Michael Anastassiades

Ball Light Pendant Flex by Michael Anastassiades

lighting > Ceiling lamp

Ball Light Pendant Flex by Michael Anastassiades
Ball Light Pendant Flex by Michael Anastassiades - view 2
Ball Light Pendant Flex by Michael Anastassiades - view 3
Ball Light Pendant Flex by Michael Anastassiades

Key details

Brand Michael Anastassiades
Category Ceiling lamp
Size Large

Description

Custom patina available.One of the most recognisable designs by Michael Anastassiades Studio, the Ball Lights consists of pendants, wall pendants and ceiling and wall sconces. Designed around existing incandescent bulbs of that time, the project began as an exercise to abstract the bulb into a perfectly spherical ball, celebrating its perfect shape by repeating it in metal.

Frequently Asked Questions

Is the Ball Light Pendant Flex suitable for commercial projects?

Yes, the Ball Light Pendant Flex by Michael Anastassiades is suitable for both residential and commercial interiors. It is commonly specified by interior designers and architects for hospitality, office, and retail environments.

Can the Ball Light Pendant Flex be used outdoors?

The Ball Light Pendant Flex is designed for indoor use only.

More Ceiling lamp by Michael Anastassiades

Peaks Down

Peaks Down - Ceiling lamp by Michael Anastassiades

Michael Anastassiades > Ceiling lamp

Peaks is a family of pendants, composed of a string of elongated cones in different configurations. The graded shading on the curved surface of each cone is as much of a feature as the projected beams emitted from each cone. It can be displayed as a single, double or triple arrangement, pointing up or down depending on the preferred direction of light. An identical inverted cone acts as a rose attached to the ceiling. When the light is off, the forms appear very schematic, as if borrowed from a geometric still life. When on, the shading changes, as light casts along the curved surface.

Peaks Up

Peaks Up - Ceiling lamp by Michael Anastassiades

Michael Anastassiades > Ceiling lamp

Peaks is a family of pendants, composed of a string of elongated cones in different configurations. The graded shading on the curved surface of each cone is as much of a feature as the projected beams emitted from each cone. It can be displayed as a single, double or triple arrangement, pointing up or down depending on the preferred direction of light. An identical inverted cone acts as a rose attached to the ceiling. When the light is off, the forms appear very schematic, as if borrowed from a geometric still life. When on, the shading changes, as light casts along the curved surface.

One Well Known Sequence -1010

One Well Known Sequence -1010 - Ceiling lamp by Michael Anastassiades

Michael Anastassiades > Ceiling lamp

First produced 2017 Black anodised satin aluminium or Inox anodised satin aluminium Pendant rod length to order S14s opal LED tube Radium Raledina 15W / 1000mm Ø 29mm Lead time: 4 to 6 weeks

The Philosophical Egg Pendant

The Philosophical Egg Pendant - Ceiling lamp by Michael Anastassiades

Michael Anastassiades > Ceiling lamp

First produced 2019 Polished brass Mouth-blown opaline glass Pendant rod length to order G9 3.5W LED Bulb Lead time: 4 to 6 weeks

Vertigo

Vertigo - Ceiling lamp by Michael Anastassiades

Michael Anastassiades > Ceiling lamp

Vertigo is a pendant light formed of two elements: a simple horizontal beam with a linear array of LED light acts as an up and downlighter, with a vertical strap that holds the fixture in balance. It is this simple attachment, suggesting the hoisting of a structural beam, that evokes the iconic images of the steel construction of skyscrapers in 1930s New York City captured by photographer Charles C. Ebbets.There is no separate ceiling rose – the driver is fully integrated into the structure of the pendant and the two pendant rods carry the electrical current, removing any need for wires that might visually obstruct the design. The light intelligently operates through a touch-sensitive dimmer in the middle of the horizontal beam.Vertigo is produced in aluminium, powder coated in either black or white. It is available in two length options – 1.5m and 2m – and there are multiple drop lengths to choose from, covering all possible requirements.

Mobile Chandelier 16

Mobile Chandelier 16 - Ceiling lamp by Michael Anastassiades

Michael Anastassiades > Ceiling lamp

First produced 2019 Black patinated brass Mouth-blown opaline spheres Pendant rod length to order Integrated LED, 9W for Ø 150mm Integrated LED, 3W for Ø 60mm sphere Lead time: 12 to 14 weeks The first Mobile Chandelier was presented at Design Miami in 2008 for Cristina Grajales Gallery in New York. It was later developed as a collection for the Michael Anastassiades brand and has since remained an ongoing series. There are 16 chandeliers to date, the concept evolving with each new design. For example, Mobiles 1 to 6 consist of linear tubes assembled in varying configurations, while Mobiles 7 to 13 see the introduction of geometric curves. The newest additions, Mobiles 14 to 16, introduce a more free-form design, representing a departure from the disciplined geometry presented in previous models.

