The colored polycarbonate shade adds personality to any setting. The control rod is positioned close to the light source. A counterweight provides easy height adjustment.
Frequently Asked Questions
What are the dimensions of the Costanzina?
The Costanzina measures H: 3.
Is the Costanzina suitable for commercial projects?
Yes, the Costanzina by Luceplan is suitable for both residential and commercial interiors. It is commonly specified by interior designers and architects for hospitality, office, and retail environments.
Balance, symbiosis and interaction: the crux of the design of the Nui collection of outdoor floor and wall lamps lies in the relationship between two overlaid cylindrical volumes that interact in a dynamic of reciprocal completion.
The Grande Costanza Open Air suspension lamp, thanks to its enveloping glow and timeless classic design, adds a touch of elegance and refinement to outdoor spaces like terraces and gazebos, fitting perfectly into both public and private contexts. The suspension version has a thin polycarbonate diffuser (diameter 50 and 70 cm), and an IP65 optical housing connected to the shade by three small rods.
The outdoor version is perfect for terraces and gardens, to light spaces with elegance and efficiency. The shade comes in the colors ivory, rust or green. Stem in white, rust or aluminium.
The Flia family of outdoor floor lamps stands out for its ability to combine technological aspects with rigorous expressive forms. The miniaturization of the light source is a key factor of the project. The carbon stem is supported by a cylinder that contains the core elements and grants the lamp strength, lightness and flexibility. Flia is available in a single configuration – with three different heights – or multiples – with 2 or 3 stems – and can be attached to floors and decks, or directly on the ground.
Fienile is also available in floor lamp versions for outdoor use, based on the same design inspired by the iconic rural buildings of Norway. Fienile Outdoor is a work of micro-architecture, with its walls and pitched roof extruded in a single, solid block of coated aluminium, while the diffuser is in polycarbonate. The outdoor version of Fienile comes in two heights, 32 or 72 cm, and two colors: pale and dark gray. Thanks to its essential design, Fienile Outdoor fits perfectly into the surrounding landscape and architectural context. The characteristic angled roof, besides being a clear reference to the archetypal form of the house, contributes to screen the light and spread it uniformly on the ground.
The special feature of this project lies in its close attention to sustainability. Luceplan has always been committed in its efforts to reduce the environmental impact not only of its production but also in the distribution of products. Zile is, in all respects, an eco-friendly light.
Trypta is a system of suspension lamps that offers a combination of acoustic features and lighting performance in various dimensions and colors. The cylindrical aluminum body is equipped with two LED sources to provide both direct and indirect diffused light.
Lightweight and versatile, this lamp can change color without altering white light emission thanks to a pair of polycarbonate filters. The arrangement of the aluminium ribs reflects light and conceals the bulb inside a transparent, surprising shape. The spherical counterweight permits height adjustment.
Composed of glass spheres at different heights, Stochastic takes on infinite combinations in a sort of controlled freedom: each sphere is connected to small steel rods of different lengths that can be attached to the structure according to your own creative impulses. The light source – a double high-efficiency LED module – is enclosed in the spheres, generating warm indirect light aimed upward and downward.
Supported by a single asymmetrical cable, the lamp keeps its balance thanks to the thicknesses of the body, varying from 8 to 25 mm, offering a slim aerial lighting element that brings brightness with discretion and elegance. An object that defies the laws of physics, thanks to technology that permits design bordering on the impossible.
Quality lighting combined with acoustic comfort and the beauty of fabrics, for this family of suspension lamps. A lighting system that matches decor solutions with high levels of sound absorption, for public and private spaces.
Doubled in size and visual impact, designed to light up large spaces. A pair of interchangeable filters make it possible to color the aluminium body without interfering with the white light emission.
A suspension lamp with an organic form that conceals the magic of silence: the body consists of a sound-absorbing panel covered in white fabric, to improve acoustic comfort in any space. Available in three sizes.
A suspension lamp with an organic form that conceals the magic of silence: the body consists of a sound-absorbing panel covered in white fabric, to improve acoustic comfort in any space. Available in three sizes.
The wireless version of Mesh offer users total freedom of lighting control. Available for the suspension versions large (Ø 100) and medium (Ø 80), Mesh Wireless is equipped with a sophisticated electronic board allowing users to interact with the lamp by means of a smart device. Luceplan has developed a special App (for iOS and Android) that makes it possible to control single or multiple units, individually or as a group. The Mesh App permits use of one or more light points at a time, orienting light in space to create different moods and experiences. The App can be programmed with 6 presets for rapid activation. It is also possible to set up a dynamic scenario with a simple touch of the screen. Using a local Internet connection, on-off functions can be programmed in remote access mode.
