HONO - LED metal floor lamp _ LUCEPLAN - 2d files - 3d files

Nui

luceplan > Outdoor lighting

Balance, symbiosis and interaction: the crux of the design of the Nui collection of outdoor floor and wall lamps lies in the relationship between two overlaid cylindrical volumes that interact in a dynamic of reciprocal completion.

Grande Costanza Open Air Suspension

luceplan > Table lamp

The Grande Costanza Open Air suspension lamp, thanks to its enveloping glow and timeless classic design, adds a touch of elegance and refinement to outdoor spaces like terraces and gazebos, fitting perfectly into both public and private contexts. The suspension version has a thin polycarbonate diffuser (diameter 50 and 70 cm), and an IP65 optical housing connected to the shade by three small rods.

Grande Costanza Open Air

luceplan > Outdoor lighting

The outdoor version is perfect for terraces and gardens, to light spaces with elegance and efficiency. The shade comes in the colors ivory, rust or green. Stem in white, rust or aluminium.

Flia

luceplan > Floor lamp

The Flia family of outdoor floor lamps stands out for its ability to combine technological aspects with rigorous expressive forms. The miniaturization of the light source is a key factor of the project. The carbon stem is supported by a cylinder that contains the core elements and grants the lamp strength, lightness and flexibility. Flia is available in a single configuration – with three different heights – or multiples – with 2 or 3 stems – and can be attached to floors and decks, or directly on the ground.

Fienile outdoor

luceplan > Outdoor lighting

Fienile is also available in floor lamp versions for outdoor use, based on the same design inspired by the iconic rural buildings of Norway. Fienile Outdoor is a work of micro-architecture, with its walls and pitched roof extruded in a single, solid block of coated aluminium, while the diffuser is in polycarbonate. The outdoor version of Fienile comes in two heights, 32 or 72 cm, and two colors: pale and dark gray. Thanks to its essential design, Fienile Outdoor fits perfectly into the surrounding landscape and architectural context. The characteristic angled roof, besides being a clear reference to the archetypal form of the house, contributes to screen the light and spread it uniformly on the ground.

Zile

luceplan > Ceiling lamp

The special feature of this project lies in its close attention to sustainability. Luceplan has always been committed in its efforts to reduce the environmental impact not only of its production but also in the distribution of products. Zile is, in all respects, an eco-friendly light.

Trypta

luceplan > Ceiling lamp

Trypta is a system of suspension lamps that offers a combination of acoustic features and lighting performance in various dimensions and colors. The cylindrical aluminum body is equipped with two LED sources to provide both direct and indirect diffused light.

Titania

luceplan > Ceiling lamp

Lightweight and versatile, this lamp can change color without altering white light emission thanks to a pair of polycarbonate filters. The arrangement of the aluminium ribs reflects light and conceals the bulb inside a transparent, surprising shape. The spherical counterweight permits height adjustment.

Stochastic

luceplan > Ceiling lamp

Composed of glass spheres at different heights, Stochastic takes on infinite combinations in a sort of controlled freedom: each sphere is connected to small steel rods of different lengths that can be attached to the structure according to your own creative impulses. The light source – a double high-efficiency LED module – is enclosed in the spheres, generating warm indirect light aimed upward and downward.

Soleil Noir

luceplan > Ceiling lamp

Supported by a single asymmetrical cable, the lamp keeps its balance thanks to the thicknesses of the body, varying from 8 to 25 mm, offering a slim aerial lighting element that brings brightness with discretion and elegance. An object that defies the laws of physics, thanks to technology that permits design bordering on the impossible.

Silenzio

luceplan > Ceiling lamp

Quality lighting combined with acoustic comfort and the beauty of fabrics, for this family of suspension lamps. A lighting system that matches decor solutions with high levels of sound absorption, for public and private spaces.

Queen Titania

luceplan > Ceiling lamp

Doubled in size and visual impact, designed to light up large spaces. A pair of interchangeable filters make it possible to color the aluminium body without interfering with the white light emission.

Pétale

luceplan > Ceiling lamp

A suspension lamp with an organic form that conceals the magic of silence: the body consists of a sound-absorbing panel covered in white fabric, to improve acoustic comfort in any space. Available in three sizes.

Pétale

luceplan > Ceiling lamp

A suspension lamp with an organic form that conceals the magic of silence: the body consists of a sound-absorbing panel covered in white fabric, to improve acoustic comfort in any space. Available in three sizes.

Mesh wireless

luceplan > Ceiling lamp

The wireless version of Mesh offer users total freedom of lighting control. Available for the suspension versions large (Ø 100) and medium (Ø 80), Mesh Wireless is equipped with a sophisticated electronic board allowing users to interact with the lamp by means of a smart device. Luceplan has developed a special App (for iOS and Android) that makes it possible to control single or multiple units, individually or as a group. The Mesh App permits use of one or more light points at a time, orienting light in space to create different moods and experiences. The App can be programmed with 6 presets for rapid activation. It is also possible to set up a dynamic scenario with a simple touch of the screen. Using a local Internet connection, on-off functions can be programmed in remote access mode.

Mesh

luceplan > Ceiling lamp

A lamp of great theatrical impact whose almost transparent structure, composed of a network of flexible cables with LED sources positioned at their intersections, conceals the complexity of the design, dematerializing it to make room for only the light, the true protagonist. Available in three different dimensions (diameter 55, 80 and 100 cm) Mesh suspension guarantees an optimal distribution of light in rooms.

Malamata

luceplan > Ceiling lamp

The range of Malamata lights (named to recall the designer’s Israeli roots, drawing on the Hebrew meaning of ‘up and down’) is characterised by the possibility of a variety of diffuser positions.

Lita

luceplan > Ceiling lamp

The diffuser in opaline blown glass – whose surface is scanned by the repetition of slight vertical cusps that vanish at the extremities – is combined with a wooden structure, making Lita a product with a forceful material character. A timeless and evocative object that combines the crafts tradition with technical research, seductive in its way of matching visual and tactile sensations.

Levante

luceplan > Ceiling lamp

A chandelier of great emotional impact, based on the creative intuition of the designer, together with the research on materials, technology and design conducted by di Luceplan. A new protagonist for living areas in the home, but also for contract applications. The size is impressive, yet the overall image is ethereal, like an organism floating in space.

Lady Costanza

luceplan > Ceiling lamp

Lady Costanza reinterprets all the characteristics of the original Costanza model in a larger format, conserving the aplomb of the design, its formal harmony and functional precision. The shade comes in white, red and black (the latter for a more directional, concentrated lighting effect).