Mobile Chandelier 14

Mobile Chandelier 14 - Ceiling lamp by Michael Anastassiades

Michael Anastassiades > Ceiling lamp

First produced 2019 Black patinated brass Mouth-blown opaline spheres Pendant rod length to order Integrated LED, 9W for Ø 150mm Integrated LED, 3W for Ø 60mm sphere Lead time: 12 to 14 weeks

Mobile Chandelier 15

Mobile Chandelier 15 - Ceiling lamp by Michael Anastassiades

Michael Anastassiades > Ceiling lamp

First produced 2019 Black patinated brass Mouth-blown opaline spheres Pendant rod length to order Integrated LED, 9W for Ø 150mm Integrated LED, 3W for Ø 60mm sphere Lead time: 12 to 14 weeks

Brass Architectural Collection P350

Brass Architectural Collection P350 - Ceiling lamp by Michael Anastassiades

Michael Anastassiades > Ceiling lamp

Custom patina available.The result of a carefully curated take on an existing series of products, the Brass Architectural collection brings together the simplicity and elegance that characterises Michael Anastassiades’ aesthetic. Through a formal economy of shapes and materials, these architectural features call for an understanding of luxury as a discreet presence: glass, brass and nickel articulate a geometric, minimalistic alphabet of forms that adorn the space with luminosity akin to a piece of jewellery.

Brass Architectural Collection P80

Brass Architectural Collection P80 - Ceiling lamp by Michael Anastassiades

Michael Anastassiades > Ceiling lamp

Custom patina available.The result of a carefully curated take on an existing series of products, the Brass Architectural collection brings together the simplicity and elegance that characterises Michael Anastassiades’ aesthetic. Through a formal economy of shapes and materials, these architectural features call for an understanding of luxury as a discreet presence: glass, brass and nickel articulate a geometric, minimalistic alphabet of forms that adorn the space with luminosity akin to a piece of jewellery.

Brass Architectural Collection P250

Brass Architectural Collection P250 - Accessories by Michael Anastassiades

Michael Anastassiades > Accessories

Custom patina available. The result of a carefully curated take on an existing series of products, the Brass Architectural collection brings together the simplicity and elegance that characterises Michael Anastassiades’ aesthetic. Through a formal economy of shapes and materials, these architectural features call for an understanding of luxury as a discreet presence: glass, brass and nickel articulate a geometric, minimalistic alphabet of forms that adorn the space with luminosity akin to a piece of jewellery.

Mobile Chandelier 11

Mobile Chandelier 11 - Ceiling lamp by Michael Anastassiades

Michael Anastassiades > Ceiling lamp

First produced 2015 Black patinated brass Mouth-blown opaline sphere Integrated LED, 9W for Ø 150mm sphere Integrated LED, 3W for Ø 60mm sphere Lead time: 12 to 14 weeks The first Mobile Chandelier was presented at Design Miami in 2008 for Cristina Grajales Gallery in New York. It was later developed as a collection for the Michael Anastassiades brand and has since remained an ongoing series. There are 16 chandeliers to date, the concept evolving with each new design. For example, Mobiles 1 to 6 consist of linear tubes assembled in varying configurations, while Mobiles 7 to 13 see the introduction of geometric curves. The newest additions, Mobiles 14 to 16, introduce a more free-form design, representing a departure from the disciplined geometry presented in previous models.

Mobile Chandelier 12

Mobile Chandelier 12 - Ceiling lamp by Michael Anastassiades

Michael Anastassiades > Ceiling lamp

First produced 2011 Black patinated brass Mouth-blown opaline spheres Integrated LED, 9W for Ø 150mm sphere Integrated LED, 3W for Ø 60mm sphere Lead time: 12 to 14 weeks

Mobile Chandelier 13

Mobile Chandelier 13 - Ceiling lamp by Michael Anastassiades

Michael Anastassiades > Ceiling lamp

First produced 2017 Black patinated brass Mouth-blown opaline sphere Pendant rod length to order Integrated LED, 9W for Ø 150mm sphere Integrated LED, 3W for Ø 60mm sphere Lead time: 12 to 14 weeks The first Mobile Chandelier was presented at Design Miami in 2008 for Cristina Grajales Gallery in New York. It was later developed as a collection for the Michael Anastassiades brand and has since remained an ongoing series. There are 16 chandeliers to date, the concept evolving with each new design. For example, Mobiles 1 to 6 consist of linear tubes assembled in varying configurations, while Mobiles 7 to 13 see the introduction of geometric curves. The newest additions, Mobiles 14 to 16, introduce a more free-form design, representing a departure from the disciplined geometry presented in previous models.

Brass Architectural Collection P150

Brass Architectural Collection P150 - Accessories by Michael Anastassiades

Michael Anastassiades > Accessories

Custom patina available.The result of a carefully curated take on an existing series of products, the Brass Architectural collection brings together the simplicity and elegance that characterises Michael Anastassiades’ aesthetic. Through a formal economy of shapes and materials, these architectural features call for an understanding of luxury as a discreet presence: glass, brass and nickel articulate a geometric, minimalistic alphabet of forms that adorn the space with luminosity akin to a piece of jewellery.

One Well Known Sequence -01

One Well Known Sequence -01 - Ceiling lamp by Michael Anastassiades

Michael Anastassiades > Ceiling lamp

This collection of fixtures uses the standard unit of the light tube as a measure. Through the alternation of 1m and 0.5m modules, it creates a rhythmic language of recording space. The designs evolve as a parallel progression of rods, combining five variations of standard linear LED bulbs and metal tubes of the same diameter. With this series, Michael Anastassiades expands the compositional possibilities of some of the most structural elements of lighting, engaging the viewer in a rigorous yet playful exercise in measuring. 

