This crona makes an even bigger impact than the others – or at least a higher one. In fact, it positions you so that you’re almost standing. A seat that lets you see more eye to eye – and just the right solution for those one-on-one meetings. Whether professional or private, casual or elegant – this seat is a great model for communication. We are not joking when we say that this chair can be stacked five high, but you’re riding high when you sit on it – and very comfortably, too! With its identical design language, CRONA LIGHT BAR has not only raised the sitting surface of the crona family, but also the standard for bar stools, as it features the very best characteristics for hospitality and bar areas. Whether chromed or colour-coated – CRONA LIGHT BAR is easy to look after, hygienic and robust.
Frequently Asked Questions
What materials is the CRONA LIGHT - Stackable sled base high stool made from?
The CRONA LIGHT - Stackable sled base high stool is crafted from Metal, Non-upholstered. It is manufactured by Brunner.
Is the CRONA LIGHT - Stackable sled base high stool suitable for commercial projects?
Yes, the CRONA LIGHT - Stackable sled base high stool by Brunner is specifically designed for commercial and contract use. It is commonly specified by interior designers and architects for hospitality, office, and retail environments.
What collection does the CRONA LIGHT - Stackable sled base high stool belong to?
The CRONA LIGHT - Stackable sled base high stool is part of the crona collection by Brunner.
Can the CRONA LIGHT - Stackable sled base high stool be used outdoors?
The CRONA LIGHT - Stackable sled base high stool is designed for indoor use only.
Small armchair with low backrest. Legs in black painted steel. Plywood seat upholstered with self-extinguishing polyurethane foam. Steel backrest with self-extinguishing polyurethane foam upholstery. Removable fabric or leather cover. The version with leather 95 covered seat cushion and backrest in fabric cat. 30 is also available.
Mahogany solids and white oak veneers in an anthracite ceruse finish featuring light gray liming, stunning brass hardware plated in nickel. Features include 2 full-extension soft-closing storage drawers, and a full extension drop-front keyboard drawer in the center.
In <em>Chimera,</em> Elena Salmistraro merges rigour with self-expression, in a graphic grammar laden with symbolic meaning. <em>Empatia </em>speaks to the emotions with graphics that interpret, through a highly individual abstract code, the stage make-up of a clown, with the aid of superimposed geometric forms and images. <em>Radici </em>is a tribal statement, a tribute to primitive ritual custom, evoked by the interplay between a sequence of triangles and rectangles and a set of figurative fragments. <em>Ritmo</em> is inspired by fabrics, suggesting the rhythmic alternation of woven yarns through a largely linear pattern. In <em>Colore, </em>the upheaval of a background of small isolated spots generated by a parametric digital program is combined with densely packed repeated forms. "The Chimera collection is rather like a book with four different chapters: I set out to differentiate these graphic motifs to create four totally different stories."<br></br>Elena Salmistraro It all starts with drawing. A <em>passion</em> for drawing. An <em>obsession</em> with drawing. Drawings like spider-webs, obsessively filling spaces, in a kind of manual choreography or gymnastics, a continuous flow. Elena Salmistraro draws all the time. She draws everywhere. Mostly on loose sheets or random surfaces. First and foremost with pen and pencil. Her drawings only acquire colour at a later stage. Often - just like Alessandro Mendini used to do - she draws "monsters": fascinating yet disturbing, subversive forms. The denser, more contorted the shape, the more obvious its underlying truth. For Elena, drawing is an intimate act. It is relaxing. And therapeutic. With an unrivalled communicative strength. Because drawing gives shape to ideas: you both give form to the world and reveal yourself. This passion, combined with natural graphic talent, has guided Elena Salmistraro in her project for Cedit: an experimental series of ceramic slabs produced using a high-definition 3D decorative technique. The explicit aim is to transform surfaces beyond their original flatness so that a new, visual and tactile, three-dimensional personality emerges, sweeping aside the coldness and uniformity that ceramic objects often inevitably convey.Elena Salmistraro has always viewed ceramics as a democratic material, in view of their accessibility, and the infinite potentials for shaping matter that they provide. She began working and experimenting with ceramics very early in her career, just after she graduated from the Milan Politecnico in 2008. She came into contact with small artistic craft firms specialising in smallproduction lots, and cut her teeth on projects that demanded the hand-processing of every detail, and finishes of high artistic value, for the high end of the market. The large corporations and galleries came later, but here again Elena kept faith with her desire