Koinè

luceplan > Ceiling lamp

Elegance and purity in form characterise the “Koinè” family of pendant lights, named for its meaning of “shared language” and for its shapes which make it extremely versatile. The light source features a specially designed mineral lens. The light beam distributed by the lens is homogenous and distinct, a broad cone of light with clearly-defined edges

Koinè

luceplan > Ceiling lamp

Elegance and purity in form characterise the “Koinè” family of pendant lights, named for its meaning of “shared language” and for its shapes which make it extremely versatile. The light source features a specially designed mineral lens. The light beam distributed by the lens is homogenous and distinct, a broad cone of light with clearly-defined edges

Koinè acoustic

luceplan > Ceiling lamp

Along with the high-tech lighting engineering performance which distinguishes it, Koinè enjoys yet another innovative element in the sound-absorbing version. The reflector is a felt cap (60% recycled) which not only has an important decorative role, but also allows increased acoustic comfort in the vicinity by reducing the time of sound reverberation. An aluminium portion inside covers the surfaces and contributes on one hand to holding the felt in place, and on the other hand to dispersing the heat of the light source.

Illan

luceplan > Ceiling lamp

Technological innovation, research on materials and sustainability converge in harmony in the Illan suspension.

Hope

luceplan > Ceiling lamp

Incredibly light and easy to dismantle, Hope revives the magic of traditional chandeliers, reinterpreted with sophisticated modern technologies and contemporary materials. The thin methacrylate Fresnel lenses multiply the light, creating a pleasant, sparkling and festive atmosphere.

Grande Costanza

luceplan > Ceiling lamp

As visible as it is lightweight and balanced. The thin polycarbonate shade emits a pleasant glow that brings warmth and brightness to domestic and public spaces.

Fienile

luceplan > Ceiling lamp

The suspension version of Fienile is made in a single size for the roof, whose lower portion contains a homogeneous light source for high performance without glare. The lamp provides light directed upward and downward, thanks to great freedom of movement, permitting rotation of 360 degrees. It is possible to connect up to four suspension lamps (for Europe version) or two suspension lamp (for Americas version) with a single power cord, conserving the rotation of each unit.

Farel

luceplan > Ceiling lamp

For the first time in the Luceplan catalogue, Farel introduces an iconic dome structure, a neutral geometric form proposed in sound-absorbing thermoformed material with outer fabric cladding. The lamp can be personalized thanks to a combination of colors of the shade, ranging through cool, warm and neutral tones for the outside, combined with dark or pale hues for the inside.

E04

luceplan > Ceiling lamp

Aluminium suspensions in two diameters and different lengths. The power cable enters the side of the cylinder, providing two-way emission without casting a shadow on the ceiling. The light source in a recessed position, preventing glare and improving visual comfort.

Doi

luceplan > Ceiling lamp

Doi is a family of decorative indoor lamps which takes on different possible configurations in the suspension models, formed by only a disk and a cylinder, or with the added “pendulum” accessory.

Diade

luceplan > Ceiling lamp

A linear LED lamp ideal for the workplace; a modular architectural feature capable of defining space and personalizing the context.

Costanzina

luceplan > Ceiling lamp

The colored polycarbonate shade adds personality to any setting. The control rod is positioned close to the light source. A counterweight provides easy height adjustment.

Costanza

luceplan > Ceiling lamp

Elegant and light, this lamp emits a pleasant warm light through a silk-screened polycarbonate shade. The lamp’s height may be adjusted by means of a characteristic steel counterweight.

Compendium

luceplan > Ceiling lamp

The Compendium suspension is an essential, elegant lamp that spreads an ample quantity of light on surfaces. It is versatile, for direct downward or indirect upward lighting, adjusted by rotating the reflector at the time of installation. Linear and tee joints make multiple compositions possible. The lamp can be used with a wall dimmer.

Compendium Circle

luceplan > Ceiling lamp

The design language of Daniel Rybakken returns to its reliance on the intrinsic power of basic geometric forms, turning this time to the symbol of harmony par excellence: the circle. An extension of the Compendium family, Circle is a lamp with a poetic nature and an essential design, whose lightness is sustained by LED technology, installed to permit direct emission when pointed downward, or diffused light when aimed upward. It is also possible to combine up to three rings of different diameters to give rise to different configurations and luminous scenarios of great visual impact.

Amisol

luceplan > Ceiling lamp

The Amisol project is about making a pendant light that occupies a large physical space with a minimal physical volume, for easy orientation in space. A translucent white fi lm or a metallized mirror membrane is stretched inside a circular aluminium profile. Like a solar sail, an incredibly powerful light source projects a beam of light onto the large, almost weightless disk, either diffusing or reflecting the light. Thin rods connect the two main elements together. By altering the length and the connecting points of the two supporting wires the rotation of the disk can be set in any angle.

Across

luceplan > Ceiling lamp

Across is a versatile and dynamic lamp, ready to personalize any space, “crossing” it with a clear, distinctive graphic gesture. A linear suspension lamp composed of three interconnected axes of two different sizes, to create compositions with different images and levels of complexity. The structure is formed by a horizontal extruded body that contains an optical group for direct lighting, and two hinged elements that make it possible to attach the lamp to the wall or the ceiling. The lamp’s adaptability gives rise to various configurations to respond to different technical and stylistic needs.

Soleil Noir

luceplan > Ceiling lamp

Soleil Noir comes with an avant-garde optical system to guarantee the uniform spread of light on the diffuser.

Millimetro

luceplan > Ceiling lamp

Halfway between a pendant and a ceiling lamp, Millimetro is composed of a very thin reflecting circular disk (1 mm thickness) and warm, enveloping light directed upward from below. The upper cap is attached to a stem that supports the metal disk with a mirror finish. The LED light source, concealed behind the disk, provides a diffused, uniform glow. To respond to various installation requirements, it is possible to choose from four different lengths for the stem that connects the body of the lamp to the ceiling attachment.

Mesh Ceiling

luceplan > Ceiling lamp

The Mesh family has expanded with a ceiling version with 96 light points. The particular structure permits exceptional freedom in the control of luminance. It is possible to govern the intensity of the light.

Abat-Jour Conique

vitra > Styling

During the 1940s, Jean Prouv&#233; designed the Potence wall lamp for his own home in Nancy: a simple light bulb affixed to a long pivoting metal bar, which is supported by a steel wire. In 1947 Prouv&#233; developed a cone-shaped lamp shade to match Potence in its different versions and sizes. Historical photos of Jean Prouv&#233;&#8217;s house show that he experimented with different types of lamp shades, including designs by others.<br/><br/>Abat-Jour Conique is the first lampshade designed for Potence by Prouv&#233; in 1947 and is intended for use with the Potence and Petite Potence lamps. It is simply fitted over the light bulb and can be removed again when needed.

