A sense of essentiality emerges from the visual and tactile sensations fused in this Creative Design collection.
The distinguishing features of the Essential Mood design are fluid surfaces, material qualities and full bodies that extend without boundaries, promoting a harmonious flow between spaces and constant interplay between environments and the people in them. It makes places into cosy, reassuring refuges where they can take centre stage.
Produced for interior design schemes, housing and commercial premises, the collection espouses warm, timeless atmospheres where people can recharge their batteries and get onto the same wavelength as the world around them. Spaces with neutral, comforting colours and natural features come together in a design that underlines the need for everyone to look after themselves and seek revitalizing experiences, now and in the future.
The collection is born from a sustainable and virtuous approach and is part of CarbonZero, Florim's range of Carbon Neutral surfaces.
Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>
Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>
Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>
Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>
Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>
Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>
Six essences inspired by the beauty of marble become stylistic shades to create modern and functional environments The collection is available in various finishes and sizes suitable for private spaces and the light commercial world with shades that go from white to beige, from grey to desaturated black.
Six essences inspired by the beauty of marble become stylistic shades to create modern and functional environments The collection is available in various finishes and sizes suitable for private spaces and the light commercial world with shades that go from white to beige, from grey to desaturated black.
Six essences inspired by the beauty of marble become stylistic shades to create modern and functional environments The collection is available in various finishes and sizes suitable for private spaces and the light commercial world with shades that go from white to beige, from grey to desaturated black.
Six essences inspired by the beauty of marble become stylistic shades to create modern and functional environments The collection is available in various finishes and sizes suitable for private spaces and the light commercial world with shades that go from white to beige, from grey to desaturated black.
The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete.<br /><br />«The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.»<br />Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these.<br /> He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him.<br /> This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen.<br /> A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.
A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>
A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>
A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>
A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>
A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>
A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>
Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>
Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>
Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>
Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>
Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p>
<p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>
<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p>
<p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>
<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p>
<p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>
<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p>
<p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>
<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p>
<p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
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A wide range of product from furniture to finishes to meet the desire of all designers.
During the 1940s, Jean Prouvé designed the Potence wall lamp for his own home in Nancy: a simple light bulb affixed to a long pivoting metal bar, which is supported by a steel wire. In 1947 Prouvé developed a cone-shaped lamp shade to match Potence in its different versions and sizes. Historical photos of Jean Prouvé’s house show that he experimented with different types of lamp shades, including designs by others.<br/><br/>Abat-Jour Conique is the first lampshade designed for Potence by Prouvé in 1947 and is intended for use with the Potence and Petite Potence lamps. It is simply fitted over the light bulb and can be removed again when needed.
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
In creating his design for the Coffee Table, Isamu Noguchi translated the biomorphic aesthetic of his sculptural works into a piece of furniture with distinctive organic forms. Presumably for this reason, Noguchi regarded the table as his best furniture design. Two wooden leg elements, which are available in black ash, maple or walnut, are positioned at a right angle to provide a stable support for the heavy, sturdy glass top.
Reminiscent of the rudder of an aircraft or ship, the streamlined shape of the two wall brackets of the Rayonnage Mural bookcase (1936) is a recurring element in Prouvé's creative oeuvre.
For the Key Ring motif, Dutch designer Hella Jongerius took her inspiration from an emblematic image in the history of Vitra: the elephant. It served as a model for a playful decorative object created by Charles and Ray Eames back in the 1940s, which was recently reissued by Vitra. The Key Rings are made of high-quality Vitra furniture leather with pleasant tactile qualities.
The characteristic flexing action of HAL Cantilever's base augments the comfort of this chair. The seat shell is made of recycled plastic and like many other HAL models, its comfort can be enhanced by padded upholstery or loose cushions from the Soft Seats range. HAL RE Cantilever is suited to a wide variety of settings and applications.
<p>Walks/1.0 represents a non-conventional simplicity</p> The natural aspect of the surface and the texture of the hewn effect combine perfectly with the enhancement of graphics, colors and structures to interpret interior architectures and exterior spaces in harmony with one another and with the surrounding landscape.