to make mass-produced pieces unique, and to combine artistic value with specifically industrial characteristics. The monkey-shaped <em>Primates</em> vases reflect this method and intention, aiming to excite, surprise and charm. Antiminimalist and hyper-figurative, playful, ironic and a rich image-maker, often drawing on anthropology and magic, over the years Salmistraro has built up her own fantastic universe, inhabited by ceramic bestiaries, painted jungles and a cabinet like a one-eyed cyclops , always finding inspiration and inputs in nature and always aiming to reveal the extraordinary in the everyday. Given this background, it was almost inevitable she would work with Cedit: constantly seeking new talents and new approaches, as well as designs that break down the boundaries of ceramics and release them into the realm of art and innovation, the Modena company has recognised Elena Salmistraro as a leading contemporary creative spirit and involved her in a project intended to experiment with fresh ideas in materials and synaesthetics.Salmistraro's collection for Cedit is entitled <em>Chimera</em> and consists of large ceramic slabs, which can be enjoyed not only visually, through their patterns and colours, but also on a tactile level. Like the chimera in the "grotesque" tradition, monstrous in the etymological sense of the word with its merging of hybrid animal and vegetable shapes, the Cedit project attempts to originate a synaesthetic form of ceramics, through a three-dimensional development that exactly reproduces the texture of leathers and fabrics, creating an absolutely new kind of layered effect, with a tactile awareness that recalls the passion of grand master Ettore Sottsass for "surfaces that talk". And the surfaces of the slabs Salmistraro has created really seem to talk: in <em>Empatia </em>clown faces add theatricality to the cold gleam of marbles, interspersed with references to Art Déco graphics; <em>Radici</em> uses the textures of leathers and hide as if to re-establish a link between ceramics and other materials at the origins of human activity and creativity; in <em>Ritmo</em> the texture of cloth dialogues with pottery, almost in homage to the tactile rationalism of warp and weft, of which Bauhaus pioneer Anni Albers was one of the most expressive past interpreters ; finally, <em>Colore</em> has a spotted base generated by computer to underline the contrast between analogue and digital, the graphic sign and the matter into which it is impressed. It is an aesthetic of superimposition and mixing, and especially of synaesthesia: as in her drawings, in the <em>Chimera </em>slabs Elena Salmistraro's art is one of movement and acceleration. A process not of representation but of exploration. Of the world and of oneself. Almost a kind of Zen, for distancing oneself from the world to understand it more fully. In every sense.
The Jazz coffee tables are meticulously crafted to blend contemporary elegance and functionality seamlessly into any living space. Available in both rectangular and round configurations, these coffee tables feature a formal linear design that complements the aesthetic of modern living rooms. Constructed with durable materials such as glass or ceramic, they offer a spacious surface area perfect for displaying decorative items.
The Jazz coffee table boasts an almost floor-level presence, subtly elevated on metal feet featuring a highly geometric shape. This unique construction not only enhances the visual appeal but also ensures stability and durability. The striking table top is accentuated by a sleek metal edge that contrasts with its nearly invisible base, creating a visually captivating design feature.
The Jazz coffee tables are designed for versatility, suitable in both contemporary and traditional settings where they can serve as focal points or complement existing furniture. Their geometric shapes and minimalist aesthetic make them ideal for modern living rooms, yet their timeless appeal ensures they remain relevant across various architectural styles.
For maintenance, it is recommended to clean the surface with a soft cloth dampened in mild soap solution, avoiding harsh chemicals that could damage the material. Regular dusting will help maintain the table's pristine appearance and prolong its lifespan. Proper storage during non-use can prevent scratches or dents on both the top and feet of these stylish coffee tables.
In summary, the Jazz coffee tables are a testament to modern design excellence, combining functionality with aesthetic appeal in an enduringly attractive package. Their versatile nature makes them suitable for a wide range of living spaces, while thoughtful care ensures they remain in pristine condition for years to come.
Discover the Vintage Green Ornate Mirror by abcVintage. Hand-selected from the Rajasthan countryside, this beautiful mirror has been lovingly restored to showcase its exquisite carved embellishments. A stunning piece, perfect for eclectic and antique-furnished spaces. Handcrafted in India in reclaimed wood. Part of the abcVintage Collection, featuring rare pieces sourced from around the globe.
