Simple, refined, versatile: the Embroidery Simple chair designed by Johan Lindstén is a tasteful accent for private or professional settings, thanks to a presence that is discrete yet eloquent. Extremely comfortable, this chair has a soft, semicircular wrap-around backrest placed above a curved and swivelling base; matte varnished in white, mud or black. Embroidery Simple is available in fabric or leather, in a vast selection of colours from the Cappellini collection.
Frequently Asked Questions
What materials is the Embroidery Simple made from?
The Embroidery Simple is crafted from Mixed, Fabric, Metal. It is manufactured by Cappellini.
Is the Embroidery Simple suitable for commercial projects?
Yes, the Embroidery Simple by Cappellini is suitable for both residential and commercial interiors. It is commonly specified by interior designers and architects for hospitality, office, and retail environments.
Can the Embroidery Simple be used outdoors?
The Embroidery Simple is designed for indoor use only.
Inout benches and sofas, designed by French designer and architect Jean-Marie Massaud are an elegant and sophisticated accent with a hint of the futuristic. The sinuous, clean lines make them ideal for animating a multitude of settings: to lighten up rigorous classical contexts or reinforce a decidedly contemporary edge.
For the Cap Martin Sunset sofas, an extremely versatile seating system characterized by clean essential lines, Carlo Colombo found his inspiration in the elegantly vintage atmospheres of the 1950’s.
Almost twenty years after its presentation, the Oblong System by Jasper Morrison has been revised in its architectural system to guarantee an even more flexible and ergonomic structure: this is how Oblong Plus was born, a modular seating system designed to fit any space, be it a contract or a residential one.
A debut in style in the world of upholstered furniture for BIG-Bjarke Ingels Group. The Danish designer’s creative firm has come up with a sofa featuring majestic dimensions and concise lines with a clear reference to architecture, the main field of his international studio with offices in Copenhagen, New York and London.
Vertiginous without a feeling of emptiness: the And sofa, designed by Fabio Novembre. A spectacular composition that plays with light, darkness, and perspectives to invite incomers to enter a curvilinear dimension that was studied to devour rationality and leave space for the creative spirit. The sectional And sofa winds around a large scale structure made of moulded polyurethane, with a metal frame and end caps made of upholstered poplar plywood. Endlessly composable, the modules of the sofa envisioned by Fabio Novembre are connected with external hooks made of satined aluminium with fixed upholstery in the fabrics and leathers from the collection.
Cap Ferrat sofa by Carlo Colombo is the emblem of a new collection marked by a rigorous and virtually atemporal design, capable of maintaining an airy appearance, even in large-scale dimensions.
A tribute to flexibility, Cuba 25 sofa by Rodolfo Dordoni is part of a collection of linear elements with removable covers, that includes two and three-seaters of various dimensions, corner and central elements, of different depths and widths, end units and poufs.
Daybed sofa by Jasper Morrison, also available in a meridiénne version, is an unmistakable expression of the London designer’s stylistic verve. Inspired by one of Morrison’s first projects for Cappellini, this new cult object with a decidedly bold personality is introduced in a rendition embellished with latest-generation upholstery which successfully maintains the contemporaneity with the original design.
An unstoppable commercial success, the Elan sofa continues to impress. Designed by Jasper Morrison in 1999, the range has expanded over the years, and now includes armchairs, two and three-seater sofas, ottoman and various elements for creating linear and angular formations.
The Gambetta sofa, by Jasper Morison, is part of an ample collection of free-standing seats and pieces that include an armchair, a two-seat sofa, a bench with a backrest (two or three seats), and a two-seat bench without a backrest.
Extreme visual lightness, extreme versatility: the High Time sofa, designed by Christophe Pillet, can be used to create studied, yet essential compositions that reflect the individual taste of those who choose to host it in their personal surroundings.
Designed by Aisslinger and Bunyaprasit, the Hobo Contract sofa is a family of composable seats that includes a two and three-seat sofa, a chaise longue (right or left), right and left end units, two and three-seat benches with a backrest on left or right, and a pouf in two sizes. Hobo Contract sofas have fixed upholstery, available in a selection of fabrics and leathers in the collection. Upon request, a multi-colour version is available using the same fabric.
