PRODUCT DESCRIPTION
The Herringbone Vessels are created by repeatedly immersing ceramic bowls and vases in a coloured glaze. This process yields a pattern with an intrinsic logic, determined by the dipping angle as well as the shape and weight of the piece. As the dyeing process is performed entirely by hand, each bowl and vase in the Herringbone Collection is a unique object.
SUPPLIER: VITRA
TYPE: STYLING

LIST OF FILES:
Informational materials - Factsheet (Herringbone Vessels)
Informational materials - Care instructions
OTHER SUPPLIERS
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vitra > Styling
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vitra > Styling
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vitra > Styling
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vitra > Styling
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vitra > Styling
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vitra > Styling
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vitra > Chair
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vitra > Styling
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vitra > Chair
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vitra > Styling
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vitra > Chair
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vitra > Pouf
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vitra > Chair
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vitra > Styling
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florim > Wallcovering
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Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. 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The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
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florim > Wallcovering
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This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
Matrice Sostanza

florim > Wallcovering
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
pluralis - KS438

fritzhansen > Table
As inferred by its name, the Pluralis™ table series by Kasper Salto offers a myriad of possibilities. Characterised by its understated design, elegance and uncompromising quality, it brings a whole new level of functionality to the workspace. Pluralis™ tables include cable management and electrification solutions across the entire range of sizes and shapes. The Pluralis™ KS438 wall mounted table is an elegant solution for accommodating a screen in meeting rooms. Its trapezoid shape ensures all participants have a clear view of the screen. Bespoke solutions are available upon request. Please contact your local Fritz Hansen sales representative for more details.
DIAMOND BLUE-BROWN - Recycled PET rug with geometric shapes _ GAN

GAN > Carpet
Charlotte Lancelot has expanded her acclaimed DIAMOND kilim rug collection for GAN with three new natural-toned color combinations—Blue-Brown, Green-Grey, and Orange-Wine—joining the existing Pink-Yellow, Nude-Petrol, and Blue-Green options. Inspired by the geometric facets of a diamond, the octagonal design symbolizes strength and beauty, while its hypnotic gradients and perceived transparencies create a striking visual effect. Crafted from 100% recycled PET fibers, these rugs are both eco-friendly and durable, suitable for both indoor and outdoor spaces. The fibers undergo a meticulous regeneration process, extending the life of existing plastic and transforming it into a contemporary, easy-to-maintain design piece. Available in three sizes, the DIAMOND collection also offers a downloadable 3D file for design visualization. GAN, a globally recognized interior design supplier founded in 1941 and headquartered in Spain, is celebrated for its innovative, high-quality rugs and textiles that blend contemporary aesthetics with timeless craftsmanship.
NASTRI - Handmade glass pendant lamp _ VENINI

VENINI > Ceiling lamp
Nastri is a stunning suspension lamp crafted from modular ribbon glass, featuring hand-blown and meticulously handcrafted glass elements such as Polyhedra, Canes, Ribbons, Trilobo, Triedri, Balloton Spheres, and Plates, which come together to create a chandelier of extraordinary complexity and beauty. Regardless of its size, Nastri exudes a monumental presence, casting a majestic light that transforms any space. Available as a pendant light, wall light, or table lamp, it is offered in crystal and powered by 8 x max 8W LED E14 light sources. A 3D file of the product is available for download, allowing for detailed visualization and planning. VENINI, the esteemed Italian supplier behind Nastri, has been a symbol of excellence in glassmaking since its founding in 1921 in Murano, Italy, a region celebrated for its centuries-old glassmaking heritage. Renowned for its collaboration with leading designers and artists, VENINI combines traditional craftsmanship with innovative design to produce timeless, high-quality lighting and glassware that elevate both residential and commercial spaces.
JAMES SLIM - Fabric sofa with removable cover _ Meridiani

