In creating his design for the Coffee Table, Isamu Noguchi translated the biomorphic aesthetic of his sculptural works into a piece of furniture with distinctive organic forms. Presumably for this reason, Noguchi regarded the table as his best furniture design. Two wooden leg elements, which are available in black ash, maple or walnut, are positioned at a right angle to provide a stable support for the heavy, sturdy glass top.
Alexander Girard originally created the Wooden Dolls (1952), a whimsical assortment of figures both joyful and grim, for his own home. Today they add a charming touch to any interior.
Antonio Citterio collaborated with Vitra to develop different versions of the ID Visitor chair, perfectly coordinated with the ID Chair Concept. Thanks to an understated design, they can be combined with almost any office chair and integrated in a wide variety of work environments.<br/><br/>ID Visitor Air has a particularly light and graceful appearance thanks to its slender plastic backrest. The perforated back allows for flexible movement and good air circulation, while offering targeted support. The seat padding is optionally available in a more sustainable PU-free version, and the cantilever base is stackable.<br/>
The range of motifs does not limit the use of Ornaments by Alexander Girard to seasonal occasions but a number of them are perfect, for example, for Christmas time.
Grand Sofà (2017) is Antonio Citterio's interpretation of luxurious comfort and contemporary design. The designer's Italian flair for lightness and elegance is united with the trademark quality and precision of the Swiss company Vitra.
Tabouret Bois bears the unmistakable signature of Jean Prouvé, reflecting an aesthetic based on structural requirements. The sturdy stool is available in natural oak, dark oak or American walnut.
Designed by Jasper Morrison, the APC is reminiscent of classic wooden chairs while advancing the appearance and functionality of this typology. The graceful chair combines great stability with excellent comfort; its backrest is attached to the frame with resilient connectors that allow it to flex in response to the sitter's movements. The APC comes in a choice of two-tone colours and is suited for both indoor and outdoor use.
The Joyn 2 Platform serves as a basis for teamwork, and despite just four legs allows table lengths of up to 6.4 metres for 8 to 10 regular workspaces – with maximum legroom, easily accessible power and data options and diverse accessories for personalisation. The platforms emphasise the horizontal – only the accessories rise above the table surface.<br/> <br/>Joyn 2 Platform is modular in design and easy to reconfigure in diverse formats. The table tops are available in three versions: as one-piece tops, as tops with a gap in the middle for easy access to power and data connections, and as a version with a technical rail – in the latter two versions, accessories can be fitted individually and repositioned as required. End table tops measuring 80 cm in depth add an additional fully-fledged workstation at either end of the table. Joyn 2 Platform can be adjusted from 74 to 82 cm in height.<br/>
Ampi serves as a wireless charger and offers the necessary power connections to transform any table into a workstation quickly and easily – whether at home or in the office.
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
The contrasting materials of the moulded plywood veneer seat shell and slender black plastic frame constitute a characteristic feature of the Belleville Armchair. Its elegant armrests are an integral part of the curved structural frame and offer excellent comfort. The Belleville Armchair is also available with a plastic seat shell or with a cover in leather or fabric.
With carefully balanced proportions, great comfort and a conscious renunciation of decorative details, the Soft Modular Sofa (2016) by Jasper Morrison unites the characteristics of a modular lounge sofa in its purest form.
The Plastic Chairs by Charles and Ray Eames were the very first chairs to be developed out of plastic for industrial production. Their organically shaped seat shells can be combined with a variety of different bases. The DAX chair (Dining Height Armchair X-Base) has a visually understated four-legged tubular steel base, which comes in a powder-coated version that is also suited for outdoor applications.
The designer Alexander Girard drew wide acclaim with his interior concept for the legendary Miller House (1953-57), for which he personally selected each individual object. The centrepiece of the house was a so-called 'conversation pit', a sunken seating area in the living room, with built-in sofas covered in fabrics by Girard and decorated with embroidered pillows made specifically for this setting. <br/><br/>Girard's famous 'double heart' motif was used and varied by the designer throughout his lifetime. It is composed of two intersecting S's that form a continuous loop of mirrored hearts. Each S represents the first letter of the pet names used by Girard and his wife – Sandro and Susie – which prompted him to name the double heart symbol '<a href="/en-me/magazine/details/sansusi">Sansusi</a>'.<br/><br/>The embroidered pillow with the 'Double Heart 2' motif was created by Alexander Girard for the Miller family in 1975 – 20 years after the completion of the Miller House.<br/>
French designer and engineer Jean Prouvé created the round, wooden Guéridon table for the University of Paris in 1949. It comes in two different sizes and various types of high-quality wood.
The range of motifs does not limit the use of Ornaments by Alexander Girard to seasonal occasions but a number of them are perfect, for example, for Christmas time.