One Well Known Sequence -10

One Well Known Sequence -10 - Ceiling lamp by Michael Anastassiades

Michael Anastassiades > Ceiling lamp

This collection of fixtures uses the standard unit of the light tube as a measure. Through the alternation of 1m and 0.5m modules, it creates a rhythmic language of recording space. The designs evolve as a parallel progression of rods, combining five variations of standard linear LED bulbs and metal tubes of the same diameter. With this series, Michael Anastassiades expands the compositional possibilities of some of the most structural elements of lighting, engaging the viewer in a rigorous yet playful exercise in measuring. 

One Well Known Sequence -0101

One Well Known Sequence -0101 - Ceiling lamp by Michael Anastassiades

Michael Anastassiades > Ceiling lamp

This collection of fixtures uses the standard unit of the light tube as a measure. Through the alternation of 1m and 0.5m modules, it creates a rhythmic language of recording space. The designs evolve as a parallel progression of rods, combining five variations of standard linear LED bulbs and metal tubes of the same diameter. With this series, Michael Anastassiades expands the compositional possibilities of some of the most structural elements of lighting, engaging the viewer in a rigorous yet playful exercise in measuring. 

Mobile Chandelier 7

Mobile Chandelier 7 - Ceiling lamp by Michael Anastassiades

Michael Anastassiades > Ceiling lamp

First produced 2015 Black patinated brass Mouth-blown opaline spheres Pendant rod length to order Integrated LED, 9W for Ø 150mm sphere Integrated LED, 3W for Ø 60mm sphere Lead time: 12 to 14 weeks The first Mobile Chandelier was presented at Design Miami in 2008 for Cristina Grajales Gallery in New York. It was later developed as a collection for the Michael Anastassiades brand and has since remained an ongoing series. There are 16 chandeliers to date, the concept evolving with each new design. For example, Mobiles 1 to 6 consist of linear tubes assembled in varying configurations, while Mobiles 7 to 13 see the introduction of geometric curves. The newest additions, Mobiles 14 to 16, introduce a more free-form design, representing a departure from the disciplined geometry presented in previous models.

Mobile Chandelier 9

Mobile Chandelier 9 - Ceiling lamp by Michael Anastassiades

Michael Anastassiades > Ceiling lamp

First produced 2015 Black patinated brass Mouth-blown opaline spheres Pendant rod length to order Integrated LED, 9W for Ø 150mm sphere Integrated LED, 3W for Ø 60mm sphere Lead time: 12 to 14 weeks The first Mobile Chandelier was presented at Design Miami in 2008 for Cristina Grajales Gallery in New York. It was later developed as a collection for the Michael Anastassiades brand and has since remained an ongoing series. There are 16 chandeliers to date, the concept evolving with each new design. For example, Mobiles 1 to 6 consist of linear tubes assembled in varying configurations, while Mobiles 7 to 13 see the introduction of geometric curves. The newest additions, Mobiles 14 to 16, introduce a more free-form design, representing a departure from the disciplined geometry presented in previous models.

Mobile Chandelier 8

Mobile Chandelier 8 - Ceiling lamp by Michael Anastassiades

Michael Anastassiades > Ceiling lamp

First produced 2015 Black patinated brass Mouth-blown opaline spheres Pendant rod length to order Integrated LED, 9W for Ø 150mm sphere Lead time: 12 to 14 weeks The first Mobile Chandelier was presented at Design Miami in 2008 for Cristina Grajales Gallery in New York. It was later developed as a collection for the Michael Anastassiades brand and has since remained an ongoing series. There are 16 chandeliers to date, the concept evolving with each new design. For example, Mobiles 1 to 6 consist of linear tubes assembled in varying configurations, while Mobiles 7 to 13 see the introduction of geometric curves. The newest additions, Mobiles 14 to 16, introduce a more free-form design, representing a departure from the disciplined geometry presented in previous models.

Bob Pendant

Bob Pendant - Ceiling lamp by Michael Anastassiades

Michael Anastassiades > Ceiling lamp

Custom patina available.Bob is an inverted tear drop resembling a weight suspended from a string, which is often used as a vertical reference line; a tool for building and measurements. Instead, this is a simple pendant that hangs to illuminate a space. Bob is a family of pendants and wall or ceiling-mounted sconces.

Single Angle

Single Angle - Ceiling lamp by Michael Anastassiades

Michael Anastassiades > Ceiling lamp

Custom patina available.Inspired by the shape of fishing hooks, this collection of ceiling lamps evokes the image of a luminous sphere captured in three different configurations. Just like in angling, it consists of simply a single, double and triple hook. As often happens in his practice, Michael Anastassiades infuses the memory of modernist design with humorous narrative and figurative qualities. He references a common, familiar object and takes it through a process of abstraction, aiming to create a pure definition of what a light source can be.

Double Angle

Double Angle - Ceiling lamp by Michael Anastassiades

Michael Anastassiades > Ceiling lamp

Custom patina available.Inspired by the shape of fishing hooks, this collection of ceiling lamps evokes the image of a luminous sphere captured in three different configurations. Just like in angling, it consists of simply a single, double and triple hook. As often happens in his practice, Michael Anastassiades infuses the memory of modernist design with humorous narrative and figurative qualities. He references a common, familiar object and takes it through a process of abstraction, aiming to create a pure definition of what a light source can be.