Inspired by the stunning and luxuriant settings in California, the Hot Palm Springs sofa by Carlo Colombo is part of a system that can be assembled to form numerous layouts. Hot Palm Springs is both comfortable and elegant, a decor element in which purity of design is melded with precise details. The seating system is composed of two and three-seat sofas, a chaise longue, corner and end units. Hot Palm Springs is available in a refined version trimmed with gros-grain, fabric or leather: a detail that delineates the shape of the seats and emphasizes the inner edge.
The Litos sofa, by Sebastian Herkner, with low back rests and uneven rounded shapes, inspired by the rocky Salento coastline, makes nature the protagonist of interior spaces. A leisurely invitation to relax, convene and enjoy life, the Litos sofa system, by Sebastian Herkner, offers both separate and modular units, suitable for furnishing domestic settings or lounge areas in the hospitality field. With a structure made of wood conglomerate and pine plywood, these sofas are equipped with removeable covers, in a selection of fabrics and leathers from the collection. Also available without armrests or with a single armrest, Litos modules are accessorized with free cushions that can be placed at will, for customised comfort.
Designed for residential and contract spaces, the Oblong System sofas is a series of free-standing and composable seats by Jasper Morrison which offer the possibility to create personalized sofa formations. The Oblong System sofa collection is enhanced by numerous modules that can be used for endless compositions, where the interplay between colours becomes protagonist. Jasper Morrison’s Oblong System is padded with multi-density polyurethane foam and fibre, with removable covers in a selection of fabrics and leathers from the collection. The seat is available in several different depths and widths; the end unit can come with or without an armrest.
Also suitable for use in outdoor settings, the Orgone bench was designed by Marc Newson. This chaise longue has fluid lines and is made entirely of glossy lacquered fibreglass. The available colour palette includes: orange, red, blue, white and black.
Classic and contemporary stylistic elements define the Orla sofas and armchairs by Jasper Morrison, a masterpiece of contemporary design that has entered the collection of the Tate Modern, in London. Characterized by soft, sinuous lines, slender shells and generous, comfortable cushions, the Orla series is a tasteful addition to both domestic and contract settings. The collection is composed of two and three-seaters, a rounded sofa (right or left), small or larger armchairs (fixed and swivelling), poufs. As of 2019, the family also includes a small two-seat sofa. For Orla sofas and poufs, the structure is made of rigid composite polyurethane foam, with poplar plywood inserts and elastic belts; the Orla armchairs come with a fixed or swivelling structure made of foam. All versions are padded with multi-density polyurethane foam and fibre. For the armchair and sofas, the cover of the structure is fixed, but removable for the cushions, and is available in the fabrics and leathers of the collection; for the small sofa and small armchair, the cover is fixed for both the structure and the cushions – all of which are also available in the fabrics and leathers in the collection.
The Three Sofa de Luxe defies the traditional function of a furnishing accent that is commonly perceived as merely a seat. For this collection, Jasper Morrison plays with this concept to give life to a design that is part sofa, part dormeuse, characterized by sculptural forms that project its strong identity.
Soft shape, clear sign, and well-finished design are the hallmarks of Jasper Morrison’s San Siro Plus small armchair, born as an evolution of the previous model designed by Morrison a few years ago and characterized by an even more pronounced comfort thanks to the addition of an internal memory foam padding.
The iconic S-Chair by Tom Dixon is an object with an artisanal core, successfully transformed into an authentic industrial masterpiece, without losing the essence of the original product. An emblem of contemporary design, the chair can be found in the permanent collections of the world’s greatest museums, from the Triennale in Milan to the MoMa in New York. S-Chair has a dark varnished metal structure; the iconic original version is upholstered with marsh straw; alternatively, it is available in wicker or with a fixed cover chosen from a selection of leathers or fabrics from the collection. For the marsh straw version, the weaving is done entirely by hand: a meticulous procedure that requires more than 6 hours of craftsmanship.
