The inspiration for Florim's Plimatech Architectural design comes from high up in the Martell Valley of the Alto Adige region.
The aesthetic heterogeneity characteristic of natural stone is captured in the collection through three graphic variants. 01, the most minimalist is softly veined and, especially in the large format, is particularly appropriate to confer character on architecture of more essential taste. 02 has a more variegated appearance, with slight shading tending towards white, designed to add a rough, textural touch to spaces. Finally, 03 is characterized by a high number of crystalline formations that give it a wavier line, ideal for design contexts that, between interior and exterior spaces, pursue a dialogue with the surrounding natural environment.
In addition to this, the range of decorations is completed with the 30x60 wall module and 30x60 3D wall module, both proposed for the graphic variant 02 in all colors.
Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>
Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>
Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>
Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>
Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>
Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>
Six essences inspired by the beauty of marble become stylistic shades to create modern and functional environments The collection is available in various finishes and sizes suitable for private spaces and the light commercial world with shades that go from white to beige, from grey to desaturated black.
Six essences inspired by the beauty of marble become stylistic shades to create modern and functional environments The collection is available in various finishes and sizes suitable for private spaces and the light commercial world with shades that go from white to beige, from grey to desaturated black.
Six essences inspired by the beauty of marble become stylistic shades to create modern and functional environments The collection is available in various finishes and sizes suitable for private spaces and the light commercial world with shades that go from white to beige, from grey to desaturated black.
Six essences inspired by the beauty of marble become stylistic shades to create modern and functional environments The collection is available in various finishes and sizes suitable for private spaces and the light commercial world with shades that go from white to beige, from grey to desaturated black.
The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete.<br /><br />«The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.»<br />Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these.<br /> He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him.<br /> This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen.<br /> A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.
A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>
A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>
A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>
A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>
A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>
A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>
Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>
Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>
Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>
Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>
Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p>
<p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>
<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p>
<p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>
<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p>
<p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>
<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p>
<p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>
<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p>
<p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Recently Viewed Products
A wide range of product from furniture to finishes to meet the desire of all designers.
The VU mirror is a project of Giovanni Tommaso Garattoni, a three-dimensional texture obtained by placing next to each other different thicknesses of glass slabs. Each element can be used individually or with other elements to create custom composition that can be adapted to any project’s necessities. Therefore, a furnishing element that leaves ample margin of interpretation. 22 are the extra clear glass modules of different thicknesses that compose the VU mirror, glued through UV lamps onto a mirrored base that allows the wall fixing. We are dealing with a mirror of great artistic value, that results specially adapt for the decoration of wide spaces such as lounges and offices or passageways.
Considerable craftsmanship goes into the fabrication of the ceramic L'Oiseau figure, making it a unique object with individual characteristics. The ceramic bird is available in a choice of colours.
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
Whether as a simple storage shelf, a display surface for objects or a large wall installation: Corniches (2012) by Ronan & Erwan Bouroullec are a new way to use the walls in our living spaces.
With his collection of Wall Clocks (1949-1960), George Nelson conceived a wide array of timepieces, many of which have since become icons of 1950s design.
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
The Wiggle Stool is part of Frank Gehry's 1972 furniture series 'Easy Edges', which successfully introduced a new aesthetic dimension to such an everyday material as cardboard. The iconic stool is robust and lends a striking note to any interior.
Alexander Girard originally created the Wooden Dolls (1952), a whimsical assortment of figures both joyful and grim, for his own home. Today they add a charming touch to any interior.
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
Like many other prominent twentieth-century architects and designers, Charles and Ray Eames also sought to implement their ideas about colours, shapes and materials in the design of textiles. The 'Dot Pattern' was created in 1947 in conjunction with an exhibition at the Museum of Modern Art in New York. The pattern is a large-scale graphic composition made up of crosses and dots, thereby referencing the abstract paintings by Ray Eames from the 1930s.<br/><br/>The Eames Wool Blankets are produced in a jacquard weave, which means that the colours of the 'Dot Pattern' are reversed on the front and back. Available in several hues, the wool blankets are made of 100% high-quality Merino lambswool, and are particularly light, fine and soft to the touch while also providing optimal warmth and thermal balance.