Akari 24N

vitra > Styling

The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. &#8216;The harshness of electricity is thus transformed through the magic of paper back to the light of our origin &#8211; the sun.&#8217; (Noguchi)

Rayonnage Mural

vitra > Styling

Reminiscent of the rudder of an aircraft or ship, the streamlined shape of the two wall brackets of the Rayonnage Mural bookcase (1936) is a recurring element in Prouv&#233;'s creative oeuvre.

Key Ring - Elephant

vitra > Styling

For the Key Ring motif, Dutch designer Hella Jongerius took her inspiration from an emblematic image in the history of Vitra: the elephant. It served as a model for a playful decorative object created by Charles and Ray Eames back in the 1940s, which was recently reissued by Vitra. The Key Rings are made of high-quality Vitra furniture leather with pleasant tactile qualities.

HAL RE Cantilever

vitra > Chair

The characteristic flexing action of HAL Cantilever's base augments the comfort of this chair. The seat shell is made of recycled plastic and like many other HAL models, its comfort can be enhanced by padded upholstery or loose cushions from the Soft Seats range. HAL RE Cantilever is suited to a wide variety of settings and applications.

sila - 1109.12

vescom > Wallpaper

two-tone, non-directional fine linen structure with a subtle sheen

Leo panca

illoft > Pouf

Accessoiries - Trendy seat

gautierFurniture > Chair

Stone Life Cotton

florim > Wall tile-stone-brick

<p>The Contemporary Design Stone Life collection encapsulates the essence of a simple lifestyle with an informal touch.</p> <p>There is a distinctively clean-cut and modern look to Florim’s new collection, whose <strong>warm, neutral colours</strong> are ideal for versatile, understated spaces free from superfluous features.</p> <p><br>The colours and textures encourage interplay between different elements inspired by nature and can play a part in countless interior design styles.</p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p>

Vetro 04 Tortora

florim > Floor tile-stone

Each tile is unique and extremely precious Vetro allows recognizable and attractive decorations to be created, expressing a timeless design. The Vetro collection is available in seven solid, warm, soft and enchanting colors, in two finishes - matt and lux - and in two sizes or in the metallic variation with varying reflections in a single size. VETRO can be applied as a floor and wall application on any surface in dry or damp areas using special sealants and adhesives.

Storie Castello

florim > Wall Paint

The faded wall fresco, damp stains in plaster. «Technological innovation enables us to reproduce on large-sized ceramic materials all the effects of wear and stratification that normally only time is able to create.» Giorgia Zanellato & Daniele Bortotto Children stare at the walls of a farmhouse, wondering what the cracks are, and whether every mark is a path and every path is a story. They think that miniature beings live in the air pockets that have formed, and the detaching plaster is like an avalanche cascading from a glacier. They don't ask why the colours are as they are, because they just had to be like that. And every square centimetre becomes the first page of an adventure that restarts at every break in the pattern. Could this be why we say that both textures and plots have twists, and stories are woven? As even children know, walls are tales. Not only do they contain adventures, emotions, moments, loves and hates and record them on their surfaces; their uneven, active surfaces generate new imaginary worlds, in which one can literally get lost. The "Storie" collection by Giorgia Zanellato and Daniele Bortotto brings this metaphor to three-dimensional life by expressing the moods, loves and hates and moments that the walls and floors of old Italian homes conserve, and capturing them in a frozen instant. The theme of time and the changes wrought in matter by the passing seasons, weather and human action have always been a strong source of inspiration for architects: some have tried to freeze it, while others have used sleight of hand to embrace it while resisting its effects, and yet others have accelerated, anticipated, directed and re-created it.<br /> Zanellato and Bortotto do all these things at once, engaging in a duel with History with a capital H, in which it is never clear who is winning: design or object, man or nature, culture or time. And it is probably this unresolved tension which makes the "Storie" designs so universal and meaningful, so intimate and yet familiar. The floor is the only thing we can be certain that everyone entering our home will touch, and at the same time it is the most intimate part, the most steeped in private happenings. They talk about having your "feet firmly on the ground". This image stands for common sense, but also a recognition of how things are, how things work. The wall is a synecdoche, too: it is the part of the home that expresses an idea of solidity, the layering of time, the passage of lives. "Storie" gives form to this metaphor by drawing a line that links the most classical of taste to a sophisticated modernity of taste and style. The two designers did a great deal of background work for this project: old Italian homes, country villas, noble palazzos, farmhouses and old factors, which become an unlimited source of motifs, colours, textures and materials. But, perhaps unconsciously, literature also re-emerges from this survey of locations, with its blend of aestheticism and decadence, with echoes of Wilde and D'Annunzio, Ruskin and Huysmans. "Storie" would be the ideal backdrop for Des Esseintes, the dandy in "A Rebours". And in fact the collection clearly has strong theatrical connections, arising partly from its storytelling connotations but also from its scene-setting potential.<br /> It represents life, which we are, have been and wish to continue to be. And it is thrilling to realise that this vision comes from the youngest designers in CEDIT's new era, who have successfully taken a confident, cultured, astute, sidelong approach to the most ancient of topics, with a persuasive effect which appears, at least, to be not at all intimidated by the many stories, the type of product they are dealing with, the catalogue in which they are included, the designers who have gone before them or, naturally, the adventures that lie concealed in the historic dwellings they reproduce. The reference to Italy, on the other hand, is in perfect harmony with the work of the brand and its past and present designers: it is intrinsic to the perfection of the production process that underlies the collection, the relationship with the brand's tradition and its local roots, and the intelligent, strategic use of its innovations in the treatment of this complex material.Child's play? Yes, but with the integrity and ability to enchant unique to specific designs, capable of an immediacy of vision and feeling that makes them little novels written in cement.