More than twenty years since the original design debuted, Cappellini is celebrating this best seller by Jasper Morrison by offering new models which represent a complete renewal in terms of the look and finishes: among these is the Tate Wood family, a fresh and extremely versatile option. Part of a family which includes stackable chairs and stools of two different heights, with a high or low back rest, Tate Wood chair features a shell made of ash plywood with a mahogany or oak veneer (with a natural or stained white, wengé or black finish). The base of Tate Wood chair is available in different versions: four legs with a satined stainless steel finish or matte satined lacquer in the shades of white, mud, black, pumpkin, brick, grass green, petrol and Prussian blue; with a sled base, in satined stainless steel or matte varnished in white, black or mud; with five polished chrome spokes, with feet or castors. The four-legged version in stainless steel can also be equipped with a reclinable table in thick black laminate.
The Newood chairs are the result of a contemporary re-interpretation of the timeless charm of Windsor-style chairs. Designed by the creative duo, Alberto Brogliato and Federico Traverso, Newood chairs express the successful harmony between technologically advanced craftmanship and manufacturing excellence. An encounter between past and present, attained through the extraordinary study of details, in particular the distinctive back rest in solid curved wood which provides pleasant tactile element: the genuine and reassuring beauty of wood.
Among the big names, Patricia Urquiola comes back with Lud’ina, a new table or desk version of the successful Lud’o Lounge armchair, winner of the 70th edition of the Good Design Award.
Created as a tribute to the 1980’s, the decade during which the original design was made and when Shiro Kuramata began his fertile collaboration with Cappellini, sedia 01 Chair features an ultralight volume and is characterized by the sinuous interweaving of lines and arches.
Aesthetics and functionality form the perfect union in the Bac chair range. Envisioned by designer Jasper Morrison, these objects of design were inspired by the namesake table and were created for Cappellini as a natural evolution of the line.
Aesthetics and functionality form the perfect union in the Bac chair range. Envisioned by designer Jasper Morrison, these objects of design were inspired by the namesake table and were created for Cappellini as a natural evolution of the line. Bac, Bac One and Bac Two seats have a frame made of solid ash wood, and are available in a bleached, oak-stained, black-stained, wengé-stained or Shanghai blue aniline stained finish. The seat is made of ash, with the same finish as the frame. For the Bac, Bac One and Bac Two chairs it is also possible to upholster the front of the ash seat with leather or fabric.
Aesthetics and functionality form the perfect union in the Bac chair range. Envisioned by designer Jasper Morrison, these objects of design were inspired by the namesake table and were created for Cappellini as a natural evolution of the line. Bac, Bac One and Bac Two seats have a frame made of solid ash wood, and are available in a bleached, oak-stained, black-stained, wengé-stained or Shanghai blue aniline stained finish. The seat is made of ash, with the same finish as the frame. For the Bac, Bac One and Bac Two chairs it is also possible to upholster the front of the ash seat with leather or fabric.
Incredibly contemporary, thanks to the simplicity of the distinctive lines, the Cap Chair by Jasper Morrison represents a fresh yet understated addition to the Cappellini product range.
The natural evolution of the Cap Chair presented at the 2013 Salone del Mobile, the Cap Chair 2 by Jasper Morrison is completely upholstered with leather, even on the sides. A truly sartorial product, with a fresh yet understated design, this seat comes in two versions – high and low-lying – with self-locking spherical wheels that allow it to be used around standard managerial tables or slightly lower tables, thereby transforming classic conference rooms into authentic meeting lounges.
Geometry was the primary source of inspiration for the versatile Fronzoni ’64 chair, designed by the master of minimalism AG Fronzoni during his quest to eliminate all excessive components from objects of design. This seat is a conceptual furnishing element, composed of a series of squares and straight lines that cut cleanly through space, as if they were drawn with a ruler. The essential lines are precisely what make this chair so well-suited and adaptable to every setting. The Fronzoni ’64 chair has a base of square tubular metal, with a seat made of white or black matte-lacquered wood.