The faded wall fresco, damp stains in plaster. «Technological innovation enables us to reproduce on large-sized ceramic materials all the effects of wear and stratification that normally only time is able to create.» Giorgia Zanellato & Daniele Bortotto Children stare at the walls of a farmhouse, wondering what the cracks are, and whether every mark is a path and every path is a story. They think that miniature beings live in the air pockets that have formed, and the detaching plaster is like an avalanche cascading from a glacier. They don't ask why the colours are as they are, because they just had to be like that. And every square centimetre becomes the first page of an adventure that restarts at every break in the pattern. Could this be why we say that both textures and plots have twists, and stories are woven? As even children know, walls are tales. Not only do they contain adventures, emotions, moments, loves and hates and record them on their surfaces; their uneven, active surfaces generate new imaginary worlds, in which one can literally get lost. The "Storie" collection by Giorgia Zanellato and Daniele Bortotto brings this metaphor to three-dimensional life by expressing the moods, loves and hates and moments that the walls and floors of old Italian homes conserve, and capturing them in a frozen instant. The theme of time and the changes wrought in matter by the passing seasons, weather and human action have always been a strong source of inspiration for architects: some have tried to freeze it, while others have used sleight of hand to embrace it while resisting its effects, and yet others have accelerated, anticipated, directed and re-created it.<br /> Zanellato and Bortotto do all these things at once, engaging in a duel with History with a capital H, in which it is never clear who is winning: design or object, man or nature, culture or time. And it is probably this unresolved tension which makes the "Storie" designs so universal and meaningful, so intimate and yet familiar. The floor is the only thing we can be certain that everyone entering our home will touch, and at the same time it is the most intimate part, the most steeped in private happenings. They talk about having your "feet firmly on the ground". This image stands for common sense, but also a recognition of how things are, how things work. The wall is a synecdoche, too: it is the part of the home that expresses an idea of solidity, the layering of time, the passage of lives. "Storie" gives form to this metaphor by drawing a line that links the most classical of taste to a sophisticated modernity of taste and style. The two designers did a great deal of background work for this project: old Italian homes, country villas, noble palazzos, farmhouses and old factors, which become an unlimited source of motifs, colours, textures and materials. But, perhaps unconsciously, literature also re-emerges from this survey of locations, with its blend of aestheticism and decadence, with echoes of Wilde and D'Annunzio, Ruskin and Huysmans. "Storie" would be the ideal backdrop for Des Esseintes, the dandy in "A Rebours". And in fact the collection clearly has strong theatrical connections, arising partly from its storytelling connotations but also from its scene-setting potential.<br /> It represents life, which we are, have been and wish to continue to be. And it is thrilling to realise that this vision comes from the youngest designers in CEDIT's new era, who have successfully taken a confident, cultured, astute, sidelong approach to the most ancient of topics, with a persuasive effect which appears, at least, to be not at all intimidated by the many stories, the type of product they are dealing with, the catalogue in which they are included, the designers who have gone before them or, naturally, the adventures that lie concealed in the historic dwellings they reproduce. The reference to Italy, on the other hand, is in perfect harmony with the work of the brand and its past and present designers: it is intrinsic to the perfection of the production process that underlies the collection, the relationship with the brand's tradition and its local roots, and the intelligent, strategic use of its innovations in the treatment of this complex material.Child's play? Yes, but with the integrity and ability to enchant unique to specific designs, capable of an immediacy of vision and feeling that makes them little novels written in cement.