Triple Angle

Triple Angle - Ceiling lamp by Michael Anastassiades

Michael Anastassiades > Ceiling lamp

First produced 2017 Satin brass or satin nickel-plated brass Mouth-blown opaline glass Pendant rod length to order G9 3.5W LED bulb Lead time: 4 to 6 weeks

Mobile Chandelier 6

Mobile Chandelier 6 - Ceiling lamp by Michael Anastassiades

Michael Anastassiades > Ceiling lamp

First produced 2011 Black patinated brass Mouth-blown opaline sphere Integrated LED, 9W for Ø 150mm sphere Integrated LED, 3W for Ø 60mm sphere Lead time: 12 to 14 weeks The first Mobile Chandelier was presented at Design Miami in 2008 for Cristina Grajales Gallery in New York. It was later developed as a collection for the Michael Anastassiades brand and has since remained an ongoing series. There are 16 chandeliers to date, the concept evolving with each new design. For example, Mobiles 1 to 6 consist of linear tubes assembled in varying configurations, while Mobiles 7 to 13 see the introduction of geometric curves. The newest additions, Mobiles 14 to 16, introduce a more free-form design, representing a departure from the disciplined geometry presented in previous models.

Mobile Chandelier 3

Mobile Chandelier 3 - Ceiling lamp by Michael Anastassiades

Michael Anastassiades > Ceiling lamp

First produced 2008 Black patinated brass Mouth-blown opaline spheres Pendant rod length to order Integrated LED, 9W for Ø 150mm sphere Integrated LED, 3W for Ø 60mm sphere Lead time: 12 to 14 weeks The first Mobile Chandelier was presented at Design Miami in 2008 for Cristina Grajales Gallery in New York. It was later developed as a collection for the Michael Anastassiades brand and has since remained an ongoing series. There are 16 chandeliers to date, the concept evolving with each new design. For example, Mobiles 1 to 6 consist of linear tubes assembled in varying configurations, while Mobiles 7 to 13 see the introduction of geometric curves. The newest additions, Mobiles 14 to 16, introduce a more free-form design, representing a departure from the disciplined geometry presented in previous models.

Mobile Chandelier 2

Mobile Chandelier 2 - Ceiling lamp by Michael Anastassiades

Michael Anastassiades > Ceiling lamp

First produced 2008 Black patinated brass Mouth-blown opaline spheres Pendant rod length to order Integrated LED, 9W Lead time: 12 to 14 weeks The first Mobile Chandelier was presented at Design Miami in 2008 for Cristina Grajales Gallery in New York. It was later developed as a collection for the Michael Anastassiades brand and has since remained an ongoing series. There are 16 chandeliers to date, the concept evolving with each new design. For example, Mobiles 1 to 6 consist of linear tubes assembled in varying configurations, while Mobiles 7 to 13 see the introduction of geometric curves. The newest additions, Mobiles 14 to 16, introduce a more free-form design, representing a departure from the disciplined geometry presented in previous models.

Mobile Chandelier 1

Mobile Chandelier 1 - Ceiling lamp by Michael Anastassiades

Michael Anastassiades > Ceiling lamp

First produced 2008 Black patinated brass Mouth-blown opaline spheres Pendant rod length to order Integrated LED, 9W for Ø 150mm Integrated LED, 3W for Ø 60mm sphere Lead time: 12 to 14 weeks The first Mobile Chandelier was presented at Design Miami in 2008 for Cristina Grajales Gallery in New York. It was later developed as a collection for the Michael Anastassiades brand and has since remained an ongoing series. There are 16 chandeliers to date, the concept evolving with each new design. For example, Mobiles 1 to 6 consist of linear tubes assembled in varying configurations, while Mobiles 7 to 13 see the introduction of geometric curves. The newest additions, Mobiles 14 to 16, introduce a more free-form design, representing a departure from the disciplined geometry presented in previous models.

Mobile Chandelier 4

Mobile Chandelier 4 - Ceiling lamp by Michael Anastassiades

Michael Anastassiades > Ceiling lamp

First produced 2008 Black patinated brass Mouth-blown opaline sphere Pendant rod length to order Integrated LED, 9W Lead time: 12 to 14 weeks The first Mobile Chandelier was presented at Design Miami in 2008 for Cristina Grajales Gallery in New York. It was later developed as a collection for the Michael Anastassiades brand and has since remained an ongoing series. There are 16 chandeliers to date, the concept evolving with each new design. For example, Mobiles 1 to 6 consist of linear tubes assembled in varying configurations, while Mobiles 7 to 13 see the introduction of geometric curves. The newest additions, Mobiles 14 to 16, introduce a more free-form design, representing a departure from the disciplined geometry presented in previous models.

Ball Light Pendant Flex

Ball Light Pendant Flex - Ceiling lamp by Michael Anastassiades

Michael Anastassiades > Ceiling lamp

Custom patina available.One of the most recognisable designs by Michael Anastassiades Studio, the Ball Lights consists of pendants, wall pendants and ceiling and wall sconces. Designed around existing incandescent bulbs of that time, the project began as an exercise to abstract the bulb into a perfectly spherical ball, celebrating its perfect shape by repeating it in metal.