The Hi Pad Chair, and accompanying Hi Pad Stool, are the result of a production process that represents the perfect balance between technology and artisan craftsmanship: in these pieces, designed by Jasper Morrison, the skills of master upholsterers are combined with innovative techniques which allow for the leather or fabric cover to adhere perfectly to the three-dimensional edge of the padding.
A new interpretation of a design that, over the course of its twenty-year history, has welcomed numerous creative and constructive experiments: July Comfort armchair by Werner Aisslinger follows the lead of the shell for the Juli Plastic to evolve into an incredibly soft and comfortable padded chair – perfect for furnishing private homes, lounges and restaurants.
The apex of twenty years of creative experimentation by Werner Aisslinger, the Juli Soft armchair stands out for its sophisticated and elegant appearance. Fully upholstered in fabric, the Juli Soft armchair sits on top of a base that comes in following versions: a goblet base with a polished chrome finish, matte white, matte black, or matte mud; with 4 ash legs with a bleached finish, oak stained, wengé stained, or black stained; with 4 or 5 aluminum legs in a polished aluminum version, matte white, matte black, or matte mud; 4 tubular iron legs with a polished chrome, matte white, matte black, or matte mud finish; with a sled base, with versions in polished chrome, matte white, matte black, or a matte mud finish. Thanks to its remarkable stability, the robust injection-molded seat and the fresh, contemporary look, the Juli Soft armchair is the perfect solution for home and Contract settings, such as offices and restaurants.
The Lotus, by Jasper Morrison, is a complete collection of low, medium and high-sitting chairs, with or without armrests, atop a base with five spokes, with or without wheels and mechanisms for adjusting the chair’s tilt and height. Envisioned to be easily adaptable for both domestic and variegated professional settings, the Lotus armchair has many options for personalization and a broad array of upholsteries, sizes and headrests; as well as a variety of colours for the swivelling base and armrests: in fact, these elements can be chosen in chromed aluminium or matte lacquered in black. The Lotus chair by Jasper Morrison has obtained Greenguard Gold Certification: a standard that guarantees maximum emission control for products designed with the greatest attention to health and wellness.
The Lotus Comfort armchair collection, designed by Jasper Morrison, is composed of low and medium-height seats, with or without armrests, with five spokes, with or without wheels, and adjustable in height and tilt.
Simple, refined, versatile: the Embroidery Simple chair designed by Johan Lindstén is a tasteful accent for private or professional settings, thanks to a presence that is discrete yet eloquent. Extremely comfortable, this chair has a soft, semicircular wrap-around backrest placed above a curved and swivelling base; matte varnished in white, mud or black. Embroidery Simple is available in fabric or leather, in a vast selection of colours from the Cappellini collection.
Small armchair with low backrest. Legs in black painted steel. Plywood seat upholstered with self-extinguishing polyurethane foam. Steel backrest with self-extinguishing polyurethane foam upholstery. Removable fabric or leather cover. The version with leather 95 covered seat cushion and backrest in fabric cat. 30 is also available.
Mahogany solids and white oak veneers in an anthracite ceruse finish featuring light gray liming, stunning brass hardware plated in nickel. Features include 2 full-extension soft-closing storage drawers, and a full extension drop-front keyboard drawer in the center.