The alternation and symbiosis between concave and convex, recessed and raised. <p>Rilievi is a work of design balanced between different historic periods: while the volumetric relief tile modules are inspired by artistic experiments conducted in Italy during the Sixties and Seventies, the large slabs are the outcome of research into materials and technology that has only come to fruition in very recent times. The shadow effects generated on the surfaces of the slabs by the light striking the projecting parts of the modules create an unusual impression of architectural depth found virtually nowhere else in ceramic coverings, laying the bases for a new decoration interior design language.</p> This project simply embodies perfection - a term which certainly sets the bar high in a description of a new product for launch on the market. But when an enlightened manufacturer is capable of encapsulating a designer's personal research in a product to be added to its range, the outcome is a perfect synthesis. A perfect synthesis between untrammelled creativity and market trends. CEDIT had the insight needed to perceive, identify and rework the immense potential of Practice Practice Practice "“ a self-produced project by Zaven (Enrica Cavarzan and Marco Zavagno "“ and realised that its sophisticated design, originated by pure, pristine input (unadulterated by external factors except the noblest of them all, research) could provide the basis for an innovative, successful collection. I might add, a collection unique of its kind. Zaven is also a name that comes with guarantees; the two partners are good at what they do. Their work always starts from personal curiosity and investigations, the study of other stories (as in this case inspiration was drawn from the output of artist and activist Nino Caruso) and individual interests, which are broken down, developed, optimised and prepared for transformation into something fresh.Enrica Cavarzan and Marco Zavagno have a masterly ability to transform their own wishes and passions into design work of the greatest breadth and, as we see here, the widest, richest application. Their use of ceramics as a material is clearly outstanding and reflects a method precisely founded on the desire to look at things from an unusual viewpoint, under a different light. And to be daring. Zaven have an unconventional approach to convention. In the specific case of the Rilievi collection, the "modules" created for CEDIT seem to explode off the walls; in fact, they are constructed by combining the two-dimensional slab with its three-dimensional decor.Rilievi seems to be seeking space. More space. Even though these modules have actually established a dialogue with the wall from which they are born. At the same time, they hypnotise us with their tight sequence of lines, the pattern that is always different although its root is the same, and the intriguing, unusual colours that add another vital factor to the finished product. Their firm grounding in graphic design (and here we have come back to two-dimensional effects, of the kind most often associated with a wall covering) easily evolves into a facade which seems to have been carved with a chisel - although this is not the case. These modules are conceived to convey an impression of movement, and the three models, in seven colour combinations, create a powerful effect on a surface, which is never passive but rather an organic contributor to the forms and colours involved in the fascinating combinations. The slab is very much present and has the same worth and status as the relief pattern associated to it. In the light of this dichotomy between the linear and the sculpted, expressed through the skilfully balanced visual expedients, the use of repetition adds vigour to the module's intrinsic meaning. As we have seen, a rejection of facile, superficial creative dynamics in favour of an investigation reaching above and beyond has always been a central, clearly recognisable feature of this Venice-based duo, who already have impressive international partnerships to their credit, including the London Design Festival, the Kalmar Konstmuseum, the Paris Designer Days, Ca' Foscari University, the Venice Biennale, the Sandretto Re Rebaudengo Foundation, the Sindika Dokolo Foundation and the V-A-C Foundation, and also won the 2018 Wallpaper Design Award. Graphics, advertising and product design: the pair have always opted for a type of design closely linked to the observation of everyday items, followed by their reinterpretation in a version applied to experimentation with materials. This duality, combined with their energetic yet elegant visual language, forms Enrica and Marco's primary code, experienced in this specific context through serial carvings. On walls.
<p>A sense of essentiality emerges from the visual and tactile sensations fused in this Creative Design collection.</p> <p>The distinguishing features of the Essential Mood design are fluid surfaces, material qualities and full bodies that extend without boundaries, promoting a harmonious flow between spaces and constant interplay between environments and the people in them. It makes places into cosy, reassuring refuges where they can take centre stage.</p>
<p><br>Produced for interior design schemes, housing and commercial premises, the collection espouses warm, timeless atmospheres where people can recharge their batteries and get onto the same wavelength as the world around them.<br>Spaces with neutral, comforting colours and natural features come together in a design that underlines the need for everyone to look after themselves and seek revitalizing experiences, now and in the future.</p>
<p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p>
After a decade of success, the Neutra collection becomes a container of colors and increasingly advanced materials and transforms into Neutra 6.0. The surfaces thereby create scenery for pure sensory pleasure, where nothing is left to chance, but everything is always skillfully calibrated to the search for a new bon ton where the body and mind can be rejuvenated. The perfect integration between man and the space in which he lives is expressed through a simple architecture where you can spread your artistic sign on the surfaces, in the colors and in the furnishing for an unrepeatable result from which your own creative identity emerges.