Rilievi Nebbia

florim > Wall Paint

The alternation and symbiosis between concave and convex, recessed and raised. <p>Rilievi is a work of design balanced between different historic periods: while the volumetric relief tile modules are inspired by artistic experiments conducted in Italy during the Sixties and Seventies, the large slabs are the outcome of research into materials and technology that has only come to fruition in very recent times. The shadow effects generated on the surfaces of the slabs by the light striking the projecting parts of the modules create an unusual impression of architectural depth found virtually nowhere else in ceramic coverings, laying the bases for a new decoration interior design language.</p> This project simply embodies perfection - a term which certainly sets the bar high in a description of a new product for launch on the market. But when an enlightened manufacturer is capable of encapsulating a designer's personal research in a product to be added to its range, the outcome is a perfect synthesis. A perfect synthesis between untrammelled creativity and market trends. CEDIT had the insight needed to perceive, identify and rework the immense potential of Practice Practice Practice "“ a self-produced project by Zaven (Enrica Cavarzan and Marco Zavagno "“ and realised that its sophisticated design, originated by pure, pristine input (unadulterated by external factors except the noblest of them all, research) could provide the basis for an innovative, successful collection. I might add, a collection unique of its kind. Zaven is also a name that comes with guarantees; the two partners are good at what they do. Their work always starts from personal curiosity and investigations, the study of other stories (as in this case inspiration was drawn from the output of artist and activist Nino Caruso) and individual interests, which are broken down, developed, optimised and prepared for transformation into something fresh.Enrica Cavarzan and Marco Zavagno have a masterly ability to transform their own wishes and passions into design work of the greatest breadth and, as we see here, the widest, richest application. Their use of ceramics as a material is clearly outstanding and reflects a method precisely founded on the desire to look at things from an unusual viewpoint, under a different light. And to be daring. Zaven have an unconventional approach to convention. In the specific case of the Rilievi collection, the "modules" created for CEDIT seem to explode off the walls; in fact, they are constructed by combining the two-dimensional slab with its three-dimensional decor.Rilievi seems to be seeking space. More space. Even though these modules have actually established a dialogue with the wall from which they are born. At the same time, they hypnotise us with their tight sequence of lines, the pattern that is always different although its root is the same, and the intriguing, unusual colours that add another vital factor to the finished product. Their firm grounding in graphic design (and here we have come back to two-dimensional effects, of the kind most often associated with a wall covering) easily evolves into a facade which seems to have been carved with a chisel - although this is not the case. These modules are conceived to convey an impression of movement, and the three models, in seven colour combinations, create a powerful effect on a surface, which is never passive but rather an organic contributor to the forms and colours involved in the fascinating combinations. The slab is very much present and has the same worth and status as the relief pattern associated to it. In the light of this dichotomy between the linear and the sculpted, expressed through the skilfully balanced visual expedients, the use of repetition adds vigour to the module's intrinsic meaning. As we have seen, a rejection of facile, superficial creative dynamics in favour of an investigation reaching above and beyond has always been a central, clearly recognisable feature of this Venice-based duo, who already have impressive international partnerships to their credit, including the London Design Festival, the Kalmar Konstmuseum, the Paris Designer Days, Ca' Foscari University, the Venice Biennale, the Sandretto Re Rebaudengo Foundation, the Sindika Dokolo Foundation and the V-A-C Foundation, and also won the 2018 Wallpaper Design Award. Graphics, advertising and product design: the pair have always opted for a type of design closely linked to the observation of everyday items, followed by their reinterpretation in a version applied to experimentation with materials. This duality, combined with their energetic yet elegant visual language, forms Enrica and Marco's primary code, experienced in this specific context through serial carvings. On walls.

Rilievi Terra

florim > Wall Paint

The alternation and symbiosis between concave and convex, recessed and raised. <p>Rilievi is a work of design balanced between different historic periods: while the volumetric relief tile modules are inspired by artistic experiments conducted in Italy during the Sixties and Seventies, the large slabs are the outcome of research into materials and technology that has only come to fruition in very recent times. The shadow effects generated on the surfaces of the slabs by the light striking the projecting parts of the modules create an unusual impression of architectural depth found virtually nowhere else in ceramic coverings, laying the bases for a new decoration interior design language.</p> This project simply embodies perfection - a term which certainly sets the bar high in a description of a new product for launch on the market. But when an enlightened manufacturer is capable of encapsulating a designer's personal research in a product to be added to its range, the outcome is a perfect synthesis. A perfect synthesis between untrammelled creativity and market trends. CEDIT had the insight needed to perceive, identify and rework the immense potential of Practice Practice Practice "“ a self-produced project by Zaven (Enrica Cavarzan and Marco Zavagno "“ and realised that its sophisticated design, originated by pure, pristine input (unadulterated by external factors except the noblest of them all, research) could provide the basis for an innovative, successful collection. I might add, a collection unique of its kind. Zaven is also a name that comes with guarantees; the two partners are good at what they do. Their work always starts from personal curiosity and investigations, the study of other stories (as in this case inspiration was drawn from the output of artist and activist Nino Caruso) and individual interests, which are broken down, developed, optimised and prepared for transformation into something fresh.Enrica Cavarzan and Marco Zavagno have a masterly ability to transform their own wishes and passions into design work of the greatest breadth and, as we see here, the widest, richest application. Their use of ceramics as a material is clearly outstanding and reflects a method precisely founded on the desire to look at things from an unusual viewpoint, under a different light. And to be daring. Zaven have an unconventional approach to convention. In the specific case of the Rilievi collection, the "modules" created for CEDIT seem to explode off the walls; in fact, they are constructed by combining the two-dimensional slab with its three-dimensional decor.Rilievi seems to be seeking space. More space. Even though these modules have actually established a dialogue with the wall from which they are born. At the same time, they hypnotise us with their tight sequence of lines, the pattern that is always different although its root is the same, and the intriguing, unusual colours that add another vital factor to the finished product. Their firm grounding in graphic design (and here we have come back to two-dimensional effects, of the kind most often associated with a wall covering) easily evolves into a facade which seems to have been carved with a chisel - although this is not the case. These modules are conceived to convey an impression of movement, and the three models, in seven colour combinations, create a powerful effect on a surface, which is never passive but rather an organic contributor to the forms and colours involved in the fascinating combinations. The slab is very much present and has the same worth and status as the relief pattern associated to it. In the light of this dichotomy between the linear and the sculpted, expressed through the skilfully balanced visual expedients, the use of repetition adds vigour to the module's intrinsic meaning. As we have seen, a rejection of facile, superficial creative dynamics in favour of an investigation reaching above and beyond has always been a central, clearly recognisable feature of this Venice-based duo, who already have impressive international partnerships to their credit, including the London Design Festival, the Kalmar Konstmuseum, the Paris Designer Days, Ca' Foscari University, the Venice Biennale, the Sandretto Re Rebaudengo Foundation, the Sindika Dokolo Foundation and the V-A-C Foundation, and also won the 2018 Wallpaper Design Award. Graphics, advertising and product design: the pair have always opted for a type of design closely linked to the observation of everyday items, followed by their reinterpretation in a version applied to experimentation with materials. This duality, combined with their energetic yet elegant visual language, forms Enrica and Marco's primary code, experienced in this specific context through serial carvings. On walls.