Meridiani > Sofa
The James Slim sofa is a versatile and elegant piece featuring removable modular elements in fabric (fixed for the leather version) and visible feet, crafted with a wooden structure, non-deformable polyurethane padding, and feet available in black, light, or almond-stained wood. It includes metal brackets for securing modular elements, a seat cushion with polyurethane and supported feathers, and optional lumbar support in supported down. The sofa’s design blends contemporary aesthetics with subtle nods to the past, characterized by its pure lines, soft upholstery, and a slightly inclined backrest that enhances both comfort and style. Perfect for relaxation, reading, or conversation, it offers deep seating complemented by cushions or backrests. Additionally, a downloadable 3D file of the product is available for customization and planning. Meridiani, the Italian supplier behind James Slim, is renowned for its sophisticated, timeless furniture and home accessories, blending clean lines, natural materials, and luxurious finishes to create versatile, premium designs since its founding in 1996.
CIRCUIT - Borosilicate glass pendant lamp _ Cattelan Italia

Cattelan Italia > Ceiling lamp
The **CIRCUIT** ceiling lamp is a modern lighting masterpiece featuring a frame crafted from titanium-embossed lacquered steel (GFM11) and satin nickel, paired with a small transparent borosilicate glass lampshade and a larger fumé borosilicate glass shade. Designed by STC Studio, this iconic chandelier integrates LED lighting, creating a striking illuminated constellation effect. Its graphic design elements and avant-garde production techniques reflect the meticulous attention to detail synonymous with high-quality craftsmanship. A 3D file of the product is available for download, allowing for detailed visualization and planning. **Cattelan Italia**, the renowned Italian supplier behind this product, has been a leader in contemporary interior design since 1979, offering premium furniture and accessories that blend innovation, Italian craftsmanship, and luxury for residential and commercial spaces worldwide.
STORE 408 - Tall laundry room cabinet with sink _ Gruppo Geromin

Gruppo Geromin > Cabinet
The Composition 408 by Gruppo Geromin is a harmonious blend of simplicity, elegance, and unparalleled comfort, offering versatile solutions from a compact sink to a spacious basin suitable for any countertop size. Crafted with Honey Sherwood Melamine finishes, Griff handles, and Geacryl® White Gloss consoles, this functional design adapts seamlessly to both small and large spaces, maximizing efficiency in every corner of the laundry area. The collection features pull-out baskets, trolleys, and fully-fitted modules for dynamic storage, while the dark-toned base units, smoked glass shelves, and under-cabinet LED lighting add a contemporary, glamorous touch. With space-saving designs, tall units for tidiness, and customizable options like open modules and side taps, the Composition 408 ensures practicality and style. Additionally, a 3D file of the product is available for download, allowing for detailed visualization and planning. Gruppo Geromin, a renowned Italian interior design supplier established in 1974, specializes in premium bathroom furniture and accessories, offering modern, minimalist, and luxurious solutions for residential and commercial spaces worldwide.
DIAMOND - Fabric armchair with armrests _ Sicis

Sicis > Armchair
Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *The Diamond armchair features a sturdy solid wood and plywood frame, upholstered with multi-density polyurethane foam for optimal comfort, and rests on a sleek lacquered base for a refined finish. A 3D file of the design is available for download, allowing for seamless integration into virtual planning. Crafted by Sicis, a renowned Italian luxury design brand celebrated for its exquisite craftsmanship and innovative fusion of traditional and contemporary aesthetics, the armchair embodies elegance and functionality.*
BABYLON - Round coffee table _ Sicis

Sicis > Coffee table
Here’s the rephrased and expanded product description, along with a concise supplier overview and mention of the 3D file: *"This elegant side table features a polished ebony finish, adorned with decorative inserts crafted from liquid metal and intricate mosaic detailing, while the top is made of durable Vetrite for a refined yet functional surface. A 3D file of the design is available for download, allowing for seamless integration into virtual planning. Manufactured by Sicis, a renowned Italian luxury design house celebrated for its artisanal mosaics and high-end furniture, the piece embodies the brand’s signature blend of traditional craftsmanship and contemporary sophistication."* (Note: The supplier description has been condensed to one sentence while retaining key details about Sicis’ reputation and style.)
RIFLESSI 7200 - Lead Crystal pendant lamp _ Patrizia Volpato