After a decade of success, the Neutra collection becomes a container of colors and increasingly advanced materials and transforms into Neutra 6.0. The surfaces thereby create scenery for pure sensory pleasure, where nothing is left to chance, but everything is always skillfully calibrated to the search for a new bon ton where the body and mind can be rejuvenated. The perfect integration between man and the space in which he lives is expressed through a simple architecture where you can spread your artistic sign on the surfaces, in the colors and in the furnishing for an unrepeatable result from which your own creative identity emerges.
Bringing inspirations from the Italian modernist architecture and design, GIO Pendant Light named after Gio Ponti, a worldwide reference for creating beautiful buildings across the world, always starting with geometric shapes and filling them with unexpected details inside. Resembling the light that we can see through building windows at night, GIO Pendant has geometrical see through that create a unique light effect. These cuts featuring the gold mixed with nickel and the knurled details, transform this, at first sight, simple lighting design, into a complex but innovative handcrafted design, produced with the best industrial technology. This Pendant Light design will fit perfectly in any modern environment, being super versatile, allowing a complement that will take your interior design project to a next level. VIEW FULL FAMILY
The FROMME collection was created by Tom Chung, a Canadian designer with a passion for cycling, and is characterised by its sleek and streamlined lines inspired by racing bikes.This aluminum table is suitable for both indoor and outdoor use. The water and UV-resistant, grained, matt powder coating ensures optimum durability.Its modern design and durability will make it the centrepiece of your social gatherings. It can be complemented with chairs and stools from the same collection. For indoor use, you can combine it with the FROMME wooden or upholstered chairs.
Petite Friture and Constance Guisset, an inseparable duo with lofty ambitions, have started a new chapter of the Vertigo story with Vertigo Nova: a highly technical piece of sophisticated design. The vast veil of graphic lines mounted atop a sphere of handblown glass uses built-in LED technology to emit a soft light. Read more
To celebrate the icon in May, Petite Friture will launch two season-spefic limited editions, emerald green and coral. Generous amounts of colour, a shot of vitamins for your interior decor, a prestigious Pantone edition of our permanent collections. A mad idea, implausible even, "impossible to make", a startling beginning! The symbiotic encounter between Amélie du passage and Constance Guisset gave rise to Vertigo when both women were just starting out. A massive suspension light, huge, where motion fuels the imagination : is it a sunhat, or even a dragonfly... this is precisely what Constance Guisset wanted "to open a door to the imagination". Read more
To celebrate the Vertigo icon, Petite Friture will launch the yellow neon limited edition. Generous amounts of colour, a shot of light for your interior decor, a prestigious Pantone edition of our permanent collections. A mad idea, implausible even, "impossible to make", a startling beginning! The symbiotic encounter between Amélie du Passage and Constance Guisset gave rise to Vertigo when both women were just starting out. A massive suspension light, huge, where motion fuels the imagination: is it a sunhat, or even a dragonfly... this is precisely what Constance Guisset wanted: "to open a door to the imagination". Read more
The FROMME collection was created by Tom Chung, a Canadian designer with a passion for cycling, and is characterised by its sleek and streamlined lines inspired by racing bikes.This aluminum coffee table is suitable for both indoor and outdoor use. The water and UV-resistant, grained, matt powder coating ensures optimum durability.Its modern design and durability will make it the centrepiece of your social gatherings. It can be complemented with chairs and stools from the same collection. For indoor use, you can combine it with the FROMME wooden or upholstered chairs.
The FROMME collection was created by Tom Chung, a Canadian designer with a passion for cycling, and is characterised by its sleek and streamlined lines inspired by racing bikes.This aluminum coffee table is suitable for both indoor and outdoor use. The water and UV-resistant, grained, matt powder coating ensures optimum durability.Its modern design and durability will make it the centrepiece of your social gatherings. It can be complemented with chairs and stools from the same collection. For indoor use, you can combine it with the FROMME wooden or upholstered chairs.
This backless bench from the WEEK-END collection by Studio BRICHETZIEGLER combines aesthetics and practicality. The oval, contoured shape of the seat outlines the backrest and becomes a graphic sign. Its unique design and comfort give it a sense of timelessness. Made of aluminum, the backless benches are as robust as they are lightweight. The benches have also been designed so they can be stacked 4 high. All benches are water and UV resistant, are suited for use by the ocean. The bench goes perfectly with single or long coffee tables as well as the sofa from the same collection and will allow you to compose a unique garden furniture.