Alexander Girard originally created the Wooden Dolls (1952), a whimsical assortment of figures both joyful and grim, for his own home. Today they add a charming touch to any interior.
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
Happy Bin by Michel Charlot has a slightly irregular organic shape which gives the impression of a small sculpture. The waste paper bin is made of robust plastic and comes in two sizes and a selection of colours.
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
The Super Fold Table by Jasper Morrison folds up completely with a single movement of the hand, and the legs of the four-star base are also rotated and vertically aligned for compact space-saving storage. The Super Fold Table comes in a range of materials, with different shaped table tops. It is available in both sitting and standing height versions.
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
Numerous works by the creative duo Front are devoted to the systematic observation of sleeping or hibernating animals. This fascination inspired their design of a group of slumbering creatures – Resting Animals – whose poses exude a serene tranquillity. The Resting Cat is an ornamental ceramic figure with a peaceful presence that goes beyond the decorative to communicate a deep sense of contentment.
The extraordinary comfort of the unobtrusive .03 chair is first revealed upon use: the seat shell, which is made of resilient integral skin polyurethane foam, adapts to the user's body and flexes slightly when the sitter leans back, aided by leaf springs embedded in the backrest.
Antonio Citterio collaborated with Vitra to develop different versions of the ID Visitor chair, perfectly coordinated with the ID Chair Concept. Thanks to an understated design, they can be combined with almost any office chair and integrated in a wide variety of work environments.<br/><br/>With its quilted upholstery, the backrest of ID Trim conveys a sense of quality craftsmanship. The compact padding offers excellent comfort and – like the seat cushion – is also available in a sustainable PU-free version. The cantilever base is stackable.
Touch Down Unit an innovative workstation designed by Studio Klass and originally thought for advanced work environments and produced by UniFor has become part of the Molteni&C collection in its new home version.
An extraordinary floor chandelier, featuring three Melt Mini shades and four Melt shades in a modern gold finish. Emitting an attractive, mildly hallucinogenic light, this floor light creates a mesmirizing melting hot-blown glass effect when on and a mirror-finish effect when off. Made in Germany using a high tech manufacturing technique to achieve the perfect melted orb.
More Information The range is blow moulded and vacuum metallised - techniques that have been developed over several years, working with German engineering and manufacturing experts. Melt also comes as a chandelier, table, floor, pendant and surface light.
Admire the texture of a precious hand-made silken thread lampshade. Clavius expresses its refined elegance by radiating softness and atmosphere between light and shadow.
<p>The enchanting appeal of onyx is encapsulated by Florim’s Eccentric Luxe collection, which celebrates the exceptional beauty of this rare and breathtaking stone.</p> <p>Ideal for interior design schemes, residential architecture and the hospitality industry, Eccentric Luxe is a new addition to the Luxury Design selection of sophisticated stones.</p>
<p><br>Fresh research and development investments in new glazes and innovative digital decoration technologies have made it possible to propose vivid colours, <strong>impeccable graphic definition</strong> and rich aesthetic depth, while striving to ensure that the processes are <strong>sustainable</strong>.</p>
<p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p>
<p>The inspiration for Florim's Plimatech Architectural design comes from high up in the Martell Valley of the Alto Adige region.</p> <p>The aesthetic heterogeneity characteristic of natural stone is captured in the collection through three graphic variants. 01, the most minimalist is softly veined and, especially in the large format, is particularly appropriate to confer character on architecture of more essential taste. 02 has a more variegated appearance, with slight shading tending towards white, designed to add a rough, textural touch to spaces. Finally, 03 is characterized by a high number of crystalline formations that give it a wavier line, ideal for design contexts that, between interior and exterior spaces, pursue a dialogue with the surrounding natural environment.</p> <p> </p>
<p>In addition to this, the range of decorations is completed with the 30x60 wall module and 30x60 3D wall module, both proposed for the graphic variant 02 in all colors.</p>
<p>The inspiration for Florim's Plimatech Architectural design comes from high up in the Martell Valley of the Alto Adige region.</p> <p>The aesthetic heterogeneity characteristic of natural stone is captured in the collection through three graphic variants. 01, the most minimalist is softly veined and, especially in the large format, is particularly appropriate to confer character on architecture of more essential taste. 02 has a more variegated appearance, with slight shading tending towards white, designed to add a rough, textural touch to spaces. Finally, 03 is characterized by a high number of crystalline formations that give it a wavier line, ideal for design contexts that, between interior and exterior spaces, pursue a dialogue with the surrounding natural environment.</p> <p> </p>
<p>In addition to this, the range of decorations is completed with the 30x60 wall module and 30x60 3D wall module, both proposed for the graphic variant 02 in all colors.</p>
Six stone essences, rare, precious and extraordinarily elegant make their substance available to become icons of exclusivity. The harmonious development of the design that is unveiled by placing the large surface sheets alongside one another is another distinguishing factor, as are the precious surface finishes, glossy and bright or delicately satin-finished.
