with two darker shades, flamed walnut and a third, characterised by thin strips of different tones of dark wood. The legs are in chrome or black. 

Glossy marble oval

kartell > Table

A family of tables ideal for the home and office. The light steel structure is made particular by the use of the cross element that joins the legs on each of the four sides, supporting the top. The collection comprises square, oval and round versions.

Pavilion AV18

&tradition > Table

Available in three sizes, the larger, six or eight-person Pavilion table is ideal for an office meeting room or dining space while the smaller, four-person version is a perfect addition to the home. The table can be matched with the Pavilion desk to provide a cohesive design experience, and cable management can be easily inserted into the table due to the location of the stretcher.

Pavilion AV24

&tradition > Table

Available in three sizes, the larger, six or eight-person Pavilion table is ideal for an office meeting room or dining space while the smaller, four-person version is a perfect addition to the home. The table can be matched with the Pavilion desk to provide a cohesive design experience, and cable management can be easily inserted into the table due to the location of the stretcher.

In Between SK4

&tradition > Table

Inspired by the Scandinavian heritage of design and furniture craftmanship, In Between is a result of Sami Kallio’s solid grounding in traditional wood- working techniques and his eye for ingenious detail. It started with a single chair which later resulted in a series of furniture including both tables and bar stools. Get this In Between dining table in three different variants.

BM1160 Hunting Table

carlhansen > Table

B&#248;rge Mogensen designed the BM1160 Hunting Table for the Copenhagen Cabinetmakers&#8217; Guild Furniture Exhibition in 1950. The table combines excellent woodwork with elegant metal brace bars, creating a bold and organic whole.

CH002 Dining Table

carlhansen > Table

The CH002 is the smaller of two dining tables that Hans J. Wegner created in 1982. The table expresses Wegner&#8217;s functional design philosophy through an appealing solution for modern interiors. The CH002 is crafted to fit smaller spaces, and can be extended easily with two accompanying leaves.

CH006 Dining Table

carlhansen > Table

At 90 x 138 cm, the CH006 is a longer version of the CH002 dining table, designed in 1982. The table, with solid extension frames and built-in grip for the two hinged extension leaves with rounded edges, illustrates Hans J. Wegner&#8217;s visionary approach to functional design. The CH006 table is versatile and can be adapted to smaller gatherings as well as larger dinner parties.