ApplicationSPOTTYPEINDOORDESCRIPTIONStandard provided with integrated LED. Led module and optics need to be selected below.Driver needs to be installed separately. To select the correct driver, see accessories.[tabs][tab-info]PRODUCT INFORMATION
Product Group:
Fleure Twin on round base
Max watt:
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Voltage:
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Driver included:
No
IP:
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Dimmable on product:
No
Dimmable on wall:
Yes
Dali:
Yes
Light source:
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[/tab-info][tab-technical]Datasheets
FIT0L1F83
FIT1L1F83
[/tab-technical][tab-3d]3D filesFIT0L1F83[/tab-3d]
Catalogo | Collezioni | BOLD58 | Archiviazione BOLD58_Frame Ricercata ed elegante. La madia e l’armadiatura FRAME sono sistemi di contenimento curati, caratterizzati da un design sofisticato e geometrico.L’archiviazione diventa un elemento architettonico capace di definire lo spazio con precisione compositiva. Il telaio esterno crea una cornice rigorosa che organizza moduli aperti e chiusi, permettendo configurazioni flessibili e perfettamente calibrate. L’inserimento del distanziale in metallo, introduce un segno materico distintivo e scandisce la composizione con ritmo misurato. Le ante ampliano le possibilità progettuali, accentuando i contrasti tra texture e volumi. FRAME diventa così un sistema ideale per ambienti direzionali evoluti, dove ordine, struttura e qualità materica definiscono l’identità dello spazio. Caratteristiche Scheda Tecnica Ambienti Gallery Catalogo Collezione BOLD58 Vani a giorno per le madie FRAME in finitura melaminica o laccata.Ante battente in essenza, laccate, in vetro trasparente o Laminam®.Top e fianchi FRAME con una combinazione originale che enfatizza l’orientamento vena a contrasto tra gli elementi.Il distanziale rientrato in finitura Titanio o Bronzo crea un dettaglio inedito e ricercato. I dettagli di BOLD58_Frame Ciò che contraddistingue il contenimento FRAME sono le composizioni non convenzionali di top e fianchi, caratterizzati da contrasti di orientamento vena nelle finiture in essenza ed un distanziale rientrato che sottolinea la geom
The Fiber Chair brings a new perspective to the iconic shell chair through its innovative composite of 100% recycled plastic and wood fibers. The wood fibers blend into the surface for a matte finish, adding a soft, inviting touch. The Fiber Chair is designed with friendly, embracing curves that provide extensive comfort to its user while taking up little space in the room.
The Fiber Chair brings a new perspective to the iconic shell chair through its innovative composite of 100% recycled plastic and wood fibers. The wood fibers blend into the surface for a matte finish, adding a soft, inviting touch. The Fiber Chair is designed with friendly, embracing curves that provide extensive comfort to its user while taking up little space in the room.
The Fiber Chair brings a new perspective to the iconic shell chair through its innovative composite of 100% recycled plastic and wood fibers. The wood fibers blend into the surface for a matte finish, adding a soft, inviting touch. The Fiber Chair is designed with friendly, embracing curves that provide extensive comfort to its user while taking up little space in the room.
Loft Counter Stool combines Scandinavian design traditions with industrial references for a bar stool with full seat and back along with a small footprint. As with its chair counterpart, the Loft Counter Stool exemplifies simple, honest design through its clean lines and maximum comfort.
With its small curved back and long elegant legs, the Visu Counter Stool is a perfect accompaniment for any kitchen counter or restaurant bar. Made from form pressed oak, the gentle silhouette of the chair contrasts with the texture of the wood for a toned-down Scandinavian aesthetic.
With its curved backrest that folds elegantly around its back legs and ties the design together, the Cover Counter Stool challenges the possibilities of veneer through a forward-thinking approach, echoing the ideas of Scandinavian design. The design is lightweight and features a tall, enveloping back for extensive comfort that allows one to be seated in its seat for hours on end, be it for a dinner, a drink or even working at a counter desk. The Cover Series without upholstery is EU Ecolabel Certified. By carrying the EU Ecolabel Certification, the product is guaranteed to have a reduced environmental impact throughout the total lifecycle of the product from raw material to disposal.
A stool made from recycled material for maximum sustainability. A.I. STOOL LIGHT is sustainable in materials and production process and is the result of thorough optimisation: three models can be made from the same mould, meaning that even industrial manufacturing can adopt a green approach.
Attila, Napoleon and Saint-Esprit are three table-stools, three charismatic characters that stand out for their originality and anti-conformism. Stools and tables conceived to furnish any and every setting with a friendly and humorous touch, but also with particular consideration for practicality: the gnomes' hat is flat and round, ideal for use as an occasional table or stool.
Attila, Napoleon and Saint-Esprit are three table-stools, three charismatic characters that stand out for their originality and anti-conformism. Stools and tables conceived to furnish any and every setting with a friendly and humorous touch, but also with
Contemporary aesthetics and a tradition for quality craftsmanship meet on the versatile and comfortable Embrace Bar Stool, designed for Carl Hansen & Søn by EOOS.
Contemporary aesthetics and a tradition for quality craftsmanship meet on the versatile and comfortable Embrace Bar Stool, designed for Carl Hansen & Søn by EOOS.
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