Rilievi Cielo

florim > Wall Paint

The alternation and symbiosis between concave and convex, recessed and raised. <p>Rilievi is a work of design balanced between different historic periods: while the volumetric relief tile modules are inspired by artistic experiments conducted in Italy during the Sixties and Seventies, the large slabs are the outcome of research into materials and technology that has only come to fruition in very recent times. The shadow effects generated on the surfaces of the slabs by the light striking the projecting parts of the modules create an unusual impression of architectural depth found virtually nowhere else in ceramic coverings, laying the bases for a new decoration interior design language.</p> This project simply embodies perfection - a term which certainly sets the bar high in a description of a new product for launch on the market. But when an enlightened manufacturer is capable of encapsulating a designer's personal research in a product to be added to its range, the outcome is a perfect synthesis. A perfect synthesis between untrammelled creativity and market trends. CEDIT had the insight needed to perceive, identify and rework the immense potential of Practice Practice Practice "“ a self-produced project by Zaven (Enrica Cavarzan and Marco Zavagno "“ and realised that its sophisticated design, originated by pure, pristine input (unadulterated by external factors except the noblest of them all, research) could provide the basis for an innovative, successful collection. I might add, a collection unique of its kind. Zaven is also a name that comes with guarantees; the two partners are good at what they do. Their work always starts from personal curiosity and investigations, the study of other stories (as in this case inspiration was drawn from the output of artist and activist Nino Caruso) and individual interests, which are broken down, developed, optimised and prepared for transformation into something fresh.Enrica Cavarzan and Marco Zavagno have a masterly ability to transform their own wishes and passions into design work of the greatest breadth and, as we see here, the widest, richest application. Their use of ceramics as a material is clearly outstanding and reflects a method precisely founded on the desire to look at things from an unusual viewpoint, under a different light. And to be daring. Zaven have an unconventional approach to convention. In the specific case of the Rilievi collection, the "modules" created for CEDIT seem to explode off the walls; in fact, they are constructed by combining the two-dimensional slab with its three-dimensional decor.Rilievi seems to be seeking space. More space. Even though these modules have actually established a dialogue with the wall from which they are born. At the same time, they hypnotise us with their tight sequence of lines, the pattern that is always different although its root is the same, and the intriguing, unusual colours that add another vital factor to the finished product. Their firm grounding in graphic design (and here we have come back to two-dimensional effects, of the kind most often associated with a wall covering) easily evolves into a facade which seems to have been carved with a chisel - although this is not the case. These modules are conceived to convey an impression of movement, and the three models, in seven colour combinations, create a powerful effect on a surface, which is never passive but rather an organic contributor to the forms and colours involved in the fascinating combinations. The slab is very much present and has the same worth and status as the relief pattern associated to it. In the light of this dichotomy between the linear and the sculpted, expressed through the skilfully balanced visual expedients, the use of repetition adds vigour to the module's intrinsic meaning. As we have seen, a rejection of facile, superficial creative dynamics in favour of an investigation reaching above and beyond has always been a central, clearly recognisable feature of this Venice-based duo, who already have impressive international partnerships to their credit, including the London Design Festival, the Kalmar Konstmuseum, the Paris Designer Days, Ca' Foscari University, the Venice Biennale, the Sandretto Re Rebaudengo Foundation, the Sindika Dokolo Foundation and the V-A-C Foundation, and also won the 2018 Wallpaper Design Award. Graphics, advertising and product design: the pair have always opted for a type of design closely linked to the observation of everyday items, followed by their reinterpretation in a version applied to experimentation with materials. This duality, combined with their energetic yet elegant visual language, forms Enrica and Marco's primary code, experienced in this specific context through serial carvings. On walls.

Araldica Base Grigio

florim > Wall Paint

The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete.<br /><br />«The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.»<br />Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these.<br /> He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him.<br /> This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen.<br /> A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.

Neutra 6.0 07 petrolio

florim > Wall Paint

After a decade of success, the Neutra collection becomes a container of colors and increasingly advanced materials and transforms into Neutra 6.0. The surfaces thereby create scenery for pure sensory pleasure, where nothing is left to chance, but everything is always skillfully calibrated to the search for a new bon ton where the body and mind can be rejuvenated. The perfect integration between man and the space in which he lives is expressed through a simple architecture where you can spread your artistic sign on the surfaces, in the colors and in the furnishing for an unrepeatable result from which your own creative identity emerges.

Neutra 6.0 08 avio

florim > Wall Paint

After a decade of success, the Neutra collection becomes a container of colors and increasingly advanced materials and transforms into Neutra 6.0. The surfaces thereby create scenery for pure sensory pleasure, where nothing is left to chance, but everything is always skillfully calibrated to the search for a new bon ton where the body and mind can be rejuvenated. The perfect integration between man and the space in which he lives is expressed through a simple architecture where you can spread your artistic sign on the surfaces, in the colors and in the furnishing for an unrepeatable result from which your own creative identity emerges.

Rainforest Pendant

castrolighting > Ceiling lamp

The Rainforest Collection arose from the timeless lighting celebration of nature silhouettes, its elements, and movements. Immerse yourself into the magnificent atmosphere of the sparkling rainforest where the art of brass craftsmanship becomes luxury lighting design. The ultimate fusion between the artistic design, authenticity of traditional Portuguese metal-work techniques, and creative craftsmanship. The Rainforest elegant pendant is unparalleled in the refinement and grace it represents. The gold-plated brass coupled with clear crystal glass - applied by hand - brings a delicate charisma that resembles nature in full bloom. A broad-leaved masterpiece of modern lighting design along with falling raindrops and butterflies takes you to remote spaces and the open sky. A dreamy lighting fixture creates an exceptional ambiance to the classy interiors. A luxury custom-designed collection was made to be featured in the most sophisticated projects organically. The sizes and distribution of the elements can be naturally customizable. This handmade suspension lamp is perfect for spacious living rooms, dining rooms, or hallways with high ceilings, fitting in a vast variety of decors. The exquisite light dispersion of this gracious lamp will make it the central piece for all luxury houses and help achieve the desired timeless chic. This beautiful suspension lamp is the right choice for a mid-century modern, modern classic, or art deco interior style.