Ball Light Pendant Rod

Ball Light Pendant Rod - Ceiling lamp by Michael Anastassiades

Michael Anastassiades > Ceiling lamp

Custom patina available. One of the most recognisable designs by Michael Anastassiades Studio, the Ball Lights consists of pendants, wall pendants and ceiling and wall sconces. Designed around existing incandescent bulbs of that time, the project began as an exercise to abstract the bulb into a perfectly spherical ball, celebrating its perfect shape by repeating it in metal.

Tube Chandelier

Tube Chandelier - Ceiling lamp by Michael Anastassiades

Michael Anastassiades > Ceiling lamp

First produced 2006 Satin brass Pendant rod length to order S14s opal LED tube, Radium Raledina 15W / 1000mm ø29mm Lead time: 4 to 6 weeks

Brass Architectural Collection S60

Brass Architectural Collection S60 - Wall lamp by Michael Anastassiades

Michael Anastassiades > Wall lamp

Custom patina available.The result of a carefully curated take on an existing series of products, the Brass Architectural collection brings together the simplicity and elegance that characterises Michael Anastassiades’ aesthetic. Through a formal economy of shapes and materials, these architectural features call for an understanding of luxury as a discreet presence: glass, brass and nickel articulate a geometric, minimalistic alphabet of forms that adorn the space with luminosity akin to a piece of jewellery.

Brass Architectural Collection S150

Brass Architectural Collection S150 - Wall lamp by Michael Anastassiades

Michael Anastassiades > Wall lamp

Custom patina available.The result of a carefully curated take on an existing series of products, the Brass Architectural collection brings together the simplicity and elegance that characterises Michael Anastassiades’ aesthetic. Through a formal economy of shapes and materials, these architectural features call for an understanding of luxury as a discreet presence: glass, brass and nickel articulate a geometric, minimalistic alphabet of forms that adorn the space with luminosity akin to a piece of jewellery.

Brass Architectural Collection S250

Brass Architectural Collection S250 - Wall lamp by Michael Anastassiades

Michael Anastassiades > Wall lamp

Custom patina available.The result of a carefully curated take on an existing series of products, the Brass Architectural collection brings together the simplicity and elegance that characterises Michael Anastassiades’ aesthetic. Through a formal economy of shapes and materials, these architectural features call for an understanding of luxury as a discreet presence: glass, brass and nickel articulate a geometric, minimalistic alphabet of forms that adorn the space with luminosity akin to a piece of jewellery.

Brass Architectural Collection O1

Brass Architectural Collection O1 - Wall lamp by Michael Anastassiades

Michael Anastassiades > Wall lamp

Custom patina available.The result of a carefully curated take on an existing series of products, the Brass Architectural collection brings together the simplicity and elegance that characterises Michael Anastassiades’ aesthetic. Through a formal economy of shapes and materials, these architectural features call for an understanding of luxury as a discreet presence: glass, brass and nickel articulate a geometric, minimalistic alphabet of forms that adorn the space with luminosity akin to a piece of jewellery.

White Porcelain Series O1

White Porcelain Series O1 - Wall lamp by Michael Anastassiades

Michael Anastassiades > Wall lamp

First produced 2017 Glazed porcelain Opaline diffuser G9 2W LED Bulb Lead time: 4 to 6 weeks

White Porcelain Series O3

White Porcelain Series O3 - Wall lamp by Michael Anastassiades

Michael Anastassiades > Wall lamp

First produced 2017 Glazed porcelain body Opaline diffuser G9 2W LED bulb Lead time: 4 to 6 weeks

Tip of the Tongue Ceiling and Wall Mounted

Tip of the Tongue Ceiling and Wall Mounted - Wall lamp by Michael Anastassiades

Michael Anastassiades > Wall lamp

Custom patina available.Tip of the Tongue consists of table lamp, wall lamp and ceiling-mounted sconce, all which feature an interesting illusion: a luminous mouth-blown opaline sphere appears to roll down the edge of a solid polished brass base. This delicate gesture of a sphere poised on the edge of the surface evokes the familiar phenomenon of failing to retrieve a word from memory, expressing a moment of tension in the form of the design. Tip of the Tongue was launched at Euroluce in Milan in 2013. It has gone on to become one of Michael Anastassiades’ most iconic pieces.

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This collection of fixtures uses the standard unit of the light tube as a measure. Through the alternation of 1m and 0.5m modules, it creates a rhythmic language of recording space. The designs evolve as a parallel progression of rods, combining five variations of standard linear LED bulbs and metal tubes of the same diameter. With this series, Michael Anastassiades expands the compositional possibilities of some of the most structural elements of lighting, engaging the viewer in a rigorous yet playful exercise in measuring. 

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Custom patina available.One of the most recognisable designs by Michael Anastassiades Studio, the Ball Lights consists of pendants, wall pendants and ceiling and wall sconces. Designed around existing incandescent bulbs of that time, the project began as an exercise to abstract the bulb into a perfectly spherical ball, celebrating its perfect shape by repeating it in metal.