With his collection of Wall Clocks (1949-1960), George Nelson conceived a wide array of timepieces, many of which have since become icons of 1950s design.
Numerous works by the creative duo Front are devoted to the systematic observation of sleeping or hibernating animals. This fascination inspired their design of a group of slumbering creatures – Resting Animals – whose poses exude a serene tranquillity. The Resting Birds are ornamental ceramic figures in two different sizes. Their peaceful presence goes beyond the decorative to communicate a deep sense of contentment.
The DCW (Dining Chair Wood) bears witness to the ultimate success of Charles and Ray Eames' early experiments with moulding plywood into complex shapes. Made entirely of wood, the appearance of this iconic chair remains as contemporary today as when it was first conceived.
Due to the slender organic shapes of its seat and back shells, the LCM (Lounge Chair Metal) by Charles and Ray Eames quickly acquired the nickname 'potato chip chair'.
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
The Shell Chairs by Charles and Ray Eames are among the most important designs in the history of furniture. Following their initial presentation at the 'Low Cost Furniture Design' competition organised by the Museum of Modern Art in 1948, the chairs were launched on the market in 1950 in an armchair version (A-shell) and as a simpler side chair (S-shell) – making them the first ever mass-produced chairs made of plastic. <br/><br/>With the debut of this revolutionary design, Charles and Ray Eames introduced a new furniture typology that has since spread around the globe: the multifunctional chair whose shell can be joined with a variety of different bases. Already in 1950, they presented a series of bases that enabled various sitting positions, including the low-slung LAR (Lounge Height Armchair Rod Base) with a geometric steel wire base, which quickly acquired the charming nickname 'Cat's Cradle' in reference to the children's string game. <br/><br/>The LAR seems to have been one of Charles and Ray's favourite designs: it can be spotted in numerous vintage photographs of the legendary Eames House in Pacific Palisades, both indoors and out. This also reveals how lightweight the chair is, and how easily it can be moved around.<br/><br/>Due to the organic shape of this classic armchair, the LAR is a striking solo piece, but it can also be paired with many types of sofas to create an appealing contrast. The LAR is offered as the Plastic Chair LAR with a polypropylene shell, or as the Fiberglass Chair LAR with a fibreglass shell that draws attention to the lively texture so valued by connoisseurs. The fascination of fibreglass lies in its irregular surface, whose clearly visible fibres make it appear almost like a natural material. The Fiberglass Chair LAR is not offered with full upholstery in order to show off the unique characteristics of this material to maximum effect. However, a comfortable seat cushion is optionally available.
The many accessories created for the home by George Nelson include a variety of table clocks. Representing a selection of these classic designs, the Desk Clocks offer a refreshing alternative to conventional clocks. Equipped with high-quality quartz movements, the charm of these decorative timepieces is equalled by their precision.
As one of the most famous objects of Japanese post-war design, the Elephant Stool was created by the prolific product designer Sori Yanagi. The stackable plastic stool can be used both indoors and outside.
The Suita Club Sofa was developed for use in offices, waiting areas and lobbies. The construction and workmanship are designed to withstand the demanding conditions of such public areas. The upholstery of the backrest ensures a high degree of comfort without the need for additional cushions.
The seat shells of the Eames Plastic Chairs can be combined with a variety of different bases. The base for the DAL chair (Dining Height Armchair La Fonda Base) was developed by Charles and Ray Eames in 1961 for the legendary New York restaurant La Fonda del Sol, whose interior was designed by their friend Alexander Girard. With its central pedestal consisting of four parallel shafts that split at the bottom to form a four-star base, it is one of the most elegant and unconventional bases ever designed by the Eameses.
The Zoo Timers (1965) by George Nelson – wall clocks in the form of colourfully hand-drawn characters from the animal kingdom – offer children a playful and enjoyable approach to telling the time.
The expansive, elegant ETR sofa table by Charles and Ray Eames comes with tops in a choice of black or white and a wire base with a chrome-plated or black powder-coated finish. On account of its elliptical shape, it quickly acquired the nickname 'surfboard table'.
The Allstar office chair by Konstantin Grcic imparts a relaxed home-like feel and sense of familiarity. Its rounded form exudes comfort and yields a calming influence on the fast-paced dynamic of today's offices. Allstar also satisfies all the necessary functions of a task chair, allowing it to be used wherever high functional performance is desired but a classic office chair would not be appropriate for aesthetic reasons – an especially ideal choice for modern workplace concepts.
The Heart Cone Chair takes its name from the expressive, heart-shaped silhouette of its seat shell. Designed by Verner Panton in the late 1950s, the chair combines a comfortably upholstered seat with an understated, elegant base made of satin stainless steel.