The Chouchin Reverse 1 is a lacquered blown glass pendant lamp that reimagines traditional Japanese lanterns with a modern twist, featuring a colored lower border that offers a unique lighting experience compared to the classic Chouchin. This lamp is available in a variety of refined, contemporary colors, including a completely white version. The blown glass diffuser emits a sunny, bright light that is directed downward, creating a warm and inviting atmosphere. It is equipped with a LED retrofit, operates at 220/240 V, and offers 21W of power with 2500 lm at 2700 K and a CRI >80. Additionally, it is dimmable using TRIAC technology and has an IP 20 rating. For those interested in customizing or visualizing the lamp in different settings, a 3D file of the product is available for download.
Foscarini, the esteemed Italian lighting design company behind the Chouchin Reverse 1, was established in 1981 on the historic island of Murano, Venice, and is renowned for its collaboration with international designers to create innovative, artistic lighting solutions that blend high-quality materials with exceptional craftsmanship.
The Chouchin 3 is a lacquered blown glass pendant lamp that elegantly combines traditional Japanese lantern aesthetics with a modern design twist. It features a glossy, light-impermeable upper section in warm, creamy tones, contrasted by a white lower portion that softly diffuses light downward. Available in two versions, one with a 21W E27 LED retrofit (220/240V, 2700K, 2500lm, CRI>80, TRIAC dimmable) and another with a 24W COB LED (220/240V, 2700K, 2581lm, CRI>90, dimmable via On-Off/Push/DALI), both models are IP20 rated and designed for energy efficiency. A 3D file of the Chouchin 3 is available for download, allowing for detailed visualization and integration into design projects.
Crafted by Foscarini, a renowned Italian lighting design company founded in 1981 on the island of Murano, the Chouchin 3 reflects the brand's commitment to innovative, high-quality, and artistic lighting solutions. Foscarini collaborates with international designers to create avant-garde, sculptural pieces that elevate residential and commercial spaces, with a global presence in cities like New York, Paris, and Tokyo.
The Chouchin Reverse 2 is a lacquered blown glass pendant lamp that reinterprets the elegance of traditional Japanese lanterns with a modern twist, featuring a distinctive colored lower border that casts a unique downward glow. This lamp is equipped with an LED retrofit (21W E27, 2700K, 2500 lm, CRI>80) and is dimmable using TRIAC technology, or alternatively, it comes with a 24W COB LED (2700K, 2581 lm, CRI>90) that is dimmable via On-Off/Push/DALI controls, both options rated at IP 20. The blown glass diffuser disperses a warm, sunny light, enhancing the ambiance of any space. Available in a variety of refined, contemporary colors as well as a completely white version, the Chouchin Reverse 2 is a perfect blend of tradition and modernity. Additionally, a 3D file of the product is available for download, allowing for detailed previews and integration into design projects.
Foscarini, the esteemed Italian lighting design company founded in 1981 on the island of Murano, is renowned for its innovative and artistic lighting solutions that blend high-quality craftsmanship with avant-garde design, making it a leader in the premium to luxury lighting market.
This modular system features base units without handles, equipped with hinged doors, drawers, or a single pull-out door, available in various finishes. The Legrabox drawers, finished in matt black sheet, and the doors and drawers in varnished matt black metal, utilize a Tip-On push system for easy opening. Compatible with the latest Domestici bathroom accessories, the carcasses are crafted from 19 mm thick, waterproof (W100 class) wood particle boards with low formaldehyde emissions (E1 class), treated with high-performance melamine resin, and available in open-pore graphite oak or silk white finishes. The system includes base units in heights of 300/470 mm and widths of 300/450/600/900/1200 mm, with a depth of 495 mm, and tall units measuring 1700 mm in height, 300/450/600 mm in width, and 225/345 mm in depth. Doors are 23 mm thick with finishes including Silcover, Mat Plus, wood, wood Selection, wood 3D, polyester, and white Corian®. The tops, which can be square-edged, accommodate various washbasin types and are available in glass (10/12 mm thick), Cristalplant® (15 mm thick), and Corian®, stone, marble, granite, or composite stone (20 mm thick). A 3D file of the product is available for download, providing a detailed view for planning and visualization. Boffi, a prestigious Italian interior design company established in 1934, is renowned for its high-end, innovative furniture, kitchens, and bathrooms, blending functionality with minimalist and contemporary aesthetics.