Elven Pendant

castrolighting > Ceiling lamp

The mystical and charming collection arose from the enthusiasm and passion for the mythical world the Nordic Mythology. Elven Collection takes you on an exceptional and magical journey through the fantasy world. Elven Pendant resembles a beautifully balanced curve that twists like a shell, as its gold-plated brass tube is bent and hammered by the hands of experienced craftsmen. Designed to be a breathtaking and glitzy highlight to an interior design project, it combines modern simplicity with an elegant and luxurious twist. This golden pendant gives a stunning gleam to the interior space, as its warm light is spread in a gentle, delicate way. This piece is ideal for a bedroom, a living room, and hallways, framing a painting. In a commercial space, like a restaurant or bar, it can create a more romantic and inviting atmosphere. Explore new lighting design solutions and celebrate opportunities for filling a space in a spectacular way. VIEW FULL FAMILY

Labics Pendant

castrolighting > Ceiling lamp

Encouraged by the powerful Labics Structures that are well-known as an installation consisting of 50 architectural models realized by the studio Labics between 2014 and 2015. This Collection takes inspiration from the abstracted architectural installations of models, which were constructed from an abstract matrix. The Labics Collection allows to express yourself through the lighting aesthetics and decorate boldly. Dynamic lines create an organic movement of subtle brass tubes as straight as arrows, completing the handmade suspension with glass. Assembled over several brass tubes, they have a daring angularity that’s tempered by their masculine matt finish coupled with glass. As the encouragement came from the architecture of buildings, the iconic collection recreated graphic pattern’s ideas on the chandelier. The Collection's highlight? For the determined and adventurous customers, as it gives an impression of brave, strong and unique motives of geometrical silhouettes in the space. These futuristic lighting fixtures symbolically portray the development of modern design and city architecture. The outstanding lighting design can be applied to any interior from modern classic style to contemporary, or mid-century modern. Feel the dynamism of this suspension as the simple geometry of the brass elements complements the refinement of the interior and permits to explore a new kind of energy and charisma. VIEW FULL FAMILY

Fromme Fromme Square Table - Grey blue Tom Chung

petitefriture > Table

The FROMME collection was created by Tom Chung, a Canadian designer with a passion for cycling, and is characterised by its sleek and streamlined lines inspired by racing bikes.This aluminum table is suitable for both indoor and outdoor use. The water and UV-resistant, grained, matt powder coating ensures optimum durability.Its modern design and durability will make it the centrepiece of your social gatherings. It can be complemented with chairs and stools from the same collection. For indoor use, you can combine it with the FROMME wooden or upholstered chairs.

Donut Mug L - Blue

petitefriture > Styling

The Donut collection draws its inspiration from the world of baking. Designer Pia Chevalier arouses our senses with this collection of appetising cups and mugs. The pieces’ oversized handle imitates the shape of a doughnut and the enamelling echoes the flavour of the glazing. Made in Portugal, the large Donut mug is 12cm high – the biggest and boldest piece of the collection. It is available in Vanilla and Pistachio only, and can be used both to enjoy a drink or as an object of decoration. Read more

Fromme Fromme Coffee Table - Blush Tom Chung

petitefriture > Table

The FROMME collection was created by Tom Chung, a Canadian designer with a passion for cycling, and is characterised by its sleek and streamlined lines inspired by racing bikes.This aluminum coffee table is suitable for both indoor and outdoor use. The water and UV-resistant, grained, matt powder coating ensures optimum durability.Its modern design and durability will make it the centrepiece of your social gatherings. It can be complemented with chairs and stools from the same collection. For indoor use, you can combine it with the FROMME wooden or upholstered chairs.

Fromme Fromme Coffee Table - Dune Tom Chung

petitefriture > Table

The FROMME collection was created by Tom Chung, a Canadian designer with a passion for cycling, and is characterised by its sleek and streamlined lines inspired by racing bikes.This aluminum coffee table is suitable for both indoor and outdoor use. The water and UV-resistant, grained, matt powder coating ensures optimum durability.Its modern design and durability will make it the centrepiece of your social gatherings. It can be complemented with chairs and stools from the same collection. For indoor use, you can combine it with the FROMME wooden or upholstered chairs.

UPTOWN - LED stained glass floor lamp _ Foscarini

foscarini > Floor lamp

The Uptown floor lamp is a striking piece of lighting design, crafted from painted glass, stainless steel, and PMMA, blending modern aesthetics with functional elegance. It features an integrated LED light source (17.7W, 2700K, 2498 lm, CRI>80) with a built-in dimmer, offering both energy efficiency (DA) and a warm, inviting glow. When illuminated, the lamp transforms into a captivating sculpture, with light projected upwards through its three sheet-glass shapes, creating a dramatic visual impact that enhances any space. A 3D file of the Uptown lamp is available for download, allowing for detailed visualization and planning. Designed by Foscarini, a renowned Italian lighting company founded in 1981 on the island of Murano, the brand is celebrated for its innovative, artistic, and high-quality lighting solutions that merge contemporary design with avant-garde craftsmanship.

CIRCUS - Blown glass wall light _ Foscarini

foscarini > Wall lamp

The Circus wall light, crafted by Foscarini, is an elegant blend of blown glass and nickel-plated or coated metal, offering a soft, glare-free illumination that adds a timeless decorative touch to any space. Available in two sizes, the Circus big accommodates a 220/240V LED retrofit with a maximum of 4x60W E27 bulbs, while the Circus small supports a 220/240V LED retrofit with up to 4x40W E14 bulbs, both non-dimmable and rated IP 20 (bulbs not included). The design features a central metal button that adds a charming focal point, creating a balanced and artistic aesthetic. A 3D file of the product is available for download, allowing for detailed visualization and planning. Foscarini, an Italian lighting design company founded in 1981 on the island of Murano, is renowned for its innovative, high-quality, and avant-garde lighting solutions, collaborating with international designers to create sculptural and contemporary pieces that elevate residential and commercial spaces worldwide.

EVERYWHERE - Folding office desk with casters _ Herman Miller

Herman Miller > Desk

Transform social spaces with Everywhere Tables, a versatile collection designed to foster conversation and relaxation, featuring single-column bases available in coffee, café, and standing heights to suit diverse settings. Ideal for cafes, dining areas, or impromptu gatherings, these tables combine elegance and functionality, offering a variety of sizes, shapes, heights, and finishes, including power options, to create a sense of calm and order in any environment. Customize your table with premium veneer tops and polished bases for a sophisticated look, or opt for warm, textured laminates paired with painted bases for a modern aesthetic. Everywhere Tables are designed to adapt to any style, ensuring seamless integration into your space. Additionally, a downloadable 3D file of the product is available for planning and visualization. Manufactured by Herman Miller, a globally recognized leader in innovative and high-quality furniture design since 1905, Everywhere Tables reflect the brand’s commitment to timeless, functional, and aesthetically pleasing solutions for both residential and commercial spaces.

KEYN - Stackable chair with armrests _ Herman Miller

Herman Miller > Chair

The Keyn chair is a versatile and ergonomic seating solution designed to adapt to various environments and user needs, offering a range of customizable options such as bases, shell finishes, arm selections, and upholstery materials. Available with either a four-leg or five-star base, the chair provides flexibility for stacking, swiveling, or mobility, making it ideal for meeting spaces, collaborative work areas, or desk use. Its innovative one-piece seat-and-back shell mechanism allows for smooth sliding and up to 10 degrees of recline, promoting natural movement and comfort, which enhances focus and productivity. The chair’s perforated shell design not only adds a lightweight, textural aesthetic but also ensures back aeration, while its global availability ensures consistency across multiple locations. A 3D file of the Keyn chair is available for download, allowing for detailed visualization and integration into design plans. Manufactured by Herman Miller, a globally recognized leader in interior design since 1905, the Keyn chair reflects the company’s commitment to innovative, functional, and timeless furniture solutions that cater to both residential and commercial spaces worldwide.