Joyn 2 Meet offers meeting tables ranging from 120 x 80 cm to 900 x 180 cm. The base can be configured in diverse shapes and sizes for sitting or standing-height tables – on either glides or castors. Furniture on castors promotes dynamic work methods in the office, while variants with glides enable electrification cables to be concealed in the table legs.
The Nuage vases produce an attractive interplay of light and shadow with their undulating shape and anodised aluminium finish in various colours. Flowers and grasses can be arranged in each cluster of eight individual tubes, and thanks to their precise outer contours, the vases can also be fitted together to create entire 'cloud formations'.
Charles Eames and Eero Saarinen created the Organic Chair in 1940 as part of their entry for 'Organic Design in Home Furnishings', a competition organised by the Museum of Modern Art in New York. The small reading chair offers superb comfort, thanks to its comfortably upholstered, biomorphically shaped seat shell, and is also available in a version with a higher backrest: Organic Highback.
With his collection of Wall Clocks (1949-1960), George Nelson conceived a wide array of timepieces, many of which have since become icons of 1950s design.
With its curving shapes and vivid colours, the Amoebe chair (1970) by Verner Panton embodies the exuberant spirit of the early 1970s. It is also available with an overhanging backrest under the name Amoebe Highback.
The high backrest of ID Soft L comes with padded upholstery for excellent comfort. Although the chair exudes elegant sophistication, its sleek lines and minimal design also lend it an understated character. ID Soft L can be harmoniously combined with other chairs and is a perfect addition to many different settings.
The Toolbox by Arik Levy is designed as a practical organisational utensil for storing accessories and small items. Thanks to its handy size, it can be easily stowed in a cabinet or on a shelf, and it takes up little room on a table. The Toolbox is available in a selection of different colours.
Recently Viewed Products
A wide range of product from furniture to finishes to meet the desire of all designers.
During the 1940s, Jean Prouvé designed the Potence wall lamp for his own home in Nancy: a simple light bulb affixed to a long pivoting metal bar, which is supported by a steel wire. In 1947 Prouvé developed a cone-shaped lamp shade to match Potence in its different versions and sizes. Historical photos of Jean Prouvé’s house show that he experimented with different types of lamp shades, including designs by others.<br/><br/>Abat-Jour Conique is the first lampshade designed for Potence by Prouvé in 1947 and is intended for use with the Potence and Petite Potence lamps. It is simply fitted over the light bulb and can be removed again when needed.
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
In creating his design for the Coffee Table, Isamu Noguchi translated the biomorphic aesthetic of his sculptural works into a piece of furniture with distinctive organic forms. Presumably for this reason, Noguchi regarded the table as his best furniture design. Two wooden leg elements, which are available in black ash, maple or walnut, are positioned at a right angle to provide a stable support for the heavy, sturdy glass top.
Reminiscent of the rudder of an aircraft or ship, the streamlined shape of the two wall brackets of the Rayonnage Mural bookcase (1936) is a recurring element in Prouvé's creative oeuvre.
For the Key Ring motif, Dutch designer Hella Jongerius took her inspiration from an emblematic image in the history of Vitra: the elephant. It served as a model for a playful decorative object created by Charles and Ray Eames back in the 1940s, which was recently reissued by Vitra. The Key Rings are made of high-quality Vitra furniture leather with pleasant tactile qualities.
The characteristic flexing action of HAL Cantilever's base augments the comfort of this chair. The seat shell is made of recycled plastic and like many other HAL models, its comfort can be enhanced by padded upholstery or loose cushions from the Soft Seats range. HAL RE Cantilever is suited to a wide variety of settings and applications.
<p>Walks/1.0 represents a non-conventional simplicity</p> The natural aspect of the surface and the texture of the hewn effect combine perfectly with the enhancement of graphics, colors and structures to interpret interior architectures and exterior spaces in harmony with one another and with the surrounding landscape.