In <em>Chimera,</em> Elena Salmistraro merges rigour with self-expression, in a graphic grammar laden with symbolic meaning. <em>Empatia </em>speaks to the emotions with graphics that interpret, through a highly individual abstract code, the stage make-up of a clown, with the aid of superimposed geometric forms and images. <em>Radici </em>is a tribal statement, a tribute to primitive ritual custom, evoked by the interplay between a sequence of triangles and rectangles and a set of figurative fragments. <em>Ritmo</em> is inspired by fabrics, suggesting the rhythmic alternation of woven yarns through a largely linear pattern. In <em>Colore, </em>the upheaval of a background of small isolated spots generated by a parametric digital program is combined with densely packed repeated forms. "The Chimera collection is rather like a book with four different chapters: I set out to differentiate these graphic motifs to create four totally different stories."<br></br>Elena Salmistraro It all starts with drawing. A <em>passion</em> for drawing. An <em>obsession</em> with drawing. Drawings like spider-webs, obsessively filling spaces, in a kind of manual choreography or gymnastics, a continuous flow. Elena Salmistraro draws all the time. She draws everywhere. Mostly on loose sheets or random surfaces. First and foremost with pen and pencil. Her drawings only acquire colour at a later stage. Often - just like Alessandro Mendini used to do - she draws "monsters": fascinating yet disturbing, subversive forms. The denser, more contorted the shape, the more obvious its underlying truth. For Elena, drawing is an intimate act. It is relaxing. And therapeutic. With an unrivalled communicative strength. Because drawing gives shape to ideas: you both give form to the world and reveal yourself. This passion, combined with natural graphic talent, has guided Elena Salmistraro in her project for Cedit: an experimental series of ceramic slabs produced using a high-definition 3D decorative technique. The explicit aim is to transform surfaces beyond their original flatness so that a new, visual and tactile, three-dimensional personality emerges, sweeping aside the coldness and uniformity that ceramic objects often inevitably convey.Elena Salmistraro has always viewed ceramics as a democratic material, in view of their accessibility, and the infinite potentials for shaping matter that they provide. She began working and experimenting with ceramics very early in her career, just after she graduated from the Milan Politecnico in 2008. She came into contact with small artistic craft firms specialising in smallproduction lots, and cut her teeth on projects that demanded the hand-processing of every detail, and finishes of high artistic value, for the high end of the market. The large corporations and galleries came later, but here again Elena kept faith with her desire to make mass-produced pieces unique, and to combine artistic value with specifically industrial characteristics. The monkey-shaped <em>Primates</em> vases reflect this method and intention, aiming to excite, surprise and charm. Antiminimalist and hyper-figurative, playful, ironic and a rich image-maker, often drawing on anthropology and magic, over the years Salmistraro has built up her own fantastic universe, inhabited by ceramic bestiaries, painted jungles and a cabinet like a one-eyed cyclops , always finding inspiration and inputs in nature and always aiming to reveal the extraordinary in the everyday. Given this background, it was almost inevitable she would work with Cedit: constantly seeking new talents and new approaches, as well as designs that break down the boundaries of ceramics and release them into the realm of art and innovation, the Modena company has recognised Elena Salmistraro as a leading contemporary creative spirit and involved her in a project intended to experiment with fresh ideas in materials and synaesthetics.Salmistraro's collection for Cedit is entitled <em>Chimera</em> and consists of large ceramic slabs, which can be enjoyed not only visually, through their patterns and colours, but also on a tactile level. Like the chimera in the "grotesque" tradition, monstrous in the etymological sense of the word with its merging of hybrid animal and vegetable shapes, the Cedit project attempts to originate a synaesthetic form of ceramics, through a three-dimensional development that exactly reproduces the texture of leathers and fabrics, creating an absolutely new kind of layered effect, with a tactile awareness that recalls the passion of grand master Ettore Sottsass for "surfaces that talk". And the surfaces of the slabs Salmistraro has created really seem to talk: in <em>Empatia </em>clown faces add theatricality to the cold gleam of marbles, interspersed with references to Art Déco graphics; <em>Radici</em> uses the textures of leathers and hide as if to re-establish a link between ceramics and other materials at the origins of human activity and creativity; in <em>Ritmo</em> the texture of cloth dialogues with pottery, almost in homage to the tactile rationalism of warp and weft, of which Bauhaus pioneer Anni Albers was one of the most expressive past interpreters ; finally, <em>Colore</em> has a spotted base generated by computer to underline the contrast between analogue and digital, the graphic sign and the matter into which it is impressed. It is an aesthetic of superimposition and mixing, and especially of synaesthesia: as in her drawings, in the <em>Chimera </em>slabs Elena Salmistraro's art is one of movement and acceleration. A process not of representation but of exploration. Of the world and of oneself. Almost a kind of Zen, for distancing oneself from the world to understand it more fully. In every sense.