Six stone essences, rare, precious and extraordinarily elegant make their substance available to become icons of exclusivity. The harmonious development of the design that is unveiled by placing the large surface sheets alongside one another is another distinguishing factor, as are the precious surface finishes, glossy and bright or delicately satin-finished.
Six stone essences, rare, precious and extraordinarily elegant make their substance available to become icons of exclusivity. The harmonious development of the design that is unveiled by placing the large surface sheets alongside one another is another distinguishing factor, as are the precious surface finishes, glossy and bright or delicately satin-finished.
Six stone essences, rare, precious and extraordinarily elegant make their substance available to become icons of exclusivity. The harmonious development of the design that is unveiled by placing the large surface sheets alongside one another is another distinguishing factor, as are the precious surface finishes, glossy and bright or delicately satin-finished.
Six stone essences, rare, precious and extraordinarily elegant make their substance available to become icons of exclusivity. The harmonious development of the design that is unveiled by placing the large surface sheets alongside one another is another distinguishing factor, as are the precious surface finishes, glossy and bright or delicately satin-finished.
Lightness, Earth, Sensoriality The Sensi collection also features a <strong>decorative mosaic</strong> made from <strong>recycled glass</strong> made from disused TV and PC screens. This mosaic, manufactured by a <strong>process in which human hands play a role</strong>, has a distinctive surface structure. Due to the nature of the recycled glass and the production cycle, every tiny chip is different from the others, creating a <strong>dynamic surface.</strong> Soft, velvety or structured to the touch, it dialogues with the light and may become shiny or matte. This product also derives its uniqueness from its colour. <strong>Every chip is unique </strong>and has its own shades of the same tone. <p>Developed with close attention to environmental impact, "<em>Sensi</em>" is the perfect synthesis of innovation and sustainability and also a virtuous example of <strong>circular economy</strong>. The collection is made <strong>over 90% natural raw materials</strong> and up to 41%<strong> of recycled materials</strong>. "<em>Sensi</em>" is the result of <strong>up to 100% sustainable production process</strong>, both in terms of water consumption and self-generated electricity.</p>
Lightness, Earth, Sensoriality The Sensi collection also features a <strong>decorative mosaic</strong> made from <strong>recycled glass</strong> made from disused TV and PC screens. This mosaic, manufactured by a <strong>process in which human hands play a role</strong>, has a distinctive surface structure. Due to the nature of the recycled glass and the production cycle, every tiny chip is different from the others, creating a <strong>dynamic surface.</strong> Soft, velvety or structured to the touch, it dialogues with the light and may become shiny or matte. This product also derives its uniqueness from its colour. <strong>Every chip is unique </strong>and has its own shades of the same tone. <p>Developed with close attention to environmental impact, "<em>Sensi</em>" is the perfect synthesis of innovation and sustainability and also a virtuous example of <strong>circular economy</strong>. The collection is made <strong>over 90% natural raw materials</strong> and up to 41%<strong> of recycled materials</strong>. "<em>Sensi</em>" is the result of <strong>up to 100% sustainable production process</strong>, both in terms of water consumption and self-generated electricity.</p>
Lightness, Earth, Sensoriality The Sensi collection also features a <strong>decorative mosaic</strong> made from <strong>recycled glass</strong> made from disused TV and PC screens. This mosaic, manufactured by a <strong>process in which human hands play a role</strong>, has a distinctive surface structure. Due to the nature of the recycled glass and the production cycle, every tiny chip is different from the others, creating a <strong>dynamic surface.</strong> Soft, velvety or structured to the touch, it dialogues with the light and may become shiny or matte. This product also derives its uniqueness from its colour. <strong>Every chip is unique </strong>and has its own shades of the same tone. <p>Developed with close attention to environmental impact, "<em>Sensi</em>" is the perfect synthesis of innovation and sustainability and also a virtuous example of <strong>circular economy</strong>. The collection is made <strong>over 90% natural raw materials</strong> and up to 41%<strong> of recycled materials</strong>. "<em>Sensi</em>" is the result of <strong>up to 100% sustainable production process</strong>, both in terms of water consumption and self-generated electricity.</p>