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AEOLIE Coffee Table - Coffee table by Alcarol

Alcarol > Coffee table

The Aeolie Coffee Table evokes a volcanic formation emerging from the depths, where lava meets water and solidifies in suspended time. The stone retains the marks of rapid cooling — irregular, porous, alive with internal tension — while the transparent resin surrounds it like a liquid field, preserving the moment of contact. The surface appears to hover within this transparent volume, as if still immersed, while the bronzed steel base provides a subtle grounding — a horizon between seabed and open space. The object becomes a landscape shaped by opposing forces: a fragment of territory born underwater, where matter has found balance between expansion and containment.

STUMP Stool - Walnut

STUMP Stool - Walnut - Stool by Alcarol

Alcarol > Stool

alcarol recovered a stunning walnut log and decided to cut it in two, in order to create a couple of stump stools. The two halves perfectly match, recreating the original log as it was found in the undergrowth of the Italian Dolomite mountains. The alcarol’s environmental cross-section allows to reveal the intimate essence of wood, hidden in the heart of the log. Natural bark surface is preserved with its native populations of plants, which are embedded in a resin resembling the water that generated their life. By filling the gaps with resin, alcarol achieves a new functionality with the poetic choice to freeze time at the end of the material’s cycle and giving it a new life before it goes to waste. The section planes – through touch, sight and olfaction of different materials – allow to transcend the ordinary perception of a place.

LEAFPRINT Coffee Table C

LEAFPRINT Coffee Table C - Coffee table by Alcarol

Alcarol > Coffee table

Made from a gem-shaped volume in copper-plated steel – inspired by the prismatic structures of metallic minerals – the Leafprint Coffee Table embodies the timeless dialogue between the fleeting nature of the organic world and the enduring essence of inorganic matter. The plant world is rich in tannins, natural compounds that react with metals to form oxides and surface patinas. Real leaves and underwood plant fragments are immersed in tannin-based solutions and oxidizing agents to accelerate and control natural oxidation, interacting with the metal to create one-of-a-kind textures and patinas with organic, ever-changing hues. The mirrored copper surfaces, marked by organic imprints, play with light and depth, producing a dynamic effect that shifts with the gaze and the surrounding environment.

LEAFPRINT Low Table B

LEAFPRINT Low Table B - Side table by Alcarol

Alcarol > Side table

Made from a gem-shaped volume in copper-plated steel – inspired by the prismatic structures of metallic minerals – the Leafprint Low Table embodies the timeless dialogue between the fleeting nature of the organic world and the enduring essence of inorganic matter. The plant world is rich in tannins, natural compounds that react with metals to form oxides and surface patinas. Real leaves and underwood plant fragments are immersed in tannin-based solutions and oxidizing agents to accelerate and control natural oxidation, interacting with the metal to create one-of-a-kind textures and patinas with organic, ever-changing hues. The mirrored copper surfaces, marked by organic imprints, play with light and depth, producing a dynamic effect that shifts with the gaze and the surrounding environment.

RAPOLANO One Side Console

RAPOLANO One Side Console - Console by Alcarol

Alcarol > Console

Nestled in the Sienese hills, the town of Rapolano has long been a land where stone and water intertwine. Since ancient times, its thermal springs have drawn those in search of healing, while its travertine – shaped by centuries of mineral sedimentation – has served as a building material since the Etruscan era. Formed by the slow precipitation of carbonate minerals in underground waters, this unique travertine bears fibrous textures and earthy hues – from soft white to warm rust – that make it unlike any other in the world. Often found in caves and thermal basins, it carries within its veins the memory of flowing water and geological time. In collaboration with Vaselli, alcarol has salvaged timeworn fragments of this living stone, preserving its natural cavities with a transparent resin that recalls the thermal waters in which it once lay submerged. The Rapolano One Side Console is a sculptural flow. Rising vertically from the ground, unfolding in a single horizontal stretch, and returning once more to the earth, it traces a seamless path, like water shaping its course through stone. A continuous gesture where material, memory, and movement converge in one timeless form.

LAVA Side Table

LAVA Side Table - Side table by Alcarol

Alcarol > Side table

The matter surface is the one that is normally revealed, but only by going deeper can we fully understand the processes and forces that generated it. Lava is molten rock that has been expelled from the interior of a planet onto its surface. Lava may have erupted on land or underwater. The word Lava comes from Italian and is probably derived from the Latin word labes, which means a fall. Lava stool is made of Lava rocks from the Etna volcano on the island of Sicily, Italy, one of the world’s most active volcanoes with eruptions occurring beneath the sea since about 500,000 years ago. During submarine eruptions, the molten magma meets the sea, and its violent encounter with water sculpts the rock into fluid, organic forms that seem to freeze movement itself. Each fragment thus carries within it the memory of that encounter — a fleeting instant of transformation made eternal. The rocks seem frozen and suspended in an infinite cosmic moment, like a sort of underwater cross section that has flung open the doors to this ancestral activity of the Universe, in all its majesty and wonder. Lava is a meditation on terrestrial matter with its gaze turned toward the cosmos, where time solidifies into stillness and energy becomes reflection. The natural stone surface is left uncovered, revealing the tactile power of the material — its density, its silent strength, its primordial warmth. Each fragment tells of the slow cooling of magma, the transformation of chaos into form, of fluid fire turned solid and eternal.