A lamp of great theatrical impact whose almost transparent structure, composed of a network of flexible cables with LED sources positioned at their intersections, conceals the complexity of the design, dematerializing it to make room for only the light, the true protagonist. Available in three different dimensions (diameter 55, 80 and 100 cm) Mesh suspension guarantees an optimal distribution of light in rooms.
The range of Malamata lights (named to recall the designer’s Israeli roots, drawing on the Hebrew meaning of ‘up and down’) is characterised by the possibility of a variety of diffuser positions.
The diffuser in opaline blown glass – whose surface is scanned by the repetition of slight vertical cusps that vanish at the extremities – is combined with a wooden structure, making Lita a product with a forceful material character. A timeless and evocative object that combines the crafts tradition with technical research, seductive in its way of matching visual and tactile sensations.
A chandelier of great emotional impact, based on the creative intuition of the designer, together with the research on materials, technology and design conducted by di Luceplan. A new protagonist for living areas in the home, but also for contract applications. The size is impressive, yet the overall image is ethereal, like an organism floating in space.
Lady Costanza reinterprets all the characteristics of the original Costanza model in a larger format, conserving the aplomb of the design, its formal harmony and functional precision. The shade comes in white, red and black (the latter for a more directional, concentrated lighting effect).
Elegance and purity in form characterise the “Koinè” family of pendant lights, named for its meaning of “shared language” and for its shapes which make it extremely versatile. The light source features a specially designed mineral lens. The light beam distributed by the lens is homogenous and distinct, a broad cone of light with clearly-defined edges
Elegance and purity in form characterise the “Koinè” family of pendant lights, named for its meaning of “shared language” and for its shapes which make it extremely versatile. The light source features a specially designed mineral lens. The light beam distributed by the lens is homogenous and distinct, a broad cone of light with clearly-defined edges
Along with the high-tech lighting engineering performance which distinguishes it, Koinè enjoys yet another innovative element in the sound-absorbing version. The reflector is a felt cap (60% recycled) which not only has an important decorative role, but also allows increased acoustic comfort in the vicinity by reducing the time of sound reverberation. An aluminium portion inside covers the surfaces and contributes on one hand to holding the felt in place, and on the other hand to dispersing the heat of the light source.
Incredibly light and easy to dismantle, Hope revives the magic of traditional chandeliers, reinterpreted with sophisticated modern technologies and contemporary materials. The thin methacrylate Fresnel lenses multiply the light, creating a pleasant, sparkling and festive atmosphere.
As visible as it is lightweight and balanced. The thin polycarbonate shade emits a pleasant glow that brings warmth and brightness to domestic and public spaces.
The suspension version of Fienile is made in a single size for the roof, whose lower portion contains a homogeneous light source for high performance without glare. The lamp provides light directed upward and downward, thanks to great freedom of movement, permitting rotation of 360 degrees. It is possible to connect up to four suspension lamps (for Europe version) or two suspension lamp (for Americas version) with a single power cord, conserving the rotation of each unit.
For the first time in the Luceplan catalogue, Farel introduces an iconic dome structure, a neutral geometric form proposed in sound-absorbing thermoformed material with outer fabric cladding. The lamp can be personalized thanks to a combination of colors of the shade, ranging through cool, warm and neutral tones for the outside, combined with dark or pale hues for the inside.
Aluminium suspensions in two diameters and different lengths. The power cable enters the side of the cylinder, providing two-way emission without casting a shadow on the ceiling. The light source in a recessed position, preventing glare and improving visual comfort.
Doi is a family of decorative indoor lamps which takes on different possible configurations in the suspension models, formed by only a disk and a cylinder, or with the added “pendulum” accessory.
The colored polycarbonate shade adds personality to any setting. The control rod is positioned close to the light source. A counterweight provides easy height adjustment.
Elegant and light, this lamp emits a pleasant warm light through a silk-screened polycarbonate shade. The lamp’s height may be adjusted by means of a characteristic steel counterweight.
The Compendium suspension is an essential, elegant lamp that spreads an ample quantity of light on surfaces. It is versatile, for direct downward or indirect upward lighting, adjusted by rotating the reflector at the time of installation. Linear and tee joints make multiple compositions possible. The lamp can be used with a wall dimmer.