The Jazz coffee tables are meticulously crafted to blend contemporary elegance and functionality seamlessly into any living space. Available in both rectangular and round configurations, these coffee tables feature a formal linear design that complements the aesthetic of modern living rooms. Constructed with durable materials such as glass or ceramic, they offer a spacious surface area perfect for displaying decorative items.
The Jazz coffee table boasts an almost floor-level presence, subtly elevated on metal feet featuring a highly geometric shape. This unique construction not only enhances the visual appeal but also ensures stability and durability. The striking table top is accentuated by a sleek metal edge that contrasts with its nearly invisible base, creating a visually captivating design feature.
The Jazz coffee tables are designed for versatility, suitable in both contemporary and traditional settings where they can serve as focal points or complement existing furniture. Their geometric shapes and minimalist aesthetic make them ideal for modern living rooms, yet their timeless appeal ensures they remain relevant across various architectural styles.
For maintenance, it is recommended to clean the surface with a soft cloth dampened in mild soap solution, avoiding harsh chemicals that could damage the material. Regular dusting will help maintain the table's pristine appearance and prolong its lifespan. Proper storage during non-use can prevent scratches or dents on both the top and feet of these stylish coffee tables.
In summary, the Jazz coffee tables are a testament to modern design excellence, combining functionality with aesthetic appeal in an enduringly attractive package. Their versatile nature makes them suitable for a wide range of living spaces, while thoughtful care ensures they remain in pristine condition for years to come.
Discover the Vintage Green Ornate Mirror by abcVintage. Hand-selected from the Rajasthan countryside, this beautiful mirror has been lovingly restored to showcase its exquisite carved embellishments. A stunning piece, perfect for eclectic and antique-furnished spaces. Handcrafted in India in reclaimed wood. Part of the abcVintage Collection, featuring rare pieces sourced from around the globe.
ApplicationSPOTTYPEINDOORDESCRIPTIONStandard provided with integrated LED. Led module and optics need to be selected below.Driver needs to be installed separately. To select the correct driver, see accessories.[tabs][tab-info]PRODUCT INFORMATION
Product Group:
Fleure Twin on round base
Max watt:
undefinedW
Voltage:
undefined
Driver included:
No
IP:
undefined
Dimmable on product:
No
Dimmable on wall:
Yes
Dali:
Yes
Light source:
undefined
[/tab-info][tab-technical]Datasheets
FIT0L1F83
FIT1L1F83
[/tab-technical][tab-3d]3D filesFIT0L1F83[/tab-3d]
Catalogo | Collezioni | BOLD58 | Archiviazione BOLD58_Frame Ricercata ed elegante. La madia e l’armadiatura FRAME sono sistemi di contenimento curati, caratterizzati da un design sofisticato e geometrico.L’archiviazione diventa un elemento architettonico capace di definire lo spazio con precisione compositiva. Il telaio esterno crea una cornice rigorosa che organizza moduli aperti e chiusi, permettendo configurazioni flessibili e perfettamente calibrate. L’inserimento del distanziale in metallo, introduce un segno materico distintivo e scandisce la composizione con ritmo misurato. Le ante ampliano le possibilità progettuali, accentuando i contrasti tra texture e volumi. FRAME diventa così un sistema ideale per ambienti direzionali evoluti, dove ordine, struttura e qualità materica definiscono l’identità dello spazio. Caratteristiche Scheda Tecnica Ambienti Gallery Catalogo Collezione BOLD58 Vani a giorno per le madie FRAME in finitura melaminica o laccata.Ante battente in essenza, laccate, in vetro trasparente o Laminam®.Top e fianchi FRAME con una combinazione originale che enfatizza l’orientamento vena a contrasto tra gli elementi.Il distanziale rientrato in finitura Titanio o Bronzo crea un dettaglio inedito e ricercato. I dettagli di BOLD58_Frame Ciò che contraddistingue il contenimento FRAME sono le composizioni non convenzionali di top e fianchi, caratterizzati da contrasti di orientamento vena nelle finiture in essenza ed un distanziale rientrato che sottolinea la geom
Loft Chair exemplifies honest, simple design thanks to an expression inspired by industrial design. The design features contrasting materials with its frame in powder coated steel that is offset by the soft plywood on seat and back, molded to embrace the user's body.