Charlotte modern bar table was inspired by the transcending feminism imbued in its design as a symbol of change. This is a year for women and about women empowering, and making a change in the world. This collection came to be as a result of that movement. It represents a new era in the luxury furniture industry. Charlotte luxury bar table features long gold-plated brass tubes as support for a Kenya Black Marble top, placed beautifully. It gives the design a sense of refinement and boldness. This design is an exquisite fit for a modern or art-deco interior space. The combination of both styles provides a lavishness to this luxury dining table only visible on a luxury furniture collection. Think about it has the perfect bar table for a cosmopolitan bar design in New York. VIEW FULL FAMILY
This elegant floor lamp features indirect, adjustable, and dimmable lighting controlled by a sliding switch, with a frame crafted from satin nickel-plated metal and an anodized aluminum reflector. The diffusers are made of transparent borosilicate glass, complemented by a braided fabric cable, black dimmer, and Schuko plug (adapter and bulb not included). Designed with a satin nickel/brushed chrome finish, it boasts an A++ energy efficiency rating and is compatible with a 1x230W R7s/115 bulb (2900K, 5000Lm). The Scintilla system, a hallmark of innovation, merges decorative charm with technical lighting prowess, inspired by its iconic predecessor from the 1980s. A 3D file of the product is available for download, allowing for detailed visualization. Crafted in Italy, this lamp is brought to you by Fontanaarte, a renowned Italian design house founded in 1932 by Luigi Fontana and Gio Ponti, celebrated for its timeless, high-quality lighting and furnishing solutions that blend traditional craftsmanship with modern aesthetics. Explore their collections at www.fontanaarte.com.
Here’s a refined and expanded product description, including a concise supplier overview and mention of the 3D file availability:
*"The lightweight and interchangeable polycarbonate shade adds warmth to any living space, with a conveniently placed control rod near the light source for easy adjustment. The fixture features an aluminum stem and comes in a variety of silkscreened shade colors—including white, mystic white, comfort green, edgy pink, soft skin, shaded stone, primary red, liquorice black, petroleum blue, smart yellow, and concrete grey—offering versatile styling options. Compatible with LED 6W E14, 42W HSGSA E14, or 12W FB E14 bulbs, this lamp (Dimensions: H 54 cm, D 28 cm; shade Ø 26 cm, H 17 cm) blends functionality with modern design. A downloadable 3D file is available for customization or preview. Designed by Luceplan, a renowned Italian lighting brand celebrated since 1978 for its innovative, sustainable, and elegant lighting solutions."*
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A wide range of product from furniture to finishes to meet the desire of all designers.
This artisan series of tiles owes its beauty to the use of authentic glazes. The tiles look playful due to the use of subtle color nuances and thus create a special whole. The shape of the GLAZE tile invites you to play with patterns; vertical, off-set, herringbone or diagonal.
Piet Boon’s passion for concrete is reflected in the CONCRETE tile series. For this series, the studio created exclusive ceramic tiles that exactly mimic the natural propertions of concrete. The tiles show no repetition of pattern, making them indistinguishable from the real thing.
The SAND tile is an elegant tile with a natural look and earthy color. This is due to the use of authentic glazes that are given a playful effect through the application of subtle color nuances. The tiles fit seamlessly into the characteristic color palette of the entire Piet Boon collection. SAND tile is ceramic; a hard, heat-resistant, waterproof, hygienic and maintenance-friendly material. This tile is beautiful on the floor as well as on the wall. The SAND tile is suitable for use in bathrooms but can also be used in the kitchen.