The design language of Daniel Rybakken returns to its reliance on the intrinsic power of basic geometric forms, turning this time to the symbol of harmony par excellence: the circle. An extension of the Compendium family, Circle is a lamp with a poetic nature and an essential design, whose lightness is sustained by LED technology, installed to permit direct emission when pointed downward, or diffused light when aimed upward. It is also possible to combine up to three rings of different diameters to give rise to different configurations and luminous scenarios of great visual impact.
The Amisol project is about making a pendant light that occupies a large physical space with a minimal physical volume, for easy orientation in space. A translucent white fi lm or a metallized mirror membrane is stretched inside a circular aluminium profile. Like a solar sail, an incredibly powerful light source projects a beam of light onto the large, almost weightless disk, either diffusing or reflecting the light. Thin rods connect the two main elements together. By altering the length and the connecting points of the two supporting wires the rotation of the disk can be set in any angle.
Across is a versatile and dynamic lamp, ready to personalize any space, “crossing” it with a clear, distinctive graphic gesture. A linear suspension lamp composed of three interconnected axes of two different sizes, to create compositions with different images and levels of complexity. The structure is formed by a horizontal extruded body that contains an optical group for direct lighting, and two hinged elements that make it possible to attach the lamp to the wall or the ceiling. The lamp’s adaptability gives rise to various configurations to respond to different technical and stylistic needs.
Halfway between a pendant and a ceiling lamp, Millimetro is composed of a very thin reflecting circular disk (1 mm thickness) and warm, enveloping light directed upward from below. The upper cap is attached to a stem that supports the metal disk with a mirror finish. The LED light source, concealed behind the disk, provides a diffused, uniform glow. To respond to various installation requirements, it is possible to choose from four different lengths for the stem that connects the body of the lamp to the ceiling attachment.
The Mesh family has expanded with a ceiling version with 96 light points. The particular structure permits exceptional freedom in the control of luminance. It is possible to govern the intensity of the light.
The In Situ Modular Sofa is a grand, modular design with sculptural lines that can be tailored to your individual space and taste with its modular elements hidden through subtle detailing of its front profile, paired with deep comfort and a soft seat. Choose from any of the 30 predesigned configurations or create your own, using the 9 different seating modules and loose cushions. The look and feel of the In Situ Modular Sofa is more casual in its appearance, compared to some of our other sofas. Visit our Product Planner to explore the possible configurations: planner.muuto.com/in-situ *Please note that the In Situ Cushions are not part of any configuration or seating module and must be added separately to your order.
The Outline Series adds new perspectives to the classic Scandinavian design sofas of the 1960's, marrying the ideals of simplicity and function into one. With the design taking its name from its strong outline of a sofa, the Outline Series is clean and elegant on the outside with a deep seat and soft cushioning on its inside. The Outline Series has an expression that is at once elegant yet timeless, elevated by its lines referencing architectural shapes alongside its curved armrests, giving the design a distinct appearance across various sizes and variants. The Outline Series also includes Studio versions of the Sofa and Chair, being compact versions with slimmed-down proportions for smaller spaces within the home, hotel rooms, work settings and more. The Outline Studio Sofa and Chair have a smaller depth of 76 cm / 29.9”.
This modern wall sconce features a sleek, matte metal design, perfect for adding a touch of elegance to hallways. Its minimalist form and upward light direction create a refined ambiance, ideal for contemporary interiors.
Audrey is a versatile and contemporary chair which because of its simple, clean lines obtained through a special die-casting process is composed of only two parts and made without welding. It is multifunctional and adaptable to all uses - indoor, outdoor, the home, office and contract - with its wonderfully rich range of combinations both hard and soft. Audrey comes in either the chair or the armchair (with arms) version.
The Madame small armchair is part of the La DoubleJ collection. The seat structure is available in two different colours (white and black), which transversely match the patterns of the frame.
Ellis has a soft and curvy design with a contemporary and elegant twist. Ellis’ modules can be adapted endlessly and can be combined for instance into a regular straight sofa, a corner sofa, a chaiselong sofa or as a U-sofa. In other words, so many variations for both small and larger spaces.
Inspired by Alexander Calder’s kinetic sculptures, Spanish designer Jaime Hayon transformed the idea of a mobile into a table - stabilised by a metal armature. A series of multi-tiered tables of varying shapes, sizes, colours and materials. Get this Palette desk in two different variants.