Transform social spaces with Everywhere Tables, a versatile collection designed to foster conversation and relaxation, featuring single-column bases available in coffee, café, and standing heights to suit diverse settings. Ideal for cafes, dining areas, or impromptu gatherings, these tables combine elegance and functionality, offering a variety of sizes, shapes, heights, and finishes, including power options, to create a sense of calm and order in any environment. Customize your table with premium veneer tops and polished bases for a sophisticated look, or opt for warm, textured laminates paired with painted bases for a modern aesthetic. Everywhere Tables are designed to adapt to any style, ensuring seamless integration into your space. Additionally, a downloadable 3D file of the product is available for planning and visualization. Manufactured by Herman Miller, a globally recognized leader in innovative and high-quality furniture design since 1905, Everywhere Tables reflect the brand’s commitment to timeless, functional, and aesthetically pleasing solutions for both residential and commercial spaces.
The Landmark Chair, a masterpiece by Ward Bennett, exudes elegance with its stately, softly curved design, embodying a perfect blend of sophistication and functionality. Crafted from solid ash hardwood, this chair is both lightweight and durable, featuring a classic English form meticulously scaled to Bennett’s exact proportions and adorned with detailed French upholstery. Its versatile range of upholstery options enhances both style and comfort, making it a fitting addition to residential or professional spaces. A 3D file of the Landmark Chair is available for download, allowing for detailed visualization and planning. Manufactured by Herman Miller, a globally recognized leader in interior design since 1905, the company is celebrated for its innovative, high-quality furniture and workspace solutions, blending timeless craftsmanship with modern aesthetics.
This elegant diffuser is crafted from satin-finish blown glass, available in three sizes: Small (Ø20), Medium (Ø32), and Large (Ø47), each designed to seamlessly pair with specific models of the "Fontana 1853" table lamp series, including codes F185300100BINE, F185305100BINE, and F185310100BINE, among others. The diffuser comes in a timeless white color, adding a touch of sophistication to any space. For added convenience, a downloadable 3D file of the product is available for design and planning purposes. Manufactured by FontanaArte, a renowned Italian design company founded in 1932 by Luigi Fontana and Gio Ponti, this product reflects the brand's legacy of combining innovative design, premium materials, and timeless elegance. FontanaArte, headquartered in Milan, is celebrated for its lighting and furnishing solutions that blend traditional craftsmanship with contemporary aesthetics, catering to a global audience of design enthusiasts and professionals.
Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability:
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**BASKET** is a versatile **Rectangular Batyline® garden pouf** by **RODA**, available in three sizes to suit various outdoor spaces. Part of the modular **BASKET collection**, this piece can be used standalone as a pouf or bench, or combined with linear or angular backrests to create customizable seating configurations. The design features a sturdy frame—available in smoke-finished stainless steel with grey straps or a milk-finished frame with sand-colored straps—paired with plush cushions for a balance of sleek aesthetics and comfort. Crafted with meticulous attention to detail, the interwoven straps and tubular metal structure emphasize clean lines, enhancing the collection’s modern yet timeless appeal. Ideal for creating sophisticated outdoor living areas, BASKET seamlessly integrates with other RODA collections, including coordinating low tables with stone tops. A **3D file of the product is available for download**, allowing for easy visualization and planning.
**RODA**, an Italian leader in high-end outdoor furniture, is renowned for its innovative, sustainable designs that blend contemporary elegance with durability.
For more details, visit the manufacturer’s page: **BASKET | Rectangular garden pouf – RODA**.
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This version keeps the description engaging and informative while streamlining the supplier details to one impactful sentence. Let me know if you'd like any further refinements!