The TINY CONCRETE is a playful mosaic version of the CONCRETE series. The collection reflects the natural properties of concrete and shows no repetition of pattern, making each tile unique and indistinguishable from the real thing. Combining the two formats creates a harmonious whole. Moreover, the subdued color tones of this tile seamlessly match the characteristic color palette of the entire Piet Boon collection. The TINY CONCRETE tile is available in several colors and of course offers the proven practical properties of ceramics.
GIANT tile is a tile series in a large format. Each GIANT tile is characterized by subtle shade nuances that emphazise its natural origin. The colors fit seamlessly into the characteristic color palette of the entire Piet Boon collection. This tile can be used both separately and in combination with the other tiles. GIANT tile naturally offers the proven practical characteristics of ceramics: hard, strong and hygienic.
Unexpected softnessAs in a synaesthesia, the surface comes alive and becomes a multi-sensory narrative, arising from an evocative connection with organic matter.Archaic gestures are transformed and evolved through contemporary interpretations, suggesting endless possibilities for everyday environments. The transformation process is thus sublimated into a totally innovative proposal that generates new emotions and traces a timeless dimension.
Unexpected softnessAs in a synaesthesia, the surface comes alive and becomes a multi-sensory narrative, arising from an evocative connection with organic matter.Archaic gestures are transformed and evolved through contemporary interpretations, suggesting endless possibilities for everyday environments. The transformation process is thus sublimated into a totally innovative proposal that generates new emotions and traces a timeless dimension.
Simply sophisticatedBreathe, stop, imagine. Aptitude for subtraction to leave space for light and stillness, in tune with the elements of nature. Sensations of lightness, measured gestures, amplified perceptions: emotions flow fluidly and the free gaze embraces interior landscapes marked by balance. The surfaces alternate and chase each other with a gentle rhythm, in a pure atmosphere.
Simply sophisticatedBreathe, stop, imagine. Aptitude for subtraction to leave space for light and stillness, in tune with the elements of nature. Sensations of lightness, measured gestures, amplified perceptions: emotions flow fluidly and the free gaze embraces interior landscapes marked by balance. The surfaces alternate and chase each other with a gentle rhythm, in a pure atmosphere.
Simply sophisticatedBreathe, stop, imagine. Aptitude for subtraction to leave space for light and stillness, in tune with the elements of nature. Sensations of lightness, measured gestures, amplified perceptions: emotions flow fluidly and the free gaze embraces interior landscapes marked by balance. The surfaces alternate and chase each other with a gentle rhythm, in a pure atmosphere.
Simply sophisticatedBreathe, stop, imagine. Aptitude for subtraction to leave space for light and stillness, in tune with the elements of nature. Sensations of lightness, measured gestures, amplified perceptions: emotions flow fluidly and the free gaze embraces interior landscapes marked by balance. The surfaces alternate and chase each other with a gentle rhythm, in a pure atmosphere.
The new classicStone materials are back in the spotlight once again in the Prestigio collection: top-class natural marble from the most renowned quarries in Italy and Europe whose typical nuances of colour and original veining patterns – sometimes delicate, others more marked – are enhanced by the lapping that gives a beautifully polished finish. The collection is thus the expression of classic style given an elegant modern twist thanks also to the large 120×240, 120×120, 75×150 and 60×60 size. See also: white bathroom tiles
The new classicStone materials are back in the spotlight once again in the Prestigio collection: top-class natural marble from the most renowned quarries in Italy and Europe whose typical nuances of colour and original veining patterns – sometimes delicate, others more marked – are enhanced by the lapping that gives a beautifully polished finish. The collection is thus the expression of classic style given an elegant modern twist thanks also to the large 120×240, 120×120, 75×150 and 60×60 size. See also: white bathroom tiles
The new classicStone materials are back in the spotlight once again in the Prestigio collection: top-class natural marble from the most renowned quarries in Italy and Europe whose typical nuances of colour and original veining patterns – sometimes delicate, others more marked – are enhanced by the lapping that gives a beautifully polished finish. The collection is thus the expression of classic style given an elegant modern twist thanks also to the large 120×240, 120×120, 75×150 and 60×60 size. See also: white bathroom tiles
The new classicStone materials are back in the spotlight once again in the Prestigio collection: top-class natural marble from the most renowned quarries in Italy and Europe whose typical nuances of colour and original veining patterns – sometimes delicate, others more marked – are enhanced by the lapping that gives a beautifully polished finish. The collection is thus the expression of classic style given an elegant modern twist thanks also to the large 120×240, 120×120, 75×150 and 60×60 size. See also: white bathroom tiles