The Outline Series adds new perspectives to the classic Scandinavian design sofas of the 1960's, marrying the ideals of simplicity and function into one. With the design taking its name from its strong outline of a sofa, the Outline Series is clean and elegant on the outside with a deep seat and soft cushioning on its inside. The Outline Series has an expression that is at once elegant yet timeless, elevated by its lines referencing architectural shapes alongside its curved armrests, giving the design a distinct appearance across various sizes and variants. The Outline Series also includes Studio versions of the Sofa and Chair, being compact versions with slimmed-down proportions for smaller spaces within the home, hotel rooms, work settings and more. The Outline Studio Sofa and Chair have a smaller depth of 76 cm / 29.9”.
The Workshop Chair brings a playful approach to the wooden chair. The design creates a new perspective on archetypical Scandinavian design through its thin back shell and slightly curved seat that gives the chair its distinct look.
The Fiber Chair brings a new perspective to the iconic shell chair through its innovative composite of 100% recycled plastic and wood fibers. The wood fibers blend into the surface for a matte finish, adding a soft, inviting touch. The Fiber Chair is designed with friendly, embracing curves that provide extensive comfort to its user while taking up little space in the room.
The Outline Studio Series adds new perspectives to the classic Scandinavian design sofas of the 1960's, designed in slimmed-down proportions for smaller spaces such as apartments, hotel rooms, workplaces and more. With the design taking its name from its strong outline of a sofa, the Outline Series is clean and elegant on the outside with a deep seat and soft cushioning on its inside. The Outline Series has an expression that is at once elegant yet timeless, elevated by its lines referencing architectural shapes alongside its curved armrests, giving the design a distinct appearance across various sizes and variants.
Designer Christian Werner has stripped the dining chair back to the basics. The result is Gyon, a design built entirely on basic shapes. Werner has created a stunningly elegant chair that doesn't compromise on comfort.
Tamarinde is a slender dining chair with invitingly open arms and an adjustable back, so you can easily relax after dessert. With Tamarinde, a good conversation can go on for hours after an amazing meal.
A chair that combines several expressions in a single vocabulary, tracing the lines of the most traditional carved African stools and merging them with the American design of the golden years, echoing the concept of curved multilayer plywood.
Ero|S| is a swivel armchair with an organic egg shape, a refined combination of finishes and an adept use of colour. Ero|S| is ideal for the home, in dining or living rooms, but it also fits nicely into offices as a representative chair in the meeting room or in waiting areas. Two versions are available: the chair can rest on a glossy aluminium rotating base with central support or on a lightweight four-legged chrome structure.
Comback is a chair featuring a backrest consisting of seven "teeth" which spread out towards the lumbar region where they meet a reinforced hexagonal rim with slim shafts radiating down to join the seat. A goodly size, this single mould chair embodies functionality and well-freighted ergonomics with sentiment and memories. The Comback comes in several modernised versions – the “swivel” model with four spokes and a central swivel shaft and the “sled” with two slim tubular sides.
Børge Mogensen’s Outdoor series, first introduced to Carl Hansen & Søn’s collection
of outdoor furniture in 2020, is now expanded with the Deck Chair with Footrest. Comfortable, functional and space-saving, the foldable design provides optimal comfort as well as a light and elegant expression.
Off Chair consists of a seat made from rigid PU foam with full upholstery. Inside the upholstery and PU foam, the chair has a steel reinforcement structure. The base comes with either four static legs or five wheels with swivel and a tilt inclination of 10°, and is made of polished or black powder-coated aluminum. An optional cushion made of veneer and PU foam is available. Choose between leather upholstery or a wide range of different textile upholstery options.