PLANET X Table

PLANET X Table - Table by Alcarol

Alcarol > Table

Planet X Table is a reflection around human visual perception of Nature and Cosmos, a play with the process by which the physical energy received by sense organs forms the basis of perceptual experience. Planet X Table is a meditation on perception — an exploration of how the eye and mind translate the vastness of nature and the cosmos into tangible experience. Inspired by the hypothesis of an unseen planet orbiting in the far reaches of our solar system, Planet X evokes the mystery of distant matter suspended in space and time. At first glance, its materials seem unfamiliar, almost weightless — as if joined in zero gravity. In reality, the tabletop is crafted from two Burled Poplar planks, their live edges and swirling grain recalling planetary atmospheres. The two fragments merge within a crystal-clear medium, frozen like cosmic ice. Three transparent pillars pierce and support the circular top in apparent levitation, playing with light and refraction, concealing their structure within luminous, extraclear volumes. The result is an illusion of suspension — a fragment of our planet transformed into an object that feels extraterrestrial. The rare Burled Poplar, naturally deformed and richly figured, undergoes a special colored-oil finishing that amplifies its inherent holographic quality. This treatment reveals a vibrant, shifting depth — as if the wood itself were reflecting multiple dimensions of light — making the material almost unrecognizable, suspended between the organic and the cosmic. Between gravity and light, Planet X Table reveals the invisible — where earthly matter becomes a mirror of the universe, and perception transcends reality.

Chiron Table

Chiron Table - Table by Alcarol

Alcarol > Table

In astronomy, Chiron was first thought to be an asteroid, but it is in fact one of the most massive known periodic comets — a wandering body that orbits around Uranus, the green planet. Like its celestial namesake, the Chiron Table explores perception itself: the way light, matter, and the human eye collaborate to create what we call reality. At first glance, the materials seem unearthly, as if joined in zero gravity. Yet they are of this planet — two planks of Burled Poplar with organic live edges, joined and encased within a clear, luminous medium. Their forms stretch toward each other without ever touching, held in balance by three irregular transparent pillars that pierce and support them in a seemingly weightless gesture. The Burled Poplar — a wood whose grain grows in spontaneous, natural deformation — reveals a swirling, unpredictable pattern that no human hand could design. Through a special verdigris and oil finishing, the surface acquires a holographic radiance that amplifies the wood’s innate depth and fluidity. Under shifting light, its grain moves and breathes, as if alive, transforming the material into something almost unrecognizable — no longer mere wood, but a living reflection of light itself. Chiron is not a table of outer space, but a terrestrial one — a vision of our own planet seen as if from afar. It reminds us that the extraordinary already exists beneath our feet, waiting only to be perceived. It invites us to look deeper into the familiar, and to rediscover the wonder of what is real.

SURFACING TRUNK Stool / Side Table

SURFACING TRUNK Stool / Side Table - Side table by Alcarol

Alcarol > Side table

Surfacing Trunk Stool is crafted from discarded sections of dead trees, sourced from the wetlands of the Italian Dolomites. Its natural bark surface, still bearing mosses and tiny native plants, is preserved in a transparent resin that recalls the still water of its habitat. By filling the irregular cavities with resin, alcarol doesn’t only restore structure, it freezes a moment in time, just before nature’s cycle would reclaim the material. What was once overlooked becomes a quiet presence, holding the memory of a forest floor immersed in silence and slow decay. This is not just a stool, but a fragment of territory surfacing from below, suspended between end and rebirth.

FUNGI Rectangular Coffee Table

FUNGI Rectangular Coffee Table - Coffee table by Alcarol

Alcarol > Coffee table

Recovered from the Italian Dolomite forest, the Fungi Table is crafted from a large Beech log marked by native fungal activity — each line and shadow a silent record of time, place, and transformation. The live edges are encased in an extra-clear resin that evokes the winter ice once halting the fungi’s growth, preserving a fleeting natural process in stillness. The plank has been cut with a fine blade and rejoined with precise alignment of the fungal woodgrain, forming an L-shape with corners so seamless that both wood and resin appear uninterrupted. Through a proprietary process, alcarol creates a single, continuous volume — a solid trace of ephemeral life. This invisible joinery can be adapted for various typologies: tables, benches, shelves, and beyond. Each piece is unique — a quiet testament to the living conditions that shaped it, and to the poetry of transformation hidden in decay.

Slash

Slash - Wallpaper by BeWall

BeWall > Wallpaper

Lambris wall covering

Lambris wall covering - Wallcovering by Devon&Devon

Devon&Devon > Wallcovering

Black ceramic slab wall covering. Cm 92x32. Discontinued item.

Blend 430.BLE1

Blend 430.BLE1 - Bench by Fi.Ma

Fi.Ma > Bench

Seating with structure in brass or steel, with cataphoretic treatment and powder-coated with RAL coloration. Seating and backrest in natural hardwood battens and/or treated and painted with fire-resistant basis layer. Patented model

GridWork

GridWork - Wood flooring by Established and Sons

Established and Sons > Wood flooring

GridWork, designed by Raw Edges for Established & Sons in collaboration with Tongue & Groove, reinterprets the square grid pattern in solid-engineered…

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Top Pendant Lamp

Top Pendant Lamp - Ceiling lamp by Muuto

Muuto > Ceiling lamp

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Ambit Rail Lamp

Ambit Rail Lamp - Ceiling lamp by Muuto

Muuto > Ceiling lamp

The Ambit Rail Lamp is characterized by its simple lines and elegant shapes, bringing a refined light to any space. With its shades being made of handspun aluminum, the Ambit Rail Lamp features white interiors that provide a contrast to its outside shade while enhancing the light emitted into the room of any home, office or hospitality space.