The new classicStone materials are back in the spotlight once again in the Prestigio collection: top-class natural marble from the most renowned quarries in Italy and Europe whose typical nuances of colour and original veining patterns – sometimes delicate, others more marked – are enhanced by the lapping that gives a beautifully polished finish. The collection is thus the expression of classic style given an elegant modern twist thanks also to the large 120×240, 120×120, 75×150 and 60×60 size. See also: white bathroom tiles
The new classicStone materials are back in the spotlight once again in the Prestigio collection: top-class natural marble from the most renowned quarries in Italy and Europe whose typical nuances of colour and original veining patterns – sometimes delicate, others more marked – are enhanced by the lapping that gives a beautifully polished finish. The collection is thus the expression of classic style given an elegant modern twist thanks also to the large 120×240, 120×120, 75×150 and 60×60 size. See also: white bathroom tiles
Contemporary emotionThe collection expresses the peculiarities of limestone through a careful aesthetic elaboration: we enriched the surface with calibrated graphic signs, such as light veins and delicate fossil inclusions, which mingle with the nuances and chiaroscuro of the background. The proposal thus acquires a discreet and contemporary image, which makes it suitable for minimal and urban style projects as well as elegant and prestigious settings.
A way back to colorSize 6×24 cm (23/8″×97/16″), glossy finish, intense colours: eclectic and super-contemporary attitude for the Halo wall tiling, which alternates light and dark halos, including pinholes, has irregularities especially near the edges. Surface variability, a glazed effect, and bold tones help define a dynamic proposal that reflects light, creating compositions with a strong decorative impact. The collection is versatile in emphasising architectural volumes and furnishing elements, designing scenic backdrops that enrich different residential environments and give personality to retail and Ho.Re.Ca. premises.
A way back to colorSize 6×24 cm (23/8″×97/16″), glossy finish, intense colours: eclectic and super-contemporary attitude for the Halo wall tiling, which alternates light and dark halos, including pinholes, has irregularities especially near the edges. Surface variability, a glazed effect, and bold tones help define a dynamic proposal that reflects light, creating compositions with a strong decorative impact. The collection is versatile in emphasising architectural volumes and furnishing elements, designing scenic backdrops that enrich different residential environments and give personality to retail and Ho.Re.Ca. premises.
A way back to colorSize 6×24 cm (23/8″×97/16″), glossy finish, intense colours: eclectic and super-contemporary attitude for the Halo wall tiling, which alternates light and dark halos, including pinholes, has irregularities especially near the edges. Surface variability, a glazed effect, and bold tones help define a dynamic proposal that reflects light, creating compositions with a strong decorative impact. The collection is versatile in emphasising architectural volumes and furnishing elements, designing scenic backdrops that enrich different residential environments and give personality to retail and Ho.Re.Ca. premises.
A way back to colorSize 6×24 cm (23/8″×97/16″), glossy finish, intense colours: eclectic and super-contemporary attitude for the Halo wall tiling, which alternates light and dark halos, including pinholes, has irregularities especially near the edges. Surface variability, a glazed effect, and bold tones help define a dynamic proposal that reflects light, creating compositions with a strong decorative impact. The collection is versatile in emphasising architectural volumes and furnishing elements, designing scenic backdrops that enrich different residential environments and give personality to retail and Ho.Re.Ca. premises.
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auckland - 7071.18
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auckland - 7071.28
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harding - 7070.07
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vescom
harding - 7070.08
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furka plus - 7064.14
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vescom
acton - 7062.20
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leone plus - 7054.02
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vescom
noss - 7058.13
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lani - 7060.49
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wolin - 7050.32
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vescom
wolin - 7050.35
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hestan - 7035.11
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vescom
hestan - 7035.22
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vescom
cyprus - 7038.15
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vescom
lindau - 7028.01
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vescom
lindau - 7028.09
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vescom
dalma - 7024.13
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vescom
dalma - 7024.14
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vescom
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