Patrizia Volpato > Ceiling lamp
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *"This elegant light fixture features a dual light source (2 x G9 halogen energy-saving or 2 x G9 LED bulbs), blending a sleek, modern design with antique-inspired shades. The bright, high-quality crystal, encased in a polished metal band, creates a striking contrast, offering a perfect balance of design, beauty, and craftsmanship. Ideal for elevating any space, it adds a touch of sophistication and uniqueness. Available in polished chrome, tortora, and brushed burnished finishes. A 3D file of this product is available for download. Manufactured by Patrizia Volpato, a renowned Italian lighting brand celebrated for its premium, contemporary designs since 1997."*
PAULI - Wall-mounted wooden coat rack _ Sancal

Sancal > Accessories
Here’s a rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *"Nachacht, a Berlin-based design studio, has crafted the PAULI coat hanger, a playful and interactive piece inspired by the modularity of Meccano toys. Featuring delicate marquetry, the hanger’s structure is made of natural oak, while the detachable hooks are crafted from colorful Polirey veneer, combining vibrant aesthetics with enhanced durability. Its adaptable shape allows for customizable configurations, adding a dynamic touch to any space. A 3D file of the product is available for download, offering further creative possibilities. Designed for Sancal—a renowned Spanish furniture brand celebrated for its innovative, high-quality designs since 1973—PAULI reflects their commitment to functional yet imaginative interiors."* (Note: I condensed the supplier details to one sentence while retaining key info about Sancal’s reputation and origin.)
CANZONE - Upholstered armchair with armrests _ ERBA ITALIA

ERBA ITALIA > Armchair
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *The CANZONE armchair by Erba Italia features a beautifully rounded, enveloping design that combines comfort with timeless elegance. Crafted with a solid wood frame and multilayer wood construction, it ensures durability, while the sprung seat with elastic belts and polyurethane foam (CFC-free) offers exceptional support. The seat is padded with virgin natural goose feather and polyurethane foam, while the back is filled with 100% virgin goose feather for luxurious softness. Available in premium fabric or leather upholstery, this armchair adds sophistication to any interior. A 3D file of the product is available for download, allowing for seamless integration into design plans.* *Erba Italia, a renowned Italian luxury furniture brand since 1936, is celebrated for its craftsmanship and elegant designs.*
EDIZIONE - Sectional sofa _ ERBA ITALIA

ERBA ITALIA > Sofa
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: **EDIZIONE** features a sturdy metal frame with non-deformable polyurethane foam padding, wrapped in soft polyester fibre for comfort. The base boasts a durable metal construction with a sleek powder-coated finish, while the seat combines plush natural goose feather filling with a supportive polyurethane foam insert for lasting resilience. Customize your piece with a premium fabric or leather cover to suit your style. For added convenience, a 3D file of this design is available for download, ideal for visualization or planning. Crafted by **ERBA ITALIA**, a heritage Italian brand renowned for its luxury furniture since 1936, the EDIZIONE reflects their commitment to timeless elegance and exceptional craftsmanship. Explore their collections at [www.erbaitalia.it](http://www.erbaitalia.it).
CONVERSATION - Sectional sofa _ ERBA ITALIA

ERBA ITALIA > Sofa
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *The CONVERSATION collection features modular sofas and sectional elements designed to seamlessly connect, offering versatility and elegance. Crafted with a solid wood and multilayer wood frame, the sofa incorporates an elastic webbing spring system for durability, padded with high-resilience polyurethane foam and luxuriously upholstered in Dacron Du Pont. The design includes non-visible feet for a sleek, floating appearance, while the backrest is supported by a metal frame, cushioned with non-deformable foam and wrapped in soft polyester fiber and velveteen. The back cushions are upholstered in 100% cotton fabric and filled with a premium blend of 70% natural goose feather and 30% polyester fiber HCS for plush comfort. Customization is effortless, as the covers are available in fabric or leather and can be removed (optional for cushions). For added convenience, a 3D file of the product is available for download, enabling precise visualization and planning. ERBA ITALIA, a renowned Italian luxury furniture brand since 1936, is celebrated for its exquisite craftsmanship and timeless designs, blending tradition with modern sophistication.*
VICEVERSA - 2 seater sofa _ ERBA ITALIA