It’s hard to look away from this bedspread from contemporary brand All the Way to Paris, which places an illustration of a singular eye in the centre of a geometric design. Quilted by hand, and crafted from organic cotton, it comes in two colours: Brown Earth and Blue Midnight.
Named after the Betty Nansen theatre in Copenhagen, this stackable chair comes in two versions: one with a seat made from exposed webbing crafted from natural linen fibres, and another with a solid wooden seat. It is available in three contemporary frame colours: Black lacquered ash, Maroon lacquered ash, as well as lacquered solid oak.
Gustave is a portable, self-powered luminaire, specially designed for tabletop lighting applications and other related uses as supplementary lighting. Gustaves compact size encloses a perfect mix of the most innovative optical and light technology and a disruptive engineering, developed in the service of a discretionary purpose of Flos for this project: to create the first portable luminaire on the market with circular design awareness, ecological and honestly conceived against obsolescence.Portable luminaire with autonomous battery, designed for residential applications. Powered by 'Button Type 18650 Li-Ion' batteries (2 units, included inside the product). USB-C charging cable (plug adapter not included). 0-100% sequential regulation by means of capacitive haptic push button.
Hazy Day is the outcome of a delicate study of light and how it diffuses, inspired by that time of day when the sun has not yet come up and the light of the sky is filtered through the haze. As a hanging lamp, the opal glass ball fades from a sandy matte to a shiny transparent finish at the small curvature that rounds out the lampshade. This detail breaks up the essential geometry of the sphere and harkens back to the technical procedure of glassblowing, the technique used to craft it.From certain vantage points, the downward-shifted position of the bulb and the bottom curvature generate a provocative sense that there is a double source of light.
Occony introduces The Living Workspace, our latest collaboration with designer Robert Bronwasser. The Living Workspace is a modern workspace concept, inspired by nature, with organic shapes and smart solutions that promote functionality, connection and well-being, even in the most business-like environments. The Living Workspace is a modular system that is customizable in size, direction, composition and color & finishes. It acts as an innovative replacement for conventional workplaces and promotes innovation, social interaction, and various forms of collaboration. As well, it offers the opportunity to create quiet, ergonomic workplaces for individual work. Our workplaces are acoustically optimized, electrically height-adjustable, and comply with the NPR 1813 and NEN 527 guidelines for sit-stand workplaces.
This wooden Slab Table is part of a series of robust pieces constructed in angular forms of inviting simplicity. Made in Lithuania using solid wood, this modern table is celebrating the natural beauty of Oak.
More Information Also available in a Black finish. The collection includes an Individual Desk, Dining Table, Dining Chair and Bar Stool.
The colored polycarbonate shade adds personality to any setting. The control rod is positioned close to the light source. A counterweight provides easy height adjustment.
Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>
The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete.<br /><br />«The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.»<br />Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these.<br /> He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him.<br /> This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen.<br /> A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p>
<p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Within our linoleum flooring range, Marmoleum Decibel provides the highest impact sound reduction of 18dB. This sustainable acoustic flooring consists of 2.5 mm Marmoleum laminated onto a 1 mm layer of polyolefin foam. Available in 27 colors selected from the Marmoleum Marbled and Solid collections.
Within our linoleum flooring range, Marmoleum Decibel provides the highest impact sound reduction of 18dB. This sustainable acoustic flooring consists of 2.5 mm Marmoleum laminated onto a 1 mm layer of polyolefin foam. Available in 27 colors selected from the Marmoleum Marbled and Solid collections.
Marmoleum Cocoa embraces our ethos of sustainable design with its combination of circularity and beauty.Marmoleum Cocoa floors are developed and manufactured to be recycled and reused while preventing and sequestering carbon emissions.By adding cocoa shells to the traditional Marmoleum ingredients we have created an exciting surface texture that is both natural looking and contemporary in feel. Marmoleum Cocoa floors combine the liveliness of cocoa husks with the calmness of mineral tones.A timeless floor that fits everywhere.All Marmoleum Solid colours can be ordered in a 3.5 mm Marmoleum Decibel construction.
Hoff created by designer duo Morten & Jonas is a collection of two modular stools and two modular armchairs. They can combine to make a sofa as well an entire living room area. They are characteristed the visual and tactile qualities of the surfaces. Morten & Jonas like to create objects that arouse emotions. Read more
Marmo Metallo Matte Kalesinterflex Porcelain Slab 162x323. Made of porcelain. Size 162 x 323 cm, 12 mm thick. Matte surface. Certified: EPD, GREENGUARD, TSE.