FONTANA - Blown glass lampshade _ FontanaArte

fontanaarte > Accessories

This elegant diffuser is crafted from satin-finish blown glass, available in three sizes: Small (Ø20), Medium (Ø32), and Large (Ø47), each designed to seamlessly pair with specific models of the "Fontana 1853" table lamp series, including codes F185300100BINE, F185305100BINE, and F185310100BINE, among others. The diffuser comes in a timeless white color, adding a touch of sophistication to any space. For added convenience, a downloadable 3D file of the product is available for design and planning purposes. Manufactured by FontanaArte, a renowned Italian design company founded in 1932 by Luigi Fontana and Gio Ponti, this product reflects the brand's legacy of combining innovative design, premium materials, and timeless elegance. FontanaArte, headquartered in Milan, is celebrated for its lighting and furnishing solutions that blend traditional craftsmanship with contemporary aesthetics, catering to a global audience of design enthusiasts and professionals.

LUCE SOLIDA - Metal pendant lamp _ DE CASTELLI

DE CASTELLI > Ceiling lamp

The Luce Solida lamp, crafted by DE CASTELLI, is a striking blend of iron and brass that forms a sunburst design, elegantly outlining and expanding light while exploring new formal boundaries. This lightweight lamp features a unique ‘shade’ constructed from small metal rods arranged side by side, creating a delicate interplay of positive and negative spaces that dematerialize its structure. Rigorous in its graphic precision and innovative in its use of elemental materials, Luce Solida directly illuminates spaces, enhancing luminosity through its airy diffuser. The lamp operates at 230V 50/60 Hz, with a maximum power of 6W GU10 LED at 3000K, and is made from E5 DeLabré iron and BF2 DeLabré brass. A 3D file of the product is available for download, allowing for detailed visualization and integration into design projects. DE CASTELLI, an esteemed Italian interior design supplier founded in 2003, is renowned for its handcrafted metal furnishings and architectural elements, blending traditional craftsmanship with contemporary aesthetics to create timeless, luxurious pieces for residential, hospitality, and commercial spaces.

A-MODULO - Metal planter _ DE CASTELLI

DE CASTELLI > Accessories

The A-Modulo planter boxes exemplify the art of simplicity through meticulously crafted designs that seamlessly integrate with natural surroundings, enhancing gardens, parks, and terraces with their modular, easy-to-arrange structure. These outdoor planters, featuring an inner Enkadrain coating, are available in a variety of premium materials such as Corten, stainless steel, and aluminum, offering both durability and aesthetic versatility. A 3D file of the product is available for download, allowing for precise planning and visualization. Manufactured by DE CASTELLI, a renowned Italian design house established in 2003, the company is celebrated for its handcrafted metal furnishings and architectural elements that blend traditional craftsmanship with modern innovation, catering to residential, hospitality, and commercial spaces worldwide.

HONO - LED metal floor lamp _ LUCEPLAN

luceplan > Floor lamp

Here’s the rephrased and expanded product description, including a concise supplier mention and a note about the 3D file: *The Hono floor lamp features a sleek, slender metal structure with a cylindrical base (8 cm diameter, 20 cm height) and an 8 mm thin stem, housing a 360° LED light source that emits a soft, immersive glow. Its minimalist design is elevated by an ethereal, 64 cm tall diffuser crafted from 100% cotton paper, creating a refined woven effect that enhances the lamp’s lightweight elegance while ensuring stability. The diffuser mirrors the base’s diameter, transforming the light’s perception as it passes through the intricate pattern, casting a warm, relaxing ambiance. A 3D file of the lamp is available for download, ideal for visualization or integration into design projects. Designed by Mandalaki and produced by Luceplan—a Milan-based lighting pioneer renowned for blending innovation with timeless aesthetics—the Hono lamp embodies understated sophistication.*

KOINÈ - Aluminium floor lamp _ LUCEPLAN

luceplan > Floor lamp

Here’s the rephrased and expanded product description, including a concise supplier mention and a note about the 3D file: --- **Koinè Floor/Suspension Lamp by Mandalaki** Expanding the iconic Koinè collection, Mandalaki introduces a versatile lighting solution that blends the elegance of a suspension lamp with the practicality of a floor lamp. Designed with the same minimalist ethos and innovative technology as the original series, this model features a sleek carbon fiber stem, a cylindrical steel counterweight, and an integrated dimmer pedal for adjustable illumination. The lamp’s unique design suspends the shade from the ceiling via a thin cable while anchoring it to the floor, creating a floating effect. Equipped with a glare-free glass lens, it delivers uniform, precise lighting, adaptable to any space thanks to customizable height and angle adjustments. Finished in matte black (55 cm diameter), it suits contemporary interiors seamlessly. A downloadable 3D file is available for design planning. *Supplied by Luceplan, a Milan-based leader in high-end lighting since 1978, renowned for merging cutting-edge technology with sustainable design.* --- This version keeps the product details engaging and concise while adding the requested supplier note and 3D file mention. Let me know if you'd like further refinements!

BESPOKE FLORAL - Back-to-wall Pan _ bathroom brands

bathroom brands > Toilet seat

FLÄPPS CROWNHÄNG 60x20-1 - WHITE - Plywood coat rack _ ambivalenz

ambivalenz > Furniture accessories

MERCUZIO V - Ceramic wall tiles _ kiasmo

kiasmo > Wall tile-stone-brick

ICON II - Square linen cushion _ kiasmo

kiasmo > Furniture accessories

VANITY - Wooden console table with drawers _ carpanelli

carpanelli > Console

Forest By Lori Weitzner Bianco Carrara Marble Decorative Tile

artistictile > Floor tile-stone

The first in our collaboration with award-winning textile designer Lori Weitzner, Forest expresses Lori's affinity for texture, etching a distinctly organic tree bark-like pattern into marble via three individual techniques. The pattern's surface treatment interacts with the natural movement in the stone beneath to make Each piece a unique composition. Stocked as a 12 x 24 field tile.

Opal Swivel

papatya > Chair

Polycarbonate shell in mat colours offers a new way of looking and feeling. It’s a pleasant range where you can relax in perfect harmony. Anti UV stabilized. 