The faded wall fresco, damp stains in plaster. «Technological innovation enables us to reproduce on large-sized ceramic materials all the effects of wear and stratification that normally only time is able to create.» Giorgia Zanellato & Daniele Bortotto Children stare at the walls of a farmhouse, wondering what the cracks are, and whether every mark is a path and every path is a story. They think that miniature beings live in the air pockets that have formed, and the detaching plaster is like an avalanche cascading from a glacier. They don't ask why the colours are as they are, because they just had to be like that. And every square centimetre becomes the first page of an adventure that restarts at every break in the pattern. Could this be why we say that both textures and plots have twists, and stories are woven? As even children know, walls are tales. Not only do they contain adventures, emotions, moments, loves and hates and record them on their surfaces; their uneven, active surfaces generate new imaginary worlds, in which one can literally get lost. The "Storie" collection by Giorgia Zanellato and Daniele Bortotto brings this metaphor to three-dimensional life by expressing the moods, loves and hates and moments that the walls and floors of old Italian homes conserve, and capturing them in a frozen instant. The theme of time and the changes wrought in matter by the passing seasons, weather and human action have always been a strong source of inspiration for architects: some have tried to freeze it, while others have used sleight of hand to embrace it while resisting its effects, and yet others have accelerated, anticipated, directed and re-created it.<br /> Zanellato and Bortotto do all these things at once, engaging in a duel with History with a capital H, in which it is never clear who is winning: design or object, man or nature, culture or time. And it is probably this unresolved tension which makes the "Storie" designs so universal and meaningful, so intimate and yet familiar. The floor is the only thing we can be certain that everyone entering our home will touch, and at the same time it is the most intimate part, the most steeped in private happenings. They talk about having your "feet firmly on the ground". This image stands for common sense, but also a recognition of how things are, how things work. The wall is a synecdoche, too: it is the part of the home that expresses an idea of solidity, the layering of time, the passage of lives. "Storie" gives form to this metaphor by drawing a line that links the most classical of taste to a sophisticated modernity of taste and style. The two designers did a great deal of background work for this project: old Italian homes, country villas, noble palazzos, farmhouses and old factors, which become an unlimited source of motifs, colours, textures and materials. But, perhaps unconsciously, literature also re-emerges from this survey of locations, with its blend of aestheticism and decadence, with echoes of Wilde and D'Annunzio, Ruskin and Huysmans. "Storie" would be the ideal backdrop for Des Esseintes, the dandy in "A Rebours". And in fact the collection clearly has strong theatrical connections, arising partly from its storytelling connotations but also from its scene-setting potential.<br /> It represents life, which we are, have been and wish to continue to be. And it is thrilling to realise that this vision comes from the youngest designers in CEDIT's new era, who have successfully taken a confident, cultured, astute, sidelong approach to the most ancient of topics, with a persuasive effect which appears, at least, to be not at all intimidated by the many stories, the type of product they are dealing with, the catalogue in which they are included, the designers who have gone before them or, naturally, the adventures that lie concealed in the historic dwellings they reproduce. The reference to Italy, on the other hand, is in perfect harmony with the work of the brand and its past and present designers: it is intrinsic to the perfection of the production process that underlies the collection, the relationship with the brand's tradition and its local roots, and the intelligent, strategic use of its innovations in the treatment of this complex material.Child's play? Yes, but with the integrity and ability to enchant unique to specific designs, capable of an immediacy of vision and feeling that makes them little novels written in cement.
The alternation and symbiosis between concave and convex, recessed and raised. <p>Rilievi is a work of design balanced between different historic periods: while the volumetric relief tile modules are inspired by artistic experiments conducted in Italy during the Sixties and Seventies, the large slabs are the outcome of research into materials and technology that has only come to fruition in very recent times. The shadow effects generated on the surfaces of the slabs by the light striking the projecting parts of the modules create an unusual impression of architectural depth found virtually nowhere else in ceramic coverings, laying the bases for a new decoration interior design language.</p> This project simply embodies perfection - a term which certainly sets the bar high in a description of a new product for launch on the market. But when an enlightened manufacturer is capable of encapsulating a designer's personal research in a product to be added to its range, the outcome is a perfect synthesis. A perfect synthesis between untrammelled creativity and market trends. CEDIT had the insight needed to perceive, identify and rework the immense potential of Practice Practice Practice "“ a self-produced project by Zaven (Enrica Cavarzan and Marco Zavagno "“ and realised that its sophisticated design, originated by pure, pristine input (unadulterated by external factors except the noblest of them all, research) could provide the basis for an innovative, successful collection. I might add, a collection unique of its kind. Zaven is also a name that comes with guarantees; the two partners are good at what they do. Their work always starts from personal curiosity and investigations, the study of other stories (as in this case inspiration was drawn from the output of artist and activist Nino Caruso) and individual interests, which are broken down, developed, optimised and prepared for transformation into something fresh.Enrica Cavarzan and Marco Zavagno have a masterly ability to transform their own wishes and passions into design work of the greatest breadth and, as we see here, the widest, richest application. Their use of ceramics as a material is clearly outstanding and reflects a method precisely founded on the desire to look at things from an unusual viewpoint, under a different light. And to be daring. Zaven have an unconventional approach to convention. In the specific case of the Rilievi collection, the "modules" created for CEDIT seem to explode off the walls; in fact, they are constructed by combining the two-dimensional slab with its three-dimensional decor.Rilievi seems to be seeking space. More space. Even though these modules have actually established a dialogue with the wall from which they are born. At the same time, they hypnotise us with their tight sequence of lines, the pattern that is always different although its root is the same, and the intriguing, unusual colours that add another vital factor to the finished product. Their firm grounding in graphic design (and here we have come back to two-dimensional effects, of the kind most often associated with a wall covering) easily evolves into a facade which seems to have been carved with a chisel - although this is not the case. These modules are conceived to convey an impression of movement, and the three models, in seven colour combinations, create a powerful effect on a surface, which is never passive but rather an organic contributor to the forms and colours involved in the fascinating combinations. The slab is very much present and has the same worth and status as the relief pattern associated to it. In the light of this dichotomy between the linear and the sculpted, expressed through the skilfully balanced visual expedients, the use of repetition adds vigour to the module's intrinsic meaning. As we have seen, a rejection of facile, superficial creative dynamics in favour of an investigation reaching above and beyond has always been a central, clearly recognisable feature of this Venice-based duo, who already have impressive international partnerships to their credit, including the London Design Festival, the Kalmar Konstmuseum, the Paris Designer Days, Ca' Foscari University, the Venice Biennale, the Sandretto Re Rebaudengo Foundation, the Sindika Dokolo Foundation and the V-A-C Foundation, and also won the 2018 Wallpaper Design Award. Graphics, advertising and product design: the pair have always opted for a type of design closely linked to the observation of everyday items, followed by their reinterpretation in a version applied to experimentation with materials. This duality, combined with their energetic yet elegant visual language, forms Enrica and Marco's primary code, experienced in this specific context through serial carvings. On walls.