Marmo Metallo Matte Kalesinterflex Porcelain Slab 160x320. Made of porcelain. Size 160 x 320 cm, 6 mm thick. Matte surface. Certified: EPD, GREENGUARD, TSE.
With its universal and simple design, Top Pendant is a contemporary reinterpretation of the archetypical cone-shaped pendant. Its top is a striking feature designed to neatly fit its compact LED light source. Manufactured in spun steel with a graphic rolled hem, it is a versatile lighting family that offers an array of opportunities in color, size and function.
The Ambit Rail Lamp is characterized by its simple lines and elegant shapes, bringing a refined light to any space. With its shades being made of handspun aluminum, the Ambit Rail Lamp features white interiors that provide a contrast to its outside shade while enhancing the light emitted into the room of any home, office or hospitality space.
Embodying the values of Scandinavian design, the Ambit Pendant Lamp is as timeless as it is contemporary. Made of hand-spun aluminum that has been hand-painted, the Ambit Pendant Lamp features clean lines and a white interior that heighten contrasts of its outside shade while enhancing the light emitted in any room of a home, office or commercial space. Use the design on its own or symmetric formations and vibrant clusters.
Inspired by a resting drop of water, the Fluid Pendant Lamp shows how soft light can diffuse across a space for a cosy atmosphere. The frosted matte surface creates a glowing ambience that fits into any home or casual business setting. Present the design individually or in a group for an intimate atmosphere.
This industrial pendant light features a bold, minimalist design with a single exposed bulb encased in a matte black metal frame. Perfect for dining areas, its clean lines and simple form make it a versatile addition to modern interiors.
This elegant pendant light features a brushed metallic finish and a clear glass shade, offering a modern touch to dining spaces. Its single light source provides a warm, downward illumination, perfect for creating an inviting atmosphere. The combination of metal and glass materials ensures durability and style.
This modern pendant light features an elegant drum-shaped fabric shade, perfect for adding a touch of sophistication to dining areas. The matte finish and neutral color palette make it a versatile choice for contemporary interiors. Designed for indoor use, it provides a warm, downward illumination ideal for creating an inviting atmosphere.
Many different styles, from 18th century eclecticism to contemporary minimalism, come together in Philippe Starck’s KHAN chandelier to create a new icon of elegance and modernity. The symbolism of the design is complemented by the technological innovation of Kartell’s new polycarbonate 2.0 in the colours black, champagne and clear.
FL/Y is an essentially-styled suspension lamp. The particular transparency of the material and the sheen of the colours recreate the idea of a soap bubble, shimmering iridiscently in the light. The shade is not perfectly hemispherical, with the cut-off falling just below the level of the diameter, offering greater concentration of the light. The lamp is available in three different sizes: Fl/Y (diameter 52cm, shade depth 33cm), Small Fl/Y (diameter 38cm, shade depth 28cm) and Big Fl/Y (diameter 83cm, shade depth 55cm).
Gè is a suspension lamp attached to the ceiling with a decorated rosette suggestive of antique Venetian chandeliers. It comes with a 37 cm diameter pleated lampshade. The cable can be adjusted in height from 45 to 230 cm.
Bloom is a tubular polycarbonate framework entirely covered by a structure of tiny transparent polycarbonate double corolla flowers. The result is an industrially produced lamp but with all the forms and stylistic complexity of a unique handcrafted piece.
Bloom is a tubular polycarbonate framework entirely covered by a structure of tiny transparent polycarbonate double corolla flowers. The result is an industrially produced lamp but with all the forms and stylistic complexity of a unique handcrafted piece.
Mist is inspired by the warm, diffused light of morning rays shining through the haze, offering a modern take on the classic globe light silhouette. Crafted from mouth-blown opal glass with white coated aluminium details and
a textile cord, the Mist pendant lamp is available in two sizes.
Suspension lamp providing direct and reflected lighting. Structure formed by 20 pressed, polished aluminum triangles. 60 clear Globolux lamps housed around the structure. Steel ceiling fitting and rose.
Add to Project
Create New Project
Or select existing
Your Projects
Loading projects...
Product added successfully!
×
Loading...
My Projects
Loading projects...
No Project Selected
Select a project from the list or create a new one to get started.