Ambit Pendant Lamp

Ambit Pendant Lamp - Ceiling lamp by Muuto

Muuto > Ceiling lamp

Embodying the values of Scandinavian design, the Ambit Pendant Lamp is as timeless as it is contemporary. Made of hand-spun aluminum that has been hand-painted, the Ambit Pendant Lamp features clean lines and a white interior that heighten contrasts of its outside shade while enhancing the light emitted in any room of a home, office or commercial space. Use the design on its own or symmetric formations and vibrant clusters.

Fluid Pendant Lamp

Fluid Pendant Lamp - Ceiling lamp by Muuto

Muuto > Ceiling lamp

Inspired by a resting drop of water, the Fluid Pendant Lamp shows how soft light can diffuse across a space for a cosy atmosphere. The frosted matte surface creates a glowing ambience that fits into any home or casual business setting. Present the design individually or in a group for an intimate atmosphere.

Homefield Pendant 240 Textured Black

Homefield Pendant 240 Textured Black - Ceiling lamp by Astro

Astro > Ceiling lamp

This industrial pendant light features a bold, minimalist design with a single exposed bulb encased in a matte black metal frame. Perfect for dining areas, its clean lines and simple form make it a versatile addition to modern interiors.

Portree Pendant Solid Brass

Portree Pendant Solid Brass - Ceiling lamp by Astro

Astro > Ceiling lamp

This elegant pendant light features a brushed metallic finish and a clear glass shade, offering a modern touch to dining spaces. Its single light source provides a warm, downward illumination, perfect for creating an inviting atmosphere. The combination of metal and glass materials ensures durability and style.

Drum 500 Oyster

Drum 500 Oyster - Ceiling lamp by Astro

Astro > Ceiling lamp

This modern pendant light features an elegant drum-shaped fabric shade, perfect for adding a touch of sophistication to dining areas. The matte finish and neutral color palette make it a versatile choice for contemporary interiors. Designed for indoor use, it provides a warm, downward illumination ideal for creating an inviting atmosphere.

Khan metal

Khan metal  - Ceiling lamp by Kartell

Kartell > Ceiling lamp

Many different styles, from 18th century eclecticism to contemporary minimalism, come together in Philippe Starck’s KHAN chandelier to create a new icon of elegance and modernity. The symbolism of the design is complemented by the technological innovation of Kartell’s new polycarbonate 2.0 in the colours black, champagne and clear.

Small fl/y transparent

Small fl/y transparent  - Ceiling lamp by Kartell

Kartell > Ceiling lamp

FL/Y is an essentially-styled suspension lamp. The particular transparency of the material and the sheen of the colours recreate the idea of a soap bubble, shimmering iridiscently in the light. The shade is not perfectly hemispherical, with the cut-off falling just below the level of the diameter, offering greater concentration of the light. The lamp is available in three different sizes: Fl/Y (diameter 52cm, shade depth 33cm), Small Fl/Y (diameter 38cm, shade depth 28cm) and Big Fl/Y (diameter 83cm, shade depth 55cm).

Ge' metal

Ge' metal  - Ceiling lamp by Kartell

Kartell > Ceiling lamp

Gè is a suspension lamp attached to the ceiling with a decorated rosette suggestive of antique Venetian chandeliers. It comes with a 37 cm diameter pleated lampshade. The cable can be adjusted in height from 45 to 230 cm.

Bloom hanging medium metal

Bloom hanging medium metal  - Ceiling lamp by Kartell

Kartell > Ceiling lamp

Bloom is a tubular polycarbonate framework entirely covered by a structure of tiny transparent polycarbonate double corolla flowers. The result is an industrially produced lamp but with all the forms and stylistic complexity of a unique handcrafted piece.

Bloom hanging big

Bloom hanging big  - Ceiling lamp by Kartell

Kartell > Ceiling lamp

Bloom is a tubular polycarbonate framework entirely covered by a structure of tiny transparent polycarbonate double corolla flowers. The result is an industrially produced lamp but with all the forms and stylistic complexity of a unique handcrafted piece.

Mist AP16

Mist AP16 - Ceiling lamp by &tradition

&tradition > Ceiling lamp

Mist is inspired by the warm, diffused light of morning rays shining through the haze, offering a modern take on the classic globe light silhouette. Crafted from mouth-blown opal glass with white coated aluminium details and a textile cord, the Mist pendant lamp is available in two sizes.

Taraxacum 88 Suspension 1

Taraxacum 88 Suspension 1 - Ceiling lamp by Flos

Flos > Ceiling lamp

Suspension lamp providing direct and reflected lighting. Structure formed by 20 pressed, polished aluminum triangles. 60 clear Globolux lamps housed around the structure. Steel ceiling fitting and rose.