ERBA ITALIA > Sofa
Here’s the rephrased and expanded product description, including a concise supplier overview and a mention of the 3D file availability: *"This elegant product combines timeless design with exceptional craftsmanship, offering a perfect blend of luxury and functionality for both residential and commercial spaces. Crafted from high-quality materials, it reflects sophisticated aesthetics suitable for contemporary, classic, or transitional interiors. A downloadable 3D file of the product is available for detailed visualization and planning. Supplied by ERBA ITALIA, a renowned Italian luxury furniture brand since 1936, known for its premium designs and global presence."* Let me know if you'd like any further refinements!
REPORT - Corner armchair with armrests _ ERBA ITALIA

ERBA ITALIA > Armchair
Here’s the refined product description with an expanded yet concise supplier detail and the addition of the 3D file availability: *"REPORT – A sleek little armchair designed for minimalist spaces, featuring a durable metal frame with a satin matt chrome finish, an elastic webbing spring system, and high-resilience polyurethane foam padding topped with polyester fiber for comfort. The chair offers customizable covers in fabric or leather, and a 3D file of the design is available for download. Crafted by ERBA ITALIA, a renowned Italian luxury furniture brand since 1936, known for its timeless elegance and premium craftsmanship."* This keeps the supplier description brief while highlighting their legacy and expertise. Let me know if you'd like any further adjustments!
DAVID - Sectional fabric sofa with chaise longue _ ERBA ITALIA

ERBA ITALIA > Sofa
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *"This sofa features modern, asymmetrical lines, blending originality with elegant refinement, making it a striking centerpiece for spacious lounges or open-plan areas. Its generous armrests and sleek metal legs complement the bold design, while the solid and multilayer wood frame ensures durability. The seat cushion combines polyurethane foam with a goose feather wrap for plush comfort, and the back cushions and backrest are fully filled with natural goose feather for a luxurious feel. Available in premium fabric or leather, this sofa balances style and sophistication. A downloadable 3D file of the model is also available for design planning. Crafted by ERBA ITALIA, a renowned Italian luxury furniture brand since 1936, known for its timeless craftsmanship and high-end materials."*
SLEEPY - Upholstered leather double bed _ Tonin Casa

Tonin Casa > Bed frame
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *"SLEEPY by Tonin Casa is a strikingly modern bed with clean, sharp lines, elevated by luxurious leather upholstery that creates a serene and inviting atmosphere. Available in three sizes, its minimalist yet warm design makes it an ideal centerpiece for contemporary, refined bedrooms. For further customization, the 3D file of SLEEPY is available for download. Tonin Casa, a renowned Italian design brand since 1975, is celebrated for its innovative, high-quality furniture blending timeless elegance with modern functionality."* (Note: I condensed the supplier details to one impactful sentence while retaining key brand values. Let me know if you'd like any adjustments!)
MARBLE CASSETTONATO FOGLIA - Porcelain stoneware flooring with marble effect _ Versace Ceramics

Versace Ceramics > Synthetic Floor
**Product Description:** The *Marble Cassettonato Foglia* is a beautifully colored, rectified, and frost-resistant porcelain stoneware floor tile, available in multiple elegant variants. Part of the *Marble* collection by Versace Ceramics, this design captures the grandeur of classical antiquity while seamlessly blending into modern interiors. The collection features six distinct marble-inspired designs along with a variety of coordinated decorative elements, offering timeless sophistication for luxurious living spaces. These tiles interact beautifully with light, showcasing a refined palette of shades that pair effortlessly with artfully crafted mosaics, intricate details, and geometric inlays. Versace Ceramics transforms any space—from floors to living areas and bathrooms—into a statement of opulence, incorporating iconic Versace motifs for a truly unique aesthetic. A downloadable 3D file of this product is available for visualization and design planning. **Supplier Description:** Versace Ceramics is a premier luxury interior design brand renowned for its high-end ceramic tiles, mosaics, and bespoke decorative solutions, embodying the lavish elegance of the Versace lifestyle.
EXTRA - Wardrobe with coplanar doors _ Composit