After a decade of success, the Neutra collection becomes a container of colors and increasingly advanced materials and transforms into Neutra 6.0. The surfaces thereby create scenery for pure sensory pleasure, where nothing is left to chance, but everything is always skillfully calibrated to the search for a new bon ton where the body and mind can be rejuvenated. The perfect integration between man and the space in which he lives is expressed through a simple architecture where you can spread your artistic sign on the surfaces, in the colors and in the furnishing for an unrepeatable result from which your own creative identity emerges.
After a decade of success, the Neutra collection becomes a container of colors and increasingly advanced materials and transforms into Neutra 6.0. The surfaces thereby create scenery for pure sensory pleasure, where nothing is left to chance, but everything is always skillfully calibrated to the search for a new bon ton where the body and mind can be rejuvenated. The perfect integration between man and the space in which he lives is expressed through a simple architecture where you can spread your artistic sign on the surfaces, in the colors and in the furnishing for an unrepeatable result from which your own creative identity emerges.
After a decade of success, the Neutra collection becomes a container of colors and increasingly advanced materials and transforms into Neutra 6.0. The surfaces thereby create scenery for pure sensory pleasure, where nothing is left to chance, but everything is always skillfully calibrated to the search for a new bon ton where the body and mind can be rejuvenated. The perfect integration between man and the space in which he lives is expressed through a simple architecture where you can spread your artistic sign on the surfaces, in the colors and in the furnishing for an unrepeatable result from which your own creative identity emerges.
Encouraged by the powerful Labics Structures that are well-known as an installation consisting of 50 architectural models realized by the studio Labics between 2014 and 2015. This Collection takes inspiration from the abstracted architectural installations of models, which were constructed from an abstract matrix. The Labics Collection allows to express yourself through the lighting aesthetics and decorate boldly. Dynamic lines create an organic movement of subtle brass tubes as straight as arrows, completing the handmade suspension with glass. Assembled over several brass tubes, they have a daring angularity that’s tempered by their masculine matt finish coupled with glass. As the encouragement came from the architecture of buildings, the iconic collection recreated graphic pattern’s ideas on the chandelier. The Collection's highlight? For the determined and adventurous customers, as it gives an impression of brave, strong and unique motives of geometrical silhouettes in the space. These futuristic lighting fixtures symbolically portray the development of modern design and city architecture. The outstanding lighting design can be applied to any interior from modern classic style to contemporary, or mid-century modern. Feel the dynamism of this suspension as the simple geometry of the brass elements complements the refinement of the interior and permits to explore a new kind of energy and charisma. VIEW FULL FAMILY
The FROMME collection was created by Tom Chung, a Canadian designer with a passion for cycling, and is characterised by its sleek and streamlined lines inspired by racing bikes.This aluminum table is suitable for both indoor and outdoor use. The water and UV-resistant, grained, matt powder coating ensures optimum durability.Its modern design and durability will make it the centrepiece of your social gatherings. It can be complemented with chairs and stools from the same collection. For indoor use, you can combine it with the FROMME wooden or upholstered chairs.