HONO - LED metal floor lamp _ LUCEPLAN

luceplan > Floor lamp

Here’s the rephrased and expanded product description, including a concise supplier mention and a note about the 3D file: *The Hono floor lamp features a sleek, slender metal structure with a cylindrical base (8 cm diameter, 20 cm height) and an 8 mm thin stem, housing a 360° LED light source that emits a soft, immersive glow. Its minimalist design is elevated by an ethereal, 64 cm tall diffuser crafted from 100% cotton paper, creating a refined woven effect that enhances the lamp’s lightweight elegance while ensuring stability. The diffuser mirrors the base’s diameter, transforming the light’s perception as it passes through the intricate pattern, casting a warm, relaxing ambiance. A 3D file of the lamp is available for download, ideal for visualization or integration into design projects. Designed by Mandalaki and produced by Luceplan—a Milan-based lighting pioneer renowned for blending innovation with timeless aesthetics—the Hono lamp embodies understated sophistication.*

HONO - LED metal table lamp _ LUCEPLAN

luceplan > Table lamp

**Product Description:** The **Hono lamp**, designed by **Mandalaki Studio**, embodies **lightness and elegance** with its slender **metal structure**, featuring a **cylindrical base** and an **8mm-thin stem** that houses a **360° LED light source**. The **diffuser mirrors the base’s geometry**, enhancing the light’s perception through a **dense, immersive pattern**, creating a **soft, relaxing ambiance**. A **3D file of the lamp is available for download**, allowing for customization and integration into various design projects. **Supplier Description:** **Luceplan**, a **premium Italian lighting brand** founded in **1978**, is renowned for its **innovative, sustainable designs** that blend **cutting-edge technology** with **timeless aesthetics**.

HONO - LED metal pendant lamp _ LUCEPLAN

luceplan > Ceiling lamp

Here’s a refined and concise version of the product description, with a brief mention of the supplier and the availability of the 3D file: *"Hono, the elegant lamp designed by Mandalaki Studio, embodies lightness and sophistication with its slender metal structure—featuring a cylindrical base and an 8mm-thin stem housing a 360° LED light source. The geometric diffuser mirrors the base’s form, transforming light into a mesmerizing, patterned glow that creates a serene and immersive ambiance. Crafted from high-performance materials, Hono blends minimalist design with functional artistry. The 3D file of this lamp is available for download, offering versatility for designers and enthusiasts. Supplied by Luceplan, a Milan-based leader in innovative and sustainable lighting solutions since 1978, Hono reflects the brand’s commitment to cutting-edge design and timeless elegance."* (Note: I condensed the supplier details to one sentence while preserving key credibility points—brand legacy, location, and design ethos.)

Ascoli Floor Matt Black

astro > Floor lamp

Kuro 450 Textured Black

astro > Floor lamp

The Kuro 450 is our first portable, solar-powered, rechargeable outdoor light. An invaluable addition to any garden, balcony or terrace, this contemporary lantern has three brightness settings and a hidden LED that eliminates glare while focusing light downwards .Its pared-back look blends effortlessly with any decorating style and it can be used both outdoors and indoors thanks to an additional USB charging source.

Martello 240 Plaster

astro > Floor lamp

Kabuki indoor

kartell > Floor lamp

The Kabuki floor lamp is injection moulded. The technology used makes it possible to create a woven structure similar to lace with a unique perforated surface through which the light is diffused. Available in indoor and outdoor versions.

Cellu Floor Lamp EU Grey

normann-copenhagen > Floor lamp

Cellu Lamp collection is a modern take on the classic folded lampshade. The elegant lampshade made from PVC for extra durability rests on a powder coated aluminum column and powder coated steel base, both designed with a characteristic, robust expression. The column and base come in complementary color combinations, infusing the design with a contemporary, playful feel. 

Ambrosia

marset > Floor lamp

Ambrosia is essentially a line of light that can be converted into a modular system, capable of extending the illumination it offers to adapt to any space. A design that recovers and revisits the tube light, timeless, and updates it so that its simple structure and diffuse lighting add beauty to any space. This collection expands on its possibilities by proposing a change in the plane of light, from horizontal to vertical.This new style of lamp is available in two versions, both of which are pendant lamps. First there is the Ambrosia V, a 235-cm-high vertical structure consisting of two tubes of light of different lengths. An interrupted line of light, a detail that brings lightness and character to the lamp. Its design allows you to choose the lighting, either towards the wall for indirect light, or towards the main space for direct light. This aesthetic and functional design also works well in domestic settings. The other vertical version, Ambrosia V, joins three light tubes placed at different heights, forming a sculptural ensemble. This option can provide a great deal of light and therefore comes with a dimming system for easy lighting control. It is available in two heights of 130 and 175 cm. Both sizes can be electrically connected through the ceiling rosette or the floor plug. The new Ambrosia allows you to create vertical lighting compositions, combining different sizes in repetition to illuminate large spaces. When installed individually, it fills the space with light and warmth. Its slender design sets the perfect scene in any room. A totally new perspective for this flexible lighting system, which achieves maximum light expression with a minimalist structure. The metal structure is available in two finishes – black and matte gold – and the light source in three colour temperatures: 2200 K, 2700 K and 3000 K.          

Funiculí

marset > Floor lamp

For Lluís Porqueras, designing consisted of eliminating the superfluous until an essential object was left: beautiful, useful and simple. This was the case with the Funiculí, a 1979 lamp that Marset reissued in 2013 and which has become an emblem of the collection.Lightweight, it takes up almost no space and can function as an ambient lamp or for direct light, depending on how you direct the beam. Its designer released the shade to give maximum mobility. It can rotate through 360 degrees to focus the light where you want and also has a double clamp system for height adjustment. For the Funiculí, forty years are nothing; it has stood the test of time and now comes in new colours that further expand its possibilities. It is no longer only available in the neutrals moss grey, black and off-white. The new colours – green, terracotta and mustard – are intense. They are design statements, highlighting the shapes of the Funiculí and bringing chromaticism to the space. The new shades are cheerful and vivid, conveying that colour can also be essential.

Matin Floor Lamp

hay > Floor lamp

The Matin Floor Lamp offers a contemporary yet poetic design with a construction that combines visual delicacy with physical robustness. The flat-packed design consists of a slender polished brass steel frame complemented with matte black hardware and zinc alloy joints at the base which is paired with a pleated cotton shade in a variety of carefully selected colours. The light source is an integrated LED offering a diffused light which is accompanied by a digital in-line dimmer floor switch to adjust the output of light if required.

ROMA - Metal floor lamp _ Turri

turri > Floor lamp

The Roma collection includes this cheerful piece available in two forms: a side table featuring an integrated arched lamp and a side table without the lamp. The product serves multiple functions across different rooms such as the living room, bedroom and office.