Composit > wardrobe
Here’s a refined and expanded product description, including a concise supplier overview and a note about the 3D file: *"The Extra Complanare wardrobe features a sleek, lacquered laminate finish with seamless coplanar doors, offering a modern and minimalist storage solution for contemporary interiors. A downloadable 3D file of the product is available for design planning. Crafted by Composit, a renowned Italian supplier of high-quality furniture, the brand combines sustainable materials with innovative, stylish designs for residential and commercial spaces."* This keeps the supplier description brief while highlighting key details and adding the 3D file mention. Let me know if you'd like further adjustments!
FINO - Wall-mounted steel coat rack _ Rosconi

Rosconi > Accessories
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability: --- The **Fino coat rack** combines a sleek wall-mounted design with a practical coat rail, available in two elegant finishes: full stainless steel or powder-coated vertical tubes with T-feet. Known for its timeless appeal and durable construction, the Fino series features high-quality materials and a robust build, ensuring long-lasting performance. Customize your storage with versatile hook options—single, double, or triple hooks, along with hat and coat hooks—maximizing capacity without compromising style. For added convenience, a **3D file of the product is available for download**, allowing for seamless integration into design plans. **Supplier Overview**: Rosconi, a renowned German-based interior design supplier, specializes in premium furniture and decor for both commercial and residential spaces, blending functionality with contemporary aesthetics. For more details, visit the manufacturer’s page: [FINO | Wall-mounted coat rack – Rosconi](https://www.rosconi.com/). --- This version keeps the supplier description brief while highlighting key details about the product and its 3D file availability. Let me know if you'd like any further refinements!
VERSION 3 - High ash stool with footrest _ Askia

Askia > Stool
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: **Product Description:** The **Version 3 Barstool** (High: 1.C07.AH.MNT / Low: 1.C08.AH.MNT) is a smart, casual seating solution that combines comfort with minimalist charm, perfect for everyday social settings. Its sleek frame features a slender seat and backrest, exuding elegance and a touch of playfulness. Designed for versatility, it seamlessly fits into both commercial and residential spaces, with a natural wood texture that adapts effortlessly to various themes and color palettes. The stool’s sturdy, CNC-cut feet are hand-polished for a refined finish, while the curved plywood backrest is veneer-covered for added sophistication. Available in oak or ash, its lightweight yet durable construction ensures easy mobility around counters, bars, or high tables. A downloadable 3D file of the product is also available for design planning. **Supplier Overview:** Askia is a trusted interior design supplier based in Romania, offering a curated selection of stylish, high-quality furniture and decor for modern spaces. (Note: The supplier description has been condensed to one sentence as requested, while the product description is expanded and refined.)
TIPRO - Stackable cork chair _ Askia

Askia > Chair
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *The Tipro chair, designed by Dragos Motica, showcases the versatility of modern furniture with its modular and customizable design. Available in black, ash, oak, or walnut structures—or a combination of two—it offers multiple finish options: a cork seat, a cork seat with an upholstered back, or an upholstered seat with a cork back. Crafted entirely from wood, its components are easily disassembled without sacrificing durability, while the interchangeable seat and backrest modules allow for personalized styling. The chair’s elastic backrest ensures exceptional comfort, and its lightweight yet sturdy construction makes it both elegant and easy to transport. A 3D file of the product is available for download, enabling seamless integration into design projects. Tipro is supplied by Askia, a renowned Romanian-based interior design brand known for its high-quality furniture and decor.*
IPOT 2X_N - Aluminium plant pot _ iPot

iPot > Accessories
**Product Description:** The **iPot** is an innovative modular system that offers limitless design possibilities, adapting effortlessly to any space or function. Its flexible structure allows you to create partition walls, indoor or outdoor green islands, bookcases, display stands, and more, with the help of versatile accessories. Whether you need a compact unit for a single plant or an elaborate multi-tiered setup, the iPot can be customized to fit perfectly. Each **iPot Kit** includes a base structure and accessories, with options to personalize the structure’s color and the materials or finishes of the add-ons. For added convenience, a **3D file of the product is available for download**, enabling you to visualize and plan your ideal configuration. **Supplier Description:** iPot is a renowned Italian interior design brand specializing in stylish and functional decor solutions for homes and offices, with a global presence. Explore their collection at [ipotdesign.it](https://ipotdesign.it).
CUBE - Contemporary style rectangular low glass coffee table for living room _ carpanelli

carpanelli > Coffee table
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Elica Studio > Styling
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