The Donut collection draws its inspiration from the world of baking. Designer Pia Chevalier arouses our senses with this collection of appetising cups and mugs. The pieces’ oversized handle imitates the shape of a doughnut and the enamelling echoes the flavour of the glazing. Made in Portugal, the large Donut mug is 12cm high – the biggest and boldest piece of the collection. It is available in Vanilla and Pistachio only, and can be used both to enjoy a drink or as an object of decoration. Read more
To celebrate the icon in May, Petite Friture will launch two season-spefic limited editions, emerald green and coral. Generous amounts of colour, a shot of vitamins for your interior decor, a prestigious Pantone edition of our permanent collections. A mad idea, implausible even, "impossible to make", a startling beginning! The symbiotic encounter between Amélie du passage and Constance Guisset gave rise to Vertigo when both women were just starting out. A massive suspension light, huge, where motion fuels the imagination : is it a sunhat, or even a dragonfly... this is precisely what Constance Guisset wanted "to open a door to the imagination". Read more
To celebrate the Vertigo icon, Petite Friture will launch the yellow neon limited edition. Generous amounts of colour, a shot of light for your interior decor, a prestigious Pantone edition of our permanent collections. A mad idea, implausible even, "impossible to make", a startling beginning! The symbiotic encounter between Amélie du Passage and Constance Guisset gave rise to Vertigo when both women were just starting out. A massive suspension light, huge, where motion fuels the imagination: is it a sunhat, or even a dragonfly... this is precisely what Constance Guisset wanted: "to open a door to the imagination". Read more
The FROMME collection was created by Tom Chung, a Canadian designer with a passion for cycling, and is characterised by its sleek and streamlined lines inspired by racing bikes.This aluminum coffee table is suitable for both indoor and outdoor use. The water and UV-resistant, grained, matt powder coating ensures optimum durability.Its modern design and durability will make it the centrepiece of your social gatherings. It can be complemented with chairs and stools from the same collection. For indoor use, you can combine it with the FROMME wooden or upholstered chairs.
The FROMME collection was created by Tom Chung, a Canadian designer with a passion for cycling, and is characterised by its sleek and streamlined lines inspired by racing bikes.This aluminum coffee table is suitable for both indoor and outdoor use. The water and UV-resistant, grained, matt powder coating ensures optimum durability.Its modern design and durability will make it the centrepiece of your social gatherings. It can be complemented with chairs and stools from the same collection. For indoor use, you can combine it with the FROMME wooden or upholstered chairs.
The Uptown floor lamp is a striking piece of lighting design, crafted from painted glass, stainless steel, and PMMA, blending modern aesthetics with functional elegance. It features an integrated LED light source (17.7W, 2700K, 2498 lm, CRI>80) with a built-in dimmer, offering both energy efficiency (DA) and a warm, inviting glow. When illuminated, the lamp transforms into a captivating sculpture, with light projected upwards through its three sheet-glass shapes, creating a dramatic visual impact that enhances any space. A 3D file of the Uptown lamp is available for download, allowing for detailed visualization and planning. Designed by Foscarini, a renowned Italian lighting company founded in 1981 on the island of Murano, the brand is celebrated for its innovative, artistic, and high-quality lighting solutions that merge contemporary design with avant-garde craftsmanship.
Transform social spaces with Everywhere Tables, a versatile collection designed to foster conversation and relaxation, featuring single-column bases available in coffee, café, and standing heights to suit diverse settings. Ideal for cafes, dining areas, or impromptu gatherings, these tables combine elegance and functionality, offering a variety of sizes, shapes, heights, and finishes, including power options, to create a sense of calm and order in any environment. Customize your table with premium veneer tops and polished bases for a sophisticated look, or opt for warm, textured laminates paired with painted bases for a modern aesthetic. Everywhere Tables are designed to adapt to any style, ensuring seamless integration into your space. Additionally, a downloadable 3D file of the product is available for planning and visualization. Manufactured by Herman Miller, a globally recognized leader in innovative and high-quality furniture design since 1905, Everywhere Tables reflect the brand’s commitment to timeless, functional, and aesthetically pleasing solutions for both residential and commercial spaces.
The Keyn chair is a versatile and ergonomic seating solution designed to adapt to various environments and user needs, offering a range of customizable options such as bases, shell finishes, arm selections, and upholstery materials. Available with either a four-leg or five-star base, the chair provides flexibility for stacking, swiveling, or mobility, making it ideal for meeting spaces, collaborative work areas, or desk use. Its innovative one-piece seat-and-back shell mechanism allows for smooth sliding and up to 10 degrees of recline, promoting natural movement and comfort, which enhances focus and productivity. The chair’s perforated shell design not only adds a lightweight, textural aesthetic but also ensures back aeration, while its global availability ensures consistency across multiple locations. A 3D file of the Keyn chair is available for download, allowing for detailed visualization and integration into design plans. Manufactured by Herman Miller, a globally recognized leader in interior design since 1905, the Keyn chair reflects the company’s commitment to innovative, functional, and timeless furniture solutions that cater to both residential and commercial spaces worldwide.