Here’s the rephrased and expanded product description, including a concise supplier mention and a note about the 3D file:
*The Hono floor lamp features a sleek, slender metal structure with a cylindrical base (8 cm diameter, 20 cm height) and an 8 mm thin stem, housing a 360° LED light source that emits a soft, immersive glow. Its minimalist design is elevated by an ethereal, 64 cm tall diffuser crafted from 100% cotton paper, creating a refined woven effect that enhances the lamp’s lightweight elegance while ensuring stability. The diffuser mirrors the base’s diameter, transforming the light’s perception as it passes through the intricate pattern, casting a warm, relaxing ambiance. A 3D file of the lamp is available for download, ideal for visualization or integration into design projects. Designed by Mandalaki and produced by Luceplan—a Milan-based lighting pioneer renowned for blending innovation with timeless aesthetics—the Hono lamp embodies understated sophistication.*
Here’s the rephrased and expanded product description, including a concise supplier mention and a note about the 3D file:
**Alibel**, designed by Alessandro Zambelli for **Luceplan**—a renowned Italian lighting brand celebrated for its innovative and sustainable designs—is a track lighting system that reinterprets technical lighting with a decorative touch. Inspired by nature, the collection evokes the delicate image of an insect skimming water, creating ripples, translated into elegant, minimalist forms. The system features two luminous modules for track installation, offering both diffused and accent lighting, with an optional elliptical diffuser for softer illumination. A wall-mounted version expands its versatility.
Crafted from die-cast aluminum, the lamps attach seamlessly to slim, adaptable tracks (ceiling-mounted, recessed, or suspended) and include a spherical joint for adjustable beam direction. An optional 6mm stem extends the light closer to worksurfaces. Available in symmetrical (upward light) and asymmetrical (downward light) configurations, the latter can be fitted with lenses for focused lighting. The symmetrical model pairs with oval diffusers (50/70 cm) in horizontal or vertical orientations, casting atmospheric glow, while the wall variant features vertically mounted diffusers.
**Alibel** merges technical precision with artistic flair, making it ideal for both residential and contract spaces. A downloadable 3D file of the product is available for precise planning.
*(Supplier note: Luceplan, founded in Milan in 1978, is a leader in high-end, sustainable lighting solutions.)*
The system’s geometric tracks and luminous volumes transform ceilings into dynamic canvases, balancing functionality with striking visual impact.
Modern and stylish Wox table designed different shapes and sizes to accompany you at indoor and outdoor environments. Wox table is presented in conical elegant beech leg and robust iroko wooden leg options. Iroko leg variation is maximum resistance to seasonal conditions.You can create stylish and comfortable sets by matching with Opal and X-Treme Wox chairs at terraces, homes and restaurants.
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A wide range of product from furniture to finishes to meet the desire of all designers.
Developed by OEO Studio, Accents collection offers a wide range of paints: 20 colours are available in the variants Matt and Satin.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.
Developed by OEO Studio, Accents collection offers a wide range of paints: 20 colours are available in the variants Matt and Satin.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.
Developed by OEO Studio, Accents collection offers a wide range of paints: 20 colours are available in the variants Matt and Satin.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.
Developed by OEO Studio, Accents collection offers a wide range of paints: 20 colours are available in the variants Matt and Satin.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.
Developed by OEO Studio, Accents collection offers a wide range of paints: 20 colours are available in the variants Matt and Satin.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.
Developed by OEO Studio, Accents collection offers a wide range of paints: 20 colours are available in the variants Matt and Satin.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.
Developed by OEO Studio, Accents collection offers a range of 6 lime based decorative paints called Limetouch.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.
Developed by OEO Studio, Accents collection offers a range of 6 lime based decorative paints called Limetouch.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.
UPHOLSTERY
A wide range of Upholstery and materials provided by our suppliers to satisfy your needs.
auckland - 7071.18
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auckland - 7071.28
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harding - 7070.07
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harding - 7070.08
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furka plus - 7064.14
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acton - 7062.20
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leone plus - 7054.02
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noss - 7058.13
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lani - 7060.49
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wolin - 7050.32
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wolin - 7050.35
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hestan - 7035.11
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hestan - 7035.22
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cyprus - 7038.15
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lindau - 7028.01
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lindau - 7028.09
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dalma - 7024.13
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dalma - 7024.14
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