The Landmark Chair, a masterpiece by Ward Bennett, exudes elegance with its stately, softly curved design, embodying a perfect blend of sophistication and functionality. Crafted from solid ash hardwood, this chair is both lightweight and durable, featuring a classic English form meticulously scaled to Bennett’s exact proportions and adorned with detailed French upholstery. Its versatile range of upholstery options enhances both style and comfort, making it a fitting addition to residential or professional spaces. A 3D file of the Landmark Chair is available for download, allowing for detailed visualization and planning. Manufactured by Herman Miller, a globally recognized leader in interior design since 1905, the company is celebrated for its innovative, high-quality furniture and workspace solutions, blending timeless craftsmanship with modern aesthetics.
This elegant diffuser is crafted from satin-finish blown glass, available in three sizes: Small (Ø20), Medium (Ø32), and Large (Ø47), each designed to seamlessly pair with specific models of the "Fontana 1853" table lamp series, including codes F185300100BINE, F185305100BINE, and F185310100BINE, among others. The diffuser comes in a timeless white color, adding a touch of sophistication to any space. For added convenience, a downloadable 3D file of the product is available for design and planning purposes. Manufactured by FontanaArte, a renowned Italian design company founded in 1932 by Luigi Fontana and Gio Ponti, this product reflects the brand's legacy of combining innovative design, premium materials, and timeless elegance. FontanaArte, headquartered in Milan, is celebrated for its lighting and furnishing solutions that blend traditional craftsmanship with contemporary aesthetics, catering to a global audience of design enthusiasts and professionals.
The Luce Solida lamp, crafted by DE CASTELLI, is a striking blend of iron and brass that forms a sunburst design, elegantly outlining and expanding light while exploring new formal boundaries. This lightweight lamp features a unique ‘shade’ constructed from small metal rods arranged side by side, creating a delicate interplay of positive and negative spaces that dematerialize its structure. Rigorous in its graphic precision and innovative in its use of elemental materials, Luce Solida directly illuminates spaces, enhancing luminosity through its airy diffuser. The lamp operates at 230V 50/60 Hz, with a maximum power of 6W GU10 LED at 3000K, and is made from E5 DeLabré iron and BF2 DeLabré brass. A 3D file of the product is available for download, allowing for detailed visualization and integration into design projects. DE CASTELLI, an esteemed Italian interior design supplier founded in 2003, is renowned for its handcrafted metal furnishings and architectural elements, blending traditional craftsmanship with contemporary aesthetics to create timeless, luxurious pieces for residential, hospitality, and commercial spaces.
The A-Modulo planter boxes exemplify the art of simplicity through meticulously crafted designs that seamlessly integrate with natural surroundings, enhancing gardens, parks, and terraces with their modular, easy-to-arrange structure. These outdoor planters, featuring an inner Enkadrain coating, are available in a variety of premium materials such as Corten, stainless steel, and aluminum, offering both durability and aesthetic versatility. A 3D file of the product is available for download, allowing for precise planning and visualization. Manufactured by DE CASTELLI, a renowned Italian design house established in 2003, the company is celebrated for its handcrafted metal furnishings and architectural elements that blend traditional craftsmanship with modern innovation, catering to residential, hospitality, and commercial spaces worldwide.
Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability:
---
**BASKET** is a versatile **Rectangular Batyline® garden pouf** by **RODA**, available in three sizes to suit various outdoor spaces. Part of the modular **BASKET collection**, this piece can be used standalone as a pouf or bench, or combined with linear or angular backrests to create customizable seating configurations. The design features a sturdy frame—available in smoke-finished stainless steel with grey straps or a milk-finished frame with sand-colored straps—paired with plush cushions for a balance of sleek aesthetics and comfort. Crafted with meticulous attention to detail, the interwoven straps and tubular metal structure emphasize clean lines, enhancing the collection’s modern yet timeless appeal. Ideal for creating sophisticated outdoor living areas, BASKET seamlessly integrates with other RODA collections, including coordinating low tables with stone tops. A **3D file of the product is available for download**, allowing for easy visualization and planning.
**RODA**, an Italian leader in high-end outdoor furniture, is renowned for its innovative, sustainable designs that blend contemporary elegance with durability.
For more details, visit the manufacturer’s page: **BASKET | Rectangular garden pouf – RODA**.
---
This version keeps the description engaging and informative while streamlining the supplier details to one impactful sentence. Let me know if you'd like any further refinements!
Here’s the rephrased and expanded product description, including a concise supplier mention and a note about the 3D file:
*The Hono floor lamp features a sleek, slender metal structure with a cylindrical base (8 cm diameter, 20 cm height) and an 8 mm thin stem, housing a 360° LED light source that emits a soft, immersive glow. Its minimalist design is elevated by an ethereal, 64 cm tall diffuser crafted from 100% cotton paper, creating a refined woven effect that enhances the lamp’s lightweight elegance while ensuring stability. The diffuser mirrors the base’s diameter, transforming the light’s perception as it passes through the intricate pattern, casting a warm, relaxing ambiance. A 3D file of the lamp is available for download, ideal for visualization or integration into design projects. Designed by Mandalaki and produced by Luceplan—a Milan-based lighting pioneer renowned for blending innovation with timeless aesthetics—the Hono lamp embodies understated sophistication.*
Here’s the rephrased and expanded product description, including a concise supplier mention and a note about the 3D file:
**Alibel**, designed by Alessandro Zambelli for **Luceplan**—a renowned Italian lighting brand celebrated for its innovative and sustainable designs—is a track lighting system that reinterprets technical lighting with a decorative touch. Inspired by nature, the collection evokes the delicate image of an insect skimming water, creating ripples, translated into elegant, minimalist forms. The system features two luminous modules for track installation, offering both diffused and accent lighting, with an optional elliptical diffuser for softer illumination. A wall-mounted version expands its versatility.
Crafted from die-cast aluminum, the lamps attach seamlessly to slim, adaptable tracks (ceiling-mounted, recessed, or suspended) and include a spherical joint for adjustable beam direction. An optional 6mm stem extends the light closer to worksurfaces. Available in symmetrical (upward light) and asymmetrical (downward light) configurations, the latter can be fitted with lenses for focused lighting. The symmetrical model pairs with oval diffusers (50/70 cm) in horizontal or vertical orientations, casting atmospheric glow, while the wall variant features vertically mounted diffusers.
**Alibel** merges technical precision with artistic flair, making it ideal for both residential and contract spaces. A downloadable 3D file of the product is available for precise planning.
*(Supplier note: Luceplan, founded in Milan in 1978, is a leader in high-end, sustainable lighting solutions.)*
The system’s geometric tracks and luminous volumes transform ceilings into dynamic canvases, balancing functionality with striking visual impact.
The first in our collaboration with award-winning textile designer Lori Weitzner, Forest expresses Lori's affinity for texture, etching a distinctly organic tree bark-like pattern into marble via three individual techniques. The pattern's surface treatment interacts with the natural movement in the stone beneath to make Each piece a unique composition. Stocked as a 12 x 24 field tile.
Polycarbonate shell in mat colours offers a new way of looking and feeling. It’s a pleasant range where you can relax in perfect harmony. Anti UV stabilized.
Modern and stylish Wox table designed different shapes and sizes to accompany you at indoor and outdoor environments. Wox table is presented in conical elegant beech leg and robust iroko wooden leg options. Iroko leg variation is maximum resistance to seasonal conditions.You can create stylish and comfortable sets by matching with Opal and X-Treme Wox chairs at terraces, homes and restaurants.
Recommended Products
A wide range of product from furniture to finishes to meet the desire of all designers.
The Around Coffee Table brings a new perspective to its typology through the characterful wooden veneer frame that runs along the edge of the table, echoing the ideas of Scandinavian design. With its round shape and multiple sizes, the Around Coffee Table can be used in a multitude of settings, on its own or in groups, in any living room, lounge setting, lobby area or hotel room.
The Dice coffee table is truly a design object. No compromise has been made in its design. Every detail is exactly as designers Studio Truly Truly intended. This creates a fascinating table that continues to surprise from every perspective.
Toveri marries curves and hard materials to create a table series with soft shapes and striking features. The link between the top and the base has been moved to the centre of the tables, so the table top appears to float. The symmetry of the two elements makes the base seem like a shadow of the top.
Natural shapes and materials bring tranquillity to your living space because they exude softness and quality. It's the first thing you notice about Iduna coffee tables. The tapered wooden legs support a marble or solid oak top - large or small, in a high or low version for the most beautiful pairings.
With Liliom, design studio Beck Design has crafted a series of organically shaped tables in varying shapes and heights. They're as beautiful as they are practical – you can nest them for a tidier look. The ceramic or solid wood top gives the piece a natural accent, while a lacquered finish creates a colourful look.
Mogens Lassen designed the ML10097 Egyptian Table after being inspired by folding stands found in Tutankhamun's tomb in 1922. The table was first shown at the Copenhagen Cabinetmakers' Guild Exhibition in 1940.
The CH008 coffee table was designed by Hans J. Wegner in 1954. The understated and elegant three-legged design has since become one of his most popular pieces.
Mogens Lassen designed the ML10097 Egyptian Table after being inspired by folding stands found in Tutankhamun's tomb in 1922. The table was first shown at the Copenhagen Cabinetmakers' Guild